what is creative writing courses

The Best Online Creative Writing Courses: 12 Things to Look For

Sean Glatch  |  April 11, 2024  |  Leave a Comment

Are you looking for the best online creative writing courses? You may have found some promising classes online, but you may also be unsure if the course is actually good. How can you know you’ll benefit from the course without spending your money first?

The good news is, there are creative writing courses out there for everyone, and they’re sure to improve your writing. Even better news, the best online creative writing courses share many of the same qualities.

If you want to learn how to write creatively, or if you simply want to improve your everyday writing, the best online creative writing courses can transform your writing abilities. Let’s explore what you might learn in creative writing classes, and how they help writers of all skill levels.

The Best Online Creative Writing Courses: Contents

What do you do in a creative writing class?

• Reputable Instructor
• Clear Course Description
• Promise of a Great Experience
• Constructive Feedback
• Focus on Craft
• Respect Your Creative Autonomy
• A Writing Community
• Motivate You to Write
• Jumpstart a Writing Habit
• Broaden Your Literary Horizons
• Offer a Healthy Creative Outlet
• Give You Next Steps

How to Make the Most of Online Creative Writing Courses

Every online creative writing class is unique, and different courses emphasize different things. We have classes that are entirely generative, meaning the focus is on writing new poems, essays, stories, or making headway into a novel or memoir project. Other courses might have more of a workshop component, in which you share your work with the class and receive feedback on how to improve your writing.

Some online writing courses also focus on specific skills or types of writing. You might take a class focused entirely on learning the tools for revision, or on learning the elements of fiction writing so you can later employ them in a story or novel.

In short, the best online writing courses typically include the following:

• Lectures and discussions on a topic of creative writing craft.
• Assignments that help you generate new work or revise old work.
• Opportunities to give and receive feedback with your fellow classmates.
• Feedback on your work from the instructor, who themselves is a successfully published author of the type of writing you’re producing.
• A weekly video call. Some courses, including ours, are entirely text-based and asynchronous, but many classes meet at least once a week on Zoom.

In addition to all of this, you will make new friends and connections in the best online creative writing classes. Writing is often a lonely experience for writers, and the bonds you make in creative writing workshops can last a lifetime.

12 Things to Look For In the Best Online Creative Writing Courses

The best online creative writing courses will sharpen your writing skills, help you find your confidence, and introduce you to new communities of writers. How do they do it? Here’s 12 things to look for to make sure you’re spending your money on the right online writing class. 

1. The Best Online Creative Writing Courses Have a Reputable Instructor

Your course is only as good as the instructor who teaches it. For online writing classes to teach you the craft, they need to have reputable, trustworthy instructors. A great instructor will also be empathetic, community-oriented, adaptive to your writing needs, and a great writer themselves.

A great instructor will also be empathetic, community-oriented, adaptive to your writing needs, and a great writer themselves.

Do some research on the course instructor: they should have a terminal degree in their field (M.A., M.F.A., Ph.D., etc.), as well as a significant publication history. A reputable instructor will make all the difference in your course: as part of their education, the instructor should have undergone dozens of writing workshops, submitted to countless literary journals, and had their work scrutinized by critics and book lovers alike.

In order for an instructor to help you develop your creative writing skills, they need to be successful on their own. The best instructors are what make the best online creative writing courses.

2. The Best Online Creative Writing Classes Have a Clear Course Description

What does the course teach you, and what will you learn week by week? In addition to listing a reputable instructor, the course description should tell you exactly what you’ll gain from taking the course.

In addition to listing a reputable instructor, the course description should tell you exactly what you’ll gain from taking the course.

Be sure you know exactly what you’re getting out of your online creative writing course, including what you might learn and write in the process. Consider what will help you the most as you embark on your writing journey: entering a course with certain goals or learning objectives will help you make the most of the course’s lectures and writing assignments.

There should be no ambiguity: if you’re paying for the course, you deserve to know exactly what you’re paying for. And, if you have questions, ask the program administrator before you enroll. They should be happy to hear from you!

3. The Best Online Creative Writing Classes Promise a Great Experience

The best online creative writing courses prioritize one thing: YOU! Your learning, your goals, and your writing should be at the center of your experience. And, your course should guarantee that experience.

The best online creative writing courses prioritize your learning, your goals, and your writing.

Creative writing classes can be a risk, since they probably won’t confer university credit and you probably haven’t interacted with that instructor before. You want to be confident that your learning is guaranteed, otherwise you’ll only waste your time, money, and creativity.

Before you enroll in an online writing course, look to see if the program administrators have a student promise . Your experience in the course should be the number one priority of the instructor and administrators; otherwise, you’re better off looking elsewhere for the best online creative writing courses.

4. The Best Online Creative Writing Courses Offer Constructive Feedback

In addition to useful lectures and assignments, creative writing courses give you access to helpful, instructional feedback. Most instructors hold Masters or Doctoral degrees in English or creative writing and, as a result, they have ample knowledge of what works in literature, as well as tons of experience in giving feedback.

Creative writing courses give you access to helpful, instructional feedback.

In the best online creative writing classes, an instructor will both inspire you to write and guide you towards being a better writer. Their feedback will cover the many aspects of great writing. For example, your instructor might comment on:

• Unclear language
• Ideas that need to be expanded
• Sentences that are too wordy or passive
• Opportunities to use more engaging vocabulary
• Places to improve writing structure
• Grammar and spelling corrections

Finally, an instructor will tell you what you are already doing well in your writing. When you write a really great metaphor , use interesting word choice, or find a moment of great insight, your instructor will tell you—highlighting the creative writing skills you have already mastered.

5. The Best Online Creative Writing Courses Focus on Craft

You might be wondering how creative writing classes are different from high school English. The big difference is that, where a typical English class focuses on basic grammar and literacy skills, creative writing classes focus specifically on craft.

Creative writing classes focus specifically on craft: the elements of language and storytelling that make a work of prose or poetry successful.

What is creative writing craft? Craft involves the elements of language and storytelling that make a work of prose or poetry successful. Focusing on craft is how creative writing classes primarily improve your writing.

Your writing class might focus on the structure of a short story, the different types of literary devices , the importance of effective word choice , or the elements of storytelling . A writing class should break down successful works of literature into the components that make it work, giving you the tools to practice your own creative writing skills.

Additionally, craft-focused writing helps you with everyday writing. From improving your vocabulary to structuring an email, the creative writing practice translates to improved writing in every aspect of your life.

6. The Best Online Creative Writing Classes Respect Your Creative Autonomy

One of the benefits of creative writing classes is the perspective you get from different writers. No two writers are working on the same projects, and in your course, you’re likely to work with students of different genres and writing styles.

your creative authority should be respected no matter how new you are to creative writing.

With so many different writing philosophies in one class, the new ideas you encounter can help strengthen your own writing. But in the worst-case scenario, a student or instructor might try to force their writing philosophy onto you. This is always unfair, as there is no one-size-fits-all writing advice, your creative authority should be respected no matter how new you are to creative writing .

For example, let’s say you’re writing a poem about your childhood cat, and the instructor thinks it should be a poem about your experiences growing up. No matter how many times you explain you want this poem to be about your cat, the instructor keeps telling you to write more about your childhood. By ignoring your goals for the poem, the instructor is not respecting your creative autonomy, because they think they know your writing needs better than you do.

No matter where you are in your writing journey, you are a writer, and you deserve respect and compassion as such. Every writer is on a constant journey of growth and discovery; your instructor and course should acknowledge and respect that. In your course, you will encounter many different ideas, but you should also encounter the freedom to accept or reject those ideas. It’s your writing: you get the final say!

7. The Best Online Creative Writing Courses Foster a Writing Community

A creative writing course fosters a creative writing community . This community gives you the motivation to create, as it creates a safe environment to experiment, take risks, and grow in your writing practice.

A writing community gives you the motivation to create, as it creates a safe environment to experiment, take risks, and grow in your writing practice.

For even the most solitary of writers, writing doesn’t happen in a vacuum. Participating in a community of word enthusiasts can jog your creativity and give you useful feedback on your work. Additionally, the feedback you provide other writers in the community also helps you learn. It’s a self-fulfilling, self-sustaining process, where members of a writing group can continuously grow, improve, and fine-tune their love of the craft.

In fact, well-known authors throughout history have been a part of valuable writing communities, such as The Beat Poets, Stratford-on-Odeon, and other famous writing groups .

When you enroll in creative writing classes, you also take part in a writing community. Foster relationships, make new writing friends, and forge your own writing group—it may one day be famous, too!

8. The Best Online Creative Writing Classes Motivate You to Write

Writing is a skill that you can only develop through practice. For anyone just starting on our writing journeys, the best online creative writing classes keep you motivated and accountable.

The best online creative writing classes keep you motivated and accountable.

Every instructor works differently, but you can expect the following in a creative writing class:

• Creative writing prompts
• Daily journaling assignments
• Helpful revisions
• Inspirational readings
• Ideas to combat writer’s block
• Different opinions on how to write creatively

Some courses are even designed to motivate you, such as our course Write Your Novel! The Workshop With Jack . Sometimes, the biggest struggle is simply to begin, and creative writing courses help you do that.

9. The Best Online Creative Writing Classes Jumpstart a Writing Habit

The best online creative writing courses will get you into a writing habit. By combining lectures with thought-provoking assignments, one of the primary goals of a writing course is simply to get you writing.

You’ll gain the most from your creative writing courses if you block out the time to write every day.

To make the most of your creative writing classes, try to find time to write every day. It’s best to write at the same time every day, but if your schedule doesn’t allow this, sneak time where you can.

Here are some ways you can steal time as a writer:

• Journal for 15 minutes before you go to bed.
• Write while you wake up with your morning breakfast or coffee.
• Keep a journal on your phone during work and lunch breaks.
• Write on your commute to and from work. If you’re driving, consider keeping an audio journal, where you write by speaking into your phone’s recording device.
• Write on your phone while running on the treadmill.
• Put pen to paper while taking a bath.

These ideas won’t work for everyone, and it all depends on your schedule and lifestyle. Nonetheless, you’ll gain the most from your creative writing courses if you block out the time to write every day, no matter how brief that time is. And, your course should help you find the time to write!

10. The Best Online Creative Writing Courses Broaden Your Literary Horizons

You need to read great writing to produce great writing. The best online creative writing courses will introduce you to great literature, giving you additional opportunities to explore the writing craft.

The best online creative writing courses will introduce you to great literature, giving you additional opportunities to explore the writing craft.

In creative writing classes, you might read both classic and contemporary literature. As writers, it’s good to have knowledge of both worlds. Classic literature introduces you to the bedrock of modern writing, including the devices and rhetorical strategies that make for effective poetry and prose.

Contemporary literature, on the other hand, gives you a glimpse into today’s literary zeitgeist. It’s important to understand today’s publishing landscape and the type of work that’s being published, even if you don’t intend to write like contemporary authors.

In fact, it’s better if you don’t try to write like anyone else! Reading other writers shows you what works in literature and what doesn’t, giving you opportunities to experiment with form and style. But, at the end of the day, your writing is for you, not for publishers or particular writing schools.

Use your creative writing classes as opportunities to explore literature, experiment with words, and discover what you’d like to write yourself.

11. The Best Online Creative Writing Classes Offer a Healthy Creative Outlet

Creative writing classes offer a healthy outlet for your creativity and emotions.

A healthy writing space can supplement your emotional health and wellbeing.

How is that so? With a space to put thoughts to paper, many writers inevitably reach breakthroughs about their own feelings and experiences. This is true regardless of whether you write poetry, fiction, plays, articles, or creative nonfiction.

Now, even the best online creative writing courses can’t replace the benefits of therapy. But, a healthy writing space can certainly supplement your emotional health and wellbeing. Between the prompts, community, and writing habits that a creative writing class fosters, you’re sure to come away from your course with renewed emotional health.

12. The Best Online Creative Writing Courses Give You Next Steps

Your education doesn’t end at the end of your course. If anything, the best online creative writing courses are only the beginning of your writing journey!

The best online creative writing courses are only the beginning of your writing journey!

The best online creative writing courses give you opportunities for continuous growth. Those opportunities can take many forms, such as: a list of literary journals to submit to, further readings on a topic of interest, future creative writing classes, or even simply the instructor’s email.

If you’re ready to move on to the next level of your career, your instructor should provide you with next steps. And if you crave more learning, ask the instructor!

A creative writing course is much like life: the more you put into it, the more you get out of it. Being an active participant will teach you as much about creative writing as the instructor will, because engaging with language is how you grow as a writer. Actively working with suggestions and ideas, keeping a daily writing practice, and offering other students constructive feedback will all boost your creative writing skills.

A creative writing course is much like life: the more you put into it, the more you get out of it.

