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At the Gate of the Ghost

Original title: อุโมงค์ผาเมือง.

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In this worthy adaptation of the Japanese film Rashomon, a young monk is left to determine the truth behind three competing perspectives after a bandit’s disturbing murder trial.

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  • 1 hr 54 min
  • 6.1   (405)

At the Gate of the Ghost is a Thai horror film directed by Wisit Sasanatieng and released in 2011. The movie stars Mario Maurer, Phetthai Vongkumlao, and Pongpat Wachirabunjong. This movie is a remake of a 1959 classic Thai horror movie "Phi Mak Phra Khanong." The film tells the story of a young and handsome man named Mak (Mario Maurer) who returns from the 14th-century war as a decorated soldier to his hometown, just to find that his wife, Nak (Vongkumlao), a beautiful and loving woman, died while he was away fighting for his king. Heartbroken by her passing, Mak stays with her corpse, going against the traditional Thai customs that require a quick funeral to avoid the corpse becoming a ghost.

Despite pleas from the townspeople to bury his wife, Mak refuses to let go of her body. Even as strange and eerie things occur around him, he continues to sleep and live with her corpse. However, Mak's friends begin to suspect that there is something not quite right with Nak; she appears to be alive and may even be a ghost.

Things take an even darker turn when a ghost expert, Monk Phra Krathong (Wachirabunjong), moves into a temple nearby and takes an interest in Mak's situation. As he investigates, he discovers that the townspeople have kept secrets about Nak's death that may have consequences for the future of the town. The Monk is determined to reveal the truth about Nak's death, but his actions may cause even more danger to Mak's life.

As the story unfolds, Mak finds himself facing the wrath of the supernatural realm, with vengeful spirits haunting him everywhere he goes. Nak, still unable to let go of her husband, begins to haunt their home, urging Mak to stay with her forever. The townspeople become fearful of the ghost that they believe is haunting their home and begin to take matters into their own hands.

With exceptional acting from the entire cast, At the Gate of the Ghost is a dark and eerie tale of love and ghosts. The movie balances the horror elements with the emotional aspect of the story, displaying the characters' emotional traumas and their struggles to deal with the unexpected challenges thrown their way. Although the movie is a horror film, the story and characters are genuinely relatable, making this movie an ideal viewing experience for those who enjoy horror stories with a heart.

The movie's cinematography and soundtrack deserve special mention as they add to the overall eerie feel of the movie. The film's Thai heritage is an essential part of the movie's charm, with its representation of traditional Thai customs, costumes, and music that all come together to create a haunting and mesmerizing viewing experience.

In summary, At the Gate of the Ghost is a remarkable blend of supernatural horror, drama, and romance that will keep you on the edge of your seat throughout the film. With excellent acting performances, a chilling atmosphere, and a compelling story that balances suspense and emotion, it is no wonder that this movie is a modern classic of Thai horror cinema.

At the Gate of the Ghost is a 2011 crime movie with a runtime of 1 hour and 54 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.1.

At the Gate of the Ghost

  • Genres Crime Drama Mystery
  • Cast Mario Maurer Phetthai Vongkumlao Pongpat Wachirabunjong
  • Director M.L. Pundhevanop Dhewakul
  • Release Date 2011
  • MPAA Rating R
  • Runtime 1 hr 54 min
  • Language Thai
  • IMDB Rating 6.1   (405)

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In this worthy adaptation of the Japanese film “Rashomon,” a young monk is left to determine the truth behind three competing perspectives after a bandit’s disturbing murder trial.

Released: 22/09/2012 (Thailand)

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Thailand Ananda Everingham , Asian Movie , AsianMovie , At the Gate of the Ghost (2011) , bande annonce vf , Dom Hetrakul , Dvd , Film Asiatique , Laila Boonyasak , M.L. Pundhevanop Dhewakul , Mario Maurer , Petchtai Wongkamlao , Pongpat Wachirabunjong , Ryûnosuke Akutagawa , Sahamongkol Film International , The Outrage (2011) , trailer hd , U mong pa meung (2011) , VAD , vod

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At the Gate of the Ghost

2011, Drama, 1h 47m

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At the gate of the ghost   photos.

A young monk, a poor man and an old beggar recount a murder trial.

