critical thinking questions when reading

85 Critical Thinking Questions to Carefully Examine Any Information

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The ability to think critically will often determine your success in life.

Let’s face it. Every day, we are bombarded by news, social media updates, and an avalanche of information. If you take all of this at face value, it’s easy to be deceived, misled or ripped off.

That’s why it’s important to  develop a mindset that focuses on critical thinking . This is a skill that needs to be developed in the classroom. But it’s also a valuable life skill.

With that in mind, the following post will share 85 critical thinking questions you can use to increase your awareness about different problems by carefully examining available information. 

Let’s get started…

Table of Contents

What Are Critical Thinking Questions?

Critical thinking questions are inquiries that help you think rationally and clearly by understanding the link between different facts or ideas. These questions create a seemingly endless learning process that lets you critique, evaluate, and develop a depth of knowledge about a given subject. Moreover, you get to reinforce your viewpoints or see things in a new way.

We make decisions every day, whether at work or home. Adopting logical, rational, and practical approaches in addressing various issues requiring critical thinking is essential in decision-making. Therefore, before arriving at a decision, always ask yourself relevant questions and carefully analyze the matter’s pros and cons.

Critical Thinking Questions When in an Argument

When you make an argument using a critical thinking approach, you focus on justified claims that are valid and based on evidence. It helps one establish a strong argument.

• Do I disagree with the other person? Might the person I'm arguing with be misinformed on what they are saying?
• Would I be comfortable saying what I am telling him/her if I was in front of a group of people? 
• What would happen if I lose this argument? Is engaging in this argument worth my time and energy? How will I feel if I lose?
• Is there room for ambiguity or misinterpretation? Are we arguing because I didn't make my point explicit? Should I take my time to understand his school of thought?
• Do I need some rest before saying something? Am I arguing because of other reasons other than the issues at hand? Do I need to take some time and cool down?

• Is it more important that I’m right? Am I trying to ask to prove an unnecessary point?
• Is this argument inductive, deductive, or abductive? Is it a weak or strong argument that I need to engage in? Is it compelling or sound? 
• Is my opponent sincere? Given that they are wrong, are they willing to admit that they are wrong? Can they depend on available evidence, wherever it leads?
• Are my opponents only trying to shift their burden to me? What is the best way to prove them wrong without making them feel bad?
• Are the people I'm arguing with only interested in winning, or are they trying to pass some information across and help me discover the truth?

Critical Thinking Questions When Reading a Book 

When you read a book, you probably ask yourself many “why” questions. Why is this a problem? Why did the character say that? Why is this important? The most challenging part of reading a book is assessing the information you are reading. These questions can help.

• If I learn only two things from this book, what will they be? How will they help me? How will I apply them in my daily life?
• What message are the authors trying to pass across? Are they making suggestions or providing evidence for their arguments?
• Given that almost every book is about solving problems, what is the most prevalent issue that the author is trying to solve?
• What is the author’s writing style? What strategy or master plan does the author employ to convey his/her main ideas throughout the book?
• Do I have background information about the book’s topic? If so, how is what the author is saying different from what I already know?
• What didn’t I understand from the book? Should I re-read the book to understand everything the writer is trying to convey?
• Which sections of the book do I love the most, and why? Generally, do I like this book? Should I look for more books that are written by the same author?
• If I had a chance to meet this book’s author, what questions would I ask him/her? What would I tell the writer about the book? Is it a great book worth recommending to your friends and family members?
• Who are the main characters of the book? If there is only one main character, what overarching goal does the character accomplish?
• In what ways did the protagonist change from the start of the book to the end? What caused the changes? Was the protagonist reckless in some ways? Which ways?

Critical Thinking Questions to Spot a Scam

Asking questions when you feel that a fraud or a scam is being presented to you is a good way to stretch your critical thinking muscles. Are you being emailed or messaged by a stranger? Or maybe there are other red flags you are unsure about. If so, ask these questions.

• Does it seem to be too good to be true? Is this stranger pushy or trying to lure me into making a poor decision?
• When trying out online dating: Is my new “friend” professing strong feelings towards me although we’ve only interacted for a few hours?
• Why is a stranger calling me to ask about my Social Security Number (SSN), personal contact information, or bank details while claiming they are from the bank or a phone company? 
• When buying products online, why does the seller ask me to pay for goods using an insecure payment option like Bitcoin or money order?
• Does the email I have received have any spelling or grammatical errors? Is the language used overly formal or informal?
• If I do a quick search about the exact words of the email I received, does Google indicate it's a fraud or scam?
• Why should a stranger manipulate me using obvious questions like “Would you want to be rich or poor?” While they already know the answer?
• Is the email asking me to download an attachment? Or click a link to some insecure website? 
• Is the person trying to make me feel selfish or guilty for not sending them money, whether for a donation or buying a product? 
• Is the stranger portraying a sense of urgency and using pressure tactics? Are they telling me that their family member needs urgent medical attention?

Critical Thinking Questions About Your Life

It can also help to ask yourself a few critical thinking questions about your life. This way, you can gather basic information and uncover solutions to problems you might not have otherwise thought of.

• Where do I wish to be in a few years, probably two, three, or five years? What short-term and long-term goals should I set?
• What have I achieved so far from the time I set my previous goals? What should I be grateful for?
• Do I have any values that guide me in life? If so, what are these values? Am I always true to these values?
• Am I always worried about what people around me think? Can I act independently without the need to meet social expectations?
• What should people say about me at my funeral? Would they talk about how good I made them feel or how rich and flashy I was?
• If I wasn't afraid of anyone or anything, what would I have done? What if I didn't have any fear in me?
• If today was my last day, what extraordinary thing would I do? Can I do it right now?
• What should I do with the things that matter the most to me? 
• What things will make the greatest difference in my future life if I take action now?
• How should I react when I feel unwanted by the people I love the most? Should I tell them?

Critical Thinking Questions for a Debate or Discussion

When you are in the middle of a debate or discussion, you need to know that what you are saying is fact, have evidence to support your claim, and position yourself as an expert in what you are saying. Here are some critical thinking questions to ask when you are in a debate or discussion.

• Is there fairness in this discussion? Is the moderator supporting one side? Do they want to make one side look stupid or wrong? 
• What is the aim of this discussion? Is there a major problem that needs to be solved? If so, how can I help solve it?
• Who are the people affected by this discussion? If they were here, what would they say?
• Do my views on this discussion matter? If I raise my point, will I be redundant?
• What am I supposed to learn from this debate, and how can I use what I have learned in my daily life?
• Does the audience seem to be biased towards one side? Are they booing one side? What can I do even if it's our opponents being booed?
• Who are the discussion panel members? What views have they held about this kind of discussion or any other related discussions in the past?
• How can I make my point without being ambiguous? Before I speak, should I take down some notes to avoid any confusion during my speech?
• Am I ready to apologize if I make a mistake during the discussion? If so, what are the limits?
• What information does my team, or I need before this discussion? 

Critical Thinking Questions About Lying

Admitting when you are wrong, choosing not to cheat, and sharing constructive feedback are all ways to show your honesty. Here are some critical thinking skills to ask regarding lying.

• Will the lie hurt those I am telling, or will it help them? What if being honest might cause my friend unnecessary pain?
• Should I be the one telling this person a lie, or I let someone else do it? 
• Will I be the one hurt if I tell this lie? Will my friend feel I am a betrayer? Will it affect our friendship?
• Do they answer my questions in detail, or are they always trying to ignore and dodge the main problem?
• What if I ask these people the same question using different terms and wording? Will they give me the same response?
• Did the tone of my friend suddenly change after I asked him/her this question? Do they sound louder, faster, or slower compared to how they usually speak?
• Does this person have something to gain by lying to me? What is their motive?
• Does this person take a sudden pause or hesitate more than usual when responding to my question?
• When I look at these people's faces, do their facial expressions match what they say?
• Should I believe this person or not? What are my intuitions? Does it look like they are telling the truth?
• Do they blink like other days when I ask them questions? Are they always trying to avoid direct eye contact?
• Why do they seem uncomfortable when it’s just a normal conversation?  

Critical Thinking Questions When Presented With a Claim

Critical thinking is much more than just evaluating whether a claim is true or not. It also means a critical thinker reflects on what follows from true claims.

• What does this claim mean, and what are its implications? What if it's a false claim?
• Which of my morals, values, or beliefs do I have to give up to accept this claim?
• Do professionals in this field agree or disagree with the claim that has been made?
• Do they have evidence to back their claim? Which is the most robust evidence to support the claim?
• What argument can I come up with to refute this claim? Or what is the best view that can support this claim?
• Who is the primary source of the claim being made? Is the basis of the claim reliable?
• Is it a claim, or it's just an opinion?
• Is the claim likely to be 100% false, true, or partially true?
• Am I allowed to refute the claim and table my evidence, or is it one-sided?

Critical Thinking Interview Questions

Critical thinking skills are valuable in any industry or field and for almost all roles. During a job interview, you will be asked questions so the potential employer can assess your skills and see how you use logic. Your critical thinking ability is just one vital part that can play into your professional development.

• Is there a time you had to convince someone to use an alternate approach to solve a problem?
• Have you ever had to make a difficult decision quickly?
• How would you handle a situation where your supervisor handled something wrong or made a mistake?
• What is one of the most difficult decisions you have ever had to make at work?
• How would you solve a disagreement between coworkers when approaching a project?
• Can you describe a time when you anticipated a problem ahead of time and took the appropriate steps to stop the problem from becoming an issue?
• If you discover a cheaper way to do something or a better solution to a problem and try to explain it to your supervisor, but they don’t understand, what do you do?

Critical Thinking Questions for Kids

We can’t leave the kids out either. Critical thinking questions for kids get them thinking and talking. It also allows a parent to get to know their child better.

• How many grains of sand do you think are on the beach?
• What would happen if it stopped raining?
• Do you think there is life on other planets?
• Should children be able to set their own bedtimes?
• How would you describe what a tree looks like without saying green or leaves?
• Can you name five different emotions?
• Can you talk for five minutes without uttering “um?”

What Are the Basic Principles of Critical Thinking?

Your critical thinking skills involve gathering complete information, understanding and defining terms, questioning the methods by which we get facts, questioning the conclusions, and looking for hidden assumptions and biases.

Additionally, we can’t expect to find all of the answers, and we need to take the time to examine the big picture of it all.

Here are the basic principles:

• Disposition: Someone with critical thinking skills is often skeptical, open-minded, and practices fair-mindedness. They can look at different viewpoints and change positions if the evidence and reason lead them to do so.
• Criteria: In order to think critically, one must also apply criteria. Certain conditions must be met before someone believes in something. The information needs to be from credible sources.
• Argument: An argument is simply a statement or proposition that is shown with supporting evidence. When you use your critical thinking skills, you identify, evaluate, and construct your argument.
• Reasoning: With critical thinking comes reasoning. You must examine logical relationships among the statements being made.
• Point of View: Critical thinkers can see things from different perspectives and different points of view.

What Are Good Analysis Questions?

Analysis is a part of critical thinking that allows you to examine something carefully. Someone with analytical skills can examine the information presented, understand what that information means, and then properly explain that information to others. Analysis in critical thinking provides more clarity on the information you process.

When analyzing, you may ask yourself, “how do I know this,” how would I solve this problem,” and “why does it matter?”

Why Is Critical Thinking an Important Skill?

Critical thinking skills allow you to express thoughts, ideas, and beliefs in a better way. It also leads to improved communication while allowing others to understand you better. Critical thinking fosters creativity and encourages out-of-the-box thinking. This is a skill that can be applied to many different areas of your life.

For example, knowing the answers to critical thinking questions for a job interview will better prepare you for the interview. Many employers, during questioning, are likely to ask you critical thinking questions to assess if you have the ability to evaluate information effectively so you can make more informed decisions.

Final Thoughts on Critical Thinking Questions

Although it's common to get torn between making two or more choices, nobody wants to make the wrong decision. The only thing you can do to avoid this is use critical thinking questions to examine your situation. The answers to these questions will help you make informed decisions and help you comprehend crucial matters in your life. 

Want to learn more about critical thinking and decision-making using a real-life example? Here is  how Jeff Bezos uses critical thinking  to make some of the most challenging life decisions.

Finally, if you want to ask better questions, then watch this short, 20-minute course to learn how to have a great conversation with virtually anyone .

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100+ Critical Thinking Questions for Students To Ask About Anything

Critical thinkers question everything.

In an age of “fake news” claims and constant argument about pretty much any issue, critical thinking skills are key. Teach your students that it’s vital to ask questions about everything, but that it’s also important to ask the right sorts of questions. Students can use these critical thinking questions with fiction or nonfiction texts. They’re also useful when discussing important issues or trying to understand others’ motivations in general.

“Who” Critical Thinking Questions

Questions like these help students ponder who’s involved in a story and how the actions affect them. They’ll also consider who’s telling the tale and how reliable that narrator might be.

• Is the protagonist?
• Is the antagonist?
• Caused harm?
• Is harmed as a result?
• Was the most important character?

• Is responsible?
• Is most directly affected?
• Should have won?
• Will benefit?
• Would be affected by this?

• Makes the decisions?

“What” Critical Thinking Questions

Ask questions that explore issues more deeply, including those that might not be directly answered in the text.

• Background information do I know or need to know?
• Is the main message?
• Are the defining characteristics?

• Questions or concerns do I have?
• Don’t I understand?
• Evidence supports the author’s conclusion?
• Would it be like if … ?
• Could happen if … ?
• Other outcomes might have happened?
• Questions would you have asked?
• Would you ask the author about … ?
• Was the point of … ?
• Should have happened instead?
• Is that character’s motive?
• Else could have changed the whole story?

• Can you conclude?
• Would your position have been in that situation?
• Would happen if … ?
• Makes your position stronger?
• Was the turning point?
• Is the point of the question?
• Did it mean when … ?
• Is the other side of this argument?
• Was the purpose of … ?
• Does ______ mean?
• Is the problem you are trying to solve?
• Does the evidence say?
• Assumptions are you making?
• Is a better alternative?
• Are the strengths of the argument?

• Are the weaknesses of the argument?
• Is the difference between _______ and _______?

“Where” Critical Thinking Questions

Think about where the story is set and how it affects the actions. Plus, consider where and how you can learn more.

• Would this issue be a major problem?
• Are areas for improvement?
• Did the story change?
• Would you most often find this problem?

• Are there similar situations?
• Would you go to get answers to this problem?
• Can this be improved?
• Can you get more information?
• Will this idea take us?

“When” Critical Thinking Questions

Think about timing and the effect it has on the characters or people involved.

• Is this acceptable?
• Is this unacceptable?

• Does this become a problem?
• Is the best time to take action?
• Will we be able to tell if it worked?
• Is it time to reassess?
• Should we ask for help?
• Is the best time to start?
• Is it time to stop?
• Would this benefit society?

• Has this happened before?

“Why” Critical Thinking Questions

Asking “why” might be one of the most important parts of critical thinking. Exploring and understanding motivation helps develop empathy and make sense of difficult situations.

• Is _________ happening?
• Have we allowed this to happen?
• Should people care about this issue?

• Is this a problem?
• Did the character say … ?
• Did the character do … ?
• Is this relevant?
• Did the author write this?
• Did the author decide to … ?
• Is this important?

• Did that happen?
• Is it necessary?
• Do you think I (he, she, they) asked that question?
• Is that answer the best one?
• Do we need this today?

“How” Critical Thinking Questions

Use these questions to consider how things happen and whether change is possible.

• Do we know this is true?
• Does the language used affect the story?
• Would you solve … ?
• Is this different from other situations?

• Is this similar to … ?
• Would you use … ?
• Does the location affect the story?
• Could the story have ended differently?
• Does this work?
• Could this be harmful?
• Does this connect with what I already know?
• Else could this have been handled?
• Should they have responded?

• Would you feel about … ?
• Does this change the outcome?
• Did you make that decision?
• Does this benefit you/others?
• Does this hurt you/others?
• Could this problem be avoided?

More Critical Thinking Questions

Here are more questions to help probe further and deepen understanding.

• Can you give me an example?

• Do you agree with … ?
• Can you compare this with … ?
• Can you defend the actions of … ?
• Could this be interpreted differently?
• Is the narrator reliable?
• Does it seem too good to be true?

• Is ______ a fact or an opinion?

What are your favorite critical thinking questions? Come exchange ideas on the WeAreTeachers HELPLINE group on Facebook .

Plus, check out 10 tips for teaching kids to be awesome critical thinkers ., you might also like.

5 Critical Thinking Skills Every Kid Needs To Learn (And How To Teach Them)

Teach them to thoughtfully question the world around them. Continue Reading

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19 Short Stories and Questions For Critical Thinking

Apr 2, 2024

There have been rumblings in different online teacher groups recently about replacing novels with short stories and informational articles in middle and high school English classrooms. I have to admit I was shocked when I first read the comments because I am a book lover at heart, but since then, I’ve considered that there are several pros and cons to this approach.

Short stories and other smaller texts can provide a briefer timeline to complete tasks, and this process is helpful when there is already SO MUCH curriculum to cover. Short stories and related activities can also be more engaging for our students because of the exposure to diverse voices and themes! Using short stories and lessons provides students with amazing choices to meet their needs and preferences!

On the other hand, incorporating mainly short stories and other shorter passages means students’ already-pressed attention spans (as a result of social media influences and pervasive sources of technology) are reinforced. Plus, students miss out on the more complex stories within longer pieces of fiction that are, dare I say, life-altering! A novel can provide opportunities for sustained reading and layers for analysis that shorter pieces of literature like short stories and related texts cannot offer.

Ultimately, no matter where you find yourself on the issue, I think we can all agree that short stories and their counterparts can be vital, effective, and helpful in the modern classroom!

Continue reading for 19 Short Stories and Questions For Critical Thinking!!

Need help with Test Prep ?  Check out this  FREE Pack of 3 Test Prep Activities  to help students achieve success on standardized tests!

Table of Contents

19 Short Stories and Questions – Suggestions for Teaching Them

You don’t need to remove all novels to be able to include short stories and smaller passages like vignettes, articles, and narratives; there’s a time and place for all genres! But if you’re thinking about ways to include more short stories and fun activities, check out this list of 19 varied short stories and critical thinking questions as well as suggestions for teaching them in middle school and high school.

1.  “The Most Dangerous Game” 

“The Most Dangerous Game” is one of my absolute favorite short stories and overall plots to teach! This suspenseful short story by Richard Connell follows the harrowing ordeal of Sanger Rainsford, a skilled hunter who becomes the prey of a deranged aristocrat named General Zaroff. Stranded on Zaroff’s secluded island, Rainsford must outwit the cunning general in a deadly game of survival, where the stakes are life and death. 

SUGGESTIONS FOR TEACHING:

• You could focus on the setting (description of time and place) and examine how the setting changes throughout the story.
• Students could learn about the plot (major events in the story) and list the major events and evidence as they read.
• Define foreshadowing (hints for what will happen by the end of the story) and encourage students to hypothesize about what will happen after every page.
• Analyze the character development (how a character changes over time) of Rainsford and highlight his traits/actions as you read along.

CRITICAL THINKING QUESTIONS:

• How does the setting contribute to the tension and suspense in the story?
• How does the author use foreshadowing? How does the author hint at the danger Rainford is facing?
• What inferences can you make about the main character and the changes he undergoes from the beginning to the end of the story?

If you want to teach plot elements and plot analysis , check out this lesson bundle for the story , which includes comprehension quizzes and a variety of activities!

2.  “An Occurrence at Owl Creek Bridge”

Ambrose Bierce’s story is a gripping tale set during the American Civil War, where a Southern civilian named Peyton Farquhar faces execution by hanging after attempting to sabotage a Union railroad bridge. As Farquhar falls through the trapdoor, time seems to stretch, and he experiences a surreal moment, only to realize his grim reality. 

Integrating historical texts with other short stories and passages like “An Occurrence at Owl Creek Bridge” will make history come more alive and relevant for our students!

• Teach about irony (when the opposite occurs from what is expected) and how it plays a role throughout the story.
• Explain the term characterization (how a character is depicted) by looking at direct and indirect references while reading with your students.
• Discuss the major themes (messages) of the story and how they connect to our modern era within a Socratic Seminar.
• How does the author use characterization to convey Peyton Farquhar’s thoughts, emotions, and motivations?
• What is the purpose of irony in this story? How does its use affect the reader’s interpretation and understanding of events?
• What is the significance in our contemporary/real world of the themes of the story, including reality and fantasy, the passage of time, and the consequences of actions?

Ensure students’ understanding of the story with this set of reading questions that are perfect for state test prep, too !

3.  “The Masque of the Red Death”

This chilling tale from Edgar Allan Poe is set in a secluded abbey where Prince Prospero and his wealthy guests attempt to escape a deadly plague known as the Red Death. Despite their isolation efforts, the guests are confronted with their own mortality as a mysterious figure in a blood-red mask appears.

If you have not read any short stories and poems from Poe, this story is a perfect journey into the horror genre!

• The setting (description of time and place) plays a MAJOR role in the story, so following the Prince from room to room and highlighting the imagery (description that connects to the five senses) is very important when reading.
• If you have not introduced mood  (emotion intended for the reader to experience), this story is PERFECT for delineating its progression from start to finish.
• As students read, you might guide them through identifying various examples of  symbolism  (object, person, or place that represents something else); each room, objects within, and the “antagonist” is symbolic in some way!
• How does the author convey the tone of the story? How would you, as the reader, describe the story’s mood?
• What role does the plot structure (focus on the different rooms) play in shaping the reader’s understanding of the story?
• What is the purpose of the symbolism in the story such as the clock and the masked figure?

Check out this EASY-TO-TEACH bundle , you can practice with your students, so they will feel more confident analyzing higher-level language in “The Masque of the Red Death!”

4.  “The Cask of Amontillado”

Another chilling tale from Poe is the classic story “The Cask of Amontillado.” This one is set during Carnival in an unnamed Italian city. The plot centers on a man seeking revenge on a ‘friend’ he believes has insulted him. If your students are anything like mine, they will relish the ending particularly!

This is just one more of Poe’s short stories and tales that will capture the mind of every reader!

•  As you plan for this short story, be sure to encourage your students to analyze the changing setting (description of time and place); following Fortunato from scene to scene will help your students track what is really going on.
• This story is the perfect moment to teach about dialogue (conversation within someone=internal and/or between someone and someone/thing else=external); Montresor certainly means more than what he SEEMS to say!
• You might also offer a mini-lesson on the 3 types of irony and how each plays a role in the story: verbal (when a person says the opposite of what is really intended), situational (an action occurs that is the opposite from what the reader expects), and dramatic (a character expects a result, but the opposite occurs and the audience can tell what will happen)!
• Describe Montresor. What are his motives and personality?
• What inferences can you make about Montresor’s mindset based on his dialogue?
• What is the purpose of the family’s motto and the carnival atmosphere? 