Additionally, do your research before you enroll in the course, or you might end up taking a class that isn’t suited to your needs. Look up the instructor for the course, their teaching style and previous publications, and how much experience they have as a writing coach. If they don’t seem well suited towards your learning style, they might develop your creative writing skills, and they won’t be worth the cost.

Find the Best Online Creative Writing Courses at Writers.com!

Are you looking for a writing community? Are you ready to get writing? Check out some of the upcoming courses at Writers.com , the oldest creative writing school on the internet.

Sean Glatch

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Best Online Creative Writing Classes

Masterclass is our best overall writing course to learn the art of writing

We independently evaluate all recommended products and services. If you click on links we provide, we may receive compensation. Learn more .

Creative writing is often focused around writing fiction (but may also include nonfiction), which can feature any type of writing from poems to short stories, novels, and more. Online creative writing classes help you learn how to become a better storyteller, produce completed manuscripts, and publish your work. Since the classes takes place over the internet, you can study anywhere. The best online creative writing classes offer a rich curriculum, provide a good value for the cost, and are taught by experienced professionals.

Here, we've rounded up our top picks for prospective students to learn about creative writing from the comfort of their own homes. Some online courses even offer certifications upon completion to pursue creative writing as a career. Compare top options to find the best price range, topics, and class schedule to help you get started. 

Best Online Creative Writing Classes of 2023

• Best Overall: Neil Gaiman Teaches the Art of Storytelling
• Best for Beginners: Beginning Writer’s Workshop by ed2go
• Best for Certification: Coursera's Creative Writing Specialization by Wesleyan University
• Best Live Class: Creative Writing 101 by Gotham Writers
• Best for Writing Critique: UCLA Extension’s Introduction to Creative Writing
• Best for Creative Non-Fiction: Udemy’s Creative Non-Fiction Writing - You Can’t Make This Stuff Up!
• Best Ivy League Class: Harvard's Fundamentals of Fiction
• Our Top Picks
• Neil Gaiman Teaches the Art of Storytelling
• Beginning Writer’s Workshop by ed2go
• Coursera's Creative Writing Specialization by Wesleyan University
• Creative Writing 101 by Gotham Writers
• UCLA Extension’s Introduction to Creative Writing
• Udemy’s Creative Non-Fiction Writing - You Can’t Make This Stuff Up!
• Harvard's Fundamentals of Fiction
• See More (4)

Final Verdict

• Compare Classes

Can I Teach Myself Creative Writing?

Can you make a living off of creative writing, methodology, best overall : neil gaiman teaches the art of storytelling.

 MasterClass

• Cost: $180 for annual Masterclass membership
• Length: Approximately 5 hours
• Certificate: No

Neil Gaiman Teaches the Art of Storytelling took our top spot because the course has a robust curriculum and is taught by an award-winning author.

Short, engaging videos

Access content from your computer or smartphone

Easy-to-digest video lectures

No instructor feedback

Masterclass subscription required

No student collaboration

We like this class because students learn many creative writing techniques from a world-renowned fiction writer. The course is a series of 19 short video lectures, which include:

• Truth in Fiction
• Sources of Inspiration
• Finding Your Voice
• Dialogue and Character
• Character Case Study
• Worldbuilding
• Dealing with Writer's Block
• The Writer's Responsibilities

As you watch the nearly five hours of content, you'll learn the fundamentals of writing stories (including how to make your story feel real), find unique angles to explore, develop your writing voice, create compelling plots, characters, settings, and dialogue, and edit and improve your work. You’ll also write short stories, understand different writing genres, and learn tips for getting unstuck when you have writer’s block. 

This course of study is self-paced, so you won’t receive any feedback on your writing. You can access the videos on your smartphone or computer.

There are no requirements to enroll. However, you can only access the class if you have a Masterclass subscription, which currently costs $180 for the year. Once you have a Masterclass membership you can take any course offered. If you’re dissatisfied with the learning platform, you can email customer service within 30 days of purchase for a full refund.

Best for Beginners : Beginning Writer’s Workshop by ed2go

• Length: 24 hours

Beginning Writer’s Workshop by ed2go gives new writers the foundational information they need to complete a piece of creative work.

Rich curriculum including various genres, literary techniques, the writing process, and more

Instructor and peer feedback

Budget-friendly

Course access ends after six weeks

Must adhere to a schedule to participate in discussions

Not all course requirements are included in enrollment

We like Beginning Writer’s Workshop because it’s designed to quickly turn a true beginner into a confident writer with a publication-worthy piece. When you finish the six-week, 12-lesson course, you’ll know how to:

• Distinguish between and speak to the different writing genres and subgenres
• Use various literary techniques and devices like similes, metaphors, imagery, etc.
• Develop plots, characters, and other story elements
• Navigate the entire writing process, including pre-writing, drafting, editing, and finalizing a piece
• Peer-edit the creative work of others
• Combat writer’s block
• Go through the publishing process

The class includes 24 hours of instructional content. For the first six weeks, you’ll get access to two new self-paced lessons per week. Lectures include reading material and videos.

There’s also an online discussion board where you can post questions and talk about the lectures. Discussions only remain open for two weeks after a lesson is released. So, while you can study when it fits your schedule, you’ll want to keep up with the work.

The course is facilitated by Carmen Marquez, a journalist, writer, and teacher. They’ll reply to any inquiries you post on the discussion board within 24 to 48 hours. You’ll also have the opportunity to get feedback on your writing from the instructor and other students. 

The class costs $149. A new round of the course begins every month, so you can get started when it’s convenient for you.

Best for Certification : Coursera's Creative Writing Specialization by Wesleyan University

• Cost: $0 or $49 per month to unlock more features
• Length: Approximately 11 hours
• Certificate: Yes

Coursera's Creative Writing Specialization by Wesleyan University is our choice for this category because it offers a certificate upon completion, allowing students to use the knowledge gained for their career path. As a bonus, this class is free, so students can access content from the school at no cost.

Access to free content from a well-regarded school

Self-paced study

Free trial and "audits" allow students to view material before purchasing

No feedback or interaction without a subscription to Coursera

Does not include lessons on literary style

May take up to six months to complete

The course is hosted by Coursera, an online learning platform. Coursera gives you the option to “audit” the class at no charge, allowing you to view all of the included videos and reading materials without subscribing to the platform.

The specialization includes four classes you can audit:

• Creative Writing: The Craft of Plot
• Creative Writing: The Craft of Character
• Creative Writing: The Craft of Setting and Description
• Creative Writing: The Craft of Style
• Capstone: Your Story

Each class features a few hours of content, and you can take them in any order and on your own time.

As you go through the lessons, you’ll learn how to:

• Develop a story with a beginning, middle, and end
• Bring the players in your tale to life
• Create a detailed world with your words
• Refine your piece via the editing process

The course of study has multiple instructors, all with backgrounds in English or creative writing.

If you want a more interactive experience that includes writing assignments, access to a discussion board, or feedback on your work, you’ll have to purchase a Coursera membership for $49 per month. The company offers a seven-day free trial, so you can test it out before buying.

Having full access will also allow you to obtain a certificate of completion once you’ve finished the specialization.

Best Live Class : Creative Writing 101 by Gotham Writers

Gotham Writers

• Cost: $319 plus $25 registration fee
• Length: 18 hours

Creative Writing 101 by Gotham Writers is our best pick for live classes because it features weekly live lectures via Zoom. Students are also offered feedback for their writing while learning about both fiction and nonfiction.

Live, interactive meetings

Writing feedback available

Includes both fiction and nonfiction

Course is somewhat pricey

Registration fee required

No certificate offered upon completion

We like this class since you can learn about creative writing in a fully interactive environment and get your questions answered in real time. The course is designed specifically for newer writers or experienced writers looking for a refresher.

The six-week class meets for three hours a week and features:

• An introduction to creative writing
• A discussion on fiction writing to include types of fiction, components of the genre—such as plot, characters, and point of view—and how to write it
• A discussion on the different types of nonfiction, including narrative nonfiction, memoirs, and personal essays
• Guidance on how to find story ideas, cultivate good writing habits, and get past writer’s block

Between lectures, you’ll also complete writing assignments and get feedback on your work. The course has multiple instructors, all with education and experience in writing.

You must be 18 or older to take the course. The class is offered on various days and times, so you’ll have to look online to see which option fits your schedule.

Creative Writing 101 costs $319 for the online or Zoom classes. The company also charges a $25 registration fee per term, but you might be able to find discounts or promotions to reduce the cost.

Best for Writing Critique : UCLA Extension’s Introduction to Creative Writing

UCLA Extension 

UCLA Extension’s Introduction to Creative Writing is our choice as best for writing critique because the class features small, weekly breakout sessions to workshop student writing.

Small group workshops for detailed feedback

Guest lecturers

Offers lessons on writing in multiple styles

Limite to 12 students; not always available for enrollment

Requires students to be present for 3-hour weekly class

This class allows you to learn from and work closely with instructors, writing experts, and other students. The course is limited to 12 students and is designed to help learners explore creative writing.

The Introduction to Creative Writing course runs for six weeks and meets live over Zoom for three hours weekly. In each class meeting, you’ll start in a breakout session to discuss the writing assignment and how you’re feeling as a writer. Then, you’ll transition into a lecture with a guest expert about topics like fiction, nonfiction, screenwriting, and poetry.

Throughout the class, you’ll:

• Experiment with writing in different styles
• Learn how to critique the work of other writers
• Network with other creatives
• Be inspired to write and learn more about the craft

The course has several different instructors who are all accomplished writers.

Since this is a beginner course, you won’t get graded on the writing you produce. Instead, you’ll be evaluated based on assignment completion, the feedback you provide to your peers, and overall participation.

The course costs $485, and if you need to withdraw, you must do so within two weeks of the start date to receive a refund.

Best for Creative Non-Fiction : Udemy’s Creative Non-Fiction Writing - You Can’t Make This Stuff Up!

• Cost: $19.99
• Length: Approximately 2 hours

Udemy’s Creative Non-Fiction Writing won this category because the class specifically focuses on creative nonfiction. While the class is short, it's also the most affordable on our list, and it's a great introduction to the topic for curious students.

Specific focus on creative nonfiction

Most affordable option for beginner writers

Certificate of completion given

No writing feedback available

Only 2 hours of lectures available

Not in-depth on each topic compared to similar courses

If you’re interested in writing true stories rather than fiction but still want that creative element, you might want to consider creative nonfiction, like personal essays and memoirs. We like this class because it helps you dive into the world of creative nonfiction at a budget-conscious price.

The $19.99 course is self-paced and includes nine modules and 26 video lectures. The modules include:

• What is Creative Nonfiction?
• Writing the Vignette
• Using Sensory Language
• Writing in Scenes
• Using a Plot Diagram
• Making the Personal Universal

During the nearly two hours of lectures, you’ll learn the skills required to write creative nonfiction pieces, such as memoirs and essays, the basic building blocks of storytelling, such as plots, characters, and scenes, and several writing techniques and literary devices. You’ll also learn: 

• How to find your writer’s voice and be more confident
• How to turn your personal experience into a compelling story that will appeal to the masses
• The revision process

Although you won’t get any feedback from your instructor, the class includes writing projects you can complete independently and quizzes to review your learning. To supplement the lectures, you’ll also have access to downloadable resources like templates and graphics.

Your instructor is the creator of the class, Trace Crawford. Crawford has more than 20 years of writing and teaching experience.

You don’t have to meet any particular requirements to take this course. It’s designed for any curious writer. 

In case you’re unhappy with the class, it’s backed by a 30-day money-back guarantee. When you finish the last lecture, you’ll receive a certificate of completion. You’ll also have lifetime access to the content.

Best Ivy League Class : Harvard's Fundamentals of Fiction

• Cost: $3,100
• Length: 5 months

Harvard's Fundamentals of Fiction is designed for intermediate to advanced writers interested in applying their skills to creative fiction. This is not a course for beginners, but rather an in-depth study that concludes with each student finishing their own short story or the first chapter of a novel.

Students learn creative writing from Ivy League professors

Offers formal experience in creative writing

Students will complete their own short story or the first chapter of a novel by course end

Intended for graduate students with strong writing skills

Considerably more expensive than others

Students must enroll in degree program

Harvard's Fundamentals of Fiction course is a great choice for graduate-level students to focus on their creative writing skills. The course covers several topics, including:

• Plot analysis
• Structure analysis
• Fundamentals of character
• Fundamentals of dialogue
• Showing versus telling
• Point of view
• Building a narrative foundation
• Using scene structure to craft stories

The course is split into two sections: Students study plot and structure in various creative writing works, then apply this knowledge in the second half of the course to write their own short story or the first chapter of a novel.