Rating: R (Sexuality|Some Violence)

Genre: Drama

Original Language: Thai

Director: M.L. Pundhevanop Dhewakul

Release Date (Streaming): Nov 1, 2016

Runtime: 1h 47m

Cast & Crew

Ananda Everingham

Cherman Boonyasak

Dom Hetrakul

Mario Maurer

Pongpat Wachirabunjong

The Undertaker

Phetthai Vongkumlao

Thanya Wachirabunjong

M.L. Pundhevanop Dhewakul

Chatchai Pongprapaphan

Original Music

Panom Promchard

Cinematographer

Noppadon Techo

Costume Design

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At the Gate of the Ghost

A young monk leaves town to seek his father's counsel after being disturbed by murder trial testimony of the bandit Singh Khan, the wife of the deceased warlord, and a shaman who conjures up the warlord's spirit. Along the way, he encounters a poor man who testified at the trial, and the two take refuge in an abandoned burial tunnel during a storm. An old beggar who joins in their lively conversation about the trial meets them. In vivid detail, each story is witnessed on screen as it's told from the bandit's, the wife's, and the warlord's perspectives, all riddled with bias and personal agenda. In the end, the young monk is left to determine what ...

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The Outrage

The Outrage (2011)

In this remake of Rashomon (1950), a young monk is left to determine the truth behind three competing perspectives after a bandit's disturbing murder trial. In this remake of Rashomon (1950), a young monk is left to determine the truth behind three competing perspectives after a bandit's disturbing murder trial. In this remake of Rashomon (1950), a young monk is left to determine the truth behind three competing perspectives after a bandit's disturbing murder trial.

  • M.L. Pundhevanop Dhewakul
  • Akira Kurosawa
  • Shinobu Hashimoto
  • Mario Maurer
  • Phetthai Vongkumlao
  • Pongpat Wachirabunjong
  • 3 User reviews
  • 12 Critic reviews
  • 2 wins & 7 nominations

The Outrage (2011)

  • (as Phettai Wongkamlao)
  • (as Phongpat Wachirabanjhong)
  • (as Ananda Mathew Everingham)
  • Warlord's Wife
  • (as Chermarn Boonyasak)

Dom Hetrakul

  • Prince of Pha-Mueang City
  • Police Inspector

Ratklao Amaradit

  • (as Ratklao Amaratisha)

Daraneenute Bhothipiti

  • Warlord Wife's Mother
  • Warlord's Mother
  • (as Thanya Sophon)
  • Monk's Father
  • Monk's Mother
  • Anand's Wife
  • Young Anand brother
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  • Crazy credits This movie has been made to celebrate the virtue of Lord Buddha's teachings.
  • Connections Remake of Rashomon (1950)

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  • Runtime 1 hour 48 minutes

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At The Gate Of The Ghost

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"A FASCINATING INVESTIGATION AND QUEST FOR TRUTH… [WITH] STUNNING PERFORMANCES"

-ANUTSHELLREVIEW.COM

About The Film

In this adaptation of the Japanese film Rashomon, a young monk leaves town to seek his father’s counsel after being disturbed by the murder trial testimony of the bandit Singh Khan, the wife of the deceased warlord, and a shaman who conjures up the warlord’s spirit. Along the way, he encounters a poor man who testified at the trial, and the two take refuge in an abandoned burial tunnel during a storm. They are met by an old beggar who joins in their lively conversation about the trial. In vivid detail, each story is witnessed on screen as it’s told from the bandit’s, the wife’s and the warlord’s perspectives, all riddled with bias and personal agenda. In the end, the young monk is left to determine what meaning is of true consequence not only in this murder trial, but in choosing to continue on his monastic path.

Cast & Crew

Starring: MARIO MAURER ANANDA MATHEW EVERINGHAM CHERMARN BOONYASAK PHONGPAT WACHIRABANJHONG PHETTAI WONGKAMLAO DOM HETRAKUL SAKARAT LERKTHAMRONG RATKLAO AMARATISHA

Producers: John Hyams

Directed by: Tony CHING, Siu-tung

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Glynis Johns, Tony Winner for ‘A Little Night Music,’ Dies at 100

In a trans-Atlantic career that endured for more than 60 years, she was also known for her role in the hit Disney movie “Mary Poppins.”

A black and white portrait of Glynis Johns looking glamorous with her hand resting on her chin.

By Anita Gates

Glynis Johns, the British actress who in a trans-Atlantic career that endured for more than 60 years won a Tony Award for her role in “A Little Night Music,” giving husky, emotion-rich voice to the show’s most memorable number, “ Send In the Clowns ,” and played an exuberant Edwardian suffragist in the Disney movie classic “Mary Poppins,” died on Thursday in Los Angeles. She was 100.

