essay is prose or poetry

Prose vs. Poetry: Their Differences and Overlaps

Sean Glatch  |  October 18, 2022  |  One Comment

The difference between prose and poetry seems easy to explain: one has blocks of text and fully-fleshed characters, the other has line breaks and pretty words. That’s it, right?

Despite their visual quirks, prose and poetry share many similarities: prose can be musical, poetry can have plots and characters, and both are millennia-old traditions. As such, it would be wrong to prescribe a rigid decision tree for writing prose vs. poetry—many writers have both in their toolkits, relying on each form to communicate different truths.

“Poetry creates the myth, the prose writer draws its portrait.” —Jean-Paul Sartre

So what is the difference between poetry and prose? And which should you write for which occasions? Again, we won’t give hard-and-fast rules, but we can explore their differences in depth and discuss their possibilities.

First, we’ll discuss the features of prose and poetry independently, then we’ll loop back to examine both their differences and their areas of overlap.

Prose vs. Poetry: Defining Prose

Prose is the more common writing form that everyone is comfortable reading and writing. This article relies on prose—as do most ( but not all! ) novels, and just about all news stories, instruction manuals, scientific papers, and so on.

Prose Versus Verse: Line Breaks

The most straightforward rule of thumb for knowing that you’re reading prose (as opposed to its counterpart, verse ) is that there are no defined line breaks: words go all the way to the edge of the page without “turning back” early.

A rule of thumb for prose (as opposed to its counterpart, verse ) is that there are no defined line breaks.

Again, that’s how this blog article works, along with most other writing, from tweets to short stories to scientific papers.

So why would you stop writing prose, and move over to the with-line-breaks type of writing known as verse? The line breaks aren’t arbitrary, but reflect an underlying difference in how prose and verse tend to be structured. To quote the always-helpful Wikipedia:

“Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph.”

So is verse (writing with line breaks) always poetry? While two are often used synonymously, defining poetry requires more than just scanning for line breaks: as we’ll discuss below, poetry is also about the rich and musical use of language.

Prose is not the counterpart of poetry, but the counterpart of verse.

So prose is not the counterpart of poetry, but rather the counterpart of verse. So verse is not what strictly defines poetry. In fact, not all poetry is in verse—specifically, prose poetry isn’t. In other words, prose and poetry do overlap, whereas prose and verse don’t.

Most poetry is in verse, but some poetry is in prose.

We go into more detail on line breaks, stanzas, and the use of page space in the sections below.

Prose is More Functional than Poetry

A helpful pattern in understanding prose vs. poetry is as follows: prose tends to work in clearer meanings, and to be less musical (that is, working with the inherent rhythms and sonic properties of language) and less densely packed with meanings, literary devices , and associations, than poetry.

As such, prose writing tends to be linear: while a prosaic sentence can twist and turn, it tends to share clear information, generally in a logical order.

Prose tends to work in clearer meanings, and to be less musical and dense, than poetry.

Again, exceptions exist, notably prose poetry : prose writing—writing with no line endings or defined rhythmic meter—that is highly musical and dense, and that is generally more impressionistic and multifaceted than most prose in the meanings it conveys.

And then there’s prose writing that is enigmatic and dreamlike rather than clear and orderly, such as the stream-of-consciousness prose writing in James Joyce’s Ulysses .

These exceptions prove the rule, though: most other prose, from this blog article your friend’s next Facebook post to Mary Shelley’s Frankenstein , tends to follow the delineation described here.

We’ll allow Hemingway a last word with a slightly macho, not-applicable-to-every-prose-work, but still helpful description of prose: “Prose is architecture, not interior decoration.”

Sound good? To get a stronger feel for prose and further acquaint yourself with prose writing, take a look at the readings below.

How to Read Prose

This article gives close reading strategies for prose writing.

How to Read Prose: Close Reading Strategies for Prose Writers

Further Readings in Fiction and Nonfiction

The articles below outline helpful practices for numerous kinds of prose writing, from flash fiction to the novel, focusing especially on the common ingredients of storytelling.

• Crafting a Story Outline
• Freytag’s Pyramid
• Literary Devices in Prose
• Writing Flash Fiction
• Writing the Short Story
• Writing the Novella
• Writing the Novel

Prose vs. Poetry: Defining Poetry

Poetry is the oldest literary form, predating the written word (and therefore, prose) by several millennia. Up until the printing press revolutionized the distribution of literature, poetry was the main form for storytellers, who used meter and rhythm to perform oral retellings of their work.

So, what is poetry? As we’ve seen in our introduction to prose above, most—but not all—poetry is written in verse: writing with line breaks, organized around rhythm or meter rather than grammar. Still, we’ve also seen that verse is not what defines poetry, nor is all poetry based in verse.

So it’s not simply another word for verse. Is there an agreed-upon artistic definition of poetry as a literary form? (Spoiler: No.)

Artistic Definitions of Poetry Vary

Artistic definitions of poetry change from poetic movement to poetic movement—and from poet to poet.

For example, William Wordsworth said that poetry is “the spontaneous overflow of powerful feelings… recollected in tranquility.” This sentiment—largely reflective of the Romantic era—certainly rings true for some poetry. However, New Formalist poets work with poetry to distill and reflect emotion through form and meter: in other words, structure over emotion.

The point is, there’s no singular way to define or understand the artistic aims of poetry. Rather, all poets must define these aims for themselves and write accordingly.

Poets must define the artistic aims of poetry for themselves and write accordingly.

Learning about poetry requires familiarizing yourself with what other poets have already done. This list of poetry movements can jumpstart your understanding of poetry’s complex and various histories.

Poetry Uses Language Richly

Good poetry, from any tradition, sings and resonates beyond the merely “prosaic.”

Whatever literary tradition you ascribe to, poetry has a clear job to be rich, musical, evocative. Good poetry, from any tradition, sings and resonates in a way that goes beyond the merely “prosaic,” as in the following poem excerpt by Derek Walcott:

You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you

all your life, whom you ignored for another, who knows you by heart.

So poetry, in any tradition, is the “cheesecake of language”: packed to the brim with sonic and expressive power. In poetry, it’s not enough to make a rational point straightforwardly, like the prosaic sentence you’re reading is doing.

Samuel Taylor Coleridge said this beautifully, and we can give him the last word in defining poetry.

“Poetry: the best words in the best order.” —Samuel Taylor Coleridge

Cool, right? If you’d like to learn more, check out our guides for reading and understanding poetry.

How to Read Poetry

This article gives close reading strategies for poetry writing.

How to Read Poetry Like a Poet

Further Readings in Poetry

The articles below outline helpful practices poetry writing, including deep dives on common literary devices in poetry and established poetry forms.

• Poetry Forms
• Writing and Publishing a Poetry Book

Poetry vs. Prose: A Clear Example of Each

Let’s cap the definitions of poetry and prose above by simply giving a clear example of each.

Here is some beautiful fiction writing that is definitely prose:

They were nearly born on a bus, Estha and Rahel. The car in which Baba, their father, was taking Ammu, their mother, to hospital in Shillong to have them, broke down on the winding tea-estate road in Assam. They abandoned the car and flagged down a crowded State Transport bus. With the queer compassion of the very poor for the comparatively well off, or perhaps only because they saw how hugely pregnant Ammu was, seated passengers made room for the couple, and for the rest of the journey Estha and Rahel’s father had to hold their mother’s stomach (with them in it) to prevent it from wobbling. That was before they were divorced and Ammu came back to live in Kerala.

—Arundhati Roy, The God of Small Things

And here is some writing that is definitely poetry:

We are such stuff As dreams are made on; and our little life Is rounded with a sleep.

—Shakespeare, The Tempest

5 Similar Features of Prose and Poetry

Having defined prose and poetry above, the reality is that they can be more similar than you might imagine. We’ll discuss their differences in a moment, but first, it’s important to understand the shared potential that each form holds:

• Musicality and rhythm
• Use of colloquial speech
• Use of literary devices
• Ability to tell stories
• Show, don’t tell

1. Musicality and Rhythm

It’s a common misconception that only poetry can be musical. While rhythm and meter are important aspects of a poem’s construction, musicality begins with language, not with structure.