Check out this Short Story Activity & Quiz Bundle for Edgar Allan Poe’s “The Cask of Amontillado,” which contains questions and answers modeled after various reading standardized tests as well as pre-quiz reading comprehension questions, graphic organizers, and a writing activity to get students thinking critically about this classic short story involving REVENGE!

Want 7 more teaching ideas for one of Poe’s epic short stories and questions to go with it? Click below!

5.  “To Build a Fire”

This story by Jack London describes the treacherous journey of a man through the harsh Yukon wilderness during extreme cold. Despite warnings and the company of a loyal dog, the man’s arrogance and underestimation of nature’s power lead to a tragic end.

Short stories and ideas related to survival in nature are still relevant today! Who knows when you might get lost on a hike or crashland in no man’s land?

• This story is PERFECT for a bit of  literary analysis  (examining the impact of various ideas, elements, or themes within a piece of literature); you could hone in on literary devices, characterization, theme, etc.!
• Integrating clips from survival shows will help students see connections to the world and extend their thinking by comparing (recognizing similarities) and contrasting (recognizing differences) varied experiences!
• Write a short narrative about surviving 24 hours in a different setting (description of time and place).
• How does the author use irony? Provide an example and explain. 
• What real-world connections can be made between this story and our contemporary life? 
• What is the story’s message about preparedness and respecting nature?

Grab these engaging short stories and activities to make teaching this Jack London story stress-free!

6.  “The Cactus”

Told from the point of view of a young man at his former lover’s wedding, the narrator retells their story. Like most of O. Henry’s short stories and texts, this one has a twist that involves the titular cactus plant.

The ending will end in a bit of fun for your students!

• Introduce diction (word choice) and its impact within the story by hyperfocusing on specific words within the story . Students can look up definitions, locate synonyms, create their own sentences, replace the words, etc.
• Investigate twist endings (unexpected finish to a story); before reading the end of the story, ask students to guess why the girl “rejected” him. Some students may know the answer before reading it!
• Describe the main characters. What similarities and differences are evident? How does this affect the story’s action?
• What inferences can you make about Trysdale and his feelings about love and marriage?
• What are the real and symbolic meanings of the cactus?

This resource packed with questions and answers, graphic organizers, and writing activities is sure to get your students thinking about this love story driven by misconceptions.

7.  “After Twenty Years”

This tale of friendship and betrayal focuses on the reunion of two old friends after twenty years apart on a New York City street corner. As they reminisce, something is revealed that demonstrates the reality of their bond as well as the choices they’ve made in life.

If you have not read O. Henry’s short stories and incorporated character analysis yet, this is your chance! The story is not long and can be completed in one to two class periods!

• Sometimes, we ask students to visualize (create a picture) in their minds, but why not give them the opportunity to use their artistic skills to draw the two characters?
• As students read, annotate for a description of each character; then, students can do a character analysis (investigation of the characters’ similarities and differences).
• What type of irony is used in the story? How does its use affect your interpretation and understanding of the story?
• How does the urban setting contribute to the mood of the story?
• What is the story’s message about friendship and loyalty?

Examine the links between loyalty and duty with this set of resources designed specifically for this O. Henry story.

8.  “The Lottery”

“The Lottery” is the quintessential short story for middle school or high school English! Shirley Jackson’s “The Lottery” tells the story of an annual ritual that takes place in a seemingly idyllic town. When the townsfolk gather for the lottery drawing, a shocking turn of events demonstrates the dark side of human nature and their ties to (outdated) traditions.

• Introduce the terms suspense (uncertainty and/or excitement leading up to a major event) and tension (anxiety or uneasy feelings experienced by characters). While reading, identify evidence that relates to each of these concepts and chat/write about their impact on meaning and plot.
• Teach title (the name of the text) analysis. The title of “The Lottery” is perfect for teaching the impact of the title and audience expectations. Before reading, students may write what they believe the story will be about based on the title. After reading, students can complete a quick write responding to their previous expectations! You can do a text analysis for all short stories and poems!
• What role does the plot structure play in building suspense and tension? (Consider the revelation of the lottery’s ‘prize’ in particular.)
• What social commentary is being made through the story and its characters?
• Describe Mr. Summers, Tessie, and Old Man Warner. What does the story reveal about their role in the community and their feelings about the lottery?

Give yours elf a breath of fresh air with this NO PREP curriculum that integrates test prep within the teaching of literature by using Shirley Jackson’s quintessential story!

9.  “The Pedestrian”

This Ray Bradbury story follows a lone walker in a futuristic society in which everyone else is consumed by technology, particularly the television. One evening, the walker encounters a police car that questions his unusual behavior and the end is quite unexpected! (Most of Bradbury’s short stories and texts connect to the future and technology in some way!)

• This story exemplifies Dystopian Literature (texts that include a supposedly perfect future society marred in some way by governmental or societal oppression). Using this story to introduce this type of literature is always fun for students because they will easily make connections to other dystopic short stories and poems!
• Teach about mood (the emotional impact of a story’s description/action). The goal is to get students to deepen their critical thinking skills by recognizing how the mood changes and the purpose for that change!
• How does the author use foreshadowing and suspense to build the mood of the story?
• What is the central theme of the story? How might it connect with our current world?
• What similes and metaphors does Bradbury use to describe the community and its members? What is notable about these comparisons?

With this resource about Bradbury’s “The Pedestrian,” you can just print and teach the lesson and activities with EASE! 

10.  “The Gift of the Magi”

This 1905 story by O. Henry relays a tale about a couple struggling to make ends meet. Throughout the story, they both figure out gifts to buy one another for Christmas and realize what love truly means!

• Review character traits (how a character is depicted internally and externally). Log the traits of each character within the story and how they are important to the meaning of the story.
• Extend (move beyond the text) critical thinking skills by encouraging students to think and write about other people. If they had $1,000 to spend on someone else, how would they spend the money and why?

• How would you describe Della and Jim, and their relationship?
• What values do the characters have, when you consider their actions and decisions?
• Explain how dramatic irony is used in the story. Is it necessary? Is it effective? Why or why not?

This tale is a great addition to your short stories and questions unit around the winter holidays! Save yourself time at that time of the year with this lesson bundle . 

11.  “The Monkey’s Paw” 

“The Monkey’s Paw” is a classic horror story about the White family who come into possession of a mystical monkey’s paw that grants three wishes. Despite warnings, they use it and then face devastating consequences as a result.

• Teach about the elements of the horror/suspense genre (Ex. Scary movies are typically dark, stormy, surprising, morbid, etc.).
• Create a thematic statement (message relayed by the text in a complete sentence). There is no perfectly created theme (message) unless it is directly stated by the author; however, students can create a theme by supporting their ideas with evidence from the story!
• What is the main theme of the story? Or how does the author communicate the themes of greed or fate? Is one stronger than the other?
• Are Mr. and Mrs. White more alike or different from one another? How do you know?
• Should we be afraid of the unknown? What message does the story share? Do you agree or disagree?

Examine W.W. Jacobs’ classic story with this set of questions and answers along with rigorous reading and writing activities . While it is ideal for a spooky season, the story is valuable for its ability to hook readers any time of year!

12.  “Lamb to the Slaughter” 

This classic story with a killer plot twist is about a woman who kills her husband and gets away with murder thanks to cooking a leg of lamb!

• You could introduce the plot elements (exposition, rising action, climax, falling action, resolution), encourage students to identify major events to fit each element and write down textual evidence to support their ideas.
• Complete a film analysis (examination of film techniques and their effects) to compare/contrast the short story with the classic Alfred Hitchcock television episode.
• What is Mary Maloney’s state of mind? Does it remain the same or does it change throughout the story? Explain.
• Is the resolution of the story satisfying? Why or why not? Why do you think the author ended it as he did?
• How does irony contribute to the theme of deception in the story? Explain.

Spice up your middle school English or high school English class with this short stories and activities bundle for Dahl’s famous story!

13.  “The Tell-Tale Heart” 

Poe’s classic psychological thriller is narrated by an unnamed protagonist who insists on their sanity while recounting how they murdered an old man. The narrator is haunted by the sound of the victim’s beating heart, which ultimately drives him to confess to the crime despite not originally being a suspect. 

• Teach symbolism (object, person, or place that represents something else) by focusing on the heart and eye . The author used these symbols in various ways!
• Investigate psychology (the study of the human mind) as a part of the story. Determine what is fact and what is fiction within the narrator’s mind.
• What does the story reveal about the human psyche?
• What is the deeper meaning of the two key symbols in the story – the beating heart and the eye of the old man?
• What role do the narrator’s inner thoughts play in the development of the plot?

This Short Story Comprehension Bundle offers quick (and effective!) ways to assess students’ learning and understanding of the story. It’s easy to use and will no doubt save you time too!

14.  “The Scarlet Ibis” 

Emotional short stories and their counterparts have a place as well in English classrooms! This short story by James Hurst about two brothers is a heartbreaking must-read. Through flashbacks, the unnamed narrator tells the life story of his younger sickly brother William Armstrong, who is nicknamed Doodle. And the end…well, you’ll see.

• Define and explain the purpose of a flashback (referring back to the past within a story). Think about the implications of never thinking back on the past or always thinking about the past.
• Complete a comparison chart between Doodle and the Ibis as you read along. Then, students can create a visual of each after they have ready by using their own evidence!
• What is the meaning of the story’s title and the presence of a scarlet ibis in the story?
• What is the central theme of the story? How do the events of the story support this chosen theme?
• How does the author use personification for the storm? What effect does this have on the story?

This flexible resource features critical thinking questions and answers as well as writing and reading activities for students to explore Hurst’s heartbreaking story.

15.  “The Veldt” 

This science fiction story by Ray Bradbury was first published as “The World the Children Made” and it is quite fitting as a title! The story focuses on a futuristic world in which a video screen can be controlled and it turns out to be more than simple virtual reality! By the story’s conclusion, the world the children made is the downfall of their parents. 

• Compare and contrast “The Veldt” with “The Pedestrian,” two short stories and dystopic texts by Ray Bradbury. Analyze the similarities and differences of both short stories and create a thematic statement that connects to both texts!
• Make connections to our current reality in the 21st century. Locate research about the implications of technology on young people and integrate this information as you discuss this short story.
• How does the author address the theme of technology versus humanity in the story? Do you agree with this commentary? Why or why not?
• How does the nursery reflect the personalities of Wendy and Peter in this story?
• Do you know the story of Peter Pan and his friend Wendy? What connections can you make between it and this story by Ray Bradbury?

Ray Bradbury’s classic short stories and similar passages are the BEST to teach in middle and high school English! With so much to dive into, they are sure to be a hit with your students. Grab this set of activities to extend your students’ engagement with rigorous reading and writing activities about “The Veldt.” 

16.  “The Necklace” 

A woman who longs for a life of luxury and elegance beyond her means faces consequences when she loses a borrowed necklace. Guy de Maupassant’s story ends with a twist that has the reader question the value of material possessions. 

• I love comparing this short story with O. Henry’s “The Gift of the Magi.” You might choose to focus on the theme, characterization, setting, etc.
• Summarize (writing about the main idea with details) each chunk of the story as you read with your students. Instead of asking students to write a paragraph, you could ask students to create each summary in only one sentence.
• The story explores vanity, deception, and the consequences of striving for social status. Which theme do you think is the most important? Explain with support from the story.
• Is Mathilde Loisel a likable character? Does this change during the story? Does it matter if the reader likes her? Why or why not?
• What clues does the author provide throughout the story that foreshadow the twist at the story’s end?

Focus on the standards with this Short Story Lesson Bundle for “The Necklace” by Guy de Maupassant!

Need help with implementing activities for “The Necklace?” See below!

17.  “A Vendetta” 

Guy de Maupassant’s late-19th-century story is all about REVENGE. A mother is obsessed with creating a plan to avenge her son’s murder and she then puts the plan into action with a morbid outcome.

• There are so many texts that involve REVENGE! Why not use this concept as a focus for a thematic unit (texts linked to a similar concept and/or message)? You could read “A Poison Tree,” “The Cask of Amontillado,” and “Lamb to the Slaughter” as well as “A Vendetta” with the intention of writing about all 4 for a comparison/contrast paper, presentation, or seminar.
• Analyze the development (how a character changes over time) of the mother and the dog throughout the story; you might annotate for similarities and differences as well as their motivations!
• What comment is the story making about the nature (or need) for justice? Do you agree or disagree? Why or why not?
• What similes and metaphors does the author use to communicate the main character’s feelings about the vendetta?
• How does the author use details to explain the main character’s thoughts, feelings, and motivation?

Add these activities for this lesser-known work to your short story plans. It’s sure to keep things fresh for your short stories and activities unit! 

18.  “Thank You, Ma’am” (also known as “Thank You, M’am”)

This heartfelt story by Langston Hughes tells the story of Luella, an older woman in the neighborhood, who is nearly robbed by a young man named Roger. In response to Roger, Luella brings him back to her home and treats him with an abundance of kindness, which has a profound effect on Roger.

This tale is at the top of the list for the BEST short stories and passages for upper middle and younger high school students!

• Introduce perspective and/or point of view (how a story is told: 1st, 2nd, 3rd omniscient, 3rd limited, 3rd objective). Students might rewrite the story from another perspective or extend the story using the perspective of one of the main characters.
• Review plot elements with a focus on the exposition (introduction to the characters, setting, and conflict), climax (highest point of interest/turning point of the story), and resolution (how the story is concluded and/or resolved in some way.) You could assign an activity surrounding each concept: visualization of the scene, a journal response to the event, or a short response focused on how the element is important to the overall theme!

• Do you believe in second chances? What does the story say about second chances? 
• How might the climax of the story also be seen as the turning point in Roger’s life?
• How would you describe Mrs. Luella Bates Washington Jones? Are her actions expected or unexpected in the story? Consider from Roger’s and the reader’s point of view.

Click to check out all of the details for this BUNDLE with differentiated options , which includes a Test Prep Quiz (with varied options), Venn Diagrams, Graphic Organizers, and Writing Responses!! 

19.  “Click Clack the Rattle Bag”

This short story by Neil Gaiman is creepy and fun in the best ways possible! The narrator is taking care of his girlfriend’s little brother and walking him to bed when the child asks for a story. Instead of the narrator sharing a story, the boy shares about the Click Clacks who drink their prey and leave behind rattling bodies. The end is too good to be missed!

Short stories and plots like those in “Click Clack the Rattle Bag” will most certainly engage even your most struggling learners!

• We all know that test prep can be tough as many reading passages are, well, boring! Why not accomplish some test prep with your students and incorporate 5 standardized test-related questions ? You could focus on theme, structure, order of events, characterization, etc.!
• Help students make inferences (acknowledging and hypothesizing about the impact of details that are not directly referenced or stated) as the scene moves along. Students can analyze the change in the setting, the little boy himself, the story the boy is telling, and specific phrases from the story.
• What details in the story contribute to its eerie atmosphere or mood? Or what figurative language devices does Neil Gaiman use to create a sense of suspense in the story? 
• How does the author use ambiguity in the story? Is it effective or not? Explain.
• What inferences can you make about the relationship between the narrator and the young boy?

This “Click Clack the Rattle Bag” Quiz Pack for middle and high school students uses the Common Core standards and contains questions and answers modeled after various state standardized tests! Make teaching this amazing short story by Neil Gaiman SIMPLE & EASY!

Why should we incorporate more short stories and activities in our teaching?

While I would never advocate replacing all novels with short stories and smaller texts, there is still something to be said about spending quality time with short stories and excerpts. 

Including short stories and standards-based activities is an ideal option to improve reading comprehension and develop skills, especially in middle and high school English classes!

SHORT STORIES AND ACTIVITIES RESOURCES: 

This  Short Stories and Test Prep Questions ULTIMATE BUNDLE with Lessons, Quizzes, and Activities uses the Common Core standards with reading comprehension QUESTIONS and ANSWERS for 18 short stories such as “The Most Dangerous Game,” “The Monkey’s Paw,” “The Tell-Tale Heart,” “After Twenty Years,” “The Gift of the Magi,” “The Veldt,” “The Lottery,” “The Pedestrian,” etc. modeled after various state reading exams.

Make teaching short stories and activities SIMPLE & EASY!

Just PRINT & TEACH with engaging short stories and lessons!!

Need more fun ideas for teaching short stories and corresponding activities? Check out my store Kristin Menke-Integrated ELA Test Prep !

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How to Encourage Critical Thinking Skills While Reading: Effective Strategies

Encouraging critical thinking skills while reading is essential to children’s cognitive development. Critical thinking enables them to engage deeply with a topic or a book, fostering a better understanding of the material. It is a skill that does not develop overnight but can be nurtured through various strategies and experiences.

One effective way to cultivate critical thinking in children is by sharing quality books with them and participating in discussions that facilitate an exchange of ideas and opinions. Through these conversations, children can draw on their existing knowledge, problem-solving abilities, and experiences to expand their understanding of a subject.

Parents and teachers help kids think more deeply about things. They can do this by answering questions that help kids compare different ideas, look at things from different angles, guess what might happen, and develop new solutions.

Importance of Critical Thinking Skills in Reading

Critical thinking helps us understand what we read better. It helps us ask questions and think more deeply about the text. Critical thinking skills can help us analyze, evaluate, and understand what we read.

By incorporating critical thinking, readers can differentiate between facts and opinions, forming their views based on logical reasoning and evidence. This ability is particularly crucial in today’s information abundance, where readers are often exposed to biased or unreliable content. According to Critical Thinking Secrets , using critical thinking in reading allows learners to exercise their judgment in assessing the credibility of the information.

Furthermore, critical thinking promotes creativity and problem-solving skills. Practicing critical thinking allows learners to devise new and innovative ideas to address various challenges. This skill improves academic performance and prepares young minds for future professional endeavors.

Engaging with quality books and participating in thought-provoking discussions can nurture critical thinking abilities in children. Reading Rockets emphasizes the importance of exposing children to texts that challenge their thinking and encourage them to ask questions, fostering the development of critical thinking skills over time.

Teachers also play a significant role in promoting critical thinking in the classroom. Employing various instructional strategies, such as problem-based learning, asking open-ended questions, and providing opportunities for group discussions, can help students cultivate critical thinking habits.

Developing a Reading Environment That Fosters Critical Thinking

Creating a reading environment that promotes critical thinking enables students to engage with texts more deeply and develop essential analytical skills. The following sub-sections outline strategies for choosing thought-provoking materials and encouraging open discussions.

Choosing Thought-Provoking Materials

Selecting suitable reading materials is critical to stimulating critical thinking among students. Teachers should look for texts that:

• Are relevant and relatable to students’ lives and interests
• Present various perspectives and diverse characters
• Pose challenging questions and open-ended problems

By incorporating such texts into the classroom, students can be exposed to new ideas and viewpoints, promoting critical thinking and engagement with the material. For instance, in Eight Instructional Strategies for Promoting Critical Thinking , teachers are advised to choose compelling topics and maintain relevance to foster critical thinking

Encouraging Open Discussions

Fostering an environment where open discussions occur is essential to promoting critical thinking skills while reading. Teachers should:

• Create a culture of inquiry by posing open-ended questions and encouraging students to form opinions and debates
• Facilitate discussions by asking students to explain their thinking processes and share their interpretations of the text
• Respect all opinions and viewpoints, emphasizing that the goal is to learn from each other rather than reach a “correct” answer

Students who feel comfortable participating in discussions are more likely to develop critical thinking skills. The Reading Rockets emphasizes the importance of reading together and engaging in conversations to nurture critical thinking in children.

Active Reading Strategies

Active reading is an essential skill for encouraging critical thinking skills while reading. This involves consciously engaging with the material and connecting with what you know or have read before. This section discusses key strategies that can help you become an active reader.

Annotating and Note-Taking

Annotating the text and taking notes as you read allows you to engage with the material on a deeper level. This process of actively engaging with the text helps you to analyze and retain information more effectively. As you read, it is important to make marginal notes or comments to highlight key points and draw connections between different sections of the material.

Asking Questions While Reading

One important aspect of critical reading is questioning the material. This means not taking everything you read at face value and considering the author’s interpretation and opinion . As you read, develop the habit of asking questions throughout the process, such as:

• What is the author’s main argument?
• What evidence supports this argument?
• How is the information presented in a logical manner?
• What are the possible opposing viewpoints?

By asking questions, you can better understand the author’s viewpoint and the evidence presented, which helps to develop your critical thinking skills.

Summarizing and Paraphrasing

Summarizing and paraphrasing are essential skills for critical reading. Summarizing the material allows you to condense key points and process the information more easily. Paraphrasing, or rephrasing the ideas in your own words, not only helps you better understand the material, but also ensures that you’re accurately interpreting the author’s ideas.

Both summarizing and paraphrasing can enhance your critical thinking skills by compelling you to analyze the text and identify the main ideas and supporting evidence. This way, you can make informed judgments about the content, making your reading more purposeful and engaging.

Developing critical thinking skills while reading literature involves a comprehensive understanding of various literary devices. This section highlights three primary aspects of literary analysis: Recognizing Themes and Patterns, Analyzing Characters and Their Motivations, and Evaluating the Author’s Intent and Perspective.

Recognizing Themes and Patterns

One way to foster critical thinking is through recognizing themes and patterns in the text. Encourage students to identify recurring themes, symbols, and motifs as they read. Additionally, examining the relationships between different elements in the story can help create connections and analyze the overall meaning.

For example, in a story about the struggles of growing up, students might notice patterns in the protagonist’s journey, such as recurring conflicts or milestones. By contemplating these patterns, learners can engage in deeper analysis and interpretation of the text.

Analyzing Characters and Their Motivations

Character analysis is an essential aspect of literary analysis, as understanding characters’ motivations can lead to a thorough comprehension of the narrative. Encourage students to analyze the motives behind each character’s actions, focusing on the factors that drive their decisions.

For instance, in a novel where two characters have differing goals, have students consider why these goals differ and how the characters’ motivations impact the story’s outcome. This exploration can lead to thought-provoking discussions about human behavior, facilitating the development of critical thinking skills.

Evaluating the Author’s Intent and Perspective

Critical thinking is essential to evaluating the author’s intent and perspective. This process involves deciphering the underlying message or purpose of the text and analyzing how the author’s experiences or beliefs may have influenced their writing.

One strategy for accomplishing this is to examine the historical or cultural context in which the work was written. By considering the author’s background, students can better understand the ideas or arguments presented in the text.