Her death, at an assisted living facility, was confirmed by her manager, Mitch Clem.

Ms. Johns was 49 and on the brink of her fourth divorce when the Stephen Sondheim musical “A Little Night Music” opened at the Shubert Theater in February 1973. The New York Times described her character, Desirée Armfeldt, as “a slightly world‐weary and extremely lovewise actress in turn‐of‐the‐century Sweden.”

The critics adored her. To Clive Barnes of The Times, “the misty-voiced and glistening-eyed Glynis Johns was all tremulous understanding.”

To Walter Kerr, also writing in The Times, she was “that cousin of bullfrogs and consort of weary gods”; she was “discreet, dangerous … and gratifyingly funny.”

When she received the award for best actress in a musical at the 1973 Tony Awards presentation , Ms. Johns thanked the show’s “whole company” who “have given me back a joy that I had lost in the theater.”

Before then, she had been best known as a very different sort of character. In “Mary Poppins,” Disney’s award-winning 1964 family musical, she was Mrs. Banks, an enthusiastic wife, mother and political activist in 1910 London.

While her two small children were having adventures with their supernatural nanny, memorably played by Julie Andrews, Mrs. Banks was putting on a sash that said “Votes for Women” and making plans to “throw things at the prime minister.”

Ms. Johns’s easy versatility suggested that she might have been born to act, but it had not been her only passion, as she told The Los Angeles Times in 1991 . “I wanted to be a scientist,” she said. “I would’ve loved to go on and on and on at the university. But you can’t do everything in life.”

“And I didn’t have any choice at the time,” she added. World War II “broke out when I was 16.”

Glynis Margaret Payne Johns was born on Oct. 5, 1923, in Pretoria, South Africa, where her parents, both of whom were artists, were on tour.

Her father, Mervyn Johns , was a Welsh actor who went on to a prolific London theater and film career; he was perhaps best known as Bob Cratchit in the 1951 British film “Scrooge,” starring Alastair Sim (released as “A Christmas Carol” in the United States). Her mother, Alice Maude (Steele-Wareham) Johns, who was Australian, was a concert pianist who played under the stage name Alyse Steele-Payne.

Glynis studied at the London Ballet School from the age of 5. When she made her stage debut in the children’s play “Buckie’s Bears” at 12, she became the fourth generation — on her mother’s side — to make a career in the theater.

And she grew up onstage. In 1936, she was the troublemaking schoolgirl who drove the plot in Lillian Hellman’s play “The Children’s Hour.” A year later she played the fairy tale heroine in “A Kiss for Cinderella”; in 1943 she played the title role in “Peter Pan.”

She made her film debut in “South Riding” (1938) as Ralph Richardson’s daughter. She acted in a war drama, “49th Parallel” (1941), starring Laurence Olivier. In “An Ideal Husband” (1947), she was Oscar Wilde’s frivolous and spirited Mabel Chiltern.

When Ms. Johns’s movies were shown in the United States, they were met with genuine, if faint, praise. Of “Miranda” (1949), a comedy about a mermaid who wanted to see London, Bosley Crowther wrote in The Times, “Glynis Johns is bewitching — one half of her is, at least — as the coyly flirtatious finny creature.” When she returned in “State Secret” (1950), with Douglas Fairbanks Jr., Mr. Crowther found her “very saucy and explosive as the music hall girl.”

Exactly when she made her Hollywood screen debut is a matter of opinion. “ No Highway in the Sky ” (1951), in which she played a soft-spoken and very military-looking flight attendant, was a 20th Century Fox picture that starred James Stewart but was filmed in England.

She also made two Disney films abroad that were British co-productions. In “The Sword and the Rose” (1953), she played Henry VIII’s little sister; in “Rob Roy” (1953), the Scottish freedom fighter’s wife.

“ The Court Jester ” (1956) with Danny Kaye was definitely American, albeit set in a medieval European castle. Ms. Johns was an alluring but determined spy who needed to know whether “the pellet with the poison is in the vessel with the pestle.” And when push came to shove, she confidently operated the castle catapult.

She appeared in more than a dozen Hollywood movies, showing aristocratic restraint as often as rowdy working-class enthusiasm.

Ms. Johns was a proper turn-of-the-20th-century Southern belle fed up with her exasperating husband (Jackie Gleason) in the comedy “Papa’s Delicate Condition” (1963) and a loquacious Australian innkeeper in “The Sundowners” (1960), which starred Robert Mitchum and Deborah Kerr, and for which she received an Academy Award nomination.