As an Ivy League class, online students receive all the benefits of professor feedback and student collaboration that they'd receive in-class. However, students must enroll with the Harvard Department of Continuing Education to register.

There are countless online creative writing classes available, so it may be hard to choose the best course for you. Investigate any online creative writing class before you enroll to select an option that can help you finish and publish your creative masterpiece.

However, Neil Gaiman Teaches the Art of Storytelling is an excellent place to start your search. The content comes from an award-winning author and is designed to inspire you, help you develop your voice, and teach you new creative writing techniques.

Compare the Best Online Creative Writing Classes

Frequently asked questions, what do you learn in an online creative writing class.

Creative writing classes teach topics like genres of writing, outlining ideas, developing a plot and characters, and storytelling. Specific classes vary from course to course, but many include lessons about editing your work and establishing productive writing habits. The class may also include a peer-critique component to improve your own editing skills by reviewing other writers' work.

Should New Writers Take an Online Creative Writing Class?

New writers can and should take an online creative writing class. Some classes are designed especially for beginners so that learners can get the foundational information that they need. Taking an entry-level class can help you decide if creative writing is right for you and what direction to take as a writer.

How Can an Online Creative Writing Class Help Me Improve My Writing?

An online creative writing class can help you improve your writing in several ways. You'll learn about new literary techniques, refresh your knowledge about writing basics, find your unique voice, overcome writer's block, refine your work, and establish productive habits. An online creative writing class may also include personalized feedback from the instructor to hone your skills further.

How Much Do Online Creative Writing Classes Cost?

Online creative writing classes vary in cost. You can access some courses for free, while others are priced at several hundred dollars or more.

Are Online Creative Writing Classes Worth It?

Depending on your career goals , online creative writing classes can be worth your time, effort, and money. If you’re a hobbyist writer, it probably makes sense to stick with short, budget-friendly courses. But if you’re a writer by trade or would like to become a professional writer, it may be worth investing a more substantial number of hours and dollars into your development.

It's possible to teach yourself the fundamentals of creative writing when it comes to practicing narratives and storytelling, and many writers start without a formal education. However, creative writing classes can help you hone in on skills like developing characters and plots, writing in different styles, editing your work, and more.

Many writers and authors make their living from creative writing. Creative writers may focus on producing books, or they may write poetry, short stories, biographies, and other fictional or non-fictional works. The best creative writing classes can also teach you about submitting your work to publishers to develop a career .

We closely evaluated 10 online creative writing classes before making our selections. We considered the course curriculum, instructor credibility, and value. We also accounted for any unique features.

All of our choices offer a rigorous course of study for a fair price and are designed to help creative writers hone their craft and get ready for publication.

Alexander Spatari / Getty Images

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Ed2Go. " Carmen Marquez ."

Coursera. " Instructors ."

Gotham Writer. " Faculty ."

Udemy. " Trace Crawford Profile ."

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Defining Creative Writing

Creative writing , as taught at Oxford Summer Courses, is the process of crafting original and imaginative works of literature, poetry, prose, or scripts. It transcends conventional writing, encouraging individuals to explore language, structure, and narrative. Whether it's a heartfelt poem, a captivating short story, or a thought-provoking novel, creative writing allows us to communicate our unique perspectives and experiences with the world.

The Magic of Imagination

Creative Writing is a catalyst that sparks our creativity and empowers us to breathe life into our ideas on the page. With Oxford Summer Courses, aspiring writers aged 16-24 can embark on an extraordinary journey of creative expression and growth. Immerse yourself in the captivating realms of Oxford and Cambridge as you explore our inspiring creative writing programs. Teleport readers to distant lands, realms of fantasy and creation, introduce them to captivating characters, and craft new worlds through the transformative art of storytelling. Discover more about our creative writing course here . Unleash your imagination and unlock the writer within.

What Are the Different Types of Creative Writing?

Creative Writing comes in many forms, encompassing a range of genres and styles. There are lots of different types of Creative Writing, which can be categorised as fiction or non-fiction. Some of the most popular being:

• Biographies
• Fiction: novels, novellas, short stories, etc.
• Poetry and Spoken word
• Playwriting/Scriptwriting
• Personal essays

At Oxford Summer Courses, students have the opportunity to delve into these various types of Creative Writing during the Summer School.

The Benefits of Creative Writing with Oxford Summer Courses

Engaging in Creative Writing with Oxford Summer Courses offers numerous benefits beyond self-expression. By joining our dedicated Creative Writing summer school programme, you would:

• Foster self-discovery and gain a deeper understanding of your thoughts, emotions, and personal experiences.
• Improve your communication skills, honing your ability to express yourself effectively and engage readers through refined language and storytelling abilities.
• Enhance empathy by exploring diverse perspectives and stepping into the shoes of different characters, broadening your understanding of the world around you.
• Gain new skills for further education or work, expanding your repertoire of writing techniques and abilities to enhance your academic or professional pursuits.
• Nurture your creativity, encouraging you to think outside the box, embrace unconventional ideas, and challenge the status quo, fostering a life-long mindset of innovation and originality.

Embracing the Journey

To embark on a journey of creative writing, embrace curiosity, take risks, and surrender to the flow of imagination. Write regularly, read widely, embrace feedback from tutors and peers at Oxford Summer Courses. Begin to experiment with styles and genres, and stay persistent in your course of action. The path of creative writing requires dedication, practice, and an open mind. Join us as we provide tips to help you start your creative writing journey and unleash your full creative potential under the guidance of industry professionals.

Creative Writing is a remarkable voyage that invites us to unleash our imagination, share our stories, and inspire others. It offers countless personal and professional benefits, nurturing self-expression, empathy, and creativity. So, grab a pen, open your mind, and embark on this enchanting journey of creative writing with Oxford Summer Courses. Let your words paint a vivid tapestry that captivates hearts and minds under the guidance of experienced tutors from Oxford and Cambridge. Join us as we explore the magic of creative writing and discover the transformative power it holds within through the renowned Oxford Summer Courses summer school.

Ready to study Creative Writing? Apply now to Oxford Summer Courses and join a community of motivated learners from around the world. Apply here .

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Discover the enchantment of creative writing with Oxford Summer Courses. Unleash your imagination, explore different genres, and enhance your communication skills. Nurture self-expression, empathy, and creativity while gaining valuable writing techniques.

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One of the nation's most prestigious open-enrollment creative writing programs..

Whether you're looking to improve your writing for personal fulfillment, want to be published, or are preparing to apply to an MFA program, the Writers' Program can help you achieve your goals. You will find a supportive community of instructors, academic counselors and fellow students to help you on your journey.

We offer a wide range of open-enrollment courses, all of which may be taken individually. A guide on where to get started is provided below.

We also offer a fully customizable 21-unit Certificate in Creative Writing  where you can develop professional creative writing skills in the genre of your choice.

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Creative Writing courses

Whether you’re looking to develop your own writing skills and editorial practice for your profession or for purely personal interest, our creative writing courses have much to offer you. Choose below from our range of qualifications.

Creative Writing Degrees  Degrees Also known as an undergraduate or bachelors degree. Internationally respected, universally understood. An essential requirement for many high-level jobs. Gain a thorough understanding of your subject – and the tools to investigate, think critically, form reasoned arguments, solve problems and communicate effectively in new contexts. Progress to higher level study, such as a postgraduate diploma or masters degree.

• Credits measure the student workload required for the successful completion of a module or qualification.
• One credit represents about 10 hours of study over the duration of the course.
• You are awarded credits after you have successfully completed a module.
• For example, if you study a 60-credit module and successfully pass it, you will be awarded 60 credits.

How long will it take?

Creative Writing Diplomas  Diplomas Widely recognised qualification. Equivalent to the first two thirds of an honours degree. Enhance your professional and technical skills or extend your knowledge and understanding of a subject. Study for interest or career development. Top up to a full honours degree in just two years.

Creative writing certificates  certificates widely recognised qualification. equivalent to the first third of an honours degree. study for interest or career development. shows that you can study successfully at university level. count it towards further qualifications such as a diphe or honours degree., why study creative writing with the open university.

Since 2003, over 50,000 students have completed one of our critically acclaimed creative writing modules. 

The benefits of studying creative writing with us are:

• Develops your writing skills in several genres including fiction, poetry, life writing and scriptwriting.
• Introduces you to the world of publishing and the requirements of professionally presenting manuscripts.
• Online tutor-group forums enable you to be part of an interactive writing community.
• Module workbooks are widely praised and used by other universities and have attracted worldwide sales.

Careers in Creative Writing

Studying creative writing will equip you with an adaptable set of skills that can give entry to a vast range of occupations. You’ll learn to evaluate and assimilate information in constructing an argument as well as acquiring the skills of creative and critical thinking that are much in demand in the workplace. 

Our range of courses in creative writing can help you start or progress your career as a:

Looking for something other than a qualification?

The majority of our modules can be studied by themselves, on a stand-alone basis. If you later choose to work towards a qualification, you may be able to count your study towards it.

See our full list of Creative Writing modules

All Creative Writing courses

Browse all the Creative Writing courses we offer – certificates, diplomas and degrees.

See our full list of Creative Writing courses

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35 Best Colleges for Creative Writing – 2024

April 12, 2024

Bookworms and aspiring writers can pursue an undergraduate degree in creative writing where they will tackle coursework covering the reading and writing fiction, nonfiction, and poetry as well as the theory and history of the craft. While becoming the next J.K Rowling, Stephen King, or Margaret Atwood may be the goal, holders of creative writing degrees end up on a variety of career paths. This can include: publishing, editing, journalism, web content management, advertising, or for those who “make it” as writers—the next generation of literary superstars. Our list of Best Colleges for Creative Writing goes beyond the most famous writer factories like the University of Iowa and Columbia University, providing you with 35 institutions known for their stellar programs in this field.

Finally, note that although some of the colleges featured below do not offer a formal major in creative writing, their undergraduate offerings in this subject area are so strong that they warrant inclusion on our list.

Methodology 

Click here to read our methodology for the Best Colleges for creative writing.

Best Creative Writing Colleges

Here’s a quick preview of the first ten creative writing institutions that made our list. Detailed profiles and stats can be found when you scroll below.

1) Columbia University

2) Brown University

3) Johns Hopkins University

4) University of Chicago

5) Washington University in St Louis

6) Emory University

7) Stanford University

8) Northwestern University

9) Duke University

10) Yale University

All of the schools profiled below have stellar reputations in the field of creative writing and commit substantial resources to undergraduate education. For each of the best colleges for creative writing, College Transitions will provide you with—when available—each school’s:

• Cost of Attendance
• Acceptance Rate
• Median  SAT
• Median  ACT
• Retention Rate
• Graduation Rate

We will also include a longer write-up of each college’s:

• Academic Highlights – Includes facts like student-to-faculty ratio, average class size, number of majors offered, and most popular majors.
• Professional Outcomes – Includes info on the rate of positive outcomes, companies employing alumni, and graduate school acceptances.

Columbia University

• New York, NY

Academic Highlights: Columbia offers 100+ unique areas of undergraduate study as well as a number of pre-professional and accelerated graduate programs.  Class sizes at Columbia are reasonably small and the student-to-faculty ratio is favorable; however, in 2022, it was revealed that the university had been submitting faulty data in this area. It is presently believed that 58% of undergraduate courses enroll 19 or fewer students. The greatest number of degrees are conferred in the social sciences (22%), computer science (15%), engineering (14%), and biology (7%).

Professional Outcomes: Examining the most recent graduates from Columbia College and the Fu Foundation School of Engineering & Applied Science, 73% had found employment within six months, and 20% had entered graduate school. The median starting salary for graduates of Columbia College/Columbia Engineering is above $80,000. Many graduates get hired by the likes of Amazon, Goldman Sachs, Morgan Stanley, Google, Citi, McKinsey, and Microsoft.

• Enrollment: 8,832
• Cost of Attendance: $89,587
• Median SAT: 1540
• Median ACT: 35
• Acceptance Rate: 4%
• Retention Rate: 98%
• Graduation Rate: 95%

Brown University

• Providence, RI

Academic Highlights: Students must choose one of 80+ “concentration programs,” but there are no required courses. Class sizes tend to be small—68% have fewer than twenty students—and 35% are comprised of nine or fewer students. Biology, economics, computer science, mathematics, and engineering are among the most popular areas of concentration at Brown; however, it is hard to distinguish any one program, because Brown possesses outstanding offerings across so many disciplines.

Professional Outcomes: Soon after receiving their Brown diplomas, 69% of graduates enter the world of employment. Companies employing the greatest number of Brown alums include Google, Microsoft, Goldman Sachs, Amazon, Morgan Stanley, Apple, McKinsey & Company, and Bain & Company. The Class of 2022 saw 27% of graduates go directly into graduate/professional school. Right out of undergrad, Brown students boasted an exceptional 81% admission rate to med school and an 81% admission rate to law school.