For example, if reading a novel set during a significant historical period, like the Civil Rights Movement, understanding the author’s experience can help students analyze narrative elements, enhancing their critical thinking abilities.

Methods to Encourage Critical Thinking Beyond Reading

While reading is essential to developing critical thinking skills, it can be further enhanced by incorporating certain activities in daily routines that promote critical thinking.

Debates and Group Discussions

Debates and group discussions are excellent methods for encouraging critical thinking. By participating in debates or discussions, learners exchange diverse ideas, challenge each other’s reasoning, and evaluate the strength of their arguments. These activities require participants to think and respond quickly, synthesize information, and analyze multiple perspectives.

Teachers and parents can facilitate debates and group discussions by selecting topics that are relevant and related to the subject matter. Promoting respectful dialogue and modeling effective listening skills are also important aspects of setting up successful debates or discussions.

Exploring Other Media Formats

In addition to reading, exploring other media formats like documentaries, podcasts, and videos can help stimulate critical thinking in learners. Different mediums present information in unique ways, providing learners with various perspectives and fostering a more comprehensive understanding of the topic.

Using diverse media formats, individuals can compare and contrast information, question what they know, and further develop their analytical skills. It is essential that educators and parents encourage learners to explore these formats critically, assessing the credibility of the sources and ensuring accuracy in the information consumed.

Assessing Progress and Providing Feedback

Developing critical thinking skills while reading requires continuous assessment and feedback. Monitoring students’ progress in this area and providing constructive feedback can help ensure development and success.

Setting Measurable Goals

Establishing clear, measurable goals for critical thinking is vital for both students and educators. These goals should be specific, achievable, and time-bound. To effectively assess progress, consider using a variety of assessments, such as:

• Classroom discussions
• Reflective writing assignments
• Group projects
• Individual presentations

These different assessment methods can help determine if students are reaching their critical thinking goals and guide educators in adjusting their instruction as needed.

Providing Constructive Feedback

Constructive feedback is essential for students to improve their critical thinking skills. When providing feedback, consider the following guidelines:

• Be specific and focused on the critical thinking aspects of students’ work
• Link feedback directly to the established goals and criteria
• Encourage self-assessment and reflection
• Highlight strengths and areas for improvement
• Offer realistic suggestions for improvement

By implementing these strategies, educators can ensure that students receive the necessary support and guidance to develop their critical thinking skills while reading.

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Critical Reading and Reading Strategy

What is critical reading.

Reading critically does not, necessarily, mean being critical of what you read.

Both reading and thinking critically don’t mean being ‘ critical ’ about some idea, argument, or piece of writing - claiming that it is somehow faulty or flawed.

Critical reading means engaging in what you read by asking yourself questions such as, ‘ what is the author trying to say? ’ or ‘ what is the main argument being presented? ’

Critical reading involves presenting a reasoned argument that evaluates and analyses what you have read.  Being critical, therefore - in an academic sense - means advancing your understanding , not dismissing and therefore closing off learning.

See also: Listening Types to learn about the importance of critical listening skills.

To read critically is to exercise your judgement about what you are reading – that is, not taking anything you read at face value.

When reading academic material you will be faced with the author’s interpretation and opinion.  Different authors will, naturally, have different slants. You should always examine what you are reading critically and look for limitations, omissions, inconsistencies, oversights and arguments against what you are reading.

In academic circles, whilst you are a student, you will be expected to understand different viewpoints and make your own judgements based on what you have read.

Critical reading goes further than just being satisfied with what a text says, it also involves reflecting on what the text describes, and analysing what the text actually means, in the context of your studies.

As a critical reader you should reflect on:

• What the text says:  after critically reading a piece you should be able to take notes, paraphrasing - in your own words - the key points.
• What the text describes: you should be confident that you have understood the text sufficiently to be able to use your own examples and compare and contrast with other writing on the subject in hand.
• Interpretation of the text: this means that you should be able to fully analyse the text and state a meaning for the text as a whole.

Critical reading means being able to reflect on what a text says, what it describes and what it means by scrutinising the style and structure of the writing, the language used as well as the content.

Critical Thinking is an Extension of Critical Reading

Thinking critically, in the academic sense, involves being open-minded - using judgement and discipline to process what you are learning about without letting your personal bias or opinion detract from the arguments.

Critical thinking involves being rational and aware of your own feelings on the subject – being able to reorganise your thoughts, prior knowledge and understanding to accommodate new ideas or viewpoints.

Critical reading and critical thinking are therefore the very foundations of true learning and personal development.

See our page: Critical Thinking for more.

Developing a Reading Strategy

You will, in formal learning situations, be required to read and critically think about a lot of information from different sources. 

It is important therefore, that you not only learn to read critically but also efficiently.

The first step to efficient reading is to become selective.

If you cannot read all of the books on a recommended reading list, you need to find a way of selecting the best texts for you. To start with, you need to know what you are looking for.  You can then examine the contents page and/or index of a book or journal to ascertain whether a chapter or article is worth pursuing further.

Once you have selected a suitable piece the next step is to speed-read.

Speed reading is also often referred to as skim-reading or scanning.  Once you have identified a relevant piece of text, like a chapter in a book, you should scan the first few sentences of each paragraph to gain an overall impression of subject areas it covers.  Scan-reading essentially means that you know what you are looking for, you identify the chapters or sections most relevant to you and ignore the rest.

When you speed-read you are not aiming to gain a full understanding of the arguments or topics raised in the text.  It is simply a way of determining what the text is about. 

When you find a relevant or interesting section you will need to slow your reading speed dramatically, allowing you to gain a more in-depth understanding of the arguments raised.  Even when you slow your reading down it may well be necessary to read passages several times to gain a full understanding.

See also: Speed-Reading for Professionals .

Following SQ3R

SQ3R is a well-known strategy for reading. SQ3R can be applied to a whole range of reading purposes as it is flexible and takes into account the need to change reading speeds.

SQ3R is an acronym and stands for:

This relates to speed-reading, scanning and skimming the text.  At this initial stage you will be attempting to gain the general gist of the material in question.

It is important that, before you begin to read, you have a question or set of questions that will guide you - why am I reading this?  When you have a purpose to your reading you want to learn and retain certain information.  Having questions changes reading from a passive to an active pursuit.  Examples of possible questions include:

• What do I already know about this subject?
• How does this chapter relate to the assignment question?
• How can I relate what I read to my own experiences?

Now you will be ready for the main activity of reading.  This involves careful consideration of the meaning of what the author is trying to convey and involves being critical as well as active.

Regardless of how interesting an article or chapter is, unless you make a concerted effort to recall what you have just read, you will forget a lot of the important points.  Recalling from time to time allows you to focus upon the main points – which in turn aids concentration. Recalling gives you the chance to think about and assimilate what you have just read, keeping you active.  A significant element in being active is to write down, in your own words, the key points. 

The final step is to review the material that you have recalled in your notes.  Did you understand the main principles of the argument?  Did you identify all the main points?  Are there any gaps?   Do not take for granted that you have recalled everything you need correctly – review the text again to make sure and clarify.

Continue to: Effective Reading Critical Thinking

See also: Critical Analysis Writing a Dissertation Critical Thinking and Fake News

Reading & Writing Purposes

Introduction: critical thinking, reading, & writing, critical thinking.

The phrase “critical thinking” is often misunderstood. “Critical” in this case does not mean finding fault with an action or idea. Instead, it refers to the ability to understand an action or idea through reasoning. According to the website SkillsYouNeed [1]:

Critical thinking might be described as the ability to engage in reflective and independent thinking.

In essence, critical thinking requires you to use your ability to reason. It is about being an active learner rather than a passive recipient of information.

Critical thinkers rigorously question ideas and assumptions rather than accepting them at face value. They will always seek to determine whether the ideas, arguments, and findings represent the entire picture and are open to finding that they do not.

Critical thinkers will identify, analyze, and solve problems systematically rather than by intuition or instinct.

Someone with critical thinking skills can:

• Understand the links between ideas.
• Determine the importance and relevance of arguments and ideas.
• Recognize, build, and appraise arguments.
• Identify inconsistencies and errors in reasoning.
• Approach problems in a consistent and systematic way.
• Reflect on the justification of their own assumptions, beliefs and values.

Read more at:  https://www.skillsyouneed.com/learn/critical-thinking.html

Critical thinking—the ability to develop your own insights and meaning—is a basic college learning goal. Critical reading and writing strategies foster critical thinking, and critical thinking underlies critical reading and writing.

Critical Reading

Critical reading builds on the basic reading skills expected for college.

College Readers’ Characteristics

• College readers are willing to spend time reflecting on the ideas presented in their reading assignments. They know the time is well-spent to enhance their understanding.
• College readers are able to raise questions while reading. They evaluate and solve problems rather than merely compile a set of facts to be memorized.
• College readers can think logically. They are fact-oriented and can review the facts dispassionately. They base their judgments on ideas and evidence.
• College readers can recognize error in thought and persuasion as well as recognize good arguments.
• College readers are skeptical. They understand that not everything in print is correct. They are diligent in seeking out the truth.

Critical Readers’ Characteristics

• Critical readers are open-minded. They seek alternative views and are open to new ideas that may not necessarily agree with their previous thoughts on a topic. They are willing to reassess their views when new or discordant evidence is introduced and evaluated.
• Critical readers are in touch with their own personal thoughts and ideas about a topic. Excited about learning, they are eager to express their thoughts and opinions.
• Critical readers are able to identify arguments and issues. They are able to ask penetrating and thought-provoking questions to evaluate ideas.
• Critical readers are creative. They see connections between topics and use knowledge from other disciplines to enhance their reading and learning experiences.
• Critical readers develop their own ideas on issues, based on careful analysis and response to others’ ideas.

The video below, although geared toward students studying for the SAT exam (Scholastic Aptitude Test used for many colleges’ admissions), offers a good, quick overview of the concept and practice of critical reading.

Critical Reading & Writing

College reading and writing assignments often ask you to react to, apply, analyze, and synthesize information. In other words, your own informed and reasoned ideas about a subject take on more importance than someone else’s ideas, since the purpose of college reading and writing is to think critically about information.

Critical thinking involves questioning. You ask and answer questions to pursue the “careful and exact evaluation and judgment” that the word “critical” invokes (definition from The American Heritage Dictionary ). The questions simply change depending on your critical purpose. Different critical purposes are detailed in the next pages of this text.

However, here’s a brief preview of the different types of questions you’ll ask and answer in relation to different critical reading and writing purposes.

When you react to a text you ask:

• “What do I think?” and
• “Why do I think this way?”

e.g., If I asked and answered these “reaction” questions about the topic assimilation of immigrants to the U.S. , I might create the following main idea statement, which I could then develop in an essay:  I think that assimilation has both positive and negative effects because, while it makes life easier within the dominant culture, it also implies that the original culture is of lesser value.

When you apply text information you ask:

• “How does this information relate to the real world?”

e.g., If I asked and answered this “application” question about the topic assimilation , I might create the following main idea statement, which I could then develop in an essay:  During the past ten years, a group of recent emigrants has assimilated into the local culture; the process of their assimilation followed certain specific stages.

When you analyze text information you ask:

• “What is the main idea?”
• “What do I want to ‘test’ in the text to see if the main idea is justified?” (supporting ideas, type of information, language), and
• “What pieces of the text relate to my ‘test?'”

e.g., If I asked and answered these “analysis” questions about the topic immigrants to the United States , I might create the following main idea statement, which I could then develop in an essay: Although Lee (2009) states that “segmented assimilation theory asserts that immigrant groups may assimilate into one of many social sectors available in American society, instead of restricting all immigrant groups to adapting into one uniform host society,” other theorists have shown this not to be the case with recent immigrants in certain geographic areas.

When you synthesize information from many texts you ask:

• “What information is similar and different in these texts?,” and
• “What pieces of information fit together to create or support a main idea?”

e.g., If I asked and answered these “synthesis” questions about the topic immigrants to the U.S. , I might create the following main idea statement, which I could then develop by using examples and information from many text articles as evidence to support my idea: Immigrants who came to the United States during the immigration waves in the early to mid 20th century traditionally learned English as the first step toward assimilation, a process that was supported by educators. Now, both immigrant groups and educators are more focused on cultural pluralism than assimilation, as can be seen in educators’ support of bilingual education. However, although bilingual education heightens the child’s reasoning and ability to learn, it may ultimately hinder the child’s sense of security within the dominant culture if that culture does not value cultural pluralism as a whole.

Critical reading involves asking and answering these types of questions in order to find out how the information “works” as opposed to just accepting and presenting the information that you read in a text. Critical writing involves recording your insights into these questions and offering your own interpretation of a concept or issue, based on the meaning you create from those insights.

• Crtical Thinking, Reading, & Writing. Authored by : Susan Oaks, includes material adapted from TheSkillsYouNeed and Reading 100; attributions below. Project : Introduction to College Reading & Writing. License : CC BY-NC: Attribution-NonCommercial
• Critical Thinking. Provided by : TheSkillsYouNeed. Located at : https://www.skillsyouneed.com/ . License : Public Domain: No Known Copyright . License Terms : Quoted from website: The use of material found at skillsyouneed.com is free provided that copyright is acknowledged and a reference or link is included to the page/s where the information was found. Read more at: https://www.skillsyouneed.com/
• The Reading Process. Authored by : Scottsdale Community College Reading Faculty. Provided by : Maricopa Community College. Located at : https://learn.maricopa.edu/courses/904536/files/32966438?module_item_id=7198326 . Project : Reading 100. License : CC BY: Attribution
• image of person thinking with light bulbs saying -idea- around her head. Authored by : Gerd Altmann. Provided by : Pixabay. Located at : https://pixabay.com/photos/light-bulb-idea-think-education-3704027/ . License : CC0: No Rights Reserved
• video What is Critical Reading? SAT Critical Reading Bootcamp #4. Provided by : Reason Prep. Located at : https://www.youtube.com/watch?v=5Hc3hmwnymw . License : Other . License Terms : YouTube video
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Critical thinking

200+ critical thinking questions.

“Judge a man by his questions rather than his answers.” – Voltaire As critical thinkers, it’s our job to question everything, instead of just blindly believing what we’re told, but what kinds of questions should we be asking though? What are the “right” questions to ask? In this article I’ve compiled a list of 200+ […]

“Judge a man by his questions rather than his answers.” – Voltaire

As critical thinkers, it’s our job to question everything, instead of just blindly believing what we’re told, but what kinds of questions should we be asking though?

What are the “right” questions to ask?

In this article I’ve compiled a list of 200+ of the very best critical thinking questions for almost any situation.

Critical thinking questions:

• If you’re presented with a claim

If you’re reading a book, listening to a podcast, watching TV or YouTube

If you’re watching an interview.

• In a group or panel discussion
• In an argument or debate

If you’re watching the news

• If you want to spot a lie

If you want to spot a scam

• If you’re presented with statistics
• Critical thinking about your life

Let’s begin:

• Is this an argument, a claim, a belief, an opinion, or a fact?

When you’re presented with information, whether it’s something you’re reading, watching or listening to, ask yourself:

• How do you know it’s a fact?
• What evidence exists to support this “fact”?
• Has this “fact” been proven?
• Do the majority of experts on the subject agree that this is a fact? Is there an expert consensus on this fact? If not, why not?
• Is this an ordinary or extraordinary claim?
• Do the majority of experts agree with this claim? Or is it contentious?
• What is the source of this claim?
• Who is making this claim?
• Is this person an authority or expert?
• How reliable is this source?
• What are the best arguments in support of this claim?
• What do the harshest critics against this position say?
• What arguments do skeptics of this position give?
• Has this claim already been debunked?
• Is this evidence good enough to accept the arguers assertions?
• Would this evidence stand up in court?
• Or is the arguer/author/speaker making assertions without evidence?
• What is the strongest evidence against this claim?
• Is there more confirming or disconfirming evidence?
• Is the expert consensus (if there is one) for or against this claim? Why?
• Do the majority of experts agree or disagree with this claim? Why?
• How can we verify or falsify this claim?
• A statement may be true, but is it relevant? Why?
• To what degree? To what extent?
• Under what conditions?
• In what context or circumstances?
• This claim is 100% true
• This claim is 100% false
• This claim is mostly true, partly false
• This claim is mostly false, partly true
• This claim is half true, half false
• Remember: There are degrees of “rightness” and “wrongness”. Statements are rarely 100% true or 100% false
• What further claims does this claim logically entail?
• Which of my beliefs would I have to change if I were to accept this claim?
• If this is an argument, is it deductive or inductive?
• If an argument is deductive, is it sound, valid, invalid, or unsound?
• If an argument is inductive, is it cogent, strong, weak, or unsound?
• How do you know this?
• How did you determine this?
• What evidence or proof do you have for this claim?
• What is their background?
• What makes them qualified to speak on this subject?
• Are they an expert in the field?
• On what basis is the author or speaker an authority or expert on the subject, or at least credible?
• Are they conservative or liberal?
• Atheist or religious?
• Feminist or MGTOW?
• (No author/speaker is completely neutral, unbiased and objective)
• When was the article, book, podcast, video etc., written or recorded? Is it possibly outdated? Is there a more recent up-to-date version available?
• Why did the author write this article/book?
• Why is the speaker giving this talk? What is their motivation?
• What is the purpose of this information? Why was it created?
• Why did I choose to read/watch/listen to it?
• Who benefits from this information? Why? How?
• Is this information relevant to you? If so, how? Why do you need to know this? How does it affect you personally?
• What are the authors/speakers main arguments and assertions? What is their philosophy? What are their main points?
• Is the author/speaker arguing for anything controversial? If so, there are likely to be good counterarguments on the other side
• Anonymous authorities aka “weasel words” e.g. “experts say…” “scientists say…” “studies show…”
• Deductive or inductive reasoning
• Expert opinion
• Expert consensus
• Randomized controlled trials
• Scientific studies
• Scientific consensus
• Or are they making assertions without evidence?
• What is the strongest evidence in support of these assertions? Is this evidence good enough to accept the authors/speakers conclusions? Would it stand up in court?
• What is the strongest evidence against these assertions?
• What might be another equally valid interpretation of the evidence or study results?
• What conclusions does the author/speaker want you to draw? What do they want you to think/believe/understand/do?
• Is the author/speaker/news station trying to push a narrative? e.g. “Diversity”, “Gender pay gap”, “Immigration”?
• Do you agree with the authors/speakers assertions? Why/why not? Anything you disagree with?
• Do you agree with the authors/speakers philosophy? Why/why not? Anything you disagree with?
• Do you agree with the authors/speakers “facts” and description of “reality”? Why/why not? Anything you disagree with?
• Do you agree with the authors/speakers arguments and rationale? Why/why not? Anything you disagree with?
• Are there any fallacies in the authors/speakers argument or rationale? If so, what?
• Does the author/speaker address counterarguments, disconfirming evidence, objections etc.? If so, how effectively do they rebut these points?
• If the author/speaker provides a “rule”, are there any exceptions to the rule that are not explained or accounted for?
• Do you agree with the authors/speakers conclusions? Why/why not? (You might agree with their arguments and rationale but not with their conclusions) Are they backed up by sufficient evidence? Or is the author/speaker jumping to conclusions too quickly from insufficient evidence?
• Are there any other equally valid conclusions or interpretations that could have been drawn from the evidence, or any other competing theories with better explanations for the evidence? If so, what?
• What is the perspective of the author/speaker? Do they seem like an insider or outsider? Why?
• Whose perspective is this information presented from? America’s or someone else’s? Conservative or liberal? Men or Women? Gen X, Y or Z?
• What perspectives/viewpoints are not represented here? What other perspectives might be equally valid, or worth looking into?
• What would (person) say about it?
• What would (group) say about it?
• Is there better evidence for one perspective/viewpoint than another?
• Is the author/speaker presenting you with both sides of the story – or only one?
• How has the author/speaker framed the information or story?
• Is the author/speaker embellishing or sensationalizing the story for dramatic effect? Do you think the story really took place the way the author/speaker tells it?
• What assumptions is the author/speaker making? What does the author/speaker have to believe is true before the rest of their argument makes sense?
• What are the implications of the authors/speakers argument? If this is true, what else must be true?
• What are the main problems the author/speaker is trying to solve? What solutions do they propose?
• Do you agree with the authors/speakers proposed solutions? Can you think of even better solutions to these problems?
• Has the author/speaker identified the real problem/s, or only a symptom of the problem?
• Is the author/speakers analysis or solution to the problem or situation oversimplified or incomplete? What needs to be unpacked or expanded upon?
• Is the author/speaker engaged in oversimplified black and white thinking as if something “always” or “never” happens, or as if “everyone” or “no one” should think/believe/do something, or as if something was right/wrong, true/false, correct/incorrect, without any grey areas in between?
• Are you engaged in black and white thinking, as if “everything” or “nothing” the author/speaker says is true? Or are you judging the validity of the information line by line, sentence by sentence, claim by claim, realizing that some parts could be true, and other parts false?
• Is the author/speaker emotional reasoning? Is it facts over feelings, or feels over reals?
• How would you describe the author/speakers tone? Dogmatic? Overconfident? Emotive? Pay attention not only to what  is said, but  how it’s said. How does the tone affect your response to the speech/text?
• Is the author/speaker using emotive language/tonality, and/or dramatic images or video, in an attempt to alarm, scare or outrage you?
• Is the author/speaker guilty of magical or superstitious thinking? Is there a lot of talk of “the law of attraction”, “miracles”, “soul mates” etc.?
• Does the author/speaker treat their opponents charitably and fairly? Do they treat the other side as intelligent people with a difference of opinion/perspective? Or do they demonize them as “crazy”, “dangerous”, “evil”, “dumb”, “stupid”, “racist”, “sexist”, “homophobic”, “transphobic” etc.?
• Does the author/speaker seem intellectually honest? Trustworthy? Why/why not?
• Is the author/speaker trying to be objective in their analysis and critique? Perfect objectivity isn’t possible, but are they even trying to be impartial, unbiased and objective?
• Yes: Be careful you’re not automatically believing everything they have to say without evidence, and letting them do your thinking for you
• No: Be careful you’re not automatically dismissing everything they have to say because you don’t like them (Remember: Examine the statement – not the speaker)
• Yes: Beware because you’re more likely to believe it whether it’s true or not
• No: Beware because you’re more likely to dismiss it whether it’s true or not
• The truth, the whole truth, and nothing but the truth
• Half-truths and holding something back
• Straight up lying
• Is the author/speaker misquoting people, or taking quotes out of context?
• Did the person really say …? Is this a real quote/tweet? Or has the person been misquoted or quoted out of context? Is this a fake tweet?
• How are you going to use this information? What are you going to do with it? How are you going to put it into practice? How will it make a difference to your life?
• What is the purpose of this interview? Is it to educate or entertain the audience? Is it to promote a product or service?
• Who is the interviewee? Why is this person being interviewed?
• When did this interview take place? Is this information possibly outdated and no longer relevant?
• Is the interviewer asking the interviewee mostly softball or hardball questions?
• Is the interviewer asking the interviewee a lot of leading, loaded or gotcha questions? Do they seem to be trying to lead or trap the interviewee? e.g. “Yeah, but isn’t it true that…”, “Yeah, but don’t you think…”, “Yeah, but what about…”
• Is the interviewer really listening to the interviewee? Are they making a real effort to try to understand the interviewee and their position, or are they simply trying to promote or condemn it?
• Is the interviewer deliberately trying to make the interviewee look bad? e.g. Are they being overly disagreeable or standoffish? Do they only ask hardball or gotcha questions and then interrupt the interviewee mid-sentence with another difficult question every time the interviewee starts to give a good answer?
• Does the interviewer interrupt or cut off the interviewee if they start talking about anything controversial, or if they start talking about anything that doesn’t align with the narrative of the network e.g. anti-abortion, pro-gun or pro-Trump comments?
• Has the interview been edited to make the interviewee look bad, to paint them in a negative light?
• What additional questions would you ask the interviewee that the interviewer didn’t ask?