In addition to playing the London suffragist in “Mary Poppins,” she was the comic relief in “The Chapman Report” (1962), a 19th-century Scottish immigrant in the drama “ All Mine to Give ” (1957), James Stewart’s wife in “Dear Brigitte” (1965), a comedy about a math prodigy, and an author having too much fun to finish her book in “Don’t Just Stand There” (1968).

Proud of her Welsh heritage, Ms. Johns appeared in “Under Milk Wood” (1971), a British film version of the poet Dylan Thomas’s radio play that starred and was partly narrated by Richard Burton. As Myfanwy Price, a Welsh fishing village’s dressmaker and sweet-shop owner, she fantasized passionately about the draper on the other side of town.

In “ The Ref ” (1994), she was Kevin Spacey’s disagreeable mother. In “While You Were Sleeping” (1995), she was the comatose hero’s fragile grandmother. Her last film was “Superstar” (1999), a comedy in which she played Molly Shannon’s take-charge grandmother, who ran over a priest in her motorized wheelchair.

On American television, Ms. Johns was a mystery writer in a brief series of her own, “Glynis” (1963), and played the well-dressed, chauffeur-driven mother of Diane Chambers on an episode of “Cheers.” In the 1982 mini-series “Little Gloria … Happy at Last,” she was Gloria Vanderbilt’s mother’s mother, a vibrant flapper of a certain age.

But Ms. Johns had begun her career on the stage, and she returned to it often. She made her Broadway debut in “ Gertie ” (1952), earning favorable reviews — “Quietly humorous in everything she does,” said The Times — but the play closed after five performances.

She won over Broadway audiences as the title character of George Bernard Shaw’s “Major Barbara” (1956), a munitions heiress working in a Salvation Army shelter, starring with Charles Laughton. The Times’s Brooks Atkinson declared the production “a standoff” between Laughton and Shaw, but The Daily News called the comedy “one of the best in many seasons.”

On Broadway, she was in a second Shaw play, “Too True to Be Good” (1963), with Lillian Gish.

In London, her stage roles included Anne of Cleves in “The King’s Mare” (1966) and Alma Rattenbury, a notorious 1930s murderer, in “Cause Célèbre” (1977). In the early 1970s, she did an international tour — playing England, the United States and Australia — in Noël Coward’s romantic comedy “The Marquise.”

Her final appearance on Broadway, opposite Rex Harrison in his last stage production, was in W. Somerset Maugham’s comedy “ The Circle ” (1989).

Ms. Johns was married and divorced four times. Her first husband, from 1942 to 1948, was Anthony Forwood, a British actor. She was then married to David R. Foster (1952-56) and Cecil Henderson (1960-62), both businessmen, and finally to Elliott Arnold (1964-73), an American feature writer and novelist.

Her only child, a son, Gareth Forwood, died in 2007. She is survived by a grandson and three great-grandchildren. She was a longtime resident of Los Angeles.

Maybe it was just as well that fate had pushed her into show business. In her youth, she was quoted as saying in a 1973 article in The Times, she had “wanted to lead what I thought of as a ‘normal’ existence, but I soon found I wasn’t as normal away from the theater as in it.”

She concluded, “Acting is my highest form of intelligence, the time when I use the best part of my brain.”

Alex Traub contributed reporting.

An earlier version of this obituary misstated the year the movie “Mary Poppins” was released. It was 1964, not 1965.

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First Pooh, now Mickey. In public domain, early Mickey Mouse version will star in horror movies

In a moment many close observers thought might never come, the “Steamboat Willie” version of Mickey Mouse will be free from Disney’s copyright at the start of 2024. Current artists and creators will be able to make use of Mickey when the iconic character enters the public domain on Jan. 1 — though with major limits. (Dec. 21)

This still image from video provided by Disney shows the character Mickey Mouse in the 1928 animated short “Steamboat Willie.” On Monday, Jan. 1, 2024, the iconic character from “Steamboat Willie” entered the public domain after the expiration of the 95-year copyright, and is already the focus of two horror films. (Disney via AP)

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This image provided by MM Trap LTD shows a scene from “Mickey’s Mouse Trap.” On Monday, Jan. 1, 2024, the iconic Mickey Mouse character from “Steamboat Willie” entered the public domain after the expiration of the 95-year copyright, and is already the focus of two horror films, including “Mickey’s Mouse Trap.” (MM Trap LTD via AP)

LOS ANGELES (AP) — The earliest iteration of Mickey Mouse is on a rampage, barely two days in the public domain.