• Enrollment: 7,639
• Cost of Attendance: $84,828
• Median SAT: 1530
• Acceptance Rate: 5%
• Retention Rate: 99%
• Graduation Rate: 96%

Johns Hopkins University

• Baltimore, MD

Academic Highlights: With 53 majors as well as 51 minors, JHU excels in everything from its bread-and-butter medical-related majors to international relations and dance. Boasting an enviable 6:1 student-to-faculty ratio and with 78% of course sections possessing an enrollment under 20, face time with professors is a reality. Many departments carry a high level of clout, including biomedical engineering, chemistry, English, and international studies. Biology, neuroscience, and computer science, which happen to be the three most popular majors, can also be found at the top of the national rankings.

Professional Outcomes: The Class of 2022 saw 94% of graduates successfully land at their next destination within six months of exiting the university; 66% of graduates entered the world of employment and a robust 19% went directly to graduate/professional school. The median starting salary across all majors was $80,000 for the Class of 2022. JHU itself is the most popular choice for graduate school. The next most frequently attended institutions included Columbia, Harvard, Yale, and MIT.

• Enrollment: 6,044
• Cost of Attendance: $86,065
• Acceptance Rate: 7%
• Retention Rate: 97%

University of Chicago

• Chicago, IL

Academic Highlights: There are 53 majors at UChicago, but close to half of all degrees conferred are in four majors: economics, biology, mathematics, and political science, all of which have particularly sterling reputations. Economics alone is the selection of roughly one-fifth of the undergraduate population. Over 75% of undergrad sections have an enrollment of nineteen or fewer students, and undergraduate research opportunities are ubiquitous as 80% of students end up working in a research capacity alongside a faculty member.

Professional Outcomes: On commencement day, 99% of the Class of 2023 were employed or continuing their education. Business and financial services (30%) and STEM (12%) were the two sectors that scooped up the most graduates, but public policy and consulting were also well-represented. The most popular employers of recent grads include Google, JPMorgan, Goldman Sachs, McKinsey & Company, Bank of America, Citi, and Accenture. For those heading to grad school, the top seven destinations are Yale, Columbia, Penn, MIT, Stanford, UCLA, and Johns Hopkins.

• Enrollment: 7,653 (undergraduate); 10,870 (graduate)
• Cost of Attendance: $89,040

Washington University in St. Louis

• St. Louis, MO

Academic Highlights : WashU admits students into five schools, many of which offer nationally recognized programs: Arts & Sciences, the Olin School of Business, the School of Engineering & Applied Sciences, and the Art of Architecture programs housed within the Sam Fox School of Design and Visual Arts. The most commonly conferred degrees are in engineering (13%), social sciences (13%), business (13%), biology (11%), and psychology (10%). 66% of classes have fewer than 20 students, and over one-quarter have single-digit enrollments. 65% double major or pursue a minor.

Professional Outcomes: The Class of 2022 sent 52% of grads into the workforce and 28% into graduate and professional schools. Companies employing the highest number of WashU grads feature sought-after employers such as Amazon, Bain, Boeing, Deloitte, Google, IBM, Goldman Sachs, and Microsoft. Of the employed members of the Class of 2022 who reported their starting salaries, 79% made more than $60k. The universities welcoming the largest number of Bears included the prestigious institutions of Caltech, Columbia, Harvard, Penn, Princeton, and Stanford.

• Enrollment: 8,132 (undergraduate); 8,880 (graduate)
• Cost of Attendance: $83,760
• Median ACT: 34
• Acceptance Rate: 11%
• Retention Rate: 96%
• Graduation Rate: 93%

Emory University

• Atlanta, GA

Academic Highlights: This midsize university offers a diverse array of majors (80+) and minors (60+), and 30% of Emory students pursue more than one area of study. Over half of Emory’s student body works directly with a faculty member on academic research and 58% of courses have class sizes of under twenty students. Ultimately, the greatest number of students go on to earn degrees in the social sciences (15%), biology (14%), business (14%), health professions (12%), and mathematics (9%).

Professional Outcomes: Shortly after graduation, 66% of 2022 grads were already employed, and 96% had arrived at their next destination. The top employers of recent Emory grads include Deloitte, Epic, ScribeAmerica, Meta, Morgan Stanley, and Cloudmed. Graduates of the Goizueta Business School found strong starting salaries with an average of $81k.  In the last few years, multiple Emory grads/alums received acceptance letters from the following top law schools like Columbia, Berkeley, and Georgetown. Med school acceptances included Duke, Johns Hopkins, and Vanderbilt.

• Enrollment: 7,101
• Cost of Attendance: $83,702
• Median SAT: 1500
• Median ACT: 33
• Retention Rate: 95%
• Graduation Rate: 90%

Stanford University

• Palo Alto, CA

Academic Highlights: Stanford has three undergraduate schools: the School of Humanities & Sciences, the School of Engineering, and the School of Earth, Energy, and Environmental Sciences. 69% of classes have fewer than twenty students, and 34% have a single-digit enrollment. Programs in engineering, computer science, physics, mathematics, international relations, and economics are arguably the best anywhere. In terms of sheer volume, the greatest number of degrees are conferred in the social sciences (17%), computer science (16%), engineering (15%), and interdisciplinary studies (13%).

Professional Outcomes: Stanford grads entering the working world flock to three major industries in equal distribution: business/finance/consulting/retail (19%); computer, IT (19%); and public policy and service, international affairs (19%). Among the companies employing the largest number of recent grads are Accenture, Apple, Bain, Cisco, Meta, Goldman Sachs, Google, McKinsey, Microsoft, and SpaceX. Other companies that employ hundreds of Cardinal alums include LinkedIn, Salesforce, and Airbnb. Starting salaries for Stanford grads are among the highest in the country.

• Enrollment: 8,049 (undergraduate); 10,236 (graduate)
• Cost of Attendance: $87,833

Northwestern University

• Evanston, IL

Academic Highlights : Northwestern is home to six undergraduate schools, including Medill, which is widely regarded as one of the country’s best journalism schools. The McCormick School of Engineering also achieves top rankings, along with programs in economics, social policy, and theatre. The social sciences account for the greatest number of degrees conferred (19%), followed by communications/journalism (13%), and engineering (11%). 45% of classes have nine or fewer students enrolled; 78% have fewer than twenty enrollees. 57% of recent grads had the chance to conduct undergraduate research.

Professional Outcomes: Six months after graduating, 69% of the Class of 2022 had found employment and 27% were in graduate school. The four most popular professional fields were consulting (18%), engineering (18%), business/finance (16%), and communications/marketing/media (13%). Employers included the BBC, NBC News, The Washington Post , NPR, Boeing, Google, IBM, Deloitte, PepsiCo, Northrop Grumman, and Goldman Sachs. Across all majors, the average starting salary was $73k. Of those headed straight to graduate school, engineering, medicine, and business were the three most popular areas of concentration.

• Enrollment: 8,659 (undergraduate); 14,073 (graduate)
• Cost of Attendance: $91,290
• Graduation Rate: 97%

Duke University

Academic Highlights: The academic offerings at Duke include 53 majors, 52 minors, and 23 interdisciplinary certificates. Class sizes are on the small side—71% are nineteen or fewer, and almost one-quarter are less than ten. A stellar 5:1 student-to-faculty ratio helps keep classes so reasonable even while catering to five figures worth of graduate students. Computer Science is the most popular area of concentration (11%), followed by economics (10%), public policy (9%), biology (8%), and computer engineering (7%).

Professional Outcomes: At graduation, approximately 70% of Duke diploma-earners enter the world of work, 20% continue into graduate schools, and 2% start their own businesses. The industries that attract the largest percentage of Blue Devils are tech (21%), finance (15%), business (15%), healthcare (9%), and science/research (6%). Of the 20% headed into graduate school, a hefty 22% are attending medical school, 18% are in PhD programs, and 12% are entering law school. The med school acceptance rate is 85%, more than twice the national average.

• Enrollment: 6,640
• Cost of Attendance: $85,238
• SAT Range: 1490-1570
• ACT Range: 34-35
• Acceptance Rate: 6%

Yale University

• New Haven, CT

Academic Highlights: Yale offers 80 majors, most of which require a one- to two-semester senior capstone experience. Undergraduate research is a staple, and over 70% of classes—of which there are over 2,000 to choose from—have an enrollment of fewer than 20 students, making Yale a perfect environment for teaching and learning. Among the top departments are biology, economics, global affairs, engineering, history, and computer science. The social sciences (26%), biology (11%), mathematics (8%), and computer science (8%) are the most popular areas of concentration.

Professional Outcomes: Shortly after graduating, 73% of the Yale Class of 2022 had entered the world of employment and 18% matriculated into graduate programs. Hundreds of Yale alums can be found at each of the world’s top companies including Google, Goldman Sachs, McKinsey & Company, Morgan Stanley, and Microsoft. The most common industries entered by the newly hired were finance (20%), research/education (16%), technology (14%), and consulting (12%). The mean starting salary for last year’s grads was $81,769 ($120k for CS majors). Nearly one-fifth of students immediately pursue graduate school.

• Enrollment: 6,590 (undergraduate); 5,344 (graduate)
• Cost of Attendance: $87,705
• Graduation Rate: 98%

Hamilton College

• Clinton, NY

Academic Highlights: The student-to-faculty ratio is 9:1, and without any pesky graduate students to get in the way, face time with professors is a regular occurrence. In fact, 28% of all classes have nine or fewer students; 72% have nineteen or fewer. Economics, government, and biology are among the strongest and most popular majors; other standout programs include public policy, mathematics, and environmental studies. Thirty percent of students earn social science degrees, with biology (13%), visual and performing arts (9%), physical science (7%), and foreign languages (7%) next in line.

Professional Outcomes: Examining the 491 graduates in Hamilton’s Class of 2022, an enviable 97% wasted no time landing jobs, graduate school acceptances, or fellowships. The most commonly entered industries were finance (17%), education (13%), business (12%), and science/tech (11%). Only 17% of 2022 graduates went directly into an advanced degree program. In one recent year, 33% of Hamilton grads were studying a STEM field, 22% were in the social sciences, 17% pursued a health care degree, and 5% went to law school.

• Enrollment: 2,075
• Cost of Attendance: $82,430
• Median SAT: 1490
• Acceptance Rate: 12%
• Graduation Rate: 92%

Princeton University

• Princeton, NJ

Academic Highlights: 39 majors are available at Princeton. Just under three-quarters of class sections have an enrollment of 19 or fewer students, and 31% have fewer than ten students. Princeton is known for its commitment to undergraduate teaching, and students consistently rate professors as accessible and helpful. The Engineering Department is widely recognized as one of the country’s best, as is the School of Public and International Affairs.

Professional Highlights: Over 95% of a typical Tiger class finds their next destination within six months of graduating. Large numbers of recent grads flock to the fields of business and engineering, health/science, & tech. Companies presently employing hundreds of Tiger alumni include Google, Goldman Sachs, Microsoft, McKinsey & Company, Morgan Stanley, IBM, and Meta. The average salary ranges from $40k (education, health care, or social services) to $100k (computer/mathematical positions). Between 15-20% of graduating Tigers head directly to graduate/professional school.

• Enrollment: 5,604 (undergraduate); 3,238 (graduate)
• Cost of Attendance: $86,700

Carnegie Mellon University

• Pittsburgh, PA

Academic Highlights: There are a combined 80+ undergraduate majors and 90 minors available across the six schools. Impressively, particularly for a school with more graduate students than undergrads, CMU boasts a 6:1 student-to-faculty ratio and small class sizes, with 36% containing single digits. In a given school year, 800+ undergraduates conduct research through the University Research Office. The most commonly conferred degrees are in engineering (21%), computer science (16%), mathematics (12%), business (10%), and visual and performing arts (9%).

Professional Outcomes: By the end of the calendar year in which they received their diplomas, 66% of 2022 grads were employed, and 28% were continuing to graduate school. The companies that have routinely scooped up CMU grads include Google, Meta, Microsoft, Apple, Accenture, McKinsey, and Deloitte. With an average starting salary of $105,194, CMU grads outpace the average starting salary for a college grad nationally. Of those pursuing graduate education, around 20% typically enroll immediately in PhD programs.

• Enrollment: 7,509
• Cost of Attendance: $84,412

University of Iowa

• Iowa City, IA

Academic Highlights: 200+ undergraduate majors, minors, and certificate programs are available across eight colleges, including the Tippie College of Business, which has a very strong reputation. The most commonly conferred degree is business (24%), with parks and recreation (10%), social sciences (8%), health professions (8%), engineering (7%), and communication & journalism (5%) next in popularity. Over half of its undergraduate sections enroll 19 or fewer students, and 30% of undergrads conduct or assist research.