If you’re watching a group or panel discussion

If you’re watching a group discussion or debate, especially on a contentious topic e.g. abortion or gun control:

• Who are the panel members? What makes these people authorities or experts on the subject?
• Are both sides of the debate equally represented with intelligent people? Or is one side represented by heavyweights and the other side lightweights?
• Is there an equal distribution of liberal and conservative pundits? Or is it a majority liberal panel with a token conservative? (or vice versa)
• Does the host seem biased towards one side over the other? Is the host picking sides and showing their approval/disapproval of one side?
• Is the audience showing an obvious bias to one side of the debate? Are they only applauding/booing one side of the debate?
• Is the host giving more airtime, credibility and/or respect to one side?
• Is the host trying to make one side look bad, ignorant or stupid?

In an argument or a debate

If you’re in an argument or a debate, or watching one:

• Is this an argument or an assertion? If it’s an argument, is it deductive, inductive or abductive? Is it sound or cogent? Valid or invalid? Strong or weak?
• Are all of the premises true and correct? Do all of the premises necessarily lead to the conclusion? Are there any unjustified leaps of logic?
• Am I clear on how each word is being defined in the argument?
• Is someone attempting to redefine words e.g. “rational”, “reasonable”,   “racist” etc., to support their preferred conclusion?
• Is someone trying to shift the burden of proof? Note: The burden of proof is the obligation to provide evidence to support one’s assertion e.g. “You are guilty” and it is always on the one making the claim – not the other way around
• Has this argument already been debunked?
• Is someone making a PRATT? (Point refuted a thousand times)
• Is this a strawman or steelman argument?
• Is this the best argument in support of …?
• What are the best arguments in support of …?
• What are the best arguments against …?
• What is the strongest evidence in support of …?
• What is the strongest evidence against …?
• Is the preponderance of evidence for or against …? Is there more confirming or disconfirming evidence?
• Is the expert consensus (if there is one) for or against …? Why?
• Do the majority of experts agree or disagree with …? Why?
• Are there any fallacies in this argument or rationale? If so, what? (Fallacies don’t necessarily make an argument invalid but it’s still good to be aware of them)
• Am I 100% certain I understand my opponent’s position? Am I sure? Could I argue my opponent’s position convincingly? Could I steelman it? Could I pass the Ideological Turing Test? If not, you don’t understand it. Don’t argue for or against a position until you fully understand it
• What are the strongest points of my opponent’s argument?
• What are the weakest points of my opponent’s argument?
• What are the weakest points of my argument?
• What is the strongest evidence against my position?
• What are the best arguments against my position?
• How would I attack my argument if I had to?
• What do I like about my opponent’s position, and what do I dislike about mine?
• What aspects of my argument are likely to be unconvincing to those that don’t already agree with me?
• Does my opponent seem intellectually honest? Are they arguing in good faith? Are they willing to follow the evidence where it leads? Are they willing to admit when they’re mistaken or wrong? Am I?
• Does my opponent seem more interested in “winning” the argument or discovering the truth?

Ask the other person:

• How did you determine that?
• How did you come to that conclusion?
• What do you know that I don’t?
• Where am I wrong in my argument or rationale?
• What evidence would it take to change your mind, to convince you otherwise?
• Are these your real reasons for believing X? If all of these reasons were proven wrong, would you still continue to believe X? If yes, let’s not even worry about these reasons because they’re not the real reasons you believe X. What are the real reasons you believe X?
• Why do you think other smart people aren’t convinced by the same arguments and evidence that you are?
• Associated Press News
• The Bureau of Investigative Journalism
• The Economist
• Pro Publica
• What is the bias of this news station? Are they liberal or conservative? You can check the bias of a particular news station here:  Media Bias Fact Check
• Fear mongering
• Gossip/rumors
• Hatchet jobs
• Outrage porn
• Puff pieces
• Is this really the most important “news” of the day? Why is this story being prioritized over everything else that happened today?
• Why do I need to know this? How does it affect me?
• What is the purpose of this news story? Why was it created? What does the news station want you to think/believe/do?
• When was this news story published? Is this information current, or is it outdated and/or no longer relevant?
• Has this story already been debunked?
• Truth or Fiction
• The Washington Post Fact Checker
• Hoax Slayer

Check these websites to see if a claim or story has already been debunked, but don’t rely on any of these websites to do your thinking for you, because they may mislead you with their own political biases

• Has this story or headline been written to educate, entertain or infuriate you?
• Is the headline an accurate summary of the information – or is it just clickbait?
• Do the photos fit the story?
• Has an unflattering photo been deliberately chosen to paint the subject e.g. Trump in a bad light?
• Is it likely that this story has been embellished or sensationalized?
• How has this information been framed or spun?
• Are you being presented with both sides of the story – or only one?
• Whose perspective is this presented from? Conservative or liberal? America’s or someone else’s? Men or Women? What other perspectives might be equally valid, or worth looking into?
• What do the other news stations say? e.g. if you watch CNN or MSNBC, what does CBS or FOX say? (and vice versa)
• Are you being presented with facts or opinions?  If “facts”, on what basis are they “facts”? What evidence exists to support these “facts”?
• Do the media’s “facts” and description of “reality” seem accurate? Why/why not? Anything you disagree with?
• Did someone really say that? Or have they been misquoted or quoted out of context?
• Does the domain look credible?
• Is this satire?

How to spot a liar

• Does it seem like this person is lying or telling the truth? Why? Are they a known liar?
• Is this person motivated to deceive me? Do they stand to gain something by lying to me? What might this person gain by lying to me?
• Dodge the question
• Ignore the question
• Attack you for asking the question, “How could you ask me a question like that!”
• Refuse to answer the question
• Answer a different question
• Turn the question back on you, “I could ask you the same thing!”
• Give short one word answers
• Give vague or ambiguous answers
• Talk around in circles without answering the question
• If you ask the person the same question multiple times using different words, do they give different answers and contradict themselves? Do the details in their story keep changing?
• Uncomfortable
• Does the person speak slower or faster or louder than normal when answering your questions?
• Does the person hesitate, take long pauses, or talk slower than normal when answering your questions? (maybe in an attempt to think on the spot and buy time?)
• Do they avoid eye contact and/or cover their mouth when answering questions?
• Do they start sentences and not finish them, or change topics and start talking about something else mid-sentence?
• Does the tone or volume of their voice change? Does their voice crack and/or go higher than normal? Do they cough repetitively and clear their throat, or stammer or stutter?
• Do they blink rapidly, or not at all, or have a fake or nervous smile?
• Do they roll their lips back or purse them?
• Does their body language seem uncomfortable?
• Do their emotions and facial expressions match their words? When they say they’re “good” or “okay”, do they seem good or okay?
• Does it seem like they’re in a hurry to change the subject?
• This person is telling “The truth, the whole truth, and nothing but the truth”
• This person is telling half-truths and holding something back
• This person is playing dumb and pretending to know less than they do
• This person is straight up lying
• What does your gut/intuition say? Does it seem like they’re lying or telling you the truth? (or both)
• Is a stranger emailing, texting or calling you out of the blue claiming something too good to be true? e.g. you’ve entitled to a large inheritance – and all you need to do is provide bank details, or pay taxes or transfer costs? Or that you’ve won a prize in a competition or lottery you’ve never entered?
• Is someone calling you claiming to be from your bank, gas/electricity provider, phone company etc. and asking you to verify your personal contact details, password, bank details, credit card number etc.? maybe due to “unauthorized” or “suspicious activity” on your account?
• Does a google search on the exact wording of the email, text or ad reveal a scam?
• Does the email contain any grammatical or spelling errors, or overly formal language?
• Does the email ask you to click a link or open an attachment?
• If you’re buying something online is the seller asking you to make payment with an insecure payment option? e.g. direct bank transfer, money order, or a cryptocurrency like Bitcoin?
• In an online dating scenario, is someone professing strong feelings for you after only a few encounters?
• Does the person have a sense of urgency? Are they claiming to need money urgently for a personal or family emergency, medical attention, or to come see you?
• Is someone using pressure tactics, and trying to make you feel guilty or selfish for not buying their product or service, or donating to a charity?
• Is someone trying to manipulate you with sleazy sales/self-help seminar type questions e.g. “Do you want to be rich or poor?” “A winner or a loser?” “A success or a failure?”
• Does it seem too good to be true? Does it seem like a scam? If so, it probably is
• What does your gut/intuition say?

Statistics questions

“There are three kinds of lies: lies, damned lies, and statistics.” – Benjamin Disraeli

Ask yourself the following questions whenever you’re presented with any statistic:

• Who paid for the study or survey?
• Who conducted the study or survey? Does it come from a credible source?
• Why was the study or survey done? What is the likely agenda?
• When was the study done? Is the information outdated? Is it still relevant? Times change. Public opinion changes
• Who was polled? Conservatives or liberals? Men or women? Asians, Blacks, Hispanics or Whites? What age group? Gen X, Y or Z? How diverse was the group?
• How large was the sample size? How many people were surveyed? Is the sample size large enough? Is it qualitative, quantitative, or mixed methods? Was the sample size sufficient?  Was it  representative enough of the wider population? Did the participants come from different cultural and social backgrounds? How generalizable are the findings?
• What are the statistics measuring?
• How long did the information take to gather? Was it a 2 week survey? A 6 month study? A 10 year study?
• What questions were asked?
• How was each question asked? Were the questions leading or loaded or worded in such a way as to encourage a certain answer?
• What is the context of the survey?
• How was the research done? Phone, email, social media, face to face?
• What is the number as a percentage? e.g. 55, 000 Americans is 0.0167% of the population
• Is the percentage statistically insignificant? e.g. 500, 000 Americans might be addicted to Heroin, but as a percentage that’s ‘only’ (any number above one is obviously too high) 0.153% of Americans
• Do the author’s conclusions and the headline logically follow from the data? Or are they reading too much into the data? Find the raw data if you can. Don’t just accept and believe headlines for statistics. Make sure it says what the headline says it says. Statistical headlines are often used to suggest things the data doesn’t actually say
• Is the research confusing causation and correlation? Check out: spurious correlations for a perfect visual example of why correlation does not equal causation
• Has this study been peer reviewed by experts?
• Beware of unsourced statistics

“I can prove anything by statistics except the truth.” – George Canning 

Critical thinking about your life questions

“The unexamined life is not worth living” – Socrates

You can apply critical thinking to the books you read, the podcasts you listen to, the information and “news” presented to you, but ultimately, what better place to apply critical thinking skills than to your own life?

• Which biases and fallacies are you most guilty of?
• Where/when do you most often fail to practice critical thinking?
• What are your sacred cows? What shouldn’t be questioned? What is off limits? God? Jesus? Buddha? Krishna? Muhammad? The Bible? The Bhagavad Gita? The Quran? Your Guru?
• What do you need to start/stop doing?
• What do you need to do more/less of?
• What are your best/worst habits?
• Where do you waste the most time?
• Who/what should you cut out of your life?
• What one thing, if you were to take action on it, would produce the greatest difference in your life?
• A year from now, what will you wish you had started today?

Recommended reading

For additional critical thinking questions check out:

Critical Reading: The Ultimate Guide

The Socratic Method

50 Critical thinking tips

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Questioning: The Ultimate Reading Strategy for Critical Thinkers

Questioning is a reading strategy that involves generating and answering questions before, during, and after reading to enhance comprehension. It helps readers to engage with the text, think critically, and retain information. This article will provide an overview of questioning as a reading strategy, discuss its formation and promotion, explore how it can help RTI students, and offer practical tips for implementing it in the classroom.

Overview of Questioning as a Reading Strategy

Questioning is a metacognitive reading strategy that involves actively engaging with the text by asking questions, seeking answers, and making connections between ideas. The strategy is divided into three stages: before, during, and after reading.

Before Reading: This stage involves generating questions before reading to help activate prior knowledge and set a purpose for reading. Questions could be related to the author, genre, topic, or theme of the text.

During Reading: This stage involves generating questions while reading to monitor comprehension, clarify understanding, and make predictions. Questions could be related to the meaning of unfamiliar words, the main idea, or the author's purpose.

After Reading: This stage involves generating questions after reading to evaluate understanding, reflect on learning, and make connections to real-life situations. Questions could be related to the text's relevance, the author's bias, or the characters' motivations.

Formation and Promotion of Questioning as a Reading Strategy.

The questioning reading strategy was first introduced in the 1960s by the educational psychologist, Benjamin Bloom, who developed the Bloom's Taxonomy of Educational Objectives. Bloom's Taxonomy is a framework for classifying learning objectives into six hierarchical levels, ranging from simple recall of information to complex analysis, synthesis, and evaluation. The questioning strategy is based on the higher-order thinking levels of Bloom's Taxonomy, which require students to engage in critical thinking and problem-solving.

Since its inception, the questioning strategy has been widely promoted by educators, researchers, and curriculum developers as a powerful tool for improving reading comprehension and critical thinking skills. It has been incorporated into various reading programs and curricula, including the Reading Recovery Program, the Common Core State Standards, and the Response to Intervention (RTI) framework.

How Questioning Helps RTI Students

The RTI framework is a multi-tiered system of support designed to help struggling students by providing targeted interventions that address their specific needs. The questioning reading strategy is an effective tool for RTI students because it helps them to:

Activate Prior Knowledge: Questioning before reading helps students to activate their prior knowledge and build connections between what they already know and what they will be reading. This can improve their comprehension and retention of information.

Monitor Comprehension: Questioning during reading helps students to monitor their comprehension and identify areas of confusion or misunderstanding. This can help them to clarify their understanding and improve their overall comprehension.

Reflect on Learning: Questioning after reading helps students to reflect on what they have learned and make connections to real-life situations. This can help them to apply their learning and develop a deeper understanding of the text.

Implementing Questioning in the Classroom

Here are some practical tips for implementing the questioning reading strategy in the classroom:

Model the Strategy: Model the questioning strategy by asking students questions about the text before, during, and after reading. This can help them to see how the strategy works and develop their own questioning skills.

Provide Guided Practice: Provide guided practice by giving students a set of questions to answer before, during, and after reading. This can help them to develop their questioning skills and build confidence.

Encourage Independent Practice: Encourage independent practice by having students generate their own questions before, during, and after reading. This can help them to take ownership of their learning and develop their critical thinking skills.

Use Graphic Organizers: Use graphic organizers, such as KWL charts or mind maps, to help students organize their questions and make connections between ideas.

Differentiate Instruction: Differentiate instruction by providing different levels of questioning for students at different levels of proficiency. For example, lower-level questions for struggling readers and higher-level questions for advanced readers.

In conclusion, questioning is a powerful reading strategy that can help RTI students to improve their reading comprehension and critical thinking skills. By generating and answering questions before, during, and after reading, students can engage with the text, monitor their comprehension, and reflect on their learning. Implementing this strategy in the classroom requires modeling, guided practice, independent practice, graphic organizers, and differentiated instruction. By incorporating questioning into their reading instruction, teachers can help their students to become more effective readers and critical thinkers.

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Being critical: a practical guide

Critical reading.

• Being critical
• Critical thinking
• Evaluating information
• Reading academic articles
• Critical writing

The purposes and practices of reading

The way we read depends on what we’re reading and why we’re reading it. The way we read a novel is different to the way we read a menu . Perhaps we are reading to understand a subject, to increase our knowledge, to analyse data, to retrieve information, or maybe even to have fun! The purpose of our reading will determine the approach we take.

Reading for information

Suppose we were trying to find some directions or opening hours... We would need to scan the text for key words or phrases that answer our question, and then we would move on.

It's a bit like doing a Google search and then just reading the results page rather than accessing the website.

Reading for understanding

When we're reading for pleasure or doing background reading on a topic, we'll generally read the text once, from start to finish . We might apply skimming techniques to look through the text quickly and get the general gist. Our engagement with the text might therefore be quite passive: we're looking for a general understanding of what's being written, perhaps only taking in the bits that seem important.

Reading for analysis

When we're doing reading for an essay, dissertation, or thesis, we're going to need to actively read the text multiple times . All the while we'll engage our prior knowledge and actively apply it to our reading, asking questions of what's been written.

This is critical reading !

Reading strategies

When you’re reading you don’t have to read everything with the same amount of care and attention. Sometimes you need to be able to read a text very quickly.

There are three different techniques for reading:

• Scanning — looking over material quite quickly in order to pick out specific information;
• Skimming — reading something fairly quickly to get the general idea;
• Close reading — reading something in detail.

You'll need to use a combination of these methods when you are reading an academic text: generally, you would scan to determine the scope and relevance of the piece, skim to pick out the key facts and the parts to explore further, then read more closely to understand in more detail and think critically about what is being written.

These strategies are part of your filtering strategy before deciding what to read in more depth. They will save you time in the long run as they will help you focus your time on the most relevant texts!

You might scan when you are...

• ...browsing a database for texts on a specific topic;
• ...looking for a specific word or phrase in a text;
• ...determining the relevance of an article;
• ...looking back over material to check something;
• ...first looking at an article to get an idea of its shape.

Scan-reading essentially means that you know what you are looking for. You identify the chapters or sections most relevant to you and ignore the rest. You're scanning for pieces of information that will give you a general impression of it rather than trying to understand its detailed arguments.

You're mostly on the look-out for any relevant words or phrases that will help you answer whatever task you're working on. For instance, can you spot the word "orange" in the following paragraph?

Being able to spot a word by sight is a useful skill, but it's not always straightforward. Fortunately there are things to help you. A book might have an index, which might at least get you to the right page. An electronic text will let you search for a specific word or phrase. But context will also help. It might be that the word you're looking for is surrounded by similar words, or a range of words associated with that one. I might be looking for something about colour, and see reference to pigment, light, or spectra, or specific colours being called out, like red or green. I might be looking for something about fruit and come across a sentence talking about apples, grapes and plums. Try to keep this broader context in mind as you scan the page. That way, you're never really just going to be looking for a single word or orange on its own. There will normally be other clues to follow to help guide your eye.

Approaches to scanning articles:

• Make a note of any questions you might want to answer – this will help you focus;
• Pick out any relevant information from the title and abstract – Does it look like it relates to what you're wanting? If so, carry on...
• Flick or scroll through the article to get an understanding of its structure (the headings in the article will help you with this) – Where are certain topics covered?
• Scan the text for any facts , illustrations , figures , or discussion points that may be relevant – Which parts do you need to read more carefully? Which can be read quickly?
• Look out for specific key words . You can search an electronic text for key words and phrases using Ctrl+F / Cmd+F. If your text is a book, there might even be an index to consult. In either case, clumps of results could indicate an area where that topic is being discussed at length.

Once you've scanned a text you might feel able to reject it as irrelevant, or you may need to skim-read it to get more information.

You might skim when you are...

• ...jumping to specific parts such as the introduction or conclusion;
• ...going over the whole text fairly quickly without reading every word;

Skim-reading, or speed-reading, is about reading superficially to get a gist rather than a deep understanding. You're looking to get a feel for the content and the way the topic is being discussed.

Skim-reading is easier to do if the text is in a language that's very familiar to you, because you will have more of an awareness of the conventions being employed and the parts of speech and writing that you can gloss over. Not only will there be whole sections of a text that you can pretty-much ignore, but also whole sections of paragraphs. For instance, the important sentence in this paragraph is the one right here where I announce that the important part of the paragraph might just be one sentence somewhere in the middle. The rest of the paragraph could just be a framework to hang around this point in order to stop the article from just being a list.

However, it may more often be that the important point for your purposes comes at the start of the paragraph. Very often a paragraph will declare what it's going to be about early on, and will then start to go into more detail. Maybe you'll want to do some closer reading of that detail, or maybe you won't. If the first paragraph makes it clear that this paragraph isn't going to be of much use to you, then you can probably just stop reading it. Or maybe the paragraph meanders and heads down a different route at some point in the middle. But if that's the case then it will probably end up summarising that second point towards the end of the paragraph. You might therefore want to skim-read the last sentence of a paragraph too, just in case it offers up any pithy conclusions, or indicates anything else that might've been covered in the paragraph!

For example, this paragraph is just about the 1980s TV gameshow "Treasure Hunt", which is something completely irrelevant to the topic of how to read an article. "Treasure Hunt" saw two members of the public (aided by TV newsreader Kenneth Kendall) using a library of books and tourist brochures to solve a series of five clues (provided, for the most part, by TV weather presenter Wincey Willis). These clues would generally be hidden at various tourist attractions within a specific county of the British Isles. The contestants would be in radio contact with a 'skyrunner' (Anneka Rice) who had a map and the use of a helicopter (piloted by Keith Thompson). Solving a clue would give the contestants the information they needed to direct the skyrunner (and her crew of camera operator Graham Berry and video engineer Frank Meyburgh) to the location of the next clue, and, ultimately, to the 'treasure' (a token object such as a little silver brooch). All of this was done against the clock, the contestants having only 45' to solve the clues and find the treasure. This, necessarily, required the contestants to be able to find relevant information quickly: they would have to select the right book from the shelves, and then navigate that text to find the information they needed. This, inevitably, involved a considerable amount of skim-reading. So maybe this paragraph was slightly relevant after all? No, probably not...

Skim-reading, then, is all about picking out the bits of a text that look like they need to be read, and ignoring other bits. It's about understanding the structure of a sentence or paragraph, and knowing where the important words like the verbs and nouns might be. You'll need to take in and consider the meaning of the text without reading every single word...