An immediate example of “musical prose” is The Great Gatsby by F. Scott Fitzgerald. Susan Bell, writer of The Artful Edit , argues that Gatsby finds its success precisely because of the story’s musical, elegant storytelling—certainly, the book has a charged poeticism that feels just as decadent and tasteful as the high society of the Roaring Twenties. Below is some undeniably musical prose:

2. Use of Literary Devices

Things are like other things, which is the essence of literary devices. While some devices are unique to each form—poems have enjambment, prose can begin in media res —a successful piece of writing requires literary devices .

3. Use of Colloquial Speech

Yes, some writing uses lofty and erudite language. However, contemporary prose and poetry writers, from all eras, recognize the importance of speaking to their audience.

Colloquial speech is one way of speaking to your audience. A colloquialism is a turn of phrase with a specific social and temporal context. For example, “groovy” belongs to the American 1970s, Victorian Brits called a brave person “bricky,” and Gen Z’ers “stan” on Twitter.

In literature, Jay Gatsby’s “old sport” is just as colloquial as the poem “A Study of Reading Habits ,” which uses phrases like “right hook” and “load of crap.”

4. Storytelling

Another common misconception is that poetry doesn’t tell stories. While fiction and nonfiction are the genres of prose, poetry also possesses a powerful narrative voice.

Singular poems can tell grand stories, especially poetry in antiquity. The Epic of Gilgamesh , The Odyssey , and Beowulf are all stories in verse, as are novel-poems like Autobiography of Red .

Additionally, contemporary poetry collections often tell stories, just with less linearity. Louise Gluck’s collection Wild Iris is told from the perspective of a flower, and as the seasons change, the flower observes the infinite singularity of mankind, God, and the Universe.

5. Show, Don’t Tell Writing

It’s important for storytellers to demonstrate their ideas without spoon feeding the reader. In other words, writers should Show instead of Tell.

Don’t tell me the moon is shining; show me the glint of light on broken glass. —Anton Chekhov

We consider “Show, Don’t Tell” a golden rule of writing. Brush up on it here !

10 Differences Between Prose and Poetry

We’ve discussed their similarities, but the difference between poetry and prose is usually fairly clear in practice. The following ten items distinguish the two. To help demonstrate our point, we represent each form with a well known piece of literature. Poetry examples were pulled from Dylan Thomas’ “ Do Not Go Gentle Into That Good Night ,” and prose examples come from “ The Cask of Amontillado ” by Edgar Allan Poe.

1. Prose vs. Poetry: Use of Page Space

In prose, a line of text begins and ends at the margins of the page. In poetry, the author uses shorter lines, broken before the page margins to introduce multiple meanings. Line breaks are an enduring feature of what differentiates prose and poetry, adding extra emphasis to certain words and sounds.

You’ll notice in prose that a partial line occurs only before a new paragraph.

In poetry, the line breaks mean something more intentional. The ending words can help uphold meter and rhyme schemes, and it also emphasizes important words: “night” and “light” are repeatedly pit against each other in Thomas’ villanelle .

2. Prose vs. Poetry: Paragraphs vs. Stanzas

Prose passages divide single ideas into sentences, and those sentences go on to form paragraphs. A new paragraph signifies the introduction of new ideas or the continuation of relevant information.

The equivalent of a paragraph in poetry is the stanza. Stanzas are groupings of lines which act as units of meaning, with different stanzas containing different ideas and images.

3. Prose vs. Poetry: Single vs. Multiple Meanings

In prose, the meaning of each word is usually straightforward, with double meanings (like puns and irony) clearly expressed. Most prose relies on clear meanings to deliver clear, linear messages.

By contrast, the language of poetry contains multitudes. One word can hold many different meanings, and ideas can be broken into both sentences and lines.

Take the line “old age should burn and rave at close of day.” The word rave can mean multiple things: it can mean to rant and rave as old people (stereotypically) do, or it can mean to rage and fight against. The pun here is intended to energize the reader,

4. Prose vs. Poetry: Noun-Verb Placements

In Standard English , which is the common (but not default) language of prose, nouns and verbs are found close to each other. This is a facet of “clear communication”—it’s important to know who is doing what as efficiently as possible.

We have bolded the noun-verb pairs in an excerpt from both the poem and prose piece.

Notice how the noun-verb pairs can stray from each other much more easily in poetry. Dylan Thomas inserts a noun-verb pair between a noun-verb pair in each stanza—which is much harder to use effectively in prose.

Notice that, in prose, a noun can have multiple verbs attached to it, but the first verb is almost always next to the noun.

5. Prose vs. Poetry: Rhyme (Sometimes)

There are two types of rhyme: internal and external rhyme. External rhyme occurs at the ends of lines, such as the many “-ight” words in Thomas’ poem.

Internal rhyme refers to words that rhyme with each other inside the same beat. These rhymes are not always intentional or charged with meaning, but they occur, such as in this sentence from Poe’s story:

“We had passed through walls of piled bones , with casks and puncheons intermingling, into the inmost recesses of the catacombs.”

Bones and catacombs aptly rhyme with each other. Note, rhyme is not a necessary feature of any prose and many poems. Though some poetry forms do require rhyme schemes, contemporary poets tend to eschew rhyming.

6. Prose vs. Poetry: Meter (Sometimes)

Like rhyme, meter is an (often) optional component of poetry writing. Meter refers to the stress patterns of syllables and the number of syllables per line. Well-executed meter can give poetry a certain musical quality.

Thomas’ poem is written in iambic pentameter, a requirement of the traditional villanelle form. This means there are 10 syllables in each line, following an unstressed-stressed pattern. To understand syllable stress, read Thomas’ poem out loud, and note how every second syllable is emphasized harder than the first.

Prose does not rely on meter to tell a story.

Prose does not have any metrical requirements, and thank goodness for that. Meter can be extraordinarily tough to impose on a poem, but it also affects how the reader interprets the piece. However, prose does not rely on meter to tell a story, as these poetry devices often instill multiple meanings in a piece.

7. Prose vs. Poetry: Pragmatic vs. Imaginative Focus

On a macro-level, the vision of poets and prose writers tends to differ. Prose has a pragmatic focus, meaning that each word should clearly advance a specific idea or narrative. The focus of prose is storytelling, so the author has a duty to use words diligently.

While poetry can tell stories, a poem rarely focuses on plot points, settings, and characters.

While poetry can tell stories, a poem rarely focuses on plot points, settings, and characters. Rather, poetry has an imaginative focus. Words are allowed to break their conventional bounds in the goal of expressing emotions, and ideas can stack upon each other like grains of sand in a sand castle.

So, what’s pragmatic about Poe, and what’s imaginative about Thomas? Every word in Poe’s piece describes details and events that push the reader towards the climax. At no point does the reader jump out of the narrative to speculate or stargaze.

In Thomas’ poem, the words don’t point the reader towards a specific event, but they do encourage the reader to think deeply about abstract ideas. Old or young, the reader will contend with ideas of life, death, justice, goodness, and the judgment against our souls. In 19 lines of mostly concrete images, the poet asks us to read imaginatively—and in the process, to learn what we believe.

8. Prose vs. Poetry: Paraphrasability

A piece of prose can be summarized. If you ask “what is ‘The Cask of Amontillado’ about?”, it is possible to paraphrase the story and get the gist of its deeper meaning. In short, Poe’s story observes a man desperate for revenge, only to find that revenge often hurts both the punisher and the punished.

Poetry is generally harder to summarize than prose, because it tends to include greater multiplicities of meaning.

Poetry is generally harder to summarize than prose, because it tends to include greater multiplicities of meaning. No one can tell you what a certain poem means. They can tell you what it isn’t —for example, “Do Not Go Gentle” is not about heartbreak, war, or the summertime—but deciding what a poem means requires a reader’s own attention.

For example, one could summarize Thomas’ poem as “an ode to Thomas’ dying father, with a vengeful bent against mankind’s eventual death.” But, does saying that invoke Thomas’ juxtaposition of light and dark? His use of rhyme to draw a conceit? His need to believe in the transience of the soul? By the time you’ve summarized the poem, you’ve written something as long as the poem itself. Poetry cannot be paraphrased.