Professional Outcomes: 96% of Class of 2022 grads found their first job or advanced degree program within six months of receiving their diploma. The most commonly entered industries were healthcare (23%), entertainment/the arts (14%), finance and insurance (11%), and marketing/PR (10%). Companies that employ hundreds of alumni include Wells Fargo, Collins Aerospace, Principal Financial Group, Amazon, Accenture, and Microsoft. The median salary for 2022 grads was $50,000. 28% of recent graduates went directly into graduate school; 76% remained at the University of Iowa.

• Enrollment: 22,130 (undergraduate); 7,912 (graduate)
• Cost of Attendance: $28,846-$32,259 (in-state); $50,809-$54,822 (out-of-state)
• Median SAT: 1240
• Median ACT: 25
• Acceptance Rate: 85%
• Retention Rate: 89%
• Graduation Rate: 73%

Emerson College

Academic Highlights: All 26 majors offered by the school have some element of performance or artistry and include highly unique academic concentrations such as comedic arts, sports communication, and musical theater. Emerson has a 15:1 student-to-faculty ratio and 69% of courses seat fewer than 20 students. The Journalism and Communications Studies programs rank among the top in the country. By sheer popularity, the top majors are film/video production, journalism, marketing, theater arts, and creative writing.

Professional Outcomes: Within six months of leaving Emerson, 61% of recent grads were employed, 4% were enrolled in graduate school, and 35% were still seeking their next landing spot. Top employers include the Walt Disney Company, Warner Media, Sinclair Broadcast Group, and CNN. The average full-time salary for employed grads is $40,255. Of those entering a master’s program, the bulk stay put, pursuing a master’s at Emerson in an area like writing for film and television, creative writing, or journalism.

• Enrollment: 4,149
• Cost of Attendance: $73,000
• Median SAT: 1360
• Median ACT: 31
• Acceptance Rate: 43%
• Retention Rate: 86%
• Graduation Rate: 77%

University of Southern California

• Los Angeles, CA

Academic Highlights : There are 140 undergraduate majors and minors within the Dornsife College of Arts & Sciences alone, the university’s oldest and largest school. The Marshall School of Business, Viterbi School of Engineering, and programs in communication, the cinematic arts, and the performing arts are highly acclaimed. Popular areas of study are business (22%), social sciences (11%), visual and performing arts (11%), communications/journalism (9%), and engineering (8%). Most courses enroll 10-19 students, and USC does an excellent job facilitating undergraduate research opportunities.

Professional Outcomes: 96% of undergrads experience positive postgraduation outcomes within six months of earning their degree. The top five industries entered were finance, consulting, advertising, software development, and engineering; the median salary across all majors is an astounding $79k. Presently, between 300 and 1,500 alumni are employed at each of Google, Amazon, Apple, Microsoft, KPMG, Goldman Sachs, and Meta. Graduate/professional schools enrolling the greatest number of 2022 USC grads include NYU, Georgetown, Harvard, Stanford, Pepperdine, and UCLA.

• Enrollment: 20,699 (undergraduate); 28,246 (graduate)
• Cost of Attendance: $90,921
• Median SAT: 1510

Cornell University

Academic Highlights: A diverse array of academic programs includes 80 majors and 120 minors spread across the university’s seven schools/colleges. Classes are a bit larger at Cornell than at many other elite institutions. Still, 55% of sections have fewer than 20 students. Most degrees conferred in 2022 were in computer science (17%), engineering (13%), business (13%), and biology (13%). The SC Johnson College of Business houses two undergraduate schools, both of which have phenomenal reputations.

Professional Outcomes: Breaking down the graduates of the College of Arts and Sciences, the largest school at Cornell, 68% entered the workforce, 28% entered graduate school, 1% pursued other endeavors such as travel or volunteer work, and the remaining 3% were still seeking employment six months after receiving their diplomas. The top sectors attracting campus-wide graduateswere financial services (18%), technology (17%), consulting (15%), and education (10%). Of the students from A&S going on to graduate school, 15% were pursuing JDs, 5% MDs, and 22% PhDs.

• Enrollment: 15,735
• Cost of Attendance: $88,150
• Median SAT: 1520

Oberlin College

• Oberlin, OH

Academic Highlights: Over 40 majors are available at Oberlin, which is an extremely strong provider of a liberal arts education. 79% of classes had 19 or fewer students enrolled. The greatest number of degrees conferred are typically in music, political science, biology, psychology, and history. The Conservatory of Music has a worldwide reputation, and programs in the natural sciences are similarly strong, leading to remarkable medical school acceptance rates and a high number of future PhD scientists and researchers.

Professional Outcomes: Within six months, 74% of recent grads found employment, 17% enrolled in graduate school, and just 5% were still seeking employment. Multiple recent grads were hired by Google, Netflix, and Sony Pictures. Over the last few years, multiple students have gone on to pursue advanced degrees at Harvard, Stanford, MIT, Brown, Columbia, Princeton, and the University of Michigan. Oberlin also has a reputation for churning out future PhDs and, is among the top 20 schools (per capita) across all disciplines in producing graduates who go on to earn their doctoral degrees.

• Enrollment: 2,986
• Cost of Attendance: $85,496
• Median SAT: 1400-1540
• Median ACT: 32-34
• Acceptance Rate: 33%
• Retention Rate: 87%
• Graduation Rate: 83%

University of Pittsburgh

Academic Highlights: Pitt admits freshmen to the Dietrich School of Arts & Sciences, the College of Business Administration, the Swanson School of Engineering, and the School of Nursing. Pitt’s engineering and business schools are top-rated and among the most commonly chosen fields of study. Premed offerings are also top-notch, with majors in the health professions (12%), biology (11%), psychology (9%), and computer science (9%) rounding out the list of most popular majors. Pitt has a strong 13:1 student-to-faculty ratio; 42% of sections have an enrollment of under twenty students.

Professional Outcomes: Within a few months of graduating, 94% of 2022 grads entered full-time employment or full-time graduate or professional school. Engineering, nursing, business, and information sciences majors had 73-86% employment rates while other majors tended to flock to graduate school in large numbers. Employers scooping up the highest number of grads in one recent year included the University of Pittsburgh Medical Center (170), PNC (57), BNY Mellon (36), and Deloitte (19). Median starting salaries fluctuated between $37k-65k depending on major.

• Enrollment: 20,220 (undergraduate); 9,268 (graduate)
• Cost of Attendance: $38,034-$43,254 (in-state); $56,400-$66,840 (out-of-state)
• Acceptance Rate: 50%
• Retention Rate: 92%
• Graduation Rate: 84%

Swarthmore College

• Swarthmore, PA

Academic Highlights: Swarthmore offers forty undergraduate programs and runs 600+ courses each academic year. Small, seminar-style courses are the norm—an outstanding 33% of sections enroll fewer than ten students, and 70% contain a maximum of nineteen students. Social science degrees are the most commonly conferred, accounting for 24% of all 2022 graduates. Future businessmen/women, engineers, and techies are also well-positioned, given Swat’s incredibly strong offerings in economics, engineering, and computer science.

Professional Outcomes: 68% of Class of 2022 grads entered the workforce shortly after graduation. Popular industries included education (17%), consulting (16%), and financial services (13%); the median starting salary was $60,000. Google is a leading employer of Swarthmore grads followed by Amazon, Goldman Sachs, IBM, and a number of the top universities.  18% of 2022 grads pursued advanced degrees, with 35% pursuing a PhD, 35% entering master’s programs, 10% heading to law school, and 7% matriculating into medical school.

• Enrollment: 1,625
• Cost of Attendance: $81,376
• Graduation Rate: 94%

Bryn Mawr College

• Bryn Mawr, PA

Academic Highlights: On the home campus, undergraduates can choose from 35 majors and 50 minors. Roughly 35% of the student body earns degrees in the natural sciences or mathematics, a figure four times the national average for women. By volume, the most popular majors are mathematics, psychology, biology, English, and computer science. An 8:1 student-to-faculty ratio leads to small class sizes with 74% of sections having fewer than twenty students, and 24% of sections enrolling nine students or fewer.

Professional Outcomes: One year after receiving their diplomas, 57% of Bryn Mawr graduates had found employment and a robust 28% had already entered graduate school. Most of the organizations employing the greatest number of alumni are universities and hospital systems, although Google, Accenture, JPMorgan Chase, and Vanguard do employ a fair number of Bryn Mawr graduates. Among recent grads pursuing further education, 63% were in master’s programs, 13% were already working on their PhD, and 10% were in medical school.

• Enrollment: 1,409
• Cost of Attendance: $79,880
• Median SAT: 1400
• Acceptance Rate: 31%
• Retention Rate: 90%

Wellesley College

• Wellesley, MA

Academic Highlights: There are 50+ departmental and interdisciplinary majors. Thirty-six percent of course sections have single-digit enrollments while 77% have 19 or fewer students. In addition, opportunities for participation in research with faculty members abound. Most programs possess sterling reputations, including chemistry, computer science, neuroscience, and political science, but the Department of Economics shines most brightly, leading many into PhD programs and high-profile careers. Economics, biology, and computer science are the most frequently conferred degrees.

Professional Outcomes : Six months after graduating, 97% of the Class of 2022 had achieved positive outcomes. Of the 76% of grads who were employed, 24% were working in the finance/consulting/business fields, 17% in education, 17% in internet and technology & engineering, and 15% in healthcare/life sciences. Top employers included JPMorgan Chase, Google, Boston Children’s Hospital, and Goldman Sachs. The average starting salary for one recent cohort was a solid $63k. Of the 20% of 2022 grads who directly entered an advanced degree program, common schools attended included Harvard, Columbia, Brown, Stanford, MIT, and Emory.

• Enrollment: 2,447
• Cost of Attendance: $84,240
• Acceptance Rate: 14%

Colby College

• Waterville, ME

Academic Highlights: Offering 56 majors and 35 minors, Colby provides a classic liberal arts education with a high degree of flexibility and room for independent intellectual pursuits. A 10:1 student-to-faculty ratio is put to good instructional use as roughly two-thirds of courses have fewer than 19 students. Being a true liberal arts school, Colby has strengths across many disciplines, but biology, economics, and global studies draw especially high praise. These programs along with government and environmental science attract the highest number of students.

Professional Outcomes: Within six months of graduation, 93% of the Class of 2022 had either obtained jobs or were enrolled full-time in a graduate program. Eighteen percent of graduates enter the financial industry and large numbers also start careers in education, with government/nonprofit, STEM, and healthcare next in popularity. The Medical school acceptance rate over the past five years is 68%, nearly double the national average.

• Enrollment: 2,299
• Cost of Attendance: $86,720
• Average SAT: 1485
• Average ACT: 33
• Acceptance Rate: 8%
• Retention Rate: 93%
• Graduation Rate: 87%

University of Michigan

• Ann Arbor, MI

Academic Highlights: There are 280+ undergraduate degree programs across fourteen schools and colleges, and the College of Literature, Science, and the Arts (LSA) enrolls the majority of students. The Ross School of Business offers highly rated programs in entrepreneurship, management, accounting, and finance. The College of Engineering is also one of the best in the country. By degrees conferred, engineering (15%), computer science (14%), and the social sciences (11%) are most popular. A solid 56% of classes have fewer than 20 students.

Professional Outcomes: Within three months of graduating, 89% of LSA grads are employed full-time or in graduate school, with healthcare, education, law, banking, research, nonprofit work, and consulting being the most popular sectors. Within three months, 99% of Ross grads are employed with a median salary of $90k. Top employers include Goldman Sachs, Deutsche Bank, EY, Morgan Stanley, PwC, Deloitte, and Amazon.  Within six months, 96% of engineering grads are employed (average salary of $84k) or in grad school. General Motors, Ford, Google, Microsoft, Apple, and Meta employ the greatest number of alumni.

• Enrollment: 32,695 (undergraduate); 18,530 (graduate)
• Cost of Attendance: $35,450 (in-state); $76,294 (out-of-state)
• Median SAT: 1470
• Acceptance Rate: 18%

Bucknell University

• Lewisburg, PA

Academic Highlights: Over 60 majors and 70 minors are on tap across three undergraduate schools: the College of Arts & Sciences, Freeman College of Management, and the College of Engineering. Getting well-acquainted with your professors is easy with a 9:1 student-faculty ratio, and class sizes are reasonably small. The greatest number of degrees are conferred in the areas of the social sciences (26%), engineering (14%), business (14%), biology (11%), and psychology (9%).