Slashed free of Disney’s copyright as of Monday, the iconic character from “Steamboat Willie” is already the focus of two horror films. On Monday, just hours after the 1928 short entered the public domain, a trailer for “Mickey’s Mouse Trap” dropped on YouTube. Another yet-to-be-titled film was announced Tuesday.

“Steamboat Willie” featured early versions of both Mickey and Minnie Mouse. Directed by Walt Disney and Ub Iwerks, it was the third cartoon featuring the duo they made but the first to be released. In it, a more menacing Mickey, bearing more resemblance to rat than mouse, captains a boat and makes musical instruments out of other animals.

It’s perhaps fitting, then, that the first projects announced are seemingly low-budget and campy slasher movies — and not unprecedented. Winnie the Pooh — sans red shirt — entered the public domain in 2022; scarcely a year later, he was notching up a heavy body count in the microbudget “Winnie the Pooh: Blood and Honey.”

FILE - An actor dressed as Mickey Mouse greets visitors at the entrance to Magic Kingdom Park at Walt Disney World Resort, April 18, 2022, in Lake Buena Vista, Fla. The earliest version of Disney's most famous character, Mickey Mouse, and arguably the most iconic character in American pop culture, will become public domain on Jan. 1, 2024. (AP Photo/Ted Shaffrey, File)

In the trailer for “Mickey’s Mouse Trap,” directed by Jamie Bailey, what appears to be a human in a comically small Mickey mask terrorizes a group of young people at an arcade.

“A place for fun. A place for friends. A place for hunting,” text flashed during the trailer reads. “The mouse is out.”

This image provided by MM Trap LTD shows a scene from "Mickey's Mouse Trap." On Monday, Jan. 1, 2024, the iconic Mickey Mouse character from "Steamboat Willie" entered the public domain after the expiration of the 95-year copyright, and is already the focus of two horror films, including "Mickey's Mouse Trap." (MM Trap LTD via AP)

“We just wanted to have fun with it all. I mean it’s Steamboat Willie’s Mickey Mouse murdering people,” director Jamie Bailey said in a statement cited by trade publications. “It’s ridiculous. We ran with it and had fun doing it and I think it shows.”

No release date has been set.

The second movie is from director Steven LaMorte, who previously directed a horror parody of “The Grinch,” which is not in the public domain (the movie is thus called “The Mean One”).

“A late-night boat ride turns into a desperate fight for survival in New York City when a mischievous mouse becomes a monstrous reality,” is the logline for the untitled film, per a post on LaMorte’s Instagram.

“Steamboat Willie has brought joy to generations, but beneath that cheerful exterior lies a potential for pure, unhinged terror,” LaMorte said in a release cited by the trades. The movie has yet to begin production.

With the expiration of the 95-year copyright, the public is allowed to use only the initial versions of Mickey and Minnie — not the more familiar character designs.

“We will, of course, continue to protect our rights in the more modern versions of Mickey Mouse and other works that remain subject to copyright,” Disney said in a statement ahead of the characters entering the public domain.

This still image from video provided by Disney shows the character Mickey Mouse in the 1928 animated short "Steamboat Willie." On Monday, Jan. 1, 2024, the iconic character from “Steamboat Willie” entered the public domain after the expiration of the 95-year copyright, and is already the focus of two horror films. (Disney via AP)

LaMorte told Variety that the producers of his film are working with a legal team so as not to run afoul of Disney, and will call their raging rodent Steamboat Willie instead of Mickey Mouse.

“We are doing our due diligence to make sure there’s no question or confusion of what we’re up to,” he said.

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At the Gate of the Ghost

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Adapted from the Award Winning Japanese film Rashomon by Akira Kurosawa at the Gate of the Ghost is a murder mystery told through three witnesses: A young monk a woodcutter and an undertaker.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ R (Restricted)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 0.71 Ounces
  • Item model number ‏ : ‎ 26409502
  • Director ‏ : ‎ M.L. Pundhevanop Dhewakul, ML Bhandevanop Devakul
  • Media Format ‏ : ‎ AC-3, Color, Closed-captioned, Multiple Formats, NTSC, Widescreen, Dubbed, Dolby, Subtitled
  • Run time ‏ : ‎ 1 hour and 54 minutes
  • Release date ‏ : ‎ April 16, 2013
  • Actors ‏ : ‎ Chermarn Boonyasak, Phongpat Wachirabanjhong, Phettai Wongkamlao, Ananda Everingham, Pongpat Wachirabunjong
  • Dubbed: ‏ : ‎ English
  • Subtitles: ‏ : ‎ English, Spanish
  • Producers ‏ : ‎ ML Bhandevanop Devakul
  • Studio ‏ : ‎ Magnolia Home Ent
  • ASIN ‏ : ‎ B00B1CGFZA
  • Number of discs ‏ : ‎ 1
  • #65,258 in Drama DVDs