9. Prose vs. Poetry: Point of View

Prose and poetry treat “point of view” in very different ways. A point of view (POV) refers to who is telling the story. The storyteller doesn’t always have a name or a face, but they do inevitably change how a story is read.

In prose, there are 4 main POVs:

• First Person (I): The story is told in the first person, from a character who is either the protagonist or adjacent to the protagonist. The Cask of Amontillado uses the first person POV.
• Second Person (You): The story is told in the second person. Often, the writer will substitute “the protagonist” for “you,” making the story’s actions feel more intimate and personal. Second Person storytelling is rare, but not unheard of.
• Third Person Limited (He/She/They): The story is told in the third person, and it focuses on the perspective of the protagonist. We have access to most of their thoughts and feelings, but our access to other people is limited by the protagonist’s perspective.
• Third Person Omniscient (He/She/They): The story is told in the third person, and the narrator has access to everyone’s thoughts, feelings, and actions. We can jump from person to person with ease, interweaving webs of complex narratives together.

Some stories will also take a Third Person Mixed approach, meaning the meat of the story is told from the protagonist’s perspective, but the reader occasionally jumps to someone else’s POV or to a historical time period.

While poetry can use the same pronouns (I/You/He/She/They), it uses POV differently. A poem is always told from the perspective of “the speaker.” The speaker can be the poet themselves—Dylan Thomas is certainly the voice behind his poem, and he is certainly talking to his father. However, the correct approach is to always call the poem’s POV “the speaker,” as a poem can inhibit many different voices at once. Finally, poetry is much easier to apply to yourself when the speaker isn’t anyone in particular.

10. Prose vs. Poetry: Concision

Prose and poetry writers should both write concisely. Concise writing eschews redundancies and makes every word count. However, concision means something different for the two forms.

In prose, concision generally means that not a word is wasted in conveying information. Concise prose expresses its meaning clearly.

Concise prose expresses its meaning clearly.

Of course, good prose can still be long-winded, as long as this heightens the effect of the work. Take this sentence from Poe’s story:

“It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good-will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.”

These sentences are 19 and 27 words long, respectively. They can also be summarized as follows: “Fortunato thought my smile bore good-will, not the desire to immolate him.”

What does Poe’s long-windedness afford him? Despite being easily paraphrased, every word does count in these two sentences, because they are a part of the narrator’s characterization. He is a long-winded schemer, and that affects how the story must be told, since Poe has chosen the first person to make us intimate with the narrator’s internal conflict.

Poetry is a different situation. Because poetry has line breaks, stanzas, and (sometimes) rhyme and meter, its concision takes a different form. In a poem, it’s great if every word contains heavy meaning; it’s even greater when words contain multiplicities and challenge the reader’s ideas. Economy in poetry is maximizing its impact, musicality, and richness—not necessarily its clear, single meaning.

Economy in poetry is maximizing its impact, musicality, and richness—not necessarily its clear, single meaning.

If you stretched a poem into prose, it would read like a terrible short story, because the concision afforded to poetry is different than that of prose. Concise prose focuses more on clarity of meaning, and poetry more on maximizing the richness and impact of every syllable.

Poetry vs. Prose Venn Diagram

Prose vs. Poetry: A Final Note On Literary Binaries

Any article like this risks making literature seem binary, as though prose and poetry were totally discrete entities; so in closing, it’s good to note again that writers, especially contemporary writers, often work at the intersection of prose and poetry, resulting in genres like the prose poem , the lyrical essay or the poetry novel . (And we haven’t even touched on scriptwriting, which is a different form of communication altogether.)

There is much to explore outside of poetry and prose; this article simply covers the basics. As you advance on your writing journey, don’t be afraid to experiment with words outside of the traditional “prose vs. poetry” binary. You might be shocked by what you can accomplish!

Explore both Prose and Poetry at Writers.com

Whether you’re experimenting with poetry, fiction, or creative nonfiction, Writers.com has the classes to help you succeed. Take a look at our upcoming courses —and gain valuable insights from our instructors and writing community .

Sean Glatch

Great summary. I write poetry, prose poems, flash fiction and short stories so I’m using the grab bag of everything you said here! Never taught about line breaks, though. I see some poets going willy nilly all over the page. Maybe there just aren’t any rules where this is concerned…

Leave a Comment Cancel Reply

Save my name, email, and website in this browser for the next time I comment.

When You Write

Poetry Vs Prose: Understanding The Differences Between Poetic And Prosaic Language

Do you ever find yourself wondering why some literature reads like a beautiful poetic masterpiece while others are straightforward and to the point? The answer lies in the difference between poetry and prose.

While both forms of writing have their unique features and complexities, understanding their differences can help you appreciate and analyze them more deeply.

In this article, you will explore the world of poetry and prose and learn how to distinguish between the two. You will delve into the structural and stylistic differences, as well as the purpose and audience of each form of writing.

By the end of this article, you will have a better understanding of the beauty and complexity of both poetry and prose and be able to appreciate the artistry behind each one.

So, whether you are a writer or a reader, get ready to embark on a journey of literary exploration.

Key Takeaways

• Poetry uses rhythmic and metaphorical language, while prose follows a natural flow of speech.
• Poetic language is used to create artistry in the work, while prosaic language is used to communicate information to a specific audience.
• Poetry is often associated with more artistic or literary genres, while prosaic language is more commonly used in non-fiction, journalism, and other genres that prioritize communication over artistry.
• Both forms have their own unique value and can broaden our understanding of the world and the human experience in different ways.

Defining Poetry and Prose

Do you know what poetry and prose are? Let me tell you, poetry is a form of writing that uses rhythmic and metaphorical language, while prose is a straightforward form of writing that follows a natural flow of speech.

Poetry has its origins in oral traditions and has evolved over time to become a written art form. It has a rich cultural significance and impact, from the ancient Greek epic poems to modern-day spoken word performances.

Prose, on the other hand, has its roots in the written word and is often used for storytelling, journalism, and academic writing. It’s a more direct and efficient way of conveying information compared to poetry, which can be more abstract and open to interpretation.

Despite their differences, both poetry and prose have their own unique beauty and value in the world of literature. Understanding the distinctions between the two can help you appreciate and enjoy them both even more.

Structure and Style

When it comes to the structure and style of writing, there are a few key points to keep in mind.

In poetry, the use of rhythm, rhyme, and imagery can add depth and emotion to the words.

On the other hand, prose often follows the natural flow of speech for a more conversational tone.

Understanding these differences can help you craft your writing in a way that best fits your message and style.

Adjusting the paragraph structure in this way makes it easier to read and understand. It also adds a more casual tone to the writing by using contractions.

Use of Rhythm, Rhyme, and Imagery in Poetry

As you read a poem, you’ll feel the rhythm and hear the rhyme, creating imagery that paints a vivid picture in your mind. The use of rhythm, rhyme, and imagery is what sets poetry apart from prose. These elements give poetry a musical quality that can captivate and move its readers.

Here are four ways in which poets use rhythm, rhyme, and imagery to create meaning and beauty:

• Rhythm: Poets use rhythm to create a musical quality in their work. They do this by repeating sounds or syllables, creating a sense of pattern and movement. This can help to create a mood or tone in the poem, and can also help to emphasize certain words or phrases.
• Rhyme: Poets also use rhyme to create a musical quality in their work. Rhyme occurs when two or more words have the same ending sound. This can make the poem sound more pleasing to the ear, and can also help to create a sense of unity or completeness in the poem.
• Imagery: Poets use imagery to create a vivid picture in the reader’s mind. They do this by using descriptive language that appeals to the senses. This can help to create a mood or tone in the poem, and can also help to convey the poet’s message.
• Symbolism: Poets often use symbolism to convey deeper meanings in their work. They do this by using objects, images, or actions that represent something else. This can help to create a sense of depth and complexity in the poem, and can also help to convey the poet’s message in a more subtle and nuanced way.

Natural Flow of Speech in Prose

You’ll find that when you speak in everyday conversation, your words flow naturally, like a river carving its way through the earth.

Unlike poetry, which has a distinct rhythm, prose tends to follow the natural intonation patterns of speech. It doesn’t necessarily have to adhere to a specific meter, rhyme scheme, or structure, making it more flexible and adaptable to different contexts.