Professional Outcomes: Nine months after graduation, 94% of the Class of 2022 had launched their careers or entered graduate school. Financial services is the most common sector for Bucknell grads to enter, attracting 24% of alumni. Across all disciplines, the average salary for a Class of 2022 grad was $69,540. Bucknell saw 18% of 2022 grads go directly into an advanced degree program. Bison alumni heading to graduate school predominantly pursue degrees in the medical field, social sciences, business, or engineering.

• Enrollment: 3,747
• Cost of Attendance: $80,890
• Median SAT: 1380
• Median ACT: 32
• Retention Rate: 91%

Haverford College

• Haverford, PA

Academic Highlights: Haverford offers 31 majors, 32 minors, 12 concentrations, and eleven consortium programs—areas of study that can be pursued at partner campuses. The school’s 9:1 student-to-faculty ratio and exclusive emphasis on undergraduate education lead to exceptionally intimate classes, 33% of which have fewer than 10 students, and 72% have fewer than 20. The most popular areas of study at Haverford include the social sciences (24%), biology (14%), psychology (11%), physical sciences (10%), computer science (9%), and mathematics (7%).

Professional Outcomes: Six months after leaving Haverford, 63% of the Class of 2022 had found employment, 19% had enrolled in graduate school, and 9% were still job hunting. Employers hiring multiple recent Haverford grads include Epic, JP Morgan Chase Bank, Boston Consulting Group, Goldman Sachs, the National Institutes of Health, and the Children’s Hospital of Philadelphia. Of the 19% of 2022 grads who elected to continue their education, the most commonly entered fields of study were STEM (51%) and medicine/health (15%).

• Enrollment: 1,421
• Cost of Attendance: $87,180
• Graduation Rate: 91%

Colorado College

• Colorado Springs, CO

Academic Highlights: Rather than the typical semester schedule, Colorado College operates on the “block plan,” a series of eight three-and-half-week periods during which students take only one course. You won’t find a more intimate liberal arts college than CC. Classes have a cap of 25 students, and no more than a handful of courses exceed that figure. The average class consists of 16 students. In terms of sheer volume, most degrees are conferred in the social sciences (28%), biology (17%), natural resources and conservation (8%), and physical science (6%).

Professional Outcomes: Among the Class of 2022, an impressive 99% arrived successfully at their next destination within six months of earning their diploma. The largest number of graduates who pursue employment end up in the fields of education, technology, health care, the arts, and government.  The bachelor’s degree earned at Colorado College is unlikely to be the last degree a graduate will earn. Five years after graduation, the typical cohort sees 70-90% of its members having either completed or finishing an advanced degree.

• Enrollment: 2,180
• Cost of Attendance: $87,128
• Acceptance Rate: 16%
• Graduation Rate: 86%

Brandeis University

• Waltham, MA

Academic Highlights: Brandeis offers 43 majors, the most popular of which are in the social sciences (18%), biology (17%), business (10%), psychology (8%), public administration (8%), and computer science (7%). The student-faculty ratio is 11:1, and 60% of courses contain nineteen or fewer students. Departments with a particularly strong national reputation include economics, international studies, and sociology as well as all of the traditional premed pathways including biology, and chemistry.

Professional Outcomes: Within six months of graduation, 98% of the Class of 2022 had found their way to employment (59%), graduate school (35%), or another full-time activity like travel or volunteer work (4%). Members of the Class of 2022 were hired by Red Hat, Deloitte, Nasdaq, NPR, and McKinsey & Company. The average starting salary for recent grads is $61k. A large contingent of grads elects to continue at Brandeis for graduate school. Many others go to BU, Columbia, Duke, Harvard, and Yale.

• Enrollment: 3,687
• Cost of Attendance: $86,242
• Median SAT: 1440
• Acceptance Rate: 39%

Macalester College

• St. Paul, MN

Academic Highlights: Students can choose from roughly 40 majors and over 800 courses that are offered each academic year . Being an undergraduate-only institution, Macalester students enjoy the full benefits of the school’s 10:1 student-to-faculty ratio. The average class size is only 17 students, and 14% of class sections have single-digit enrollments. Macalester possesses strong offerings across many different disciplines. Programs in economics, international studies, and mathematics are among the best anywhere.

Professional Outcomes: Six months after graduating, 95% of the Macalester Class of 2022 had found employment, graduate school, or a fellowship. Employers of recent grads include ABC News, Google, Goldman Sachs, Dow Chemical Company, McKinsey & Company, the ACLU, the National Cancer Institute, and National Geographic . Across all sectors, the average starting salary for recent grads was above $62k. Sixty percent of Mac grads pursue an advanced degree within six years of earning their bachelor’s.

• Enrollment: 2,175
• Cost of Attendance: $79,890
• Median SAT: 1430
• Acceptance Rate: 28%
• Retention Rate: 88%

Barnard College

Academic Highlights: Barnard has a 10:1 student-faculty ratio, and a sensational 71% of courses are capped at nineteen or fewer students; 18% have fewer than ten. Many get the chance to engage in research alongside a professor as 240+ undergraduates are granted such an opportunity through the Summer Research Institute each year. Barnard’s most popular majors, by number of degrees conferred, include economics, English, political science, history, psychology, neuroscience, computer science, and art history.

Professional Outcomes: Six months after graduation, 91% of 2022 Barnard grads had found employment or were enrolled in a graduate program. JP Morgan, Goldman Sachs, Blackrock, Citibank, and Morgan Stanley all appear on the list of the top fifteen employers of Barnard alumni. Within ten years of graduation, over 80% of Barnard alums eventually enroll in graduate school. Those entering graduate school flock in large numbers to Columbia, with 112 heading there over the last three years.

• Enrollment: 3,442
• Cost of Attendance: $90,928
• Acceptance Rate: 9%

Georgetown University

• Washington, D.C.

Academic Highlights: The student-faculty ratio is 11:1, and 60% of classes enroll fewer than 20 students. While some classes are a bit larger, only 7% cross the 50-student threshold. Those desiring to join the world of politics or diplomacy are in the right place. The Government and International Affairs programs are among the best in the country. The greatest number of degrees are conferred in the social sciences (38%) followed by business (20%), interdisciplinary studies (8%), and biology (7%).

Professional Outcomes: Within six months of graduating, 75% of members of the Class of 2022 entered the workforce, 19% went directly into a graduate or professional program of study, and 3% were still seeking employment. The Class of 2022 sent massive numbers of graduates to a number of major corporations including JPMorgan Chase (22), Citi (21), BOA (18), Morgan Stanley (16), and EY (10). Those attending grad school stay at Georgetown or flock to other elite schools like Columbia and Harvard.

• Enrollment: 7,900
• Cost of Attendance: $85,000

Elon University

Academic Highlights: Students choose from 70 majors and can add a number of interesting minors like adventure-based learning, coaching, and multimedia authoring. Elon’s 11:1 student-to-faculty ratio leads to an average class size of 20 students; 51% of sections contain fewer than 20 students. The areas in which the greatest number of degrees are conferred are business (29%), journalism/communication (20%), social sciences (8%), the visual and performing arts (6%), and psychology (6%).

Professional Outcomes: Results of a survey administered nine months after graduation found that 96% of the Class of 2022 had found employment, a graduate school, or an internship. Top employers of recent Elon graduates include Bloomberg, Deloitte, EY, Google, Goldman Sachs, Red Ventures, and Wells Fargo. Recent business grads enjoyed a median salary of $61k while communications majors earned $47k. Just under one-quarter of recent grads gained acceptance into graduate/professional school and many remain at Elon.

• Enrollment: 6,337
• Cost of Attendance: $66,657
• Median SAT: 1260
• Median ACT: 28
• Acceptance Rate: 78%

DePauw University

• Greencastle, IN

Academic Highlights: No matter which of the 40+ majors you pursue at DePauw, you will enjoy the benefits of small class sizes and face time with faculty. A 9:1 student-to-faculty ratio and the fact that only four class sections in the whole university enroll more than 29 students assures that. The greatest number of DePauw undergrads earn degrees in the social sciences (17%), biology (10%), the visual/performing arts (9%), communication/journalism (8%), and computer science (6%).

Professional Outcomes: The university’s “Gold Commitment” guarantees that all grads will land at their next destination within six months, or they will be provided with an entry-level professional opportunity or an additional tuition-free semester. Top employers of DePauw grads include Eli Lilly and Company, IBM, Northern Trust Corporation, AT&T, and Procter & Gamble. Tigers applying to graduate and professional schools experience high levels of success. Of medical school applicants who earned a 3.6 GPA and scored in the 80th percentile on the MCAT, 90% are accepted to at least one institution.

• Enrollment: 1,752
• Cost of Attendance: $74,400
• Acceptance Rate: 66%
• Graduation Rate: 79%

University of Washington – Seattle

• Seattle, WA

Academic Highlights: 180+ undergraduate majors are offered across thirteen colleges/schools. Personal connections with professors abound as 55% of grads complete a faculty-mentored research project. The College of Engineering, which includes the College of Computer Science & Engineering, is one of the best in the nation; UW also boasts strong programs in everything from business to social work to environmental science. The most popular degrees are the social sciences (13%), biology (12%), computer science (11%), and business (8%).

Professional Outcomes: Within months of graduation, 73% of Class of 2022 grads were employed and 17% were continuing their education. The most popular employers of the Class of 2022 included Google, Amazon, Microsoft, Boeing, and KPMG. Across all living alumni, 6,000+ work for Microsoft, and 4000+ work for each of Boeing and Amazon. Of those headed to graduate/professional school, just over half remain in state, mostly at UW itself. Large numbers of 2022 grads also headed to Columbia, Johns Hopkins, and USC.

• Enrollment: 36,872 (undergraduate); 16,211 (graduate)
• Cost of Attendance: $34,554 (in-state); $63,906 (out-of-state)
• Median SAT: 1420
• Acceptance Rate: 48%
• Retention Rate: 94%

We hope you have found our list of the Best Colleges for Creative Writing to be useful and informative as you continue your college search process. We also invite you to check out some of our other resources and tools including:

• AP Score Calculators 
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• Best Summer Programs 
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• Best Colleges by Major

Andrew Belasco

A licensed counselor and published researcher, Andrew's experience in the field of college admissions and transition spans two decades. He has previously served as a high school counselor, consultant and author for Kaplan Test Prep, and advisor to U.S. Congress, reporting on issues related to college admissions and financial aid.

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2024 creative writing award winners, april 11, 2024.

Quantá Holden | Duke English | Digital Communication Specialist

The English Department at Duke University is honored to announce the winners of the 2024 Creative Writing Contests and Creative Writing Scholarships. Annually, the department administers creative writing contests to recognize fiction, creative nonfiction, and poetry works by English majors and non-major undergraduates. 

The English Department is honored to announce the winners of its 2024 writing contests. The department administers writing contests to recognize fiction, creative nonfiction, poetry, and critical writing by English majors and non-major undergraduates. 

Congratulations to all of this year's winners! 

Anne Flexner Memorial Award for Fiction Family members and friends of former English student Anne Flexner (1945) established the Anne Flexner Memorial Award for Creative Writing to recognize undergraduates for their work in fiction and poetry. 

Makee Gonzalez Anderson ’24  -  “Here, in the Past Tense” Second Prize: Emma Huang, ’25  -  "ABEL’S PLACE"

Reynolds Price Award for Fiction The Reynolds Price Fiction Award was established in memory of the distinguished novelist, essayist, poet, and public intellectual Reynolds Price, a graduate of Duke and professor in the English Department for over 50 years.  Tomas Esber, ’24  -  “Ridgewood” Second Prize: Matthew Chen, ’26  -  “ABC” & “Chair"

CREATIVE NONFICTION

George P. Lucaci Award for Creative NonFiction This award was created to encourage creative nonfiction writing and honor George P. Lucaci, a former Duke student who has actively supported undergraduate creative writing in the English Department for many years. 

Ruby Wang, ’24  -  “Blood Orison” Second Prize: Rowan Huang, ’24  -  “Arms Outstretched"

Academy of American Poets Prize Founded in 1934 in New York City, the Academy of American Poets is the largest membership-based nonprofit organization advocating for American poets and poetry.  Its mission is to support American poets at all stages of their careers and foster contemporary poetry appreciation.  Nima Babajani-Feremi, ’24  -  “Dreams to Persepolis” Honorable Mention: Tyler King, ’25  -  "NO QUARTER"

Anne Flexner Memorial Award for Poetry   Family members and friends of former English student Anne Flexner (1945) established the Anne Flexner Memorial Award for Creative Writing to recognize undergraduates for their work in fiction and poetry.   Jocelyn Chin, 24 -   “Endurance” Second Prize:   Arielle Stern, ’25  -  "The Poem as Event"

Terry Welby Tyler, Jr. Award for Poetry This award was established by the family of Terry Welby Tyler, Jr., who would have graduated with the class of 1997 to recognize and honor outstanding undergraduate poetry.  Arim Lim, ’26  -  "Archeopteryx"

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Courses: Spring 2024

All CWL courses 4 credits unless noted otherwise. FLM courses 2-3 credits.