Approaches to skim-reading articles:

• Pick out the most relevant information from the title and abstract – What type of article is it? What are the concepts? What are the findings?;
• Scan through the article and note the headings to get an understanding of structure;
• Look more closely at the illustrations or figures ;
• Read the conclusion ;
• Read the first and last sentences in a paragraph to see whether the rest is worth reading.

After skimming, you may still decide to reject the text, or you may identify sections to read in more detail.

Close reading

You might read closely when you are...

• ...doing background reading;
• ...trying to get into a new or difficult topic;
• ...examining the discussions or data presented;
• ...following the details or the argument.

Again, close reading isn't necessarily about reading every single word of the text, but it is about reading deeply within specific sections of it to find the meaning of what the author is trying to convey. There will be parts that you will need to read more than once, as you'll need to consider the text in great detail in order to properly take in and assess what has been written.

Approaches to the close reading of articles:

• Focus on particular passages or a section of the text as a whole and read all of its content – your aim is to identify all the features of the text;
• Make notes and annotate the text as you read – note significant information and questions raised by the text;
• Re-read sections to improve understanding;
• Look up any concepts or terms that you don’t understand.

Questioning

Questioning goes hand-in-hand with reading for analysis. Before you begin to read, you should have a question or set of questions that will guide you. This will give purpose to your reading, and focus you; it will change your reading from a passive pursuit to an active one, and make it easier for you to retain the information you find. Think about what you want to achieve and keep the purpose in mind as you're reading.

Ask yourself...

• Why am I reading this? — What is my task or assignment question, and how is this source helping to answer it?
• What do I already know about the subject? — How can I relate what I'm reading to my own experiences?

You'll need to ask questions of the text too:

• Examine the evidence or arguments presented;
• Check out any influences on the evidence or arguments;
• Check the limitations of study design or focus;
• Examine the interpretations made.

Are you prepared to accept the authors’ arguments, opinions, or conclusions?

Critical reading: why, what, and how

Blocks to critical reading.

Certain habits or approaches we have to life can hold us back from really thinking objectively about issues. We may not realise it, but often we're our own worst enemies when it comes to being critical...

Select a student to reveal the statement they've made.

I have been asked to work on an area that is completely new. Where do I start in terms of finding relevant texts?

Ask for guidance:

ask your tutor or module leader

use your module reading lists

make use of the Skills Guides (oh... you are! Excellent!)

ask your Faculty Librarians

Take a look at our contextagon and begin to consider sources of information .

I don’t understand what I'm reading – It's too difficult!

If the text is difficult, don’t panic!

If it is a journal article, scan the text first – look at the contents, abstract, introduction, conclusion and subheadings to try to make sense of the argument.

Then read through the whole text to try to understand the key messages, rather than every single word or section. On a second reading, you will find it easier to understand more.

If you are struggling to get to grips with theories or concepts, you might find it useful to look at a summary as a way in -- for example, in an online subject encyclopaedia .

If you are struggling with difficult vocabulary, it may be useful to keep a glossary of key vocabulary, particularly if it is specialist or technical.

Remember, the more you read, the more you will understand it and be able to use it yourself.

Take a look at our Academic sources Skills Guide .

Help! There is too much to read and too little time!

University study involves a large amount of reading. However, some texts on your reading lists are core texts and some are more optional.

You will generally need to read the core text, but on the optional list there may be a range of texts which deal with the same topic from different perspectives. You will need to decide which are the most relevant to your interests and assignments.

Keep in mind the questions you want the text to answer and look for what is relevant to those questions. Prioritise and read only as much as you need to get the information you need (if it's a book, use the index; if it's an article, concentrate on the relevant parts).

Improve your note-taking skills by keeping them brief and selective.

If in doubt, ask your tutor or Faculty Librarians for guidance.

Take a look at the Organise and Analyse section of the Skills Guides.

I am struggling to remember what I have read.

To remember what you have read, you need to interact with the material. If you have questioned and evaluated the material you are reading, you will find it easier to remember.

Improve your active note-taking skills using a method like Cornell or Survey, Question, Read, Recite, Review (SQR3).

Annotate your pdfs and use a note-taking app .

Make time to consolidate your reading periodically. You could do this by summarising key points from memory or connecting ideas using mindmapping.

Consider using a reference management program to keep on top of reading, and mind-mapping software like Mindgenius to connect ideas.

Where did I read that thing?

Make sure you have a good system for taking notes and try to keep your notes organised/in one place, whether that is using an app or taking notes by hand. There is no right way to do this - find a system that works for you.

Logically label and file your notes, linking new information with what you already know and cross-reference with any handouts.

Make sure you make a note of information for referencing sources.

Where possible, save resources you have used to Google Drive or your University filestore , and organise these (e.g. by module, assessment, topic etc.).

Many of the above tips can be achieved with reference management software .

I have strong opinions about the argument being presented in the reading – why can’t I just put this side forward?

Truth is a complicated business. Core texts or texts by highly respected authors are an author’s interpretation, and that interpretation is not above question. Any single text only provides a perspective. Even a scientific observation may be modified by further evidence. Critical writing means making sure your argument is balanced, considering and critiquing a range of perspectives.

Read texts objectively and assess their value in terms of what they can bring to your work, rather than whether you agree with them or not.

If you agree or disagree strongly with an author, you still need to analyse their argument and justify why it is sound or unsound, reliable or unreliable, and valid or lacking validity.

Ignoring opposing views can be a mistake. Your reader may think you are unaware of the different views or are not willing to think the ideas through and challenge them.

Be careful not to be blinded by your own views about a topic or an author. Engaging actively with a text which you initially don’t agree with can mean you have to rethink or adjust your own position, making your final argument stronger.

Take a look at the other parts of the Being critical Skills Guides .

That's not right. Try again.

Being actively critical

Active reading is about making a conscious effort to understand and evaluate a text for its relevance to your studies. You would actively try to think about what the text is trying to say, for example by making notes or summaries.

Critical reading is about engaging with the text by asking questions rather than passively accepting what it says. Is the methodology sound? What was the purpose? Do ideas flow logically? Are arguments properly formulated? Is the evidence there to support what is being claimed?

When you're reading critically, you're looking to...

• ...link evidence to your own research;
• ...compare and contrast different sources effectively;
• ...focus research and sources;
• ...synthesise the information you've found;
• ...justify your own arguments with reference to other sources.

You're going beyond just an understanding of a text. You're asking questions of it; making judgements about it... What you're reading is no longer undisputed 'fact': it's an argument put forward by an author. And you need to determine whether that argument is a valid one.

"Reading without reflecting is like eating without digesting"

– Edmund Burke

"Feel free to reflect on the merits (or not) of that quote..."

– anon.

Critical reading involves understanding the content of the text as well as how the subject matter is developed...

• How true is what's being written?
• How significant are the statements that are being made?

Regardless of how objective, technical, or scientific the text may be, the authors will have made certain decisions during the writing process, and it is these decisions that we will need to examine.

Two models of critical reading

There are several approaches to critical reading. Here's a couple of models you might want to try:

Choose a chapter or article relevant to your assessment (or pick something from your reading list).

Then do the following:

Determine broadly what the text is about.

Look at the front and back covers

Scan the table of contents

Look at the title, headings, and subheadings

Read the abstract, introduction and conclusion

Are there any images, charts, data or graphs?

What are the questions the text will answer? Write some down.

Use the title, headings and subheadings to write questions

What questions do the abstract, introduction and conclusion prompt?

What do you already know about the topic? What do you need to know?

Do a first reading. Read selectively.

Read a section at a time

Answer your questions

Summarise or make brief notes

Underline or highlight any key points

Recite (in your own words)

Recall the key points.

Summarise key points from memory

Try to answer the questions you asked orally, without looking at the text or your notes

Use diagrams or mindmaps to recall the information

After you have completed the reading…

Go back over your notes and check they are clear

Check that you have answered all your questions

At a later date, review your notes to check that they make sense

At a later date, review the questions and see how much you can recall from memory

Choose a relevant article from your reading list and make brief notes on it using the prompts below.

Choose an article you have read earlier in your course and re-read it, applying the prompts below.

Compare your comments and the notes you have made. What are the differences?

Who is the text by? Who is the text aimed at? Who is described in the text?

What is the text about? What is the main point, problem or topic? What is the text's purpose?

Where is the problem/topic/issue situated?, and in what context?

When does the problem/topic/issue occur, and what is its context? When was the text written?

How did the topic/problem/issue occur? How does something work? How does one factor affect another? How does this fit into the bigger picture?

Why did the topic/problem/issue occur? Why was this argument/theory/solution used? Why not something else?

What if this or that factor were added/removed/altered? What if there are alternatives?

So what makes it significant? So what are the implications? So what makes it successful?

What next in terms of how and where else it's applied? What next in terms of what can be learnt? What next in terms of what needs doing now?

Here's a template for use with the model.

Go to File > Make a copy... to create your own version of the template that you can edit.

CC BY-NC-SA Learnhigher

Arguments & evidence

Academic reading can be a trial. In more ways than one...

It might help to think of every text you read as a witness in a court case. And you're the judge ! You're going to need to examine the testimony...

• What’s being claimed ?
• What are the reasons for making that claim?
• Are there gaps in the evidence?
• Do other witnesses support and corroborate their testimony?
• Does the testimony support the overall case ?
• How does the testimony relate to the other witnesses?

You're going to need to consider all sides of the case...

Considering the argument

An argument explains a position on something. A lot of academic writing is about gathering those claims and explaining your own position through their explanations.

You'll need to question...

• ...the author's claims ;
• ...the arguments they use — are their claims well documented ?;
• ...the counter-arguments presented;
• ...any bias in the source;
• ...the research method being used;
• ...how the author qualifies their arguments.

You'll also need to develop your own reasoned arguments, based on a logical interpretation of reliable sources of information.

What's the evidence?

Evidence isn't just the results of research or a reference to an academic study. You might use other authors' opinions to back up your argument. Keep in mind that some evidence is stronger than others:

You can get an idea of an author's certainty through the language they use, too:

Linking evidence to argument

• Why did the author select the evidence they did? — Why did they decide to use a particular methodology, choose a specific method, or conduct the work in the way they did?
• How does the author interpret the evidence?
• How does the evidence prove or help the argument?

Even in the most technical and scientific disciplines, the presentation of argument will always involve elements that can be examined and questioned. For example, you could ask:

• Why did the author select that particular topic of enquiry in the first place?
• Why did the author select that particular process of analysis?

Synthesis :

"the combination of components or elements to form a connected whole."

You'll need to make logical connections between the different sources you encounter, pulling together their findings. Are there any patterns that emerge?

Analyse the texts you've found, and how meaningful they are in context of your studies...

• How do they compare to each other and to any other knowledge you are gathering about the subject? Do some ideas complement or conflict with each other?
• How will you synthesise the different sources to serve an idea you are constructing? Are there any inferences you can draw from the material?

Embracing other perspectives

Good critical research seeks to be impartial, and will embrace (or, at the very least, address) conflicting opinions. Try to bring these into your research to show comprehensive searching and knowledge of the subject.

You can strengthen your argument by explaining, critically, why one source is more persuasive than another.

Recall & review

Synthesising research is much easier if you take notes. When you know an article is relevant to your area of research, read it and make notes which are relevant to you. Consider keeping a spreadsheet or something similar , to make a note of what you have read and how it relates to the task.

You don't need elaborate notes; just a summary of the relevant details. But you can use your notes to help with the process of analysing and synthesising the texts. One method you could try is the recall & review approach:

Try to summarise key words and elements of the text:

• Sketch a rough diagram of the text from memory — test what you can recall from your reading of the text;
• Make headings of the main ideas and note the supporting evidence;
• Include your evaluation — what were the strengths and weaknesses?
• Identify any gaps in your memory.

Go over your notes, focusing on the parts you found difficult. Organise your notes, re-read parts, and start to bring everything together...

• Summarise the text in preparation for writing;
• Be creative: use colour and arrows; make it easy to visualise;
• Highlight the ideas you may want to make use of;
• Identify areas for further research.

Critical analysis vs criticism

The aim of critical reading and critical writing is not to find fault; it's not about focusing on the negative or being derogatory. Rather it's about assessing the strength of the evidence and the argument. It's just as useful to conclude that a study or an article presents very strong evidence and a well-reasoned argument as it is to identify weak evidence and poorly formed arguments.

Criticising

The author's argument is poor because it is badly written.

Critical analysis

The author's argument is unconvincing without further supporting evidence.

Academic reading: What it is and how to do it

Struggling with academic reading? This bitesize workshop breaks it down for you! Discover how to read faster, smarter, and make those academic texts work for you:

Think critically about what you read...

• examine the evidence or arguments presented
• check out any influences on the evidence or arguments
• check out the limitations of study design or focus
• examine the interpretations made

Active critical reading

It's important to take an analytical approach to reading the texts you encounter. In the concluding part of our " Being critical " theme, we look at how to evaluate sources effectively, and how to develop practical strategies for reading in an efficient and critical manner.

Forthcoming training sessions

Forthcoming sessions on :

CITY College

Please ensure you sign up at least one working day before the start of the session to be sure of receiving joining instructions.

If you're based at CITY College you can book onto the following sessions by sending an email with the session details to your Faculty Librarian:

[email protected]

There's more training events at:

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• Last Updated: Jun 4, 2024 10:44 AM
• URL: https://subjectguides.york.ac.uk/critical

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Critical Thinking Is About Asking Better Questions

• John Coleman

Six practices to sharpen your inquiry.

Critical thinking is the ability to analyze and effectively break down an issue in order to make a decision or find a solution. At the heart of critical thinking is the ability to formulate deep, different, and effective questions. For effective questioning, start by holding your hypotheses loosely. Be willing to fundamentally reconsider your initial conclusions — and do so without defensiveness. Second, listen more than you talk through active listening. Third, leave your queries open-ended, and avoid yes-or-no questions. Fourth, consider the counterintuitive to avoid falling into groupthink. Fifth, take the time to stew in a problem, rather than making decisions unnecessarily quickly. Last, ask thoughtful, even difficult, follow-ups.

Are you tackling a new and difficult problem at work? Recently promoted and trying to both understand your new role and bring a fresh perspective? Or are you new to the workforce and seeking ways to meaningfully contribute alongside your more experienced colleagues? If so, critical thinking — the ability to analyze and effectively break down an issue in order to make a decision or find a solution — will be core to your success. And at the heart of critical thinking is the ability to formulate deep, different, and effective questions.

• JC John Coleman is the author of the HBR Guide to Crafting Your Purpose . Subscribe to his free newsletter, On Purpose , follow him on Twitter @johnwcoleman, or contact him at johnwilliamcoleman.com.

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Critical Thinking Reading Comprehension Worksheets

• Take these as online quizzes here!

Short Story Reading Comprehension Worksheets

• Beginning Level
• Answers for this series are included at the end of each worksheet.
• "My Friend" - Low Beginning. 3 answer choices. 7 questions. 74 words.
• "My House" - Low Beginning. 3 answer choices. 7 questions. 92 words.
• "Time to..." - Low Beginning. 4 answer choices. 11 questions. 89 words.
• "My Family" - Low Beginning. 4 answer choices. 6 questions. 90 words.
• "Rainy Day" - Low Beginning. 4 answer choices. 5 questions. 78 words.
• "A Call to the Pool" - Low Beginning. 4 answer choices. 5 questions. 116 words.
• "The Singing Bird" - Low Beginning. 4 answer choices. 5 questions. 96 words.
• "Seeing Stars" - Low Beginning. 4 answer choices. 8 questions. 92 words.
• "I Fly" - Low Beginning. 4 answer choices. 4 questions. 113 words.
• "The Drive" - Mid Beginning. 4 answer choices. 10 questions. 120 words.
• "Zach's Animals" - Mid Beginning. 4 answer choices. 10 questions. 104 words.
• "Griffin's Talents" - Mid Beginning. 4 answer choices. 9 questions. 112 words.
• "A Happy Visitor" - Mid Beginning. 4 answer choices. 5 questions. 170 words.
• "An Adventure" - Mid Beginning. 4 answer choices. 5 questions. 177 words.
• "Running" - Mid Beginning. 4 answer choices. 5 questions. 148 words.
• "Paul Cooks" - Mid Beginning. 4 answer choices. 10 questions. 112 words.
• "Bella Hides" - Mid Beginning. 4 answer choices. 8 questions. 135 words.
• "First Prize" - Mid Beginning. 4 answer choices. 8 questions. 155 words.
• "What Number?" - Mid Beginning. 4 answer choices. 12 questions. 154 words.
• "The Interview" - High Beginning. 4 answer choices. 9 questions. 205 words.
• "Julian's Work" - High Beginning. 4 answer choices. 12 questions. 194 words.
• "Talia's Special Day" - High Beginning. 4 answer choices. 10 questions. 204 words.
• "One Hundred Dollars" - High Beginning. 4 answer choices. 13 questions. 273 words.
• "New Shoes for Maddy" - High Beginning. 4 answer choices. 11 questions. 223 words.
• "The 20" - High Beginning. 4 answer choices. 12 questions. 256 words.
• "Big City Noise" - High Beginning. 4 answer choices. 13 questions. 238 words.
• Intermediate Level
• "By the Water" - Low Intermediate. 4 answer choices. 9 questions. 225 words.
• "A Cold Day" - Low Intermediate. 4 answer choices. 14 questions. 286 words.
• "Vet Emergency!" - Low Intermediate. 4 answer choices. 10 questions. 247 words.
• "Late" - Low Intermediate. 4 answer choices. 14 questions. 284 words.
• "The Brenners" - Low Intermediate. 4 answer choices. 13 questions. 297 words.
• "Bullied" - Low Intermediate. 4 answer choices. 13 questions. 197 words.
• "The New School" - Low Intermediate. 4 answer choices. 14 questions. 286 words.
• "The Park" - Low Intermediate. 4 answer choices. 11 questions. 297 words.
• "Worth Working For" - Mid Intermediate. 4 answer choices. 10 questions. 280 words.
• "The Rent Man" - Mid Intermediate. 4 answer choices. 12 questions. 215 words.
• "Time with Grandpa" - Mid Intermediate. 4 answer choices. 9 questions. 237 words.
• "The Bus Driver" - Mid Intermediate. 4 answer choices. 15 questions. 294 words.
• "A Day Like No Other" - Mid Intermediate. 4 answer choices. 12 questions. 305 words.
• "A Mystery" - Mid Intermediate. 4 answer choices. 10 questions. 247 words.
• "Just One Touch" - Mid Intermediate. 4 answer choices. 15 questions. 326 words.
• "Wanga" - Mid Intermediate. 4 answer choices. 13 questions. 340 words.
• "Ana Finds an Apartment" - Mid Intermediate. 4 answer choices. 12 questions. 408 words.
• "Guermo's Surprise" - High Intermediate. 4 answer choices. 9 questions. 372 words .
• "Canopy of Nature" - High Intermediate. 4 answer choices. 8 questions. 332 words .
• "Blizzard in Birmingham" - High Intermediate. 4 answer choices. 10 questions. 319 words.
• "A Christmas in March" - High Intermediate. 4 answer choices. 10 questions. 385 words.
• "Bail" - High Intermediate. 4 answer choices. 10 questions. 301 words.
• "Clean Water Act" - High Intermediate. 4 answer choices. 10 questions. 632 words.
• "BB" - High Intermediate. 4 answer choices. 10 questions. 511 words .
• Advanced Level
• "The Mini Problem" - Low Advanced. 4 answer choices. 10 questions. 291 words .
• "Flower Power" - Low Advanced. 4 answer choices. 10 questions. 368 words.
• "Seeing Clearly" - Low Advanced. 4 answer choices. 10 questions. 284 words .
• "Accused" - Low Advanced. 4 answer choices. 12 questions. 285 words.
• "City Girl" - Low Advanced. 4 answer choices. 13 questions. 429 words.
• "Fried" - Mid Advanced. 4 answer choices. 10 questions. 235 words.
• "Tattoo" - Mid Advanced. 4 answer choices. 11 questions. 350 words.
• "The Transfers" - Mid Advanced. 4 answer choices. 12 questions. 381 words.
• "Wild" - Mid Advanced. 4 answer choices. 10 questions. 493 words.
• "Scorpion" - Low Advanced. 4 answer choices. 10 questions. 333 words
• "Remains of a Marriage" - Mid Advanced. 4 answer choices. 11 questions. 345 words.
• "Museum Hours" - Mid Advanced. 4 answer choices. 10 questions. 179 words.
• "Seeing Through" - High Advanced. 5 answer choices. 10 questions. 326 words.
• "Ursula Pugh" - High Advanced. 5 answer choices. 8 questions. 324 words.
• "Dreams" - High Advanced. 4 answer choices. 12 questions. 357 words.
• "Tracks" - High Advanced. 5 answer choices. 11 questions. 531 words.
• "Love Train" - High Advanced. 5 answer choices. 12 questions. 646 words.
• "The Storm" - High Advanced. 4 answer choices. 12 questions. 407 words.

Informational Passages Reading Comprehension Worksheets

In these reading comprehension worksheets, students are asked questions about information they have read about a specific topic. each passage reads similar to a newspaper of journal article, and provides interesting information about some aspect of history, nature, mechanics, science, art, and more. questions involve critical thinking with a focus on logic and inference..