In prose, you can use a conversational tone to connect with your audience on a more personal level. You can convey your thoughts and ideas in a way that feels authentic and relatable, instead of trying to fit them into a predetermined structure.

This allows for more creativity and spontaneity, as you can experiment with different sentence lengths, word choices, and even dialects to capture the nuances of everyday speech.

Ultimately, the natural flow of language in prose is what makes it such a powerful tool for communication, allowing us to express ourselves in a way that is both clear and compelling.

Purpose and Audience

The purpose and audience of a piece greatly influence whether poetic or prosaic language will be used. A writer’s decision to use poetic language stems from their desire to create artistry in their work, while their use of prosaic language is driven by the need to communicate information to a specific audience.

Here are four factors that determine the use of poetic or prosaic language:

• Purpose vs Artistry: If the writer’s primary goal is to create artistry in their work, they’ll likely use poetic language. This is because poetry allows writers to use figurative language, symbolism, and other literary devices to create a more vivid and emotional experience for the reader.
• Audience vs Expression: If the writer is targeting a specific audience or demographic, they’ll likely use prosaic language. This is because using overly poetic language can alienate readers who aren’t familiar with or interested in that style of writing. Prosaic language is more accessible and easier to understand, making it a better choice for communication.
• Tone and Mood: The tone and mood of a piece also play a role in determining whether poetic or prosaic language is used. If the writer is trying to create a somber or melancholic mood, they may use poetic language to convey a sense of sadness or longing. On the other hand, if the writer is trying to create a more lighthearted or humorous tone, they may use more straightforward, prosaic language.
• Genre: Finally, the genre of a piece can also dictate whether poetic or prosaic language is used. Poetry is often associated with more artistic or literary genres, such as romance, drama, and literary fiction. Prosaic language is more commonly used in non-fiction, journalism, and other genres that prioritize communication over artistry.

Understanding the purpose and audience of a piece is essential in deciding whether to use poetic or prosaic language. Ultimately, it’s up to the writer to decide which style best suits their goals and message, while keeping in mind the needs and expectations of their audience.

Analysis and Interpretation

Get ready to dive deep into the meaning and emotions behind the words in your favorite literary works. Analysis and interpretation are crucial when it comes to understanding the differences between poetic and prosaic language.

While prose tends to be more straightforward and literal, poetry is often filled with figurative language that requires careful analysis in order to fully grasp its symbolism and metaphorical meanings. Figurative language is one of the key elements that sets poetry apart from prose.

Poets use a variety of literary devices, such as metaphors, similes, and personification, to create vivid and imaginative descriptions that go beyond the literal meaning of the words. Symbolism is also a common feature in poetry, where objects, settings, and even words themselves can represent deeper and more complex meanings.

By analyzing these elements, readers can gain a deeper understanding of the emotions and themes that a poet is trying to convey. So, the next time you read a poem, be sure to take your time and look beyond the surface level to uncover its hidden meanings.

Appreciating the Beauty and Complexity of Both Forms

Don’t miss out on experiencing the beauty and complexity of both poetic and prosaic language, as they each have their own unique value.

Poetry has the ability to evoke a strong emotional impact through its use of imagery, rhythm, and figurative language. It can capture the essence of a moment or feeling in a way that prose cannot, leaving a lasting impression on the reader.

On the other hand, prose offers a more straightforward and logical presentation of ideas, making it easier to understand complex concepts and analyze them critically. It also has cultural relevance, as it’s the primary form of communication in many fields such as science, law, and journalism.

Both forms of writing have their place in our lives, and we can appreciate their beauty and complexity in different ways. By embracing both forms, we can broaden our understanding of the world and the human experience.

As you wrap up this journey of understanding the differences between poetic and prosaic language, you may find yourself feeling like you’ve gained a deeper appreciation for both forms of expression.

Whether you’re exploring the complexities of the human condition through poetry or delving into a gripping story through prose, you’ve seen firsthand how language can be used to create beauty, evoke emotion, and inspire change.

So go forth and continue to appreciate the beauty and complexity of both poetry and prose and let them guide you on your own creative journey.

Recommended Reading...

Muse of poetry: understanding the inspiration behind poetic creation, onomatopoeia in poetry: exploring the use of sound words in poems, play vs screenplay writing: key differences and similarities, poems that rhyme: understanding and writing rhyming poetry.

Keep in mind that we may receive commissions when you click our links and make purchases. However, this does not impact our reviews and comparisons. We try our best to keep things fair and balanced, in order to help you make the best choice for you.

As an Amazon Associate, I earn from qualifying purchases.

© 2024 When You Write

Prose Vs Poetry: Exploring the Heart of Literary Beauty

Prose is written in ordinary language without structured meter, while poetry uses rhythmic patterns, stylistic devices, and oftentimes rhymes. Understanding their nuances is key to appreciating different literary forms.

Prose and poetry are fundamental methods of expressing thoughts, stories, and emotions through the written word. Prose unfolds in grammatical sentences and is organized into paragraphs, flowing much like everyday conversation. On the other hand, poetry leans heavily on aesthetic and rhythmic qualities of language, often employing meter, rhyme, and symbolism to evoke emotions and imagery.

Both prose and poetry play pivotal roles in literature, with prose typically used for novels, essays, and articles, while poetry remains a bastion of personal expression and cultural storytelling. While prose tells a narrative in a straightforward manner, poetry reveals its layers through compact, evocative language and line breaks that prompt readers to unearth deeper meanings. Distinguishing between these two forms enhances our appreciation and expands our literary palate.

The Essence Of Prose

When exploring the tapestry of written expression, prose stands out with its unassuming grace and practical beauty. Unlike its lyrical cousin, poetry, which often revels in rhythm and verse, prose carries the essence of storytelling and exposition in a form that mirrors everyday speech. It’s the workhorse of literature, delivering narrative and ideas with clarity and precision, and its impact is as profound as it is subtle.

Definition Of Prose

Prose is a form of language that exhibits a grammatical structure and natural flow of speech rather than a rhythmic structure, as in the case of traditional poetry. It is the most common medium for expressing ideas in writing, taking shape in novels, essays, articles, and more. It is straightforward, unadorned, and the direct cousin of everyday communication. In prose, writers convey their message without the constraints of meter and rhyme that typify poetry.

Characteristics Of Prose

The defining traits of prose differentiate it from other forms of writing:

• Structured in sentences and paragraphs: Unlike poetry, which may feature enjambments and broken lines, prose adheres to the conventional sentence structure and paragraph form.
• Natural flow: Prose follows the natural patterns of speech, making it accessible and relatable to a wide audience.
• Lacks metrical structure: Instead of following a strict metric pattern or rhyme scheme, prose is free-form, focusing on content and meaning.
• Versatility in themes and concepts: Prose can cover any topic or idea, from the mundane to the extraordinary.
• Narrative style: Prose is often used to tell stories, whether factual or fictional, in a clear and logical manner.

Examples Of Prose In Literature

Throughout literary history, numerous works of prose have left indelible marks on culture and society:

Each of these works encapsulates the power of prose to reflect human experiences and social realities, offering readers a lens into different worlds and perspectives.

The Allure Of Poetry

The allure of poetry transcends time and culture, captivating hearts and uplifting spirits with its unique blend of rhythm, language, and emotion. Unlike prose, with its straight-forward narrative structure, poetry offers a melodic escape into the world of metaphor and meaning that’s both personal and universal. The beauty of poetry lies in its power to condense complex feelings and abstract thoughts into a tapestry of words that resonate on a deeper level. It invites readers to interpret and experience the world through a different lens – one that is rich with imagery, symbolism, and cadence.

Definition Of Poetry

Poetry is an art form that uses linguistic elements to evoke emotions and thoughts. Unlike prose, it’s less about relaying facts and more about conjuring a particular mood or feeling. It’s akin to painting with words – each stroke aims to create a profound sensory experience . Poets often employ rhyme, meter, and various poetic devices to enhance the impact of their verse, allowing the reader to not simply ‘read’ but to ‘feel’ the work.

Characteristics Of Poetry

• Rhythm and meter: The beat and structure underlying the words.
• Rhyme schemes: Patterns of rhymes that bolster memorability and aesthetic pleasure.
• Figurative language: Use of metaphors, similes, and personification to depict concepts artistically.
• Imagery: Vivid descriptions that appeal to the senses and conjure vivid pictures in the mind.
• Emotional depth: The ability to convey profound feelings and evoke reactions in the reader.
• Economy of language: Precise word choice that packs meaning into every syllable.