Regularly scheduled classes for the Spring 2024 semester begin on Monday, January 22 nd and end on Saturday, May 4 th . The semester ends Wednesday, May 15.   For other important dates about registering, adding or dropping, etc. please check the Graduate School calendar here:  

https://www.stonybrook.edu/commcms/registrar/calendars/_graduate-calendar-spring-2024.php

GRADUATE COURSES IN SOUTHAMPTON (in-person)

CWL 510.S01 #54121 Forms of Fiction: The Short Story in Particular

Mondays 5:30 - 8:20 p.m., 4 credits

Members of this short story workshop will submit two-three stories that feature some of the narrative strategies we will discuss, including ways to strengthen a reminiscence, how far the use of voice can go, and the language of the workplace. The aim is to amplify what a story can be, what it can do. Weekly supplemental reading will include contemporary stories and poems from writers including E.C. Osundu, Ayse Papatya Bucak, Kimberly King Parsons, Nami Mun, Danielle Evans,, Sharon Olds, Davy Rothbart, Sherry Sonnett, and many more.

CWL 520.S01 51964, Forms of Poetry: The Sentence; Prose Poetry; Flash Fiction

Christine Kitano                                                                                                              

 Thursdays 2:30 – 5:20pm, 4 credits

In this course, we will focus on the expressive possibilities of the sentence. The first part of the semester will be dedicated to studying the sentence as both grammatical unit and aesthetic tool. Then, we’ll see how to build prose poems and flash stories by wielding syntax to further the imaginative vision. Many of us learned to write “by ear,” so don’t worry if you never learned to diagram a sentence or are unsure about the difference between a phrase and a clause. This course is designed for both grammar nerds and skeptics, and for both poets and prose writers. We can all benefit from deeper investigation into the structures of language as we continue to hone our craft.

CWL 540.S01 54166 Forms of Creative Nonfiction: Ways of the Memoir

Lou Ann Walker

Mondays, 2:30 – 5:20, 4 credits

We could even retitle this course “Life: A Story.” In addition to reading new masters of the memoir form, you’ll be writing in order to discover themes in your life. We'll be touching on narrative subjects such as the reliability of memory, point of view, the accuracy of dialogue, as well as portraying other characters in your life—memoir is not just about the “I.” You’ll be surprised at how much you can accomplish during this semester.

Our reading list will be finalized at the beginning of the class depending on what will be most useful to you as writers, but some of the works we’ll be considering include: Solito by Javier Zamora; All that She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake by Tina Miles; Women We Buried, Women We Burned by Rachel Louise Snyder; The Yellow House by Sarah M. Broom; Out of Egypt by André Aciman; Educated by Tara Westover; The Tender Bar by J.R. Moehringer; The Color of Water by James McBride; Memorial Drive by Natasha Trethewey; The Glass Castle by Jeannette Walls; Why Be Happy When You Could be Normal by Jeanette Winterson; When Breath Becomes Air by Paul Kalanith; I Know Why the Caged Bird Sings by Maya Angelou; Between the World and Me by Ta-Nehisi Coates; Born a Crime: Stories from a South African Childhood by Trevor Noah.

CWL 550.S01 54201,  Forms of Professional Writing: The Business of Being a Writer

Emma Walton Hamilton

Wednesdays, 2:30 - 5:20P, 4 credits

 “I’m a writer, not a business-person!” So says every new writer who hopes to avoid the challenges of marketing, promoting and otherwise managing their work. But being a professional writer is 50% writing and 50% business, and without the business part, the chances of being a successful writer are few and far between.

 The Business of Being a Writer   course is an overview of what it takes to be a professional writer in today’s world, from submissions to agents and editors through book deals, the publication process, marketing and PR for authors, and more. The focus is on demystifying the business side of being a writer, finding the creativity within it, and maybe even learning to enjoy the process. Coursework includes lectures, readings and discussion on the various topics, plus writing assignments, presentations, and feedback on fellow students’ written material. 

CWL 560.S01 54144, Topics in Literature for Writers: Experimental Literature

Susan Scarf Merrell  Tuesdays, 2:30 - 5:20 pm , 4 credits Nothing great ever comes from following the rules. Or does it? What is experimental literature? How can we think about it as writers, in terms of craft “lessons” that we can learn to use in our own work? This class will examine risk-taking in literature, with a very heavy reading load, weekly annotations on craft, the writing of responsive short fiction, and student presentations. Texts include Moby-Dick , Herman Melville,  As I Lay Dying , William Faulkner, The Waves , Virginia Woolf, Invisible Man , Ralph Ellison,  Labyrinths , Jorge Luis Borges, Beloved , Toni Morrison, The Underground Railroad , Colson Whitehead, and some experimental short stories.

CWL 580.S01 51934, Practicum in Arts Administration

Christian McLean

Thursdays, 11 am – 1:50 pm , 1 – 4 credits

This course teaches important skills in arts/event management. It provides education in marketing, design and software that will boost your résumé and increase your workplace skill set. We’ll examine work/volunteer opportunities in local arts organizations and you will design an MFA event from the ground up. Learn the basics in Photoshop, Mailmerge, Google Docs/Sheets, Constant Contact, plus Facebook and Twitter ads. Completion of at least 6 program credits or permission of instructor required.

CWL 581.S01 54145, Practicum in Teaching Writing

Julie Sheehan

Wednesday, 10:00am – 12:50pm, 3 credits

This course is being taught at the West, Main Stony Brook, Campus and will meet in the Melville Library, N3060

See the WEST CAMPUS course list for the description.

Practicum in Publishing & Editing

Lou Ann Walker & Scott Sullivan

Tuesdays, 11:00am – 1:50pm, 1 – 4 credits 

NOTE: One instructor will be in Southampton and the other in Manhattan. This course will be taught jointly. You may take this course in either location, or online.

CWL 582.S01 51932 (use this section and class number if you’ll be taking the course either   In person in Southampton or online)

CWL 582.S60 56239 (use this section and class number if you’ll be taking the course In person in Manhattan )

Under the guidance of editors and advisors, students will be exposed to the hands-on process of editing and publishing TSR: The Southampton Review. Yes, the P& E Practicum is designed to give you experience in editing a literary and arts review. But here’s the secret: This practicum also provides an excellent means for you to build your skills as a writer. For example, as you read submissions in Submittable, you’ll be seeing what works and doesn’t work in cover letters. You’ll be examining successful structures in fiction, non-fiction, memoir, and poetry. You’ll be acquiring editing diagnostic tools. And you’ll be drilling down to what works line by line throughout a creative piece. We’ll discuss word choices, juxtapositions, imagery, symbolism, all that good stuff.

CWL 510.S60 54167, Forms of Fiction: Re-Visioning Your Story

Karen Bender

Tuesdays, 2:30 – 5:20pm, 4 credits (Limited Hybrid)

Revision is a writer's superpower, and this class will be a workshop/lab in which you work on one story, chapter or essay throughout the semester. Students turn in a first draft of their work, we'll workshop it, and each student will get a personalized revision exercise to start the process going. Students turn in a fully revised second draft of the work as a second submission. We'll look at revision as a process that happens in stages--from creating the architecture of the story, to deepening characters, to creating scenes vs. summary, to honing language at the end. We will also be reading different drafts of published writers' work and do in-class writing that will help you explore your work in progress. We'll see how re-visioning can be as playful and creative as a first draft. We'll also research magazines that could be a good fit for your project and send the work out the last day of class.

CWL 535.S61 51961, Writing in Multiple Genres: Humor Writing                         

Patricia Marx    

Tuesdays, 5:30 – 8:20 pm, 4 credits

• “Humor is emotional chaos remembered in tranquility.”—James Thurber
• “Comedy has to be based on truth. You take the truth and you put a little curlicue at the end.” —Sid Caesar                                                                                                                     
• “Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.” —Mel Brooks                                                                                                                                              
• “. . .An amateur thinks it's really funny if you dress a man up as an old lady, put him in a wheelchair, and give the wheelchair a push that sends it spinning down a slope towards a stone wall. For a pro, it's got to be a real old lady.”—Groucho Marx
• “What is comedy? Comedy is the art of making people laugh without making them puke.” —Steve Martin                                                                                                                        
• “You know, crankiness is the essence of all comedy.”—Jerry Seinfeld              
• “Analyzing humor is like dissecting a frog. Few people are interested and the frog dies of it.” –E.B. White                                                                                                         
• “Patty Marx is the best teacher in the Creative Writing Program.”—Patricia Marx

One of the above quotations is false. Find out which one in this humor-writing workshop, where you will read, listen to, and watch comedic samples from well-known and lesser-known humorists, and complete weekly writing assignments. Students already working on projects are welcome to develop them. You will learn a thing or two and you will have fun - or else!

CWL 535.S62 53282, Writing in Multiple Genres: Flash Fiction and Nonfiction Writing

Robert Lopez

Wednesdays 2:30 – 5:20pm, 4 credits

Brevity is the soul of wit, so said Polonius. We will aim to write narratives that deliver an emotional impact inside very strict parameters. Every writer will come up with flash pieces of 300, 600, and 1000 words and we will see how much we can achieve within these constraints, which are often liberating. We'll read flash writers like Kim Chinquee, Kathy Fish, Jamaica Kincaid, Diane Williams, Abigail Thomas, Eula Biss, Justin Torres, and others. 

FLM 550.S60 #54161 Teaching Practicum

Karen Offitzer

Thursdays, 2:20-5:10pm, 3 credits

Prerequisite: Six credits of writing workshops or permission of program/instructor.

This is a weekly seminar in teaching at the University level, with special emphasis on teaching in the creative arts, specifically creative writing and filmmaking. This course plunges into the basics of pedagogy, exploring learning styles, discovering a teaching philosophy, designing syllabi for undergraduate courses, creating assignments and rubrics for grading assignments, and practicing these skills in a classroom setting. You’ll get hands-on experience and mentoring through visits to undergraduate classes and teaching opportunities, and will gain an understanding of what works best for helping undergraduate students learn. Particular focus will be on discussing issues that arise when teaching creative endeavors such as writing and filmmaking.

CWL 565.S61 Special Topics in Writing: Infinite New Yorks

Tim Horvath

Every Other Saturday, 11:00am – 4:50pm, 4 credits   (Seven Class Sessions: 1/27, 2/17, 3/2, 3/30, 4/13, 4/27, 5/4)

Another story/novel/poem/play set in New York? In this class, we’ll see how the city has been refracted in innumerable ways in fiction, nonfiction, poetry, and drama, and we’ll find the angles and interstices from which to add our own visions of the city to the infinite array. By reading passages from works such as Ralph Ellison’s Invisible Man , Nicholson Baker’s The Mezzanine , Toni Morrison’s Jazz , Daphne Palasi Andreades’s Brown Girls , Teju Cole’s Open City , Weike Wang’s Joan is Okay , Siri Hustvedt's The Blazing World , Jamel Brinkley's Witness , Jonathan Lee’s The Great Mistake , and Kim Stanley Robinson's New York 2140 , we’ll wander through fictional New Yorks past, present, and even future. We'll also dive into poetry, including Langston Hughes, Frank O'Hara, Federico Garcia Lorca, and Eileen Myles, a play, and nonfiction from writers such as Philip Lopate and Prudence Peiffer. We'll go on field trips and do site-specific writing, exploring art galleries and food markets, the High Line, the theater district, and perhaps an outer borough. In all, as have so many before us, we'll triangulate ourselves, language, and this mesmerizing, consuming, infuriating, exhilarating city.

CWL 582.S01 51932 (use this section and class number if you’ll be taking the course either In person in Southampton or online)

CWL 582.S60 56239 (use this section and class number if you’ll be taking the course In p erson in Manhattan )

CWL 535.S60 51965, Writing in Multiple Genres: Creating Stories When You Can’s Stay Silent

Thursday, 2:30-5:20

Matthew Klam

Most writers need multiple drafts, and when the work succeeds it does so because the author is entangled, involved, a little obsessed. Creative writing, both fiction and nonfiction, uses all sorts of techniques and tools, uses the intimacy and intensity of great memoir, the confessional power of a first person essay, the disruptive surprise of humor. It uses lists, and stretches of pure dialogue, and plenty of straight up reportage and hard-won observation. The best writing can and should come right at us, should defy our expectations. It can be structured in a classical or experimental way, or a mix of approaches to fit the subject.