• Answer Key - This answer key is available but still under development.
• "The Sun" - Low Beginning. 3 questions. Under 50 words.
• "Gas" - Low Beginning. 3 questions. Under 50 words.
• "Music" - Low Beginning. 4 questions. Under 50 words.
• "Birds" - Low Beginning. 4 questions. Under 50 words.
• "The Heart" - Low Beginning. 4 questions. Under 50 words.
• "The Butterfly" - Low Beginning. 5 questions. Under 50 words.
• "Pigs" - Low Beginning. 3 questions. Under 50 words.
• "The Brain" - Low Beginning. 3 questions. Under 50 words.
• "The Ocean" - Low Beginning. 7 questions. Under 100 words.
• "Trees" - Low Beginning. 4 questions. Under 100 words.
• "Alligators" - Low Beginning. 6 questions. Under 100 words.
• "The Blow-Dryer" - Low Beginning. 5 questions. Under 100 words.
• "Green Grass" - Low Beginning. 6 questions. Under 100 words.
• "Taste" - Low Beginning. 4 questions. Under 100 words.
• "Bees" - Mid Beginning. 10 questions. Under 200 words.
• "Frogs" - Mid Beginning. 10 questions. Under 200 words.
• "Beds" - Mid Beginning. 10 questions. Under 200 words.
• "Humans" - Mid Beginning. 10 questions. Under 200 words.
• "Fish" - Mid Beginning. 10 questions. Under 200 words.
• "Houses" - Mid Beginning. 10 questions. Under 300 words.
• "Soda Pop" - High Beginning. 10 questions. Under 200 words.
• "Tea" - High Beginning. 10 questions. Under 200 words.
• "Ice Fishing" - High Beginning. 10 questions. Under 300 words.
• "Bears" - High Beginning. 10 questions. Under 300 words.
• "Flags" - High Beginning. 10 questions. Under 300 words.
• "Leonardo Da Vinci" - High Beginning. 10 questions. Under 300 words..
• "Tennis" - High Beginning. 10 questions. Under 300 words.
• "Dogs" - High Beginning. 10 questions. Under 300 words.
• "Money" - High Beginning. 10 questions. Under 300 words.
• "Abraham Lincoln" - High Beginning. 10 questions. Under 300 words.
• "Corn" - High Beginning. 10 questions. Under 300 words.
• "Umbrellas" - High Beginning. 10 questions. Under 300 words.
• "Ben Franklin" - High Beginning. 10 questions. Under 300 words.
• "Cars" - High Beginning. 10 questions. Under 300 words.
• Answer Key - This is the answer key for to the intermediate level informational passages.
• "Helicopters" - Low Intermediate. 10 questions. Under 300 words.
• "Yellowstone National Park" - Low Intermediate. 10 questions. Under 400 words.
• "Empress of the Blues" - Low Intermediate. 10 questions. Under 400 words.
• "The Cactus" - Low Intermediate. 10 questions. Under 400 words.
• "Space Exploration Voyagers 1 and 2" - Mid Intermediate. 10 questions. Under 400 words.
• "Television" - Mid Intermediate. 10 questions. Under 400 words.
• "Hibernation and Estivation" - Mid Intermediate. 10 questions. Under 400 words.
• "Marco Polo" - Mid Intermediate. 10 questions. Under 400 words.
• "Movie Ratings" - Mid Intermediate. 10 questions. Under 400 words.
• "Birdsongs" - Mid Intermediate. 10 questions. Under 400 words.
• "Counting" - Mid Intermediate. 10 questions. Under 400 words.
• "Easter Island" - High Intermediate. 10 questions. Under 400 words.
• "Mosquitoes" - High Intermediate. 12 questions. Under 700 words.
• "Fingerprints" - High Intermediate. 11 questions. Under 700 words.
• "Mother's Day" - High Intermediate. 10 questions. Under 700 words.
• "Europe" - High Intermediate. 12 questions. Under 700 words.
• Answer Key - This is the answer key for to the advanced level informational passages.
• "Chocolate" - Low Advanced. 10 questions. Under 600 words.
• "Houses Around the World" - Low Advanced. 10 questions. Under 700 words.
• "Cells" - Low Advanced. 10 questions. Under 700 words.
• "Soccer" - Low Advanced. 12 questions. Under 700 words.
• "Bathtubs" - Low Advanced. 12 questions. Under 700 words.
• "Pollution" - Low Advanced. 12 questions. Under 700 words.
• "Interstate Highways" - Low Advanced. 10 questions. Under 800 words.
• "The U.S. Census" - Low Advanced. 10 questions. Under 800 words.
• "Sleep" - Low Advanced. 11 questions. Under 800 words.
• "The U.S. Postal Service" - Mid Advanced. 11 questions. Under 800 words.
• "Chemical Elements" - Mid Advanced. 11 questions. Under 800 words.
• "Africa" - Mid Advanced. 11 questions. Under 1000 words.

Technical Reading Comprehension Worksheets

In these reading comprehension worksheets, students are asked questions about the meaning, significance, intention, structure, inference, and vocabulary used in each passage. each passage reads like an encyclopedic or technical journal article. answers for worksheets in this section can be found at the end of each individual worksheet..

• "Water" - Beginning level. 3 questions with answers included. Under 300 words.
• "Paper" - Beginning level. 3 questions with answers included. Under 300 words.
• "The Flu" - Beginning level. 3 questions with answers included. Under 400 words.
• "Nuts" - Beginning level. 3 questions with answers included. Under 400 words.
• "The Sun" - Beginning level. 3 questions with answers included. Under 400 words.
• "The White House" - Beginning level. 3 questions with answers included. Under 400 words.
• "Soap" - Intermediate level. 3 questions with answers included. Under 400 words.
• "Clocks" - Intermediate level. 3 questions with answers included. Under 400 words.
• "The Robin" - Intermediate level. 3 questions with answers included. Under 400 words.
• "Hybrid Vehicles" - Intermediate level. 4 questions with answers included. Under 500 words.
• "Photography" - Intermediate level. 3 questions with answers included. Under 500 words.
• "Biomimetics" - Intermediate level. 4 questions with answers included. Under 700 words.
• "The Great Debates" - Intermediate level. 3 questions with answers included. Under 400 words.
• "Salt" - Advanced level. 3 questions with answers included. Under 700 words.
• "Colony Collapse" - Advanced level. 3 questions with answers included. Under 600 words.
• "Columbian Exchange" - Advanced level. 3 questions with answers included. Under 700 words.
• "Ethanol" - Advanced level. 3 questions with answers included. Under 600 words.
• "Generations" - Advanced level. 3 questions with answers included. Under 600 words.
• "The Hubble Telescope" - Advanced level. 7 questions with answers included. Under 1000 words.
• "Intellegence Augmentation" - Advanced level. 5 questions with answers included. Under 1000 words.

Role Play Reading Comprehension Worksheets

In these reading comprehension worksheets, students can increase their understanding of colloquial and idiomatic expressions and get a feel for conversational english. they also allow several students to participate at the same time - which makes them really fun great for use in school or at home..

• Answer Key - This is the answer key to the role play worksheets.
• "What Time Is It?" - Beginning Level. 4 questions. Under 100 words.
• "How Are You?" - Beginning Level. 4 questions. Under 100 words.
• "Tie Your Shoes!" - Beginning Level. 4 questions. Under 100 words.
• "Where Are My Glasses?" - Beginning Level. 4 questions. Under 100 words.
• "A Cookie" - Beginning Level. 4 questions. Under 100 words.
• "Where Are My Keys?" - Beginning Level. 4 questions. Under 100 words.
• "City Life, Country Life" - Beginning Level. 10 questions. Under 200 words.
• "Flu Shot" - Intermediate Level. 5 questions. Under 200 words.
• "Vinegar" - Intermediate Level. 4 questions. Under 200 words.
• "Wait for Me!" - Intermediate Level. 8 questions. Under 400 words.
• "Glasses" - Intermediate Level. 8 questions. Under 400 words.
• "Hungry" - Advanced Level. 8 questions. Under 400 words.
• "Want to Know a Secret?" - Advanced Level. 8 questions. Under 200 words.
• "Milk and Aesthetics" - Advanced Level. 8 questions. Under 500 words.

Dual Version Reading Comprehension Worksheets

In each of these reading comprehension worksheets, the same story is told, but with two versions: one that is basic, and one that is more advanced. this allows students to make direct comparisons between the advanced version to the more basic one, and makes for a powerful learning experience..

• Answer Key - Coming Soon!
• "An Overcast Day" - Beginning Level. 4 questions. Under 200 words.
• "Who Knows My Name?" - Beginning Level. 4 questions. Under 200 words.
• "A Call to the Pool" - Beginning Level. 6 questions. Under 300 words.
• "Oh No!" - Beginning Level. 8 questions. Under 300 words.
• "An Adventure" - Beginning Level. 6 questions. Under 400 words.
• "Happy Birthday" - Beginning Level. 4 questions. Under 400 words.
• "My Family" - Beginning Level. 8 questions. Under 300 words.
• "My Family" - Beginning Level. 5 questions. Under 300 words.
• "Driving Directions" - Beginning Level. 6 questions. Under 400 words.
• "A Happy Visitor" - Beginning Level. 7 questions. Under 300 words.
• "The Singing Bird" - Intermediate Level. 10 questions. Under 300 words.
• "Violet Makes a Cake" - Intermediate Level. 8 questions. Under 400 words.
• "A Visit to the Doctor" - Intermediate Level. 7 questions. Under 400 words.
• "Making Dinner" - Intermediate Level. 8 questions. Under 400 words.
• "The Market" - Intermediate Level. 10 questions. Under 500 words.
• "Maria Gets Her License" - Intermediate Level. 8 questions. Under 500 words.
• "A Paper for School" - Advanced Level. 7 questions. Under 300 words.
• "A Birthday Surprise" - Advanced Level. 7 questions. Under 600 words.
• "Getting a New Job" - Advanced Level. 8 questions. Under 600 words.
• "The Dinner Party" - Advanced Level. 9 questions. Under 600 words.

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Critical Thinking

Critical thinking is a widely accepted educational goal. Its definition is contested, but the competing definitions can be understood as differing conceptions of the same basic concept: careful thinking directed to a goal. Conceptions differ with respect to the scope of such thinking, the type of goal, the criteria and norms for thinking carefully, and the thinking components on which they focus. Its adoption as an educational goal has been recommended on the basis of respect for students’ autonomy and preparing students for success in life and for democratic citizenship. “Critical thinkers” have the dispositions and abilities that lead them to think critically when appropriate. The abilities can be identified directly; the dispositions indirectly, by considering what factors contribute to or impede exercise of the abilities. Standardized tests have been developed to assess the degree to which a person possesses such dispositions and abilities. Educational intervention has been shown experimentally to improve them, particularly when it includes dialogue, anchored instruction, and mentoring. Controversies have arisen over the generalizability of critical thinking across domains, over alleged bias in critical thinking theories and instruction, and over the relationship of critical thinking to other types of thinking.

2.1 Dewey’s Three Main Examples

2.2 dewey’s other examples, 2.3 further examples, 2.4 non-examples, 3. the definition of critical thinking, 4. its value, 5. the process of thinking critically, 6. components of the process, 7. contributory dispositions and abilities, 8.1 initiating dispositions, 8.2 internal dispositions, 9. critical thinking abilities, 10. required knowledge, 11. educational methods, 12.1 the generalizability of critical thinking, 12.2 bias in critical thinking theory and pedagogy, 12.3 relationship of critical thinking to other types of thinking, other internet resources, related entries.

Use of the term ‘critical thinking’ to describe an educational goal goes back to the American philosopher John Dewey (1910), who more commonly called it ‘reflective thinking’. He defined it as

active, persistent and careful consideration of any belief or supposed form of knowledge in the light of the grounds that support it, and the further conclusions to which it tends. (Dewey 1910: 6; 1933: 9)

and identified a habit of such consideration with a scientific attitude of mind. His lengthy quotations of Francis Bacon, John Locke, and John Stuart Mill indicate that he was not the first person to propose development of a scientific attitude of mind as an educational goal.

In the 1930s, many of the schools that participated in the Eight-Year Study of the Progressive Education Association (Aikin 1942) adopted critical thinking as an educational goal, for whose achievement the study’s Evaluation Staff developed tests (Smith, Tyler, & Evaluation Staff 1942). Glaser (1941) showed experimentally that it was possible to improve the critical thinking of high school students. Bloom’s influential taxonomy of cognitive educational objectives (Bloom et al. 1956) incorporated critical thinking abilities. Ennis (1962) proposed 12 aspects of critical thinking as a basis for research on the teaching and evaluation of critical thinking ability.

Since 1980, an annual international conference in California on critical thinking and educational reform has attracted tens of thousands of educators from all levels of education and from many parts of the world. Also since 1980, the state university system in California has required all undergraduate students to take a critical thinking course. Since 1983, the Association for Informal Logic and Critical Thinking has sponsored sessions in conjunction with the divisional meetings of the American Philosophical Association (APA). In 1987, the APA’s Committee on Pre-College Philosophy commissioned a consensus statement on critical thinking for purposes of educational assessment and instruction (Facione 1990a). Researchers have developed standardized tests of critical thinking abilities and dispositions; for details, see the Supplement on Assessment . Educational jurisdictions around the world now include critical thinking in guidelines for curriculum and assessment.

For details on this history, see the Supplement on History .

2. Examples and Non-Examples

Before considering the definition of critical thinking, it will be helpful to have in mind some examples of critical thinking, as well as some examples of kinds of thinking that would apparently not count as critical thinking.

Dewey (1910: 68–71; 1933: 91–94) takes as paradigms of reflective thinking three class papers of students in which they describe their thinking. The examples range from the everyday to the scientific.

Transit : “The other day, when I was down town on 16th Street, a clock caught my eye. I saw that the hands pointed to 12:20. This suggested that I had an engagement at 124th Street, at one o’clock. I reasoned that as it had taken me an hour to come down on a surface car, I should probably be twenty minutes late if I returned the same way. I might save twenty minutes by a subway express. But was there a station near? If not, I might lose more than twenty minutes in looking for one. Then I thought of the elevated, and I saw there was such a line within two blocks. But where was the station? If it were several blocks above or below the street I was on, I should lose time instead of gaining it. My mind went back to the subway express as quicker than the elevated; furthermore, I remembered that it went nearer than the elevated to the part of 124th Street I wished to reach, so that time would be saved at the end of the journey. I concluded in favor of the subway, and reached my destination by one o’clock.” (Dewey 1910: 68–69; 1933: 91–92)

Ferryboat : “Projecting nearly horizontally from the upper deck of the ferryboat on which I daily cross the river is a long white pole, having a gilded ball at its tip. It suggested a flagpole when I first saw it; its color, shape, and gilded ball agreed with this idea, and these reasons seemed to justify me in this belief. But soon difficulties presented themselves. The pole was nearly horizontal, an unusual position for a flagpole; in the next place, there was no pulley, ring, or cord by which to attach a flag; finally, there were elsewhere on the boat two vertical staffs from which flags were occasionally flown. It seemed probable that the pole was not there for flag-flying.

“I then tried to imagine all possible purposes of the pole, and to consider for which of these it was best suited: (a) Possibly it was an ornament. But as all the ferryboats and even the tugboats carried poles, this hypothesis was rejected. (b) Possibly it was the terminal of a wireless telegraph. But the same considerations made this improbable. Besides, the more natural place for such a terminal would be the highest part of the boat, on top of the pilot house. (c) Its purpose might be to point out the direction in which the boat is moving.

“In support of this conclusion, I discovered that the pole was lower than the pilot house, so that the steersman could easily see it. Moreover, the tip was enough higher than the base, so that, from the pilot’s position, it must appear to project far out in front of the boat. Moreover, the pilot being near the front of the boat, he would need some such guide as to its direction. Tugboats would also need poles for such a purpose. This hypothesis was so much more probable than the others that I accepted it. I formed the conclusion that the pole was set up for the purpose of showing the pilot the direction in which the boat pointed, to enable him to steer correctly.” (Dewey 1910: 69–70; 1933: 92–93)

Bubbles : “In washing tumblers in hot soapsuds and placing them mouth downward on a plate, bubbles appeared on the outside of the mouth of the tumblers and then went inside. Why? The presence of bubbles suggests air, which I note must come from inside the tumbler. I see that the soapy water on the plate prevents escape of the air save as it may be caught in bubbles. But why should air leave the tumbler? There was no substance entering to force it out. It must have expanded. It expands by increase of heat, or by decrease of pressure, or both. Could the air have become heated after the tumbler was taken from the hot suds? Clearly not the air that was already entangled in the water. If heated air was the cause, cold air must have entered in transferring the tumblers from the suds to the plate. I test to see if this supposition is true by taking several more tumblers out. Some I shake so as to make sure of entrapping cold air in them. Some I take out holding mouth downward in order to prevent cold air from entering. Bubbles appear on the outside of every one of the former and on none of the latter. I must be right in my inference. Air from the outside must have been expanded by the heat of the tumbler, which explains the appearance of the bubbles on the outside. But why do they then go inside? Cold contracts. The tumbler cooled and also the air inside it. Tension was removed, and hence bubbles appeared inside. To be sure of this, I test by placing a cup of ice on the tumbler while the bubbles are still forming outside. They soon reverse” (Dewey 1910: 70–71; 1933: 93–94).

Dewey (1910, 1933) sprinkles his book with other examples of critical thinking. We will refer to the following.

Weather : A man on a walk notices that it has suddenly become cool, thinks that it is probably going to rain, looks up and sees a dark cloud obscuring the sun, and quickens his steps (1910: 6–10; 1933: 9–13).

Disorder : A man finds his rooms on his return to them in disorder with his belongings thrown about, thinks at first of burglary as an explanation, then thinks of mischievous children as being an alternative explanation, then looks to see whether valuables are missing, and discovers that they are (1910: 82–83; 1933: 166–168).

Typhoid : A physician diagnosing a patient whose conspicuous symptoms suggest typhoid avoids drawing a conclusion until more data are gathered by questioning the patient and by making tests (1910: 85–86; 1933: 170).

Blur : A moving blur catches our eye in the distance, we ask ourselves whether it is a cloud of whirling dust or a tree moving its branches or a man signaling to us, we think of other traits that should be found on each of those possibilities, and we look and see if those traits are found (1910: 102, 108; 1933: 121, 133).

Suction pump : In thinking about the suction pump, the scientist first notes that it will draw water only to a maximum height of 33 feet at sea level and to a lesser maximum height at higher elevations, selects for attention the differing atmospheric pressure at these elevations, sets up experiments in which the air is removed from a vessel containing water (when suction no longer works) and in which the weight of air at various levels is calculated, compares the results of reasoning about the height to which a given weight of air will allow a suction pump to raise water with the observed maximum height at different elevations, and finally assimilates the suction pump to such apparently different phenomena as the siphon and the rising of a balloon (1910: 150–153; 1933: 195–198).

Diamond : A passenger in a car driving in a diamond lane reserved for vehicles with at least one passenger notices that the diamond marks on the pavement are far apart in some places and close together in others. Why? The driver suggests that the reason may be that the diamond marks are not needed where there is a solid double line separating the diamond lane from the adjoining lane, but are needed when there is a dotted single line permitting crossing into the diamond lane. Further observation confirms that the diamonds are close together when a dotted line separates the diamond lane from its neighbour, but otherwise far apart.

Rash : A woman suddenly develops a very itchy red rash on her throat and upper chest. She recently noticed a mark on the back of her right hand, but was not sure whether the mark was a rash or a scrape. She lies down in bed and thinks about what might be causing the rash and what to do about it. About two weeks before, she began taking blood pressure medication that contained a sulfa drug, and the pharmacist had warned her, in view of a previous allergic reaction to a medication containing a sulfa drug, to be on the alert for an allergic reaction; however, she had been taking the medication for two weeks with no such effect. The day before, she began using a new cream on her neck and upper chest; against the new cream as the cause was mark on the back of her hand, which had not been exposed to the cream. She began taking probiotics about a month before. She also recently started new eye drops, but she supposed that manufacturers of eye drops would be careful not to include allergy-causing components in the medication. The rash might be a heat rash, since she recently was sweating profusely from her upper body. Since she is about to go away on a short vacation, where she would not have access to her usual physician, she decides to keep taking the probiotics and using the new eye drops but to discontinue the blood pressure medication and to switch back to the old cream for her neck and upper chest. She forms a plan to consult her regular physician on her return about the blood pressure medication.

Candidate : Although Dewey included no examples of thinking directed at appraising the arguments of others, such thinking has come to be considered a kind of critical thinking. We find an example of such thinking in the performance task on the Collegiate Learning Assessment (CLA+), which its sponsoring organization describes as

a performance-based assessment that provides a measure of an institution’s contribution to the development of critical-thinking and written communication skills of its students. (Council for Aid to Education 2017)

A sample task posted on its website requires the test-taker to write a report for public distribution evaluating a fictional candidate’s policy proposals and their supporting arguments, using supplied background documents, with a recommendation on whether to endorse the candidate.

Immediate acceptance of an idea that suggests itself as a solution to a problem (e.g., a possible explanation of an event or phenomenon, an action that seems likely to produce a desired result) is “uncritical thinking, the minimum of reflection” (Dewey 1910: 13). On-going suspension of judgment in the light of doubt about a possible solution is not critical thinking (Dewey 1910: 108). Critique driven by a dogmatically held political or religious ideology is not critical thinking; thus Paulo Freire (1968 [1970]) is using the term (e.g., at 1970: 71, 81, 100, 146) in a more politically freighted sense that includes not only reflection but also revolutionary action against oppression. Derivation of a conclusion from given data using an algorithm is not critical thinking.

What is critical thinking? There are many definitions. Ennis (2016) lists 14 philosophically oriented scholarly definitions and three dictionary definitions. Following Rawls (1971), who distinguished his conception of justice from a utilitarian conception but regarded them as rival conceptions of the same concept, Ennis maintains that the 17 definitions are different conceptions of the same concept. Rawls articulated the shared concept of justice as

a characteristic set of principles for assigning basic rights and duties and for determining… the proper distribution of the benefits and burdens of social cooperation. (Rawls 1971: 5)

Bailin et al. (1999b) claim that, if one considers what sorts of thinking an educator would take not to be critical thinking and what sorts to be critical thinking, one can conclude that educators typically understand critical thinking to have at least three features.

• It is done for the purpose of making up one’s mind about what to believe or do.
• The person engaging in the thinking is trying to fulfill standards of adequacy and accuracy appropriate to the thinking.
• The thinking fulfills the relevant standards to some threshold level.

One could sum up the core concept that involves these three features by saying that critical thinking is careful goal-directed thinking. This core concept seems to apply to all the examples of critical thinking described in the previous section. As for the non-examples, their exclusion depends on construing careful thinking as excluding jumping immediately to conclusions, suspending judgment no matter how strong the evidence, reasoning from an unquestioned ideological or religious perspective, and routinely using an algorithm to answer a question.