Examples Of Poetic Masterpieces

The world of poetry is vast and diverse, with countless works that have stood the test of time. Here are a few renowned pieces that continue to stir the souls of many:

Each of these masterpieces showcases the distinct elements of poetry , from the haunting rhythm of Poe’s “The Raven” to the timeless beauty encapsulated in Shakespeare’s sonnets. They demonstrate that poetry remains an influential art form capable of touching the depths of the human heart and mind.

Contrasting Prose And Poetry

The worlds of prose and poetry each resonate with unique enchantments and intricacies. While prose unfolds in logical clarity and practicality, poetry blossoms through rhythm, symbolism, and brevity. Grasping the contrasts between these two literary forms not only enriches our appreciation for writing but also enhances our understanding of their distinctive roles in communication and art. Let’s delve into the differences in language and structure, the variances in emotional impact, and the aesthetic and artistic contrasts that define prose and poetry.

Language And Structure Differences

Prose and poetry distinguish themselves through their language and structural frameworks. Prose operates with conventional grammar and a straightforward structure that prioritizes clear, practical expression. Poetry, on the other hand, often employs meter, rhyme, and other stylistic devices that breach standard prose conventions.

• Prose: Written in sentences and paragraphs with a focus on literal meaning.
• Poetry: Composed of verses, stanzas, with potential use of metaphor and ambiguity.

Emotional Impact And Communication Variances

The methods by which prose and poetry touch our emotions and convey messages vary significantly. Prose is typically aimed at intellect, reasoning, and telling a story or presenting an argument , while poetry cuts to the core of experience, often invoking emotion and thought in a more condensed and impactful way.

Aesthetic And Artistic Contrasts

Poetry and prose also diverge in their aesthetic and artistic objectives. The beauty of prose lies in its clarity and narrative composure, creating art from arcs and character development. Poetry is akin to a painting made with words, where each element contributes to an overarching impact beyond the straightforward use of language.

• Prose: A clear window into story and character.
• Poetry: A canvas for emotional and abstract expression.

Credit: www.rd.com

Analyzing The Impact

As we delve into the realm of written expression, the distinction between prose and poetry emerges, each with its profound impact on literature and the human experience. Analyzing the impact of these two forms helps us understand not just the intricacies of their structure, but also the depth of emotion and imagination they incite within us. Prose, with its straightforward narrative form, connects with us on a conversational level, while poetry transcends the ordinary, crafting images that linger in the mind long after the words have been read.

Engaging Emotions Through Prose

The unadorned and structure of prose makes it a powerful vessel for storytelling. Authors harness this form to build worlds that are as nuanced and complex as our own, exploring themes that resonate with the reader’s personal experiences. Whether in novels, essays, or biographies, prose appeals to our emotions through character development and plot, creating a mirror to our own realities. It’s the emotional journey, rather than the poetic meter, that captures the heart of the reader.

Evoking Imagery And Sensory Perception Through Poetry

Poetry takes the essence of human experience and distills it into a symphony of rhythm and rhyme. The beauty of poetry lies in its conciseness and the ability to paint pictures in the mind’s eye with minimal words . A single stanza can evoke a cascade of imagery and stir the senses. Metaphors and similes are the brushstrokes of poetry, providing glimpses of the world through a kaleidoscope of emotion and perception, often leaving the reader awash in newfound insights and reflections.

Literary Beauty In Prose And Poetry

Both prose and poetry are celebrated for their literary beauty , though they exhibit this beauty in distinct ways. Prose offers a narrative flow, a familiar route that readers navigate with ease, while poetry breaks free from these conventions, offering a rhythm that beats to a different drum. The beauty within these forms emerges from their differences—the plainness and clarity of prose versus the metaphorical elegance of poetry. Whether through the steady build-up of a novel’s plot or the intense brevity of a poem, both forms succeed in etching their impact on the canvas of the human soul. They are not rivals but rather complementary elements of a broader literary landscape, each enriching our understanding of language and emotion.

The Art Of Expression

Expression, the heartbeat of human creativity, comes alive through the written word. In the realm of literature, two distinct forms stand out for their unique ways of portraying thoughts and emotions: prose and poetry . These styles serve as vital conduits for writers to connect with their readers, each offering a special cadence and depth to the exploration of life’s intricacies.

Personal Connection To Prose

Prose , with its straightforward structure and natural flow, mirrors everyday conversation. It’s the narrative that wakes us up with a morning news article or tucks us in with a gripping novel. The accessibility of prose allows for complex ideas to be dissected and absorbed effortlessly, making personal connections with readers through relatable scenarios and comprehensive analyses.

• Reflects natural speech patterns, making it relatable.
• Offers narrative and descriptive elements that captivate.
• Explores themes and concepts in depth, forming a bond with the reader.

The Power Of Poetic Expression

In contrast, poetry holds a rhythm that can shake the soul and a brevity that leaves a lasting impact. This form bends language, breaking free from prose’s linear constraints to evoke sensations and ignite imagination. Through metaphor, alliteration, and meter, poetry paints with a vivid palette of linguistic devices.

Impact On Readers And Society

Both prose and poetry create ripples in the cultural fabric, influencing readers and, by extension, society. Prose, often the medium for storytelling, imparts wisdom and shared experiences , shaping perspectives and sparking conversations. Poetry, with its layers of meaning and economy of words, often becomes a catalyst for emotional resilience and social change.

• Prose enlightens through narratives and informative discourse .
• Poetry inspires through suggestive imagery and potent symbols .
• Both forms instigate reflection and provide solace in times of need.

Whether through the extended journey of prose or the piercing insight of poetry, readers find their consciousness expanded and their hearts touched, underscoring the profound art of literary expression.

Frequently Asked Questions On Prose Vs Poetry

What defines prose and poetry.

Prose is structured in grammatical sentences, forming paragraphs. It resembles everyday speech. Poetry is artistic, with verses and stanzas, often using rhyme and meter.

How Do Prose And Poetry Differ?

Prose follows the natural flow of language, whereas poetry employs a structured approach with rhythm, meter, and sometimes rhyme, focusing on expression and emotion.

Why Might A Writer Choose Poetry Over Prose?

A writer may choose poetry to convey deep emotions or ideas through a rhythmic and symbolic style, which can offer a more impactful or aesthetic reading experience.

Can Prose Contain Poetic Elements?

Yes, prose can incorporate poetic elements like metaphor, simile, and imagery, adding beauty and depth, creating a style known as poetic or lyrical prose.

Embarking on a literary journey reveals the distinct beauty of prose and poetry. Each form offers unique ways to convey emotion and story. Whether you prefer the straightforward elegance of prose or the rhythmic depth of poetry, both enrich our lives.

Embrace your favored style or explore both—each chapter and verse awaits.

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Notify me of follow-up comments by email.

Notify me of new posts by email.

What’s the Difference Between Poetry and Prose?

19 Feb, 2024 | Blog Articles , English Language Articles , Get the Edge , Humanities Articles , Writing Articles

What are the key elements of poetry?

1. figurative language.

Figurative language quite simply means language that is not literal. This type of language is descriptive, and poets often use it to link a concrete object with an abstract idea. This non-literal description is used to invoke the reader’s emotions. 

A metaphor, for example, is a figurative technique; “the world is your oyster,” and “I could eat a horse,” are common metaphors. 

A simile is another example of figurative language. This is where the poet compares one thing with another to strengthen a description: for example in the final line of Sylvia Plath’s Mirror : 

“In me she has drowned a young girl, and in me an old woman / Rises toward her day after day, like a terrible fish.” 

Personification, the attribution of human characteristics to something non-human (e.g. “the wind howled”), and symbolism, the use of symbols to represent ideas or qualities, are also figurative techniques. 

These all serve to draw mental associations between the concrete and the abstract, and enhance the imagery of the poem. 

2. Rhythm and Metre

Poetry also often employs rhythmic patterns and metre. Rhythm refers to the rhythmic structure of a line, composed of two or more syllables, while metre is used to describe the pattern of emphasis, or lack of emphasis, on each syllable. Poets choose different rhythms and metres to impact the musical quality of the poem. 