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    2013 · 1 hr 47 min R Foreign/International · Mystery · Drama A young monk seeks the truth after a warlord is murdered and the trial offers vastly different accounts from all involved in the warlord's orbit. StarringAnanda Everingham Mario Maurer Chermarn Boonyasak Phongpat Wachirabanjhong Dom Hetrakul Directed byM.L. Bhandevanov Devakula

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    Amazon Prime Video Rent: SD $2.99 • HD $3.99 Buy: SD $9.99 • HD $12.99 Show More About At the Gate of the Ghost In this worthy adaptation of the Japanese film Rashomon, a young monk is left to determine the truth behind three competing perspectives after a bandit's disturbing murder trial. Watch Trailer Article continues below this related video:

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    At the Gate of the Ghost is a Thai horror film directed by Wisit Sasanatieng and released in 2011. The movie stars Mario Maurer, Phetthai Vongkumlao, and Pongpat Wachirabunjong. This movie is a remake of a 1959 classic Thai horror movie "Phi Mak Phra Khanong."

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    2011 · 1 hr 47 min R Drama · Mystery · Foreign/International In this Rashômon remake, a young monk is left to determine the truth behind three competing perspectives after a bandit's disturbing murder trial. StarringAnanda Everingham Mario Maurer Chermarn Boonyasak Phongpat Wachirabanjhong Dom Hetrakul Directed byM.L. Pundhevanop Dhewakul

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    56 NR 1 hr 30 min Mystery, Crime Adapted from Japanese film called Rashomon, U Mong Pa Meung (The Outrage) takes place in a wood during Thai's Lanna period where a mysterious murder happens. The...

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    In this worthy adaptation of the Japanese film "Rashomon," a young monk leaves town to seek his father's counsel after being disturbed by murder trial testimony of the bandit Singh Khan, the wife...

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     Title: AT THE GATE OF THE GHOST (2011) Original title: U mong pa meung Director: M.L. Pundhevanop Dhewakul Screenwriter: Ryûnosuke Akutagawa Year: 2011 Time: 108 mn Country: Type: Drame , Fantastique , Distribution: Sahamongkol Film International OFFICIAL WEBSITE

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    Adapted from Japanese film called Rashomon, U Mong Pa Meung (The Outrage) takes place in a wood during Thai's Lanna period where a mysterious murder happ...

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    Director Pundhevanop Dhewakul. Writers Ryūnosuke Akutagawa + 2 more. Country Thailand. Language Thai. Studio Sahamongkolfilm. Genres Crime, Mystery, Drama. Murder is the crime, Truth is the victim. In this worthy adaptation of the Japanese film Rashomon, a young monk is left to determine the truth behind three competing perspectives after a ...

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    Director M. L. Pundhevanop Dhewkul. A young monk leaves town to seek his father's counsel after being disturbed by murder trial testimony of the bandit Singh Khan, the wife of the deceased warlord, and a shaman who conjures up the warlord's spirit. Along the way, he encounters a poor man who testified at the trial, and the two take refuge in an ...

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    Original title: U mong pa meung 2011 R 1h 48m IMDb RATING 6.1 /10 406 YOUR RATING Rate Drama Mystery In this remake of Rashomon (1950), a young monk is left to determine the truth behind three competing perspectives after a bandit's disturbing murder trial. Director M.L. Pundhevanop Dhewakul Writers M.L. Pundhevanop Dhewakul Akira Kurosawa

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    At The Gate Of The Ghost is a film directed by M.L. Pundhevanop Dhewakul with Ananda Everingham, Chermarn Boonyasak, Mario Maurer, Pongpat Wachirabunjong .... Year: 2011. Original title: U mong pa meung. Synopsis: In this adaptation of the Japanese film Rashomon, a young monk leaves town to seek his father's counsel after being disturbed by the murder trial testimony of the bandit Singh Khan ...

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    In this adaptation of the Japanese film Rashomon, a young monk leaves town to seek his father's counsel after being disturbed by the murder trial testimony of the bandit Singh Khan, the wife of the deceased warlord, and a shaman who conjures up the warlord's spirit.

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