If the core of critical thinking is careful goal-directed thinking, conceptions of it can vary according to its presumed scope, its presumed goal, one’s criteria and threshold for being careful, and the thinking component on which one focuses. As to its scope, some conceptions (e.g., Dewey 1910, 1933) restrict it to constructive thinking on the basis of one’s own observations and experiments, others (e.g., Ennis 1962; Fisher & Scriven 1997; Johnson 1992) to appraisal of the products of such thinking. Ennis (1991) and Bailin et al. (1999b) take it to cover both construction and appraisal. As to its goal, some conceptions restrict it to forming a judgment (Dewey 1910, 1933; Lipman 1987; Facione 1990a). Others allow for actions as well as beliefs as the end point of a process of critical thinking (Ennis 1991; Bailin et al. 1999b). As to the criteria and threshold for being careful, definitions vary in the term used to indicate that critical thinking satisfies certain norms: “intellectually disciplined” (Scriven & Paul 1987), “reasonable” (Ennis 1991), “skillful” (Lipman 1987), “skilled” (Fisher & Scriven 1997), “careful” (Bailin & Battersby 2009). Some definitions specify these norms, referring variously to “consideration of any belief or supposed form of knowledge in the light of the grounds that support it and the further conclusions to which it tends” (Dewey 1910, 1933); “the methods of logical inquiry and reasoning” (Glaser 1941); “conceptualizing, applying, analyzing, synthesizing, and/or evaluating information gathered from, or generated by, observation, experience, reflection, reasoning, or communication” (Scriven & Paul 1987); the requirement that “it is sensitive to context, relies on criteria, and is self-correcting” (Lipman 1987); “evidential, conceptual, methodological, criteriological, or contextual considerations” (Facione 1990a); and “plus-minus considerations of the product in terms of appropriate standards (or criteria)” (Johnson 1992). Stanovich and Stanovich (2010) propose to ground the concept of critical thinking in the concept of rationality, which they understand as combining epistemic rationality (fitting one’s beliefs to the world) and instrumental rationality (optimizing goal fulfillment); a critical thinker, in their view, is someone with “a propensity to override suboptimal responses from the autonomous mind” (2010: 227). These variant specifications of norms for critical thinking are not necessarily incompatible with one another, and in any case presuppose the core notion of thinking carefully. As to the thinking component singled out, some definitions focus on suspension of judgment during the thinking (Dewey 1910; McPeck 1981), others on inquiry while judgment is suspended (Bailin & Battersby 2009, 2021), others on the resulting judgment (Facione 1990a), and still others on responsiveness to reasons (Siegel 1988). Kuhn (2019) takes critical thinking to be more a dialogic practice of advancing and responding to arguments than an individual ability.

In educational contexts, a definition of critical thinking is a “programmatic definition” (Scheffler 1960: 19). It expresses a practical program for achieving an educational goal. For this purpose, a one-sentence formulaic definition is much less useful than articulation of a critical thinking process, with criteria and standards for the kinds of thinking that the process may involve. The real educational goal is recognition, adoption and implementation by students of those criteria and standards. That adoption and implementation in turn consists in acquiring the knowledge, abilities and dispositions of a critical thinker.

Conceptions of critical thinking generally do not include moral integrity as part of the concept. Dewey, for example, took critical thinking to be the ultimate intellectual goal of education, but distinguished it from the development of social cooperation among school children, which he took to be the central moral goal. Ennis (1996, 2011) added to his previous list of critical thinking dispositions a group of dispositions to care about the dignity and worth of every person, which he described as a “correlative” (1996) disposition without which critical thinking would be less valuable and perhaps harmful. An educational program that aimed at developing critical thinking but not the correlative disposition to care about the dignity and worth of every person, he asserted, “would be deficient and perhaps dangerous” (Ennis 1996: 172).

Dewey thought that education for reflective thinking would be of value to both the individual and society; recognition in educational practice of the kinship to the scientific attitude of children’s native curiosity, fertile imagination and love of experimental inquiry “would make for individual happiness and the reduction of social waste” (Dewey 1910: iii). Schools participating in the Eight-Year Study took development of the habit of reflective thinking and skill in solving problems as a means to leading young people to understand, appreciate and live the democratic way of life characteristic of the United States (Aikin 1942: 17–18, 81). Harvey Siegel (1988: 55–61) has offered four considerations in support of adopting critical thinking as an educational ideal. (1) Respect for persons requires that schools and teachers honour students’ demands for reasons and explanations, deal with students honestly, and recognize the need to confront students’ independent judgment; these requirements concern the manner in which teachers treat students. (2) Education has the task of preparing children to be successful adults, a task that requires development of their self-sufficiency. (3) Education should initiate children into the rational traditions in such fields as history, science and mathematics. (4) Education should prepare children to become democratic citizens, which requires reasoned procedures and critical talents and attitudes. To supplement these considerations, Siegel (1988: 62–90) responds to two objections: the ideology objection that adoption of any educational ideal requires a prior ideological commitment and the indoctrination objection that cultivation of critical thinking cannot escape being a form of indoctrination.

Despite the diversity of our 11 examples, one can recognize a common pattern. Dewey analyzed it as consisting of five phases:

• suggestions , in which the mind leaps forward to a possible solution;
• an intellectualization of the difficulty or perplexity into a problem to be solved, a question for which the answer must be sought;
• the use of one suggestion after another as a leading idea, or hypothesis , to initiate and guide observation and other operations in collection of factual material;
• the mental elaboration of the idea or supposition as an idea or supposition ( reasoning , in the sense on which reasoning is a part, not the whole, of inference); and
• testing the hypothesis by overt or imaginative action. (Dewey 1933: 106–107; italics in original)

The process of reflective thinking consisting of these phases would be preceded by a perplexed, troubled or confused situation and followed by a cleared-up, unified, resolved situation (Dewey 1933: 106). The term ‘phases’ replaced the term ‘steps’ (Dewey 1910: 72), thus removing the earlier suggestion of an invariant sequence. Variants of the above analysis appeared in (Dewey 1916: 177) and (Dewey 1938: 101–119).

The variant formulations indicate the difficulty of giving a single logical analysis of such a varied process. The process of critical thinking may have a spiral pattern, with the problem being redefined in the light of obstacles to solving it as originally formulated. For example, the person in Transit might have concluded that getting to the appointment at the scheduled time was impossible and have reformulated the problem as that of rescheduling the appointment for a mutually convenient time. Further, defining a problem does not always follow after or lead immediately to an idea of a suggested solution. Nor should it do so, as Dewey himself recognized in describing the physician in Typhoid as avoiding any strong preference for this or that conclusion before getting further information (Dewey 1910: 85; 1933: 170). People with a hypothesis in mind, even one to which they have a very weak commitment, have a so-called “confirmation bias” (Nickerson 1998): they are likely to pay attention to evidence that confirms the hypothesis and to ignore evidence that counts against it or for some competing hypothesis. Detectives, intelligence agencies, and investigators of airplane accidents are well advised to gather relevant evidence systematically and to postpone even tentative adoption of an explanatory hypothesis until the collected evidence rules out with the appropriate degree of certainty all but one explanation. Dewey’s analysis of the critical thinking process can be faulted as well for requiring acceptance or rejection of a possible solution to a defined problem, with no allowance for deciding in the light of the available evidence to suspend judgment. Further, given the great variety of kinds of problems for which reflection is appropriate, there is likely to be variation in its component events. Perhaps the best way to conceptualize the critical thinking process is as a checklist whose component events can occur in a variety of orders, selectively, and more than once. These component events might include (1) noticing a difficulty, (2) defining the problem, (3) dividing the problem into manageable sub-problems, (4) formulating a variety of possible solutions to the problem or sub-problem, (5) determining what evidence is relevant to deciding among possible solutions to the problem or sub-problem, (6) devising a plan of systematic observation or experiment that will uncover the relevant evidence, (7) carrying out the plan of systematic observation or experimentation, (8) noting the results of the systematic observation or experiment, (9) gathering relevant testimony and information from others, (10) judging the credibility of testimony and information gathered from others, (11) drawing conclusions from gathered evidence and accepted testimony, and (12) accepting a solution that the evidence adequately supports (cf. Hitchcock 2017: 485).

Checklist conceptions of the process of critical thinking are open to the objection that they are too mechanical and procedural to fit the multi-dimensional and emotionally charged issues for which critical thinking is urgently needed (Paul 1984). For such issues, a more dialectical process is advocated, in which competing relevant world views are identified, their implications explored, and some sort of creative synthesis attempted.

If one considers the critical thinking process illustrated by the 11 examples, one can identify distinct kinds of mental acts and mental states that form part of it. To distinguish, label and briefly characterize these components is a useful preliminary to identifying abilities, skills, dispositions, attitudes, habits and the like that contribute causally to thinking critically. Identifying such abilities and habits is in turn a useful preliminary to setting educational goals. Setting the goals is in its turn a useful preliminary to designing strategies for helping learners to achieve the goals and to designing ways of measuring the extent to which learners have done so. Such measures provide both feedback to learners on their achievement and a basis for experimental research on the effectiveness of various strategies for educating people to think critically. Let us begin, then, by distinguishing the kinds of mental acts and mental events that can occur in a critical thinking process.

• Observing : One notices something in one’s immediate environment (sudden cooling of temperature in Weather , bubbles forming outside a glass and then going inside in Bubbles , a moving blur in the distance in Blur , a rash in Rash ). Or one notes the results of an experiment or systematic observation (valuables missing in Disorder , no suction without air pressure in Suction pump )
• Feeling : One feels puzzled or uncertain about something (how to get to an appointment on time in Transit , why the diamonds vary in spacing in Diamond ). One wants to resolve this perplexity. One feels satisfaction once one has worked out an answer (to take the subway express in Transit , diamonds closer when needed as a warning in Diamond ).
• Wondering : One formulates a question to be addressed (why bubbles form outside a tumbler taken from hot water in Bubbles , how suction pumps work in Suction pump , what caused the rash in Rash ).
• Imagining : One thinks of possible answers (bus or subway or elevated in Transit , flagpole or ornament or wireless communication aid or direction indicator in Ferryboat , allergic reaction or heat rash in Rash ).
• Inferring : One works out what would be the case if a possible answer were assumed (valuables missing if there has been a burglary in Disorder , earlier start to the rash if it is an allergic reaction to a sulfa drug in Rash ). Or one draws a conclusion once sufficient relevant evidence is gathered (take the subway in Transit , burglary in Disorder , discontinue blood pressure medication and new cream in Rash ).
• Knowledge : One uses stored knowledge of the subject-matter to generate possible answers or to infer what would be expected on the assumption of a particular answer (knowledge of a city’s public transit system in Transit , of the requirements for a flagpole in Ferryboat , of Boyle’s law in Bubbles , of allergic reactions in Rash ).
• Experimenting : One designs and carries out an experiment or a systematic observation to find out whether the results deduced from a possible answer will occur (looking at the location of the flagpole in relation to the pilot’s position in Ferryboat , putting an ice cube on top of a tumbler taken from hot water in Bubbles , measuring the height to which a suction pump will draw water at different elevations in Suction pump , noticing the spacing of diamonds when movement to or from a diamond lane is allowed in Diamond ).
• Consulting : One finds a source of information, gets the information from the source, and makes a judgment on whether to accept it. None of our 11 examples include searching for sources of information. In this respect they are unrepresentative, since most people nowadays have almost instant access to information relevant to answering any question, including many of those illustrated by the examples. However, Candidate includes the activities of extracting information from sources and evaluating its credibility.
• Identifying and analyzing arguments : One notices an argument and works out its structure and content as a preliminary to evaluating its strength. This activity is central to Candidate . It is an important part of a critical thinking process in which one surveys arguments for various positions on an issue.
• Judging : One makes a judgment on the basis of accumulated evidence and reasoning, such as the judgment in Ferryboat that the purpose of the pole is to provide direction to the pilot.
• Deciding : One makes a decision on what to do or on what policy to adopt, as in the decision in Transit to take the subway.

By definition, a person who does something voluntarily is both willing and able to do that thing at that time. Both the willingness and the ability contribute causally to the person’s action, in the sense that the voluntary action would not occur if either (or both) of these were lacking. For example, suppose that one is standing with one’s arms at one’s sides and one voluntarily lifts one’s right arm to an extended horizontal position. One would not do so if one were unable to lift one’s arm, if for example one’s right side was paralyzed as the result of a stroke. Nor would one do so if one were unwilling to lift one’s arm, if for example one were participating in a street demonstration at which a white supremacist was urging the crowd to lift their right arm in a Nazi salute and one were unwilling to express support in this way for the racist Nazi ideology. The same analysis applies to a voluntary mental process of thinking critically. It requires both willingness and ability to think critically, including willingness and ability to perform each of the mental acts that compose the process and to coordinate those acts in a sequence that is directed at resolving the initiating perplexity.

Consider willingness first. We can identify causal contributors to willingness to think critically by considering factors that would cause a person who was able to think critically about an issue nevertheless not to do so (Hamby 2014). For each factor, the opposite condition thus contributes causally to willingness to think critically on a particular occasion. For example, people who habitually jump to conclusions without considering alternatives will not think critically about issues that arise, even if they have the required abilities. The contrary condition of willingness to suspend judgment is thus a causal contributor to thinking critically.

Now consider ability. In contrast to the ability to move one’s arm, which can be completely absent because a stroke has left the arm paralyzed, the ability to think critically is a developed ability, whose absence is not a complete absence of ability to think but absence of ability to think well. We can identify the ability to think well directly, in terms of the norms and standards for good thinking. In general, to be able do well the thinking activities that can be components of a critical thinking process, one needs to know the concepts and principles that characterize their good performance, to recognize in particular cases that the concepts and principles apply, and to apply them. The knowledge, recognition and application may be procedural rather than declarative. It may be domain-specific rather than widely applicable, and in either case may need subject-matter knowledge, sometimes of a deep kind.

Reflections of the sort illustrated by the previous two paragraphs have led scholars to identify the knowledge, abilities and dispositions of a “critical thinker”, i.e., someone who thinks critically whenever it is appropriate to do so. We turn now to these three types of causal contributors to thinking critically. We start with dispositions, since arguably these are the most powerful contributors to being a critical thinker, can be fostered at an early stage of a child’s development, and are susceptible to general improvement (Glaser 1941: 175)

8. Critical Thinking Dispositions

Educational researchers use the term ‘dispositions’ broadly for the habits of mind and attitudes that contribute causally to being a critical thinker. Some writers (e.g., Paul & Elder 2006; Hamby 2014; Bailin & Battersby 2016a) propose to use the term ‘virtues’ for this dimension of a critical thinker. The virtues in question, although they are virtues of character, concern the person’s ways of thinking rather than the person’s ways of behaving towards others. They are not moral virtues but intellectual virtues, of the sort articulated by Zagzebski (1996) and discussed by Turri, Alfano, and Greco (2017).

On a realistic conception, thinking dispositions or intellectual virtues are real properties of thinkers. They are general tendencies, propensities, or inclinations to think in particular ways in particular circumstances, and can be genuinely explanatory (Siegel 1999). Sceptics argue that there is no evidence for a specific mental basis for the habits of mind that contribute to thinking critically, and that it is pedagogically misleading to posit such a basis (Bailin et al. 1999a). Whatever their status, critical thinking dispositions need motivation for their initial formation in a child—motivation that may be external or internal. As children develop, the force of habit will gradually become important in sustaining the disposition (Nieto & Valenzuela 2012). Mere force of habit, however, is unlikely to sustain critical thinking dispositions. Critical thinkers must value and enjoy using their knowledge and abilities to think things through for themselves. They must be committed to, and lovers of, inquiry.

A person may have a critical thinking disposition with respect to only some kinds of issues. For example, one could be open-minded about scientific issues but not about religious issues. Similarly, one could be confident in one’s ability to reason about the theological implications of the existence of evil in the world but not in one’s ability to reason about the best design for a guided ballistic missile.

Facione (1990a: 25) divides “affective dispositions” of critical thinking into approaches to life and living in general and approaches to specific issues, questions or problems. Adapting this distinction, one can usefully divide critical thinking dispositions into initiating dispositions (those that contribute causally to starting to think critically about an issue) and internal dispositions (those that contribute causally to doing a good job of thinking critically once one has started). The two categories are not mutually exclusive. For example, open-mindedness, in the sense of willingness to consider alternative points of view to one’s own, is both an initiating and an internal disposition.

Using the strategy of considering factors that would block people with the ability to think critically from doing so, we can identify as initiating dispositions for thinking critically attentiveness, a habit of inquiry, self-confidence, courage, open-mindedness, willingness to suspend judgment, trust in reason, wanting evidence for one’s beliefs, and seeking the truth. We consider briefly what each of these dispositions amounts to, in each case citing sources that acknowledge them.

• Attentiveness : One will not think critically if one fails to recognize an issue that needs to be thought through. For example, the pedestrian in Weather would not have looked up if he had not noticed that the air was suddenly cooler. To be a critical thinker, then, one needs to be habitually attentive to one’s surroundings, noticing not only what one senses but also sources of perplexity in messages received and in one’s own beliefs and attitudes (Facione 1990a: 25; Facione, Facione, & Giancarlo 2001).
• Habit of inquiry : Inquiry is effortful, and one needs an internal push to engage in it. For example, the student in Bubbles could easily have stopped at idle wondering about the cause of the bubbles rather than reasoning to a hypothesis, then designing and executing an experiment to test it. Thus willingness to think critically needs mental energy and initiative. What can supply that energy? Love of inquiry, or perhaps just a habit of inquiry. Hamby (2015) has argued that willingness to inquire is the central critical thinking virtue, one that encompasses all the others. It is recognized as a critical thinking disposition by Dewey (1910: 29; 1933: 35), Glaser (1941: 5), Ennis (1987: 12; 1991: 8), Facione (1990a: 25), Bailin et al. (1999b: 294), Halpern (1998: 452), and Facione, Facione, & Giancarlo (2001).
• Self-confidence : Lack of confidence in one’s abilities can block critical thinking. For example, if the woman in Rash lacked confidence in her ability to figure things out for herself, she might just have assumed that the rash on her chest was the allergic reaction to her medication against which the pharmacist had warned her. Thus willingness to think critically requires confidence in one’s ability to inquire (Facione 1990a: 25; Facione, Facione, & Giancarlo 2001).
• Courage : Fear of thinking for oneself can stop one from doing it. Thus willingness to think critically requires intellectual courage (Paul & Elder 2006: 16).
• Open-mindedness : A dogmatic attitude will impede thinking critically. For example, a person who adheres rigidly to a “pro-choice” position on the issue of the legal status of induced abortion is likely to be unwilling to consider seriously the issue of when in its development an unborn child acquires a moral right to life. Thus willingness to think critically requires open-mindedness, in the sense of a willingness to examine questions to which one already accepts an answer but which further evidence or reasoning might cause one to answer differently (Dewey 1933; Facione 1990a; Ennis 1991; Bailin et al. 1999b; Halpern 1998, Facione, Facione, & Giancarlo 2001). Paul (1981) emphasizes open-mindedness about alternative world-views, and recommends a dialectical approach to integrating such views as central to what he calls “strong sense” critical thinking. In three studies, Haran, Ritov, & Mellers (2013) found that actively open-minded thinking, including “the tendency to weigh new evidence against a favored belief, to spend sufficient time on a problem before giving up, and to consider carefully the opinions of others in forming one’s own”, led study participants to acquire information and thus to make accurate estimations.
• Willingness to suspend judgment : Premature closure on an initial solution will block critical thinking. Thus willingness to think critically requires a willingness to suspend judgment while alternatives are explored (Facione 1990a; Ennis 1991; Halpern 1998).
• Trust in reason : Since distrust in the processes of reasoned inquiry will dissuade one from engaging in it, trust in them is an initiating critical thinking disposition (Facione 1990a, 25; Bailin et al. 1999b: 294; Facione, Facione, & Giancarlo 2001; Paul & Elder 2006). In reaction to an allegedly exclusive emphasis on reason in critical thinking theory and pedagogy, Thayer-Bacon (2000) argues that intuition, imagination, and emotion have important roles to play in an adequate conception of critical thinking that she calls “constructive thinking”. From her point of view, critical thinking requires trust not only in reason but also in intuition, imagination, and emotion.
• Seeking the truth : If one does not care about the truth but is content to stick with one’s initial bias on an issue, then one will not think critically about it. Seeking the truth is thus an initiating critical thinking disposition (Bailin et al. 1999b: 294; Facione, Facione, & Giancarlo 2001). A disposition to seek the truth is implicit in more specific critical thinking dispositions, such as trying to be well-informed, considering seriously points of view other than one’s own, looking for alternatives, suspending judgment when the evidence is insufficient, and adopting a position when the evidence supporting it is sufficient.

Some of the initiating dispositions, such as open-mindedness and willingness to suspend judgment, are also internal critical thinking dispositions, in the sense of mental habits or attitudes that contribute causally to doing a good job of critical thinking once one starts the process. But there are many other internal critical thinking dispositions. Some of them are parasitic on one’s conception of good thinking. For example, it is constitutive of good thinking about an issue to formulate the issue clearly and to maintain focus on it. For this purpose, one needs not only the corresponding ability but also the corresponding disposition. Ennis (1991: 8) describes it as the disposition “to determine and maintain focus on the conclusion or question”, Facione (1990a: 25) as “clarity in stating the question or concern”. Other internal dispositions are motivators to continue or adjust the critical thinking process, such as willingness to persist in a complex task and willingness to abandon nonproductive strategies in an attempt to self-correct (Halpern 1998: 452). For a list of identified internal critical thinking dispositions, see the Supplement on Internal Critical Thinking Dispositions .

Some theorists postulate skills, i.e., acquired abilities, as operative in critical thinking. It is not obvious, however, that a good mental act is the exercise of a generic acquired skill. Inferring an expected time of arrival, as in Transit , has some generic components but also uses non-generic subject-matter knowledge. Bailin et al. (1999a) argue against viewing critical thinking skills as generic and discrete, on the ground that skilled performance at a critical thinking task cannot be separated from knowledge of concepts and from domain-specific principles of good thinking. Talk of skills, they concede, is unproblematic if it means merely that a person with critical thinking skills is capable of intelligent performance.

Despite such scepticism, theorists of critical thinking have listed as general contributors to critical thinking what they variously call abilities (Glaser 1941; Ennis 1962, 1991), skills (Facione 1990a; Halpern 1998) or competencies (Fisher & Scriven 1997). Amalgamating these lists would produce a confusing and chaotic cornucopia of more than 50 possible educational objectives, with only partial overlap among them. It makes sense instead to try to understand the reasons for the multiplicity and diversity, and to make a selection according to one’s own reasons for singling out abilities to be developed in a critical thinking curriculum. Two reasons for diversity among lists of critical thinking abilities are the underlying conception of critical thinking and the envisaged educational level. Appraisal-only conceptions, for example, involve a different suite of abilities than constructive-only conceptions. Some lists, such as those in (Glaser 1941), are put forward as educational objectives for secondary school students, whereas others are proposed as objectives for college students (e.g., Facione 1990a).

The abilities described in the remaining paragraphs of this section emerge from reflection on the general abilities needed to do well the thinking activities identified in section 6 as components of the critical thinking process described in section 5 . The derivation of each collection of abilities is accompanied by citation of sources that list such abilities and of standardized tests that claim to test them.