For example, iambic pentameter is a type of metric line used in traditional English poetry and verse drama – most famously in the works of Shakespeare. 

Rhythm is measured in small groups of syllables called “feet”. “Iambic” refers to the type of foot used: an “iamb” is an unstressed syllable followed by a stressed syllable (e.g. the word “a-bove”). This creates the pattern: 

de/DUM de/DUM de/DUM de/DUM de/DUM 

“Pentameter” indicates that each line has five “feet” (think pent- as in “pentagon”, a shape with five sides). 

Consider Act 3, Scene 1 of Shakespeare’s A Midsummer’s Night Dream : 

“And I do love thee. Therefore go with me. I’ll give thee fairies to attend on thee, And they shall fetch thee jewels from the deep And sing while thou on pressed flowers dost sleep.” 

3. Line Breaks and Stanzas

Structure in poetry concerns how the poem’s different elements are organised. This includes: 

• Stanzas – a group of lines forming the basic recurring metrical unit in a poem; a.k.a a verse
• Line breaks
• Verse lengths 

Each impacts the way the reader experiences and interprets the poem.

For example, the Petrarchan sonnet organises itself into an octave, followed by a sestet. The first eight lines (often in ABBA ABBA rhyming scheme) raise a question that the next six lines, the sestet, answers. 

There’s typically a volta , or a turn, at the beginning of the sestet, indicating the change in the poem’s focus. Here, the way the poem’s stanzas are laid out can have a significant impact on the way the poem is read. 

These poems often concern love, and the volta in particular allows for narrative development in the poem. 

See Christina Rossetti’s After Death : 

“The curtains were half drawn, the floor was swept And strewn with rushes, rosemary and may Lay thick upon the bed on which I lay, Where through the lattice ivy-shadows crept. He leaned above me, thinking that I slept And could not hear him; but I heard him say, ‘Poor child, poor child’: and as he turned away Came a deep silence, and I knew he wept.   He did not touch the shroud, or raise the fold That hid my face, or take my hand in his, Or ruffle the smooth pillows for my head: He did not love me living; but once dead He pitied me; and very sweet it is To know he still is warm though I am cold.”

Line breaks also influence the way the poem is interpreted. In After Death, Rossetti employs enjambment (when a phrase flows seamlessly from one line to the next with no punctuation) to reflect the continuity of domestic life. 

4. Rhyme and Sound Patterns

Rhyme schemes, assonance, consonance and alliteration all draw attention to individual words within a poem. These words are drawn together through the repeated use of sound. 

For example, alliteration is the occurrence of the same letter or sound at the beginning of adjacent or closely connected words. In The Raven , Edgar Allan Poe uses plosive alliteration in the phrase “doubting, dreaming dreams”. 

Sibilance, the creation of a hissing sound by the repetition of the letter “s”, is also used:

“Eagerly I wished the morrow;—vainly I had sought to borrow From my books surcease of sorrow—sorrow for the lost Lenore”. 

Assonance, the rhyming of two or more stressed vowels in nearby words, creates a sense of rhythm, dictating which syllables should be stressed when the poem is read aloud. It’s also employed in The Raven : 

“Once upon a midnight dreary, while I pondered, weak and weary”.

A poem’s rhyme scheme, the pattern that outlines which sound each line should end with, lends poetry its tell-tale rhythmic structure. For example, the ABAB rhyme scheme rhymes the end of every other line. 

See the opening stanza of Robert Frost’s Neither Out Far Nor in Deep :

“The people along the sand All turn and look one way. They turn their back on the land. They look at the sea all day.”

Poets often put a rhyme scheme in place, only to break the pattern half-way through. This can work like a volta to indicate a shift in the narrative or to emphasise a particular thematic point. 

Imagery is the poet’s use of vivid description and language to enrich the reader’s understanding and appreciation of the piece. 

See the opening of T.S. Eliot’s Preludes :

“The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots;” 

The array of images conjured elevates the scene, as if we too are there in the street, with leaves at our feet and the smell of smoky steaks at our noses! 

6. Emotional Resonance

Poets also use literary techniques to express strong or intense emotions, which can deeply resonate with readers.

In Daffodils, William Wordsworth uses simple language to evoke loneliness, wonder and felicity: 

“I wandered lonely as a cloud That floats on high o’er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.” 

Similarly, Audre Lorde’s If They Come in the Morning expresses a sense of danger and doom, as well as solidarity:

““If they take you in the morning, they will be coming for us that night.”

She uses the personal pronouns “you” and “we” to connect to the reader, strengthening our connection to the poem and its sentiments.

7. Ambiguity

Poetry can initially be difficult to interpret and understand due to its ambiguity. Oftentimes students find it hard to connect to a poem, and in turn lose enthusiasm for poetry as a literary form. 

However, ambiguity is part of what makes poems so resonant, interesting and evocative! Readers can engage with the poem on multiple levels and connect to the words more personally – ambiguity allows room for interpretation. 

As William Empson wrote in his book Seven Types of Ambiguity : 

“The machinations of ambiguity are among the very roots of poetry.”

8. Lyrical Language

Lyric poems use a variety of techniques to produce a songlike quality. 

A sonnet is a popular form of lyric poetry, using its rhythm, structure and descriptions to enhance its beauty and likeness to a song. For example, Shakespeare’s Sonnet 18 is notably lyrical, a quality that enhances the romantic and sentimental nature of the poem. 

9. Distinct Forms

There are a variety of poetic forms, including sonnets, haikus, villanelles and odes. 

Haikus are a Japanese form of poetry characterised by their unique syllabic structure. Each haiku is composed of three lines, with five syllables in the first line, seven in the second, and five in the third. 

For example, here is one of the Japanese poet Bashō’s earliest haikus: 

“On a withered branch A crow has alighted; Nightfall in autumn.”

A villanelle is a French verse form consisting of five three-line stanzas and a final quatrain, with the first and third lines of the first stanza repeating alternately in the following stanzas.

What Is Prose?

Prose is a form of written language without the metrical structure and formal patterns that characterise poetry. 

What are the key elements that characterise prose? 

1. narrative and exposition.

Prose is commonly used to convey information, tell stories and provide explanations, making it a versatile form of written expression. All novels are examples of the prose form. 

Think of the Harry Potter series. Through prose, we’re told the story of a young boy who discovers he is a wizard, attends the Hogwarts School of Witchcraft and Wizardry, meets his friends, learns spells and battles Voldemort. 

As a versatile form, prose doesn’t just tell stories. It can convey other types of information through news articles, recipes or school essays.

2. Full Sentences and Paragraphs

Prose adheres to grammatical and syntactical rules, consisting of complete sentences and paragraphs. This is in direct contrast with poetry’s experimentation with rhythm, line breaks and metre. 

3. Lack of Rhyme and Metre

There’s generally a notable absence of specific rhythmic patterns and structured metre in prose. This allows for a more fluid and natural flow of language – just as I am writing now! 

For example, the prose form allows dialogue in novels to feel natural and real. This extract from Ernest Hemingway’s Hills like White Elephants is a great example, as the dialogue effectively bounces back and forth between characters.

‘“Well,” the man said, “if you don’t want to you don’t have to. I wouldn’t have you do it if you didn’t want to. But I know it’s perfectly simple.”   “And you really want to?”   “I think it’s the best thing to do. But I don’t want you to do it if you really don’t want to.”   “And if I do it you’ll be happy and things will be like they were and you’ll love me?”   “I love you now. You know I love you.”   “I know. But if I do it, then it will be nice again if I say things are like white elephants, and you’ll like it?”   “I’ll love it. I love it now but I just can’t think about it. You know how I get when I worry.”   “If I do it you won’t ever worry?”   “I won’t worry about that because it’s perfectly simple.”’

4. Concise and Detailed

Prose can be both concise and straightforward to deliver a message (for example a how-to guide), or descriptive and detailed to depict scenes and characters in literature. 

See the opening of Charlotte Brontë’s Jane Eyre : 

“There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.”

5. Logical and Coherent

Prose is generally organised logically with a coherent development of ideas. This means it’s very suitable for persuasive writing, argument and clarity. 