Observational abilities : Careful and accurate observation sometimes requires specialist expertise and practice, as in the case of observing birds and observing accident scenes. However, there are general abilities of noticing what one’s senses are picking up from one’s environment and of being able to articulate clearly and accurately to oneself and others what one has observed. It helps in exercising them to be able to recognize and take into account factors that make one’s observation less trustworthy, such as prior framing of the situation, inadequate time, deficient senses, poor observation conditions, and the like. It helps as well to be skilled at taking steps to make one’s observation more trustworthy, such as moving closer to get a better look, measuring something three times and taking the average, and checking what one thinks one is observing with someone else who is in a good position to observe it. It also helps to be skilled at recognizing respects in which one’s report of one’s observation involves inference rather than direct observation, so that one can then consider whether the inference is justified. These abilities come into play as well when one thinks about whether and with what degree of confidence to accept an observation report, for example in the study of history or in a criminal investigation or in assessing news reports. Observational abilities show up in some lists of critical thinking abilities (Ennis 1962: 90; Facione 1990a: 16; Ennis 1991: 9). There are items testing a person’s ability to judge the credibility of observation reports in the Cornell Critical Thinking Tests, Levels X and Z (Ennis & Millman 1971; Ennis, Millman, & Tomko 1985, 2005). Norris and King (1983, 1985, 1990a, 1990b) is a test of ability to appraise observation reports.

Emotional abilities : The emotions that drive a critical thinking process are perplexity or puzzlement, a wish to resolve it, and satisfaction at achieving the desired resolution. Children experience these emotions at an early age, without being trained to do so. Education that takes critical thinking as a goal needs only to channel these emotions and to make sure not to stifle them. Collaborative critical thinking benefits from ability to recognize one’s own and others’ emotional commitments and reactions.

Questioning abilities : A critical thinking process needs transformation of an inchoate sense of perplexity into a clear question. Formulating a question well requires not building in questionable assumptions, not prejudging the issue, and using language that in context is unambiguous and precise enough (Ennis 1962: 97; 1991: 9).

Imaginative abilities : Thinking directed at finding the correct causal explanation of a general phenomenon or particular event requires an ability to imagine possible explanations. Thinking about what policy or plan of action to adopt requires generation of options and consideration of possible consequences of each option. Domain knowledge is required for such creative activity, but a general ability to imagine alternatives is helpful and can be nurtured so as to become easier, quicker, more extensive, and deeper (Dewey 1910: 34–39; 1933: 40–47). Facione (1990a) and Halpern (1998) include the ability to imagine alternatives as a critical thinking ability.

Inferential abilities : The ability to draw conclusions from given information, and to recognize with what degree of certainty one’s own or others’ conclusions follow, is universally recognized as a general critical thinking ability. All 11 examples in section 2 of this article include inferences, some from hypotheses or options (as in Transit , Ferryboat and Disorder ), others from something observed (as in Weather and Rash ). None of these inferences is formally valid. Rather, they are licensed by general, sometimes qualified substantive rules of inference (Toulmin 1958) that rest on domain knowledge—that a bus trip takes about the same time in each direction, that the terminal of a wireless telegraph would be located on the highest possible place, that sudden cooling is often followed by rain, that an allergic reaction to a sulfa drug generally shows up soon after one starts taking it. It is a matter of controversy to what extent the specialized ability to deduce conclusions from premisses using formal rules of inference is needed for critical thinking. Dewey (1933) locates logical forms in setting out the products of reflection rather than in the process of reflection. Ennis (1981a), on the other hand, maintains that a liberally-educated person should have the following abilities: to translate natural-language statements into statements using the standard logical operators, to use appropriately the language of necessary and sufficient conditions, to deal with argument forms and arguments containing symbols, to determine whether in virtue of an argument’s form its conclusion follows necessarily from its premisses, to reason with logically complex propositions, and to apply the rules and procedures of deductive logic. Inferential abilities are recognized as critical thinking abilities by Glaser (1941: 6), Facione (1990a: 9), Ennis (1991: 9), Fisher & Scriven (1997: 99, 111), and Halpern (1998: 452). Items testing inferential abilities constitute two of the five subtests of the Watson Glaser Critical Thinking Appraisal (Watson & Glaser 1980a, 1980b, 1994), two of the four sections in the Cornell Critical Thinking Test Level X (Ennis & Millman 1971; Ennis, Millman, & Tomko 1985, 2005), three of the seven sections in the Cornell Critical Thinking Test Level Z (Ennis & Millman 1971; Ennis, Millman, & Tomko 1985, 2005), 11 of the 34 items on Forms A and B of the California Critical Thinking Skills Test (Facione 1990b, 1992), and a high but variable proportion of the 25 selected-response questions in the Collegiate Learning Assessment (Council for Aid to Education 2017).

Experimenting abilities : Knowing how to design and execute an experiment is important not just in scientific research but also in everyday life, as in Rash . Dewey devoted a whole chapter of his How We Think (1910: 145–156; 1933: 190–202) to the superiority of experimentation over observation in advancing knowledge. Experimenting abilities come into play at one remove in appraising reports of scientific studies. Skill in designing and executing experiments includes the acknowledged abilities to appraise evidence (Glaser 1941: 6), to carry out experiments and to apply appropriate statistical inference techniques (Facione 1990a: 9), to judge inductions to an explanatory hypothesis (Ennis 1991: 9), and to recognize the need for an adequately large sample size (Halpern 1998). The Cornell Critical Thinking Test Level Z (Ennis & Millman 1971; Ennis, Millman, & Tomko 1985, 2005) includes four items (out of 52) on experimental design. The Collegiate Learning Assessment (Council for Aid to Education 2017) makes room for appraisal of study design in both its performance task and its selected-response questions.

Consulting abilities : Skill at consulting sources of information comes into play when one seeks information to help resolve a problem, as in Candidate . Ability to find and appraise information includes ability to gather and marshal pertinent information (Glaser 1941: 6), to judge whether a statement made by an alleged authority is acceptable (Ennis 1962: 84), to plan a search for desired information (Facione 1990a: 9), and to judge the credibility of a source (Ennis 1991: 9). Ability to judge the credibility of statements is tested by 24 items (out of 76) in the Cornell Critical Thinking Test Level X (Ennis & Millman 1971; Ennis, Millman, & Tomko 1985, 2005) and by four items (out of 52) in the Cornell Critical Thinking Test Level Z (Ennis & Millman 1971; Ennis, Millman, & Tomko 1985, 2005). The College Learning Assessment’s performance task requires evaluation of whether information in documents is credible or unreliable (Council for Aid to Education 2017).

Argument analysis abilities : The ability to identify and analyze arguments contributes to the process of surveying arguments on an issue in order to form one’s own reasoned judgment, as in Candidate . The ability to detect and analyze arguments is recognized as a critical thinking skill by Facione (1990a: 7–8), Ennis (1991: 9) and Halpern (1998). Five items (out of 34) on the California Critical Thinking Skills Test (Facione 1990b, 1992) test skill at argument analysis. The College Learning Assessment (Council for Aid to Education 2017) incorporates argument analysis in its selected-response tests of critical reading and evaluation and of critiquing an argument.

Judging skills and deciding skills : Skill at judging and deciding is skill at recognizing what judgment or decision the available evidence and argument supports, and with what degree of confidence. It is thus a component of the inferential skills already discussed.

Lists and tests of critical thinking abilities often include two more abilities: identifying assumptions and constructing and evaluating definitions.

In addition to dispositions and abilities, critical thinking needs knowledge: of critical thinking concepts, of critical thinking principles, and of the subject-matter of the thinking.

We can derive a short list of concepts whose understanding contributes to critical thinking from the critical thinking abilities described in the preceding section. Observational abilities require an understanding of the difference between observation and inference. Questioning abilities require an understanding of the concepts of ambiguity and vagueness. Inferential abilities require an understanding of the difference between conclusive and defeasible inference (traditionally, between deduction and induction), as well as of the difference between necessary and sufficient conditions. Experimenting abilities require an understanding of the concepts of hypothesis, null hypothesis, assumption and prediction, as well as of the concept of statistical significance and of its difference from importance. They also require an understanding of the difference between an experiment and an observational study, and in particular of the difference between a randomized controlled trial, a prospective correlational study and a retrospective (case-control) study. Argument analysis abilities require an understanding of the concepts of argument, premiss, assumption, conclusion and counter-consideration. Additional critical thinking concepts are proposed by Bailin et al. (1999b: 293), Fisher & Scriven (1997: 105–106), Black (2012), and Blair (2021).

According to Glaser (1941: 25), ability to think critically requires knowledge of the methods of logical inquiry and reasoning. If we review the list of abilities in the preceding section, however, we can see that some of them can be acquired and exercised merely through practice, possibly guided in an educational setting, followed by feedback. Searching intelligently for a causal explanation of some phenomenon or event requires that one consider a full range of possible causal contributors, but it seems more important that one implements this principle in one’s practice than that one is able to articulate it. What is important is “operational knowledge” of the standards and principles of good thinking (Bailin et al. 1999b: 291–293). But the development of such critical thinking abilities as designing an experiment or constructing an operational definition can benefit from learning their underlying theory. Further, explicit knowledge of quirks of human thinking seems useful as a cautionary guide. Human memory is not just fallible about details, as people learn from their own experiences of misremembering, but is so malleable that a detailed, clear and vivid recollection of an event can be a total fabrication (Loftus 2017). People seek or interpret evidence in ways that are partial to their existing beliefs and expectations, often unconscious of their “confirmation bias” (Nickerson 1998). Not only are people subject to this and other cognitive biases (Kahneman 2011), of which they are typically unaware, but it may be counter-productive for one to make oneself aware of them and try consciously to counteract them or to counteract social biases such as racial or sexual stereotypes (Kenyon & Beaulac 2014). It is helpful to be aware of these facts and of the superior effectiveness of blocking the operation of biases—for example, by making an immediate record of one’s observations, refraining from forming a preliminary explanatory hypothesis, blind refereeing, double-blind randomized trials, and blind grading of students’ work. It is also helpful to be aware of the prevalence of “noise” (unwanted unsystematic variability of judgments), of how to detect noise (through a noise audit), and of how to reduce noise: make accuracy the goal, think statistically, break a process of arriving at a judgment into independent tasks, resist premature intuitions, in a group get independent judgments first, favour comparative judgments and scales (Kahneman, Sibony, & Sunstein 2021). It is helpful as well to be aware of the concept of “bounded rationality” in decision-making and of the related distinction between “satisficing” and optimizing (Simon 1956; Gigerenzer 2001).

Critical thinking about an issue requires substantive knowledge of the domain to which the issue belongs. Critical thinking abilities are not a magic elixir that can be applied to any issue whatever by somebody who has no knowledge of the facts relevant to exploring that issue. For example, the student in Bubbles needed to know that gases do not penetrate solid objects like a glass, that air expands when heated, that the volume of an enclosed gas varies directly with its temperature and inversely with its pressure, and that hot objects will spontaneously cool down to the ambient temperature of their surroundings unless kept hot by insulation or a source of heat. Critical thinkers thus need a rich fund of subject-matter knowledge relevant to the variety of situations they encounter. This fact is recognized in the inclusion among critical thinking dispositions of a concern to become and remain generally well informed.

Experimental educational interventions, with control groups, have shown that education can improve critical thinking skills and dispositions, as measured by standardized tests. For information about these tests, see the Supplement on Assessment .

What educational methods are most effective at developing the dispositions, abilities and knowledge of a critical thinker? In a comprehensive meta-analysis of experimental and quasi-experimental studies of strategies for teaching students to think critically, Abrami et al. (2015) found that dialogue, anchored instruction, and mentoring each increased the effectiveness of the educational intervention, and that they were most effective when combined. They also found that in these studies a combination of separate instruction in critical thinking with subject-matter instruction in which students are encouraged to think critically was more effective than either by itself. However, the difference was not statistically significant; that is, it might have arisen by chance.

Most of these studies lack the longitudinal follow-up required to determine whether the observed differential improvements in critical thinking abilities or dispositions continue over time, for example until high school or college graduation. For details on studies of methods of developing critical thinking skills and dispositions, see the Supplement on Educational Methods .

12. Controversies

Scholars have denied the generalizability of critical thinking abilities across subject domains, have alleged bias in critical thinking theory and pedagogy, and have investigated the relationship of critical thinking to other kinds of thinking.

McPeck (1981) attacked the thinking skills movement of the 1970s, including the critical thinking movement. He argued that there are no general thinking skills, since thinking is always thinking about some subject-matter. It is futile, he claimed, for schools and colleges to teach thinking as if it were a separate subject. Rather, teachers should lead their pupils to become autonomous thinkers by teaching school subjects in a way that brings out their cognitive structure and that encourages and rewards discussion and argument. As some of his critics (e.g., Paul 1985; Siegel 1985) pointed out, McPeck’s central argument needs elaboration, since it has obvious counter-examples in writing and speaking, for which (up to a certain level of complexity) there are teachable general abilities even though they are always about some subject-matter. To make his argument convincing, McPeck needs to explain how thinking differs from writing and speaking in a way that does not permit useful abstraction of its components from the subject-matters with which it deals. He has not done so. Nevertheless, his position that the dispositions and abilities of a critical thinker are best developed in the context of subject-matter instruction is shared by many theorists of critical thinking, including Dewey (1910, 1933), Glaser (1941), Passmore (1980), Weinstein (1990), Bailin et al. (1999b), and Willingham (2019).

McPeck’s challenge prompted reflection on the extent to which critical thinking is subject-specific. McPeck argued for a strong subject-specificity thesis, according to which it is a conceptual truth that all critical thinking abilities are specific to a subject. (He did not however extend his subject-specificity thesis to critical thinking dispositions. In particular, he took the disposition to suspend judgment in situations of cognitive dissonance to be a general disposition.) Conceptual subject-specificity is subject to obvious counter-examples, such as the general ability to recognize confusion of necessary and sufficient conditions. A more modest thesis, also endorsed by McPeck, is epistemological subject-specificity, according to which the norms of good thinking vary from one field to another. Epistemological subject-specificity clearly holds to a certain extent; for example, the principles in accordance with which one solves a differential equation are quite different from the principles in accordance with which one determines whether a painting is a genuine Picasso. But the thesis suffers, as Ennis (1989) points out, from vagueness of the concept of a field or subject and from the obvious existence of inter-field principles, however broadly the concept of a field is construed. For example, the principles of hypothetico-deductive reasoning hold for all the varied fields in which such reasoning occurs. A third kind of subject-specificity is empirical subject-specificity, according to which as a matter of empirically observable fact a person with the abilities and dispositions of a critical thinker in one area of investigation will not necessarily have them in another area of investigation.

The thesis of empirical subject-specificity raises the general problem of transfer. If critical thinking abilities and dispositions have to be developed independently in each school subject, how are they of any use in dealing with the problems of everyday life and the political and social issues of contemporary society, most of which do not fit into the framework of a traditional school subject? Proponents of empirical subject-specificity tend to argue that transfer is more likely to occur if there is critical thinking instruction in a variety of domains, with explicit attention to dispositions and abilities that cut across domains. But evidence for this claim is scanty. There is a need for well-designed empirical studies that investigate the conditions that make transfer more likely.

It is common ground in debates about the generality or subject-specificity of critical thinking dispositions and abilities that critical thinking about any topic requires background knowledge about the topic. For example, the most sophisticated understanding of the principles of hypothetico-deductive reasoning is of no help unless accompanied by some knowledge of what might be plausible explanations of some phenomenon under investigation.

Critics have objected to bias in the theory, pedagogy and practice of critical thinking. Commentators (e.g., Alston 1995; Ennis 1998) have noted that anyone who takes a position has a bias in the neutral sense of being inclined in one direction rather than others. The critics, however, are objecting to bias in the pejorative sense of an unjustified favoring of certain ways of knowing over others, frequently alleging that the unjustly favoured ways are those of a dominant sex or culture (Bailin 1995). These ways favour:

• reinforcement of egocentric and sociocentric biases over dialectical engagement with opposing world-views (Paul 1981, 1984; Warren 1998)
• distancing from the object of inquiry over closeness to it (Martin 1992; Thayer-Bacon 1992)
• indifference to the situation of others over care for them (Martin 1992)
• orientation to thought over orientation to action (Martin 1992)
• being reasonable over caring to understand people’s ideas (Thayer-Bacon 1993)
• being neutral and objective over being embodied and situated (Thayer-Bacon 1995a)
• doubting over believing (Thayer-Bacon 1995b)
• reason over emotion, imagination and intuition (Thayer-Bacon 2000)
• solitary thinking over collaborative thinking (Thayer-Bacon 2000)
• written and spoken assignments over other forms of expression (Alston 2001)
• attention to written and spoken communications over attention to human problems (Alston 2001)
• winning debates in the public sphere over making and understanding meaning (Alston 2001)

A common thread in this smorgasbord of accusations is dissatisfaction with focusing on the logical analysis and evaluation of reasoning and arguments. While these authors acknowledge that such analysis and evaluation is part of critical thinking and should be part of its conceptualization and pedagogy, they insist that it is only a part. Paul (1981), for example, bemoans the tendency of atomistic teaching of methods of analyzing and evaluating arguments to turn students into more able sophists, adept at finding fault with positions and arguments with which they disagree but even more entrenched in the egocentric and sociocentric biases with which they began. Martin (1992) and Thayer-Bacon (1992) cite with approval the self-reported intimacy with their subject-matter of leading researchers in biology and medicine, an intimacy that conflicts with the distancing allegedly recommended in standard conceptions and pedagogy of critical thinking. Thayer-Bacon (2000) contrasts the embodied and socially embedded learning of her elementary school students in a Montessori school, who used their imagination, intuition and emotions as well as their reason, with conceptions of critical thinking as

thinking that is used to critique arguments, offer justifications, and make judgments about what are the good reasons, or the right answers. (Thayer-Bacon 2000: 127–128)

Alston (2001) reports that her students in a women’s studies class were able to see the flaws in the Cinderella myth that pervades much romantic fiction but in their own romantic relationships still acted as if all failures were the woman’s fault and still accepted the notions of love at first sight and living happily ever after. Students, she writes, should

be able to connect their intellectual critique to a more affective, somatic, and ethical account of making risky choices that have sexist, racist, classist, familial, sexual, or other consequences for themselves and those both near and far… critical thinking that reads arguments, texts, or practices merely on the surface without connections to feeling/desiring/doing or action lacks an ethical depth that should infuse the difference between mere cognitive activity and something we want to call critical thinking. (Alston 2001: 34)

Some critics portray such biases as unfair to women. Thayer-Bacon (1992), for example, has charged modern critical thinking theory with being sexist, on the ground that it separates the self from the object and causes one to lose touch with one’s inner voice, and thus stigmatizes women, who (she asserts) link self to object and listen to their inner voice. Her charge does not imply that women as a group are on average less able than men to analyze and evaluate arguments. Facione (1990c) found no difference by sex in performance on his California Critical Thinking Skills Test. Kuhn (1991: 280–281) found no difference by sex in either the disposition or the competence to engage in argumentative thinking.

The critics propose a variety of remedies for the biases that they allege. In general, they do not propose to eliminate or downplay critical thinking as an educational goal. Rather, they propose to conceptualize critical thinking differently and to change its pedagogy accordingly. Their pedagogical proposals arise logically from their objections. They can be summarized as follows:

• Focus on argument networks with dialectical exchanges reflecting contesting points of view rather than on atomic arguments, so as to develop “strong sense” critical thinking that transcends egocentric and sociocentric biases (Paul 1981, 1984).
• Foster closeness to the subject-matter and feeling connected to others in order to inform a humane democracy (Martin 1992).
• Develop “constructive thinking” as a social activity in a community of physically embodied and socially embedded inquirers with personal voices who value not only reason but also imagination, intuition and emotion (Thayer-Bacon 2000).
• In developing critical thinking in school subjects, treat as important neither skills nor dispositions but opening worlds of meaning (Alston 2001).
• Attend to the development of critical thinking dispositions as well as skills, and adopt the “critical pedagogy” practised and advocated by Freire (1968 [1970]) and hooks (1994) (Dalgleish, Girard, & Davies 2017).

A common thread in these proposals is treatment of critical thinking as a social, interactive, personally engaged activity like that of a quilting bee or a barn-raising (Thayer-Bacon 2000) rather than as an individual, solitary, distanced activity symbolized by Rodin’s The Thinker . One can get a vivid description of education with the former type of goal from the writings of bell hooks (1994, 2010). Critical thinking for her is open-minded dialectical exchange across opposing standpoints and from multiple perspectives, a conception similar to Paul’s “strong sense” critical thinking (Paul 1981). She abandons the structure of domination in the traditional classroom. In an introductory course on black women writers, for example, she assigns students to write an autobiographical paragraph about an early racial memory, then to read it aloud as the others listen, thus affirming the uniqueness and value of each voice and creating a communal awareness of the diversity of the group’s experiences (hooks 1994: 84). Her “engaged pedagogy” is thus similar to the “freedom under guidance” implemented in John Dewey’s Laboratory School of Chicago in the late 1890s and early 1900s. It incorporates the dialogue, anchored instruction, and mentoring that Abrami (2015) found to be most effective in improving critical thinking skills and dispositions.

What is the relationship of critical thinking to problem solving, decision-making, higher-order thinking, creative thinking, and other recognized types of thinking? One’s answer to this question obviously depends on how one defines the terms used in the question. If critical thinking is conceived broadly to cover any careful thinking about any topic for any purpose, then problem solving and decision making will be kinds of critical thinking, if they are done carefully. Historically, ‘critical thinking’ and ‘problem solving’ were two names for the same thing. If critical thinking is conceived more narrowly as consisting solely of appraisal of intellectual products, then it will be disjoint with problem solving and decision making, which are constructive.

Bloom’s taxonomy of educational objectives used the phrase “intellectual abilities and skills” for what had been labeled “critical thinking” by some, “reflective thinking” by Dewey and others, and “problem solving” by still others (Bloom et al. 1956: 38). Thus, the so-called “higher-order thinking skills” at the taxonomy’s top levels of analysis, synthesis and evaluation are just critical thinking skills, although they do not come with general criteria for their assessment (Ennis 1981b). The revised version of Bloom’s taxonomy (Anderson et al. 2001) likewise treats critical thinking as cutting across those types of cognitive process that involve more than remembering (Anderson et al. 2001: 269–270). For details, see the Supplement on History .

As to creative thinking, it overlaps with critical thinking (Bailin 1987, 1988). Thinking about the explanation of some phenomenon or event, as in Ferryboat , requires creative imagination in constructing plausible explanatory hypotheses. Likewise, thinking about a policy question, as in Candidate , requires creativity in coming up with options. Conversely, creativity in any field needs to be balanced by critical appraisal of the draft painting or novel or mathematical theory.

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