See any of Barack Obama’s speeches – he’s a skilled and persuasive writer and speaker, able to use language to suit his purpose and audience. 

6. Linear Narrative

Prose often follows a linear narrative structure, progressing chronologically from beginning to middle to end, while making use of narrative techniques. 

For example, tragedies often adhere to Freytag’s Pyramid, which follows the structure: 

• Introduction, 
• Rise, or rising action 
• Return, or fall
• Catastrophe

This formula is based upon the classical Greek tragedies of Sophocles , Aeschylus and Euripedes .

7. Versatility

Prose adapts to a wide range of genres and styles from creative fiction to academic research papers to a newspaper column. It’s the primary, and most versatile, form of written communication.

Blurring Boundaries Between Poetry and Prose

Although there are many differences between poetry and prose, these distinctions can sometimes blur. 

There are hybrid forms of writing which incorporate elements of both styles. For example, the French poet Charles Baudelaire revolutionised poetry in his prose poems, combining elements of both styles. Rather than incorporating line breaks, rhyme schemes, control of metre or assonance, Baudelaire employed conventions of prose writing such as paragraphs and dialogue. 

This created a condensed version of prose that took advantage of poetic devices like symbolism and imagery. Take a look at Baudelaire’s Be Drunk : 

“And if sometimes, on the steps of a palace or the green grass of a ditch, in the mournful solitude of your room, you wake again, drunkenness already diminishing or gone, ask the wind, the wave, the star, the bird, the clock, everything that is flying, everything that is groaning, everything that is rolling, everything that is singing, everything that is speaking. . . ask what time it is and wind, wave, star, bird, clock will answer you: “It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.”

Other writers who blur this boundary include Claudia Rankine, whose novel ​ Citizen showcases her prose-poetry hybrid. Her work has been called “lyric essays” by the New York Review of Books . 

Ocean Vuong’s acclaimed works, strikingly Time Is A Mother , also experiment with poetry and prose to explore grief, loss and memory.

There are many, many more canonical writers that blur this boundary, like Oscar Wilde, Virginia Woolf and Sylvia Plath – all well worth exploring in depth!

Language is clearly not concrete, nor unchanging. Poets and novelists alike are always experimenting with form, technique and style. 

Be inspired to engage and experiment with a range of literary works, from confessional poetry to postmodernist literature to Baudelaire’s subversive prose poetry! Our summer programmes are hosted in Oxford, home to countless great writers over the centuries, and allow you to explore both poetry and prose in a supportive environment.

By Keziah Mccann

Keziah is a second-year French and Italian student at Balliol College, University of Oxford. As well as learning languages and travelling, her interests include writing, journalism, film and cooking.

Get a head start on your future!

Recommended articles

How to Revise for GCSE Maths

Your GCSEs are likely the first really important school exams you’ll sit. Studying GCSEs sets you up for A-level study, and you may need to achieve certain GCSE grades in order to take certain A-level subjects. Your GCSE grades will also appear on your university...

A Word a Day Keeps the Doctor Away: Medical Terms for Aspiring Med Students

Doctors, nurses and surgeons have the vital task of communicating with patients and families, informing them about diagnoses and treatment options, and answering any questions that may arise.  For this reason, medical professionals need to pay extra attention when...

14 Books to Read at Your Teen Book Club

Reading not only enriches the mind; it also connects us across borders and between cultures. Books offer us the opportunity to discuss and debate key themes and characters, and hear and be inspired by others’ thoughts and ideas. It’s a rewarding – and very fun! –...

What are your chances of acceptance?

Calculate for all schools, your chance of acceptance.

Your chancing factors

Extracurriculars.

How to Write the AP Lit Prose Essay + Example

Do you know how to improve your profile for college applications.

See how your profile ranks among thousands of other students using CollegeVine. Calculate your chances at your dream schools and learn what areas you need to improve right now — it only takes 3 minutes and it's 100% free.

Show me what areas I need to improve

What’s Covered

What is the ap lit prose essay, how will ap scores affect my college chances.

AP Literature and Composition (AP Lit), not to be confused with AP English Language and Composition (AP Lang), teaches students how to develop the ability to critically read and analyze literary texts. These texts include poetry, prose, and drama. Analysis is an essential component of this course and critical for the educational development of all students when it comes to college preparation. In this course, you can expect to see an added difficulty of texts and concepts, similar to the material one would see in a college literature course.

While not as popular as AP Lang, over 380,136 students took the class in 2019. However, the course is significantly more challenging, with only 49.7% of students receiving a score of three or higher on the exam. A staggeringly low 6.2% of students received a five on the exam. 

The AP Lit exam is similar to the AP Lang exam in format, but covers different subject areas. The first section is multiple-choice questions based on five short passages. There are 55 questions to be answered in 1 hour. The passages will include at least two prose fiction passages and two poetry passages and will account for 45% of your total score. All possible answer choices can be found within the text, so you don’t need to come into the exam with prior knowledge of the passages to understand the work. 

The second section contains three free-response essays to be finished in under two hours. This section accounts for 55% of the final score and includes three essay questions: the poetry analysis essay, the prose analysis essay, and the thematic analysis essay. Typically, a five-paragraph format will suffice for this type of writing. These essays are scored holistically from one to six points.

Today we will take a look at the AP Lit prose essay and discuss tips and tricks to master this section of the exam. We will also provide an example of a well-written essay for review.  

The AP Lit prose essay is the second of the three essays included in the free-response section of the AP Lit exam, lasting around 40 minutes in total. A prose passage of approximately 500 to 700 words and a prompt will be given to guide your analytical essay. Worth about 18% of your total grade, the essay will be graded out of six points depending on the quality of your thesis (0-1 points), evidence and commentary (0-4 points), and sophistication (0-1 points). 

While this exam seems extremely overwhelming, considering there are a total of three free-response essays to complete, with proper time management and practiced skills, this essay is manageable and straightforward. In order to enhance the time management aspect of the test to the best of your ability, it is essential to understand the following six key concepts.

1. Have a Clear Understanding of the Prompt and the Passage

Since the prose essay is testing your ability to analyze literature and construct an evidence-based argument, the most important thing you can do is make sure you understand the passage. That being said, you only have about 40 minutes for the whole essay so you can’t spend too much time reading the passage. Allot yourself 5-7 minutes to read the prompt and the passage and then another 3-5 minutes to plan your response.

As you read through the prompt and text, highlight, circle, and markup anything that stands out to you. Specifically, try to find lines in the passage that could bolster your argument since you will need to include in-text citations from the passage in your essay. Even if you don’t know exactly what your argument might be, it’s still helpful to have a variety of quotes to use depending on what direction you take your essay, so take note of whatever strikes you as important. Taking the time to annotate as you read will save you a lot of time later on because you won’t need to reread the passage to find examples when you are in the middle of writing. 

Once you have a good grasp on the passage and a solid array of quotes to choose from, you should develop a rough outline of your essay. The prompt will provide 4-5 bullets that remind you of what to include in your essay, so you can use these to structure your outline. Start with a thesis, come up with 2-3 concrete claims to support your thesis, back up each claim with 1-2 pieces of evidence from the text, and write a brief explanation of how the evidence supports the claim.

2. Start with a Brief Introduction that Includes a Clear Thesis Statement

Having a strong thesis can help you stay focused and avoid tangents while writing. By deciding the relevant information you want to hit upon in your essay up front, you can prevent wasting precious time later on. Clear theses are also important for the reader because they direct their focus to your essential arguments. 

In other words, it’s important to make the introduction brief and compact so your thesis statement shines through. The introduction should include details from the passage, like the author and title, but don’t waste too much time with extraneous details. Get to the heart of your essay as quick as possible. 

3. Use Clear Examples to Support Your Argument 

One of the requirements AP Lit readers are looking for is your use of evidence. In order to satisfy this aspect of the rubric, you should make sure each body paragraph has at least 1-2 pieces of evidence, directly from the text, that relate to the claim that paragraph is making. Since the prose essay tests your ability to recognize and analyze literary elements and techniques, it’s often better to include smaller quotes. For example, when writing about the author’s use of imagery or diction you might pick out specific words and quote each word separately rather than quoting a large block of text. Smaller quotes clarify exactly what stood out to you so your reader can better understand what are you saying.

Including smaller quotes also allows you to include more evidence in your essay. Be careful though—having more quotes is not necessarily better! You will showcase your strength as a writer not by the number of quotes you manage to jam into a paragraph, but by the relevance of the quotes to your argument and explanation you provide.  If the details don’t connect, they are merely just strings of details.

4. Discussion is Crucial to Connect Your Evidence to Your Argument 

As the previous tip explained, citing phrases and words from the passage won’t get you anywhere if you don’t provide an explanation as to how your examples support the claim you are making. After each new piece of evidence is introduced, you should have a sentence or two that explains the significance of this quote to the piece as a whole.

This part of the paragraph is the “So what?” You’ve already stated the point you are trying to get across in the topic sentence and shared the examples from the text, so now show the reader why or how this quote demonstrates an effective use of a literary technique by the author. Sometimes students can get bogged down by the discussion and lose sight of the point they are trying to make. If this happens to you while writing, take a step back and ask yourself “Why did I include this quote? What does it contribute to the piece as a whole?” Write down your answer and you will be good to go. 

5. Write a Brief Conclusion

While the critical part of the essay is to provide a substantive, organized, and clear argument throughout the body paragraphs, a conclusion provides a satisfying ending to the essay and the last opportunity to drive home your argument. If you run out of time for a conclusion because of extra time spent in the preceding paragraphs, do not worry, as that is not fatal to your score. 

Without repeating your thesis statement word for word, find a way to return to the thesis statement by summing up your main points. This recap reinforces the arguments stated in the previous paragraphs, while all of the preceding paragraphs successfully proved the thesis statement.

6. Don’t Forget About Your Grammar

Though you will undoubtedly be pressed for time, it’s still important your essay is well-written with correct punctuating and spelling. Many students are able to write a strong thesis and include good evidence and commentary, but the final point on the rubric is for sophistication. This criteria is more holistic than the former ones which means you should have elevated thoughts and writing—no grammatical errors. While a lack of grammatical mistakes alone won’t earn you the sophistication point, it will leave the reader with a more favorable impression of you. 

Discover your chances at hundreds of schools

Our free chancing engine takes into account your history, background, test scores, and extracurricular activities to show you your real chances of admission—and how to improve them.

[amp-cta id="9459"]

Here are Nine Must-have Tips and Tricks to Get a Good Score on the Prose Essay:

• Carefully read, review, and underline key instruction s in the prompt.
• Briefly outlin e what you want to cover in your essay.
• Be sure to have a clear thesis that includes the terms mentioned in the instructions, literary devices, tone, and meaning.
• Include the author’s name and title  in your introduction. Refer to characters by name.
• Quality over quantity when it comes to picking quotes! Better to have a smaller number of more detailed quotes than a large amount of vague ones.
• Fully explain how each piece of evidence supports your thesis .  
• Focus on the literary techniques in the passage and avoid summarizing the plot. 
• Use transitions to connect sentences and paragraphs.
• Keep your introduction and conclusion short, and don’t repeat your thesis verbatim in your conclusion.

Here is an example essay from 2020 that received a perfect 6:

[1] In this passage from a 1912 novel, the narrator wistfully details his childhood crush on a girl violinist. Through a motif of the allure of musical instruments, and abundant sensory details that summon a vivid image of the event of their meeting, the reader can infer that the narrator was utterly enraptured by his obsession in the moment, and upon later reflection cannot help but feel a combination of amusement and a resummoning of the moment’s passion. 

[2] The overwhelming abundance of hyper-specific sensory details reveals to the reader that meeting his crush must have been an intensely powerful experience to create such a vivid memory. The narrator can picture the “half-dim church”, can hear the “clear wail” of the girl’s violin, can see “her eyes almost closing”, can smell a “faint but distinct fragrance.” Clearly, this moment of discovery was very impactful on the boy, because even later he can remember the experience in minute detail. However, these details may also not be entirely faithful to the original experience; they all possess a somewhat mysterious quality that shows how the narrator may be employing hyperbole to accentuate the girl’s allure. The church is “half-dim”, the eyes “almost closing” – all the details are held within an ethereal state of halfway, which also serves to emphasize that this is all told through memory. The first paragraph also introduces the central conciet of music. The narrator was drawn to the “tones she called forth” from her violin and wanted desperately to play her “accompaniment.” This serves the double role of sensory imagery (with the added effect of music being a powerful aural image) and metaphor, as the accompaniment stands in for the narrator’s true desire to be coupled with his newfound crush. The musical juxtaposition between the “heaving tremor of the organ” and the “clear wail” of her violin serves to further accentuate how the narrator percieved the girl as above all other things, as high as an angel. Clearly, the memory of his meeting his crush is a powerful one that left an indelible impact on the narrator. 

[3] Upon reflecting on this memory and the period of obsession that followed, the narrator cannot help but feel amused at the lengths to which his younger self would go; this is communicated to the reader with some playful irony and bemused yet earnest tone. The narrator claims to have made his “first and last attempts at poetry” in devotion to his crush, and jokes that he did not know to be “ashamed” at the quality of his poetry. This playful tone pokes fun at his childhood self for being an inexperienced poet, yet also acknowledges the very real passion that the poetry stemmed from. The narrator goes on to mention his “successful” endeavor to conceal his crush from his friends and the girl; this holds an ironic tone because the narrator immediately admits that his attempts to hide it were ill-fated and all parties were very aware of his feelings. The narrator also recalls his younger self jumping to hyperbolic extremes when imagining what he would do if betrayed by his love, calling her a “heartless jade” to ironically play along with the memory. Despite all this irony, the narrator does also truly comprehend the depths of his past self’s infatuation and finds it moving. The narrator begins the second paragraph with a sentence that moves urgently, emphasizing the myriad ways the boy was obsessed. He also remarks, somewhat wistfully, that the experience of having this crush “moved [him] to a degree which now [he] can hardly think of as possible.” Clearly, upon reflection the narrator feels a combination of amusement at the silliness of his former self and wistful respect for the emotion that the crush stirred within him. 

[4] In this passage, the narrator has a multifaceted emotional response while remembering an experience that was very impactful on him. The meaning of the work is that when we look back on our memories (especially those of intense passion), added perspective can modify or augment how those experiences make us feel

More essay examples, score sheets, and commentaries can be found at College Board .

While AP Scores help to boost your weighted GPA, or give you the option to get college credit, AP Scores don’t have a strong effect on your admissions chances . However, colleges can still see your self-reported scores, so you might not want to automatically send scores to colleges if they are lower than a 3. That being said, admissions officers care far more about your grade in an AP class than your score on the exam.

Related CollegeVine Blog Posts

Home › Study Tips › Creative Writing Resources For Secondary School Students

What Is The Difference Between Prose and Poetry?

• Published August 31, 2022

Table of Contents

Poetry is an art form that has been around for centuries. It is a way to express oneself through the use of words and can be written in many different styles. There are many different types of poetry, such as sonnets, haikus, and ballads.

Poetry can be written about any topic, and it is often used to express emotions. But what is the difference between poetry and prose?

In this article, we outline the differences between the two popular forms of story-telling.

Are you interested in studying English Literature at the university level? Our pre-university courses are designed to ensure you’re prepared for the university style of teaching. Build subject knowledge, work alongside like-minded peers and live in one of the world’s most prestigious universities.

Poetry VS Prose

Prose is a form of writing that is based on spoken language. It is characterised by its natural flow and rhythm, as well as its use of regular grammar and punctuation. Prose is often used for novels, short stories, and essays.

Poetry, on the other hand, is a form of writing that is based on musicality and rhythm. It is often characterized by its use of figurative languages, such as metaphors and similes. Poetry is often used for poems and some of its devices are also used in songwriting.

The major difference between the two is that poetry is a form of writing that uses rhythm and rhyme to create a musical or chant-like effect, whereas prose, is a form of writing that is more straightforward and doesn’t rely on rhyme or meter.

Poetry often uses figurative language to create images or expressive ideas, while prose is more literal. Prose is usually used for novels, essays, and nonfiction writing, while poetry is more often associated with literature, lyrics, and storytelling.

Related Content

Embracing the benefits of online work experience programmes.