We'll look at examples of the form by fiction writers and non fiction writers like by Jo Ann Beard, Jon Krakauer, Justin Torres, Adam Haslett, Jhumpa Lahiri, Mary Karr, Mary Gaitskill, Kiese Laymon, John Jeremiah Sullivan, Branden Jacobs-Jenkins, and many others. We'll examine their structure in the way a carpenter might study a beautiful house. We'll look at half page essays and eyewitness accounts, masterworks of longform journalism, essays, chapters of books, comics by Allison Bechdel and Adrian Tomine, sections of plays, and whatever else inspires us. How is it that some writers are able to create real character development and tension in a few lines or pages? We'll talk about that too. In this class we'll write, read, and discuss, while also workshopping your pieces-in-progress in a helpful, constructive manner. 

CWL 565.S01 54202, Special Topics in Writing: The Post-Novel

Jennifer Solheim

Thursdays, 5:30 – 8:20pm, 4 credits

“Post-” refers to “after,” often in terms of the aftermath of a social disaster or revolution. “Post” can also be defined as a stake or stay in the ground, meant to offer support. In this course, we will look at novels that offer grounding in the wake of collective trauma and social transformation to consider how elements of fiction can orient and stabilize readers within a fictional universe that is inherently unstable. In considering works such as Nella Larsen’s Passing (1929), Georges Perec’s W: Or The Memory of Childhood (1972), Leni Zumas’s Red Clocks (2018), Albert Camus’ The Stranger (1942) and Kamel Daoud’s The Meursault Investigation (2015), students will write toward a grounded post- narrative for workshop, along with response questions and leading discussion about setting, character, action, plot, and narrative strategy to support their aims for their own work.

WEST (MAIN) CAMPUS

Melville Library N3060

This course plunges into the basics of pedagogy, including designing writing assignments, sequencing them, grading them, and creating syllabi for creative writing, composition and literature courses. You’ll get hands-on experience and mentoring through visits to undergraduate writing classes taught by your colleagues.  You’ll get a preliminary overview of writing pedagogy on your way to devising your own. Most importantly, you’ll ask and ask again, “What is teachable about writing, and who am I to teach it?” (You need permission of the director and at least 6 program credits under your belt to take this class.)

CWL 599.V01 51933 Julie Sheehan

CWL 599.V02 51907 Matthew Klam

CWL 599.V03 51940 Christine Kitano

CWL 599.V04 51941 Kaylie Jones

CWL 599.V05 51942 Carla Caglioti

CWL 599.V06 51943 Genevieve Crane

CWL 599.V07 51944 Robert Lopez

CWL 599.V08 51945 Paul Harding

CWL 599.V09 51946 Susan Merrell

CWL 599.V10 51947 Susan Minot

CWL 599.V11 51948 Robert Reeves

CWL 599.V12 51949 Lou Ann Walker

CWL 599.V13 51950 Amy Hempel

CWL 599.V14 51951 TBA (Molly Gaudry)

CWL 599.V15 51953 Robert Reeves THESIS PLANNING

CWL 599.V16 51954 Magdalene Brandeis

FILM and TV Courses Possibly Open to CWL Students

Advent 2024 English and Creative Writing Classes

Other pages in this section:

English Courses

English 101 will set you to work planning, writing, and revising essays of various lengths, practicing a handful of essential skills that make for clear and persuasive writing.  Though every English 101 features a play by Shakespeare, the content of each courses differs widely, from medieval poetry to contemporary drama, from African-American memoir to speculative fiction.   

This iteration of Representative Masterpieces will include close study of Homer’s Iliad , Vergil’s Aeneid , Beowulf , and The Inferno of Dante. The course thus follows the development of the epic form from its origins in oral poetry through its refinement as literary art, and more importantly from its emergence from the heroic ethics of the ancient world and transformations at the hands of Christian writers.

This course focuses on several early works from different literary genres (but excluding the epic) manifestly part of “the cultural imaginary” of writers such as Chaucer, Shakespeare, Milton, Margaret Cavendish, Mary Shelley, Toni Morrison, and Wendell Berry. First-hand knowledge of such works both enhances one’s ability to identify and understand literary subtexts, and also trains students to be attentive to the productive ways that later writers responded to and repurposed these premodern literary touchstones. Using English translations, we will be reading and thinking critically about Plato’s “Parable of the Cave” from the Republic and “Ladder of Love” from the Symposium ; Euripides’s Alcestis , Medea , and Bacchae ; Cicero’s On Duties , On Friendship , and Scipio's Dream ; Virgil’s Georgics [Poem of the Land]; Apuleius’s The Golden Ass ; Ovid’s Metamorphoses ; and the courtly romances of Marie de France. This course involves student-centered constructivist and collaborative classroom exercises (“capers”), as well as individual presentations and formal “write-ups.” A good time will be had by all.

“A people without the knowledge of their past history, origin and culture is like a tree without roots.” (Marcus Garvey)

Wait a minute: English languages? What does that mean?

From a basic perspective, we share one English: we can effectively transmit meaning from one to another. Yet variations in our own use of English reveal that what we might conceive of as one language is not so easily limited. In this course, we’ll study the English language(s) from a variety of perspectives: historical linguistics, sociolinguistics, and psycholinguistics. In doing so, we’ll come to understand how our English(es) have been used as a means not simply for communication but for expressing both power and empowerment.

ChatGPT, in its Gen-Z voice, offers this recommendation: “Yo, I'm totally vibing with this class! It's gonna be lit and give me some serious brain workout, you know? Can't wait to dive in and see what's up. Gonna be mad interesting, for real.”

This course explores our place in the world through three complementary activities: reading, writing, and meditation. We will read together a wide selection of poems offering diverse views of “nature” and our relationship to the earth, taking into account African-American and Indigenous views as well as the European perspective that has long been dominant. We will also undertake a range of contemplative practices, including walking and sitting meditation, outdoors when possible.  Through journal-keeping and poetic experiments as well as formal essays and presentations, students will articulate their discoveries and hone their skills as readers and observers, both of poetry and of the natural world.

There is no responsible way to approach the study of Chaucer’s works without attending to the intersection between language, bodies, gender, and desire within them. As “the father of English poetry,” Chaucer plants his poetic feet in the relationships between the genders, in how we view bodily pleasures (or their absence), in the way language circulates in the social space between bodies, and in how we approach questions of bodily subjectivity from the pagan past to his Christian present. This is true when Chaucer writes about romantic or sexual love, but it is also true when he writes about religion, politics, history, animal fables, and dream visions. In this class, we will consider how the study of (often deeply troubling pieces of) Chaucer’s work should energize our contemporary assumptions and questions about gender and sexuality even as we become familiar with Chaucer’s historical contexts, his language, and his engagement with the literary innovations of his day. Because this is an upper-level class, all of our reading will be in the original Middle English, and so we will begin with a series of lessons on the language. No previous experience with Middle English is expected or required. By the end of the class, however, we will all be comfortable with reading (and reading aloud) the language of Chaucer’s 14th century London.  

Advent 2024 our focus for “Shakespeare 1” will be six plays written and performed between 1594 and 1599, the years just after Shakespeare had published his two long narrative poems (when London’s theatres were closed due to the bubonic plague) and before his company, The Lord Chamberlain's Men (in which Shakespeare was an actor, playwright, and shareholder), moved to the newly constructed Globe Theatre. Although these six plays continue to have perennial appeal in their own right, we will also investigate the historical contexts associated with their composition and staging—especially Shakespeare’s aesthetic tendency toward lyricism, a term and theme we will need to explore and define before we can examine how it informs and animates his plays written between 1594-99. Although his great tragedies¬–other than Romeo and Juliet (1595) which we will read this term–come after his prolific lyrical period, he continued to experiment with several different dramatic forms including the insertion of high tragic elements within madcap comedies such as The Comedy of Errors, Love’s Labour’s Lost, Midsummer Night’s Dream , and The Merchant Of Venice . Finally, we will study the historical tragedy Richard II, one of Shakespeare’s only plays written entirely in verse, which is deeply concerned with issues of royal succession at a time when childless Queen Elizabeth I was approaching the end of her life and a long, glorious reign.

This course involves student-centered constructivist and collaborative classroom exercises (“capers”) including team performances of select episodes and scenes, as well as individual presentations and formal “write-ups.” The one-night-a-week class structure is ideal for allowing us to dive deeply into each of these plays in a serious and sustained way, including playing out various possible stagings of the same episode or scene to discern what exactly the text is asking actors to emphasize and to highlight in their performance. No prior acting experience is required or assumed, for as the closing couplet of The Comedy of Errors puts it so well:

“We came into the world like brother and brother, And now let's go hand in hand, not one before another.”

In English 359, we read the poetry of sixteenth-century England. Amidst dramatic shifts in religion and politics, a variety of notable poetic styles flourished in this era: the sonnets of Wyatt and Surrey, imitated from Italian models; the amatory sequences of Sidney, Shakespeare, and Spenser, telling the story of love through delicious languor and rapt immobility; and the mythological epyllia (brief epics) of Shakespeare and Marlowe. The course culminates in a complete reading of Book I of Spenser’s Faerie Queene, a chivalric romance that evokes an idealized vision of the middle ages even as it breaks new ground in the representation of contemporary history.

The eighteenth-century British novel was at heart experimental, riffing on but also departing from previous literary forms. This survey invites us to explore the early British novel in all its multifarious inventiveness as we read and discuss works by Daniel Defoe, Henry Fielding, Lawrence Sterne, Frances Burney, Ann Radcliffe, and Jane Austen. Particular attention will be paid to the way the early novel interrogates concepts of gender and sexuality. 

Spanning the 18th, 19th, and 20th century, this course explores the relationship between the British empire and literatures written in English. Through colonial and postcolonial novels, poems, imperial romances, travel narratives, and essays, the course analyzes how Britain's territorial and ideological expansion abroad shaped the form and content of English literary expression. Balancing historical context and close analysis of novels, films, and critical texts, the course will consider how empire has affected literature and literary study and how these fictions of empire continue to shape the contemporary world. Readings will include works from Chinua Achebe, Joseph Conrad, Daniel Defoe, E. M. Forster, H. Rider Haggard, Jean Rhys, Olive Schreiner, and Rabindranath Tagore. 

Coming of age during the American and French revolutions, William Blake was an original multimedia artist who saw the imagination as the key to liberation, both for the individual and for society.  In this seminar, we will dive deeply into his poetry and visual art, while at the same time looking at their political and cultural context. Engagement with literary criticism and theory will enable students to take their own place in the scholarly conversion surrounding this unique and challenging author. 

“Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish.”--Blake

Victorian literature is famously preoccupied with the past: memory and personal experience, national history, nostalgia, and repressed trauma. At the same time, Victorian culture encouraged a robust faith in various visions of progress: the possibility of self-determination, advances in science and technology, and the growth of England as a nation. In this survey of Victorian poetry and non-fiction prose, we will read works of literary and intellectual significance by writers whose preoccupations ranged widely—from romantic desire to evolutionary science, from religious belief to the rise of capitalism. Yet they all grappled with the relationship between art, individuals, and the ever-changing society they inhabited. As we put these fascinating works in dialogue with one another, we will pay special attention to their representations of individual and collective pasts, presents, and futures.

This course, the first half of the two-semester survey of American literature before the twentieth century, begins with the earliest writings in English by European explorers and colonizers and follows the slow emergence of distinctive political, moral and literary traditions that were recognizably American. It thus features, along with poetry and fiction, a good deal of nonfiction writing in the form of essays, memoirs, and sermons. The course culminates with the period usually called “the American Renaissance,” a thirty-year span just before the Civil War in which internationally important works were created by such writers as Ralph Waldo Emerson, Edgar Allan Poe, Frederick Douglass, Nathaniel Hawthorne, Herman Melville, and Walt Whitman.

This course will be a stone’s skip across British poetry, fiction, and drama from around 1900 to the present moment. Using and breaking a variety of familiar forms, tropes, and conventions, the writers of this period work to understand and represent the practice of modern warfare, the disintegration of the British Empire, the rise of the English welfare state, and the slippery concept of "Britishness" itself. The survey explores these historical and cultural contexts, observes the different kinds of critical attention these genres demand, and emphasizes the practice of close reading. Students will have some choice about the forms of work they undertake. 

In this course, we’ll explore literary and cultural representations of the US South from the beginning of the twentieth century to the present. We’ll focus especially on the ways in which the South has long been conceived as “queer”—that is, deviant from national normativity and home to perversity of all kinds. Our syllabus will include works by William Faulkner, Zora Neale Hurston, Tennessee Williams, Carson McCullers, Truman Capote, and Randall Kenan (among many others). We’ll discuss intersections among categories of race, class, gender, and sexuality and consider the relationship between literary canon formation and the mythology of the South. 

What precipitated Ralph Ellison penning The Invisible Man ? How did we get to moving, daring women’s fiction like Sula by Toni Morrison? African American Literature is a rich tradition, as artistic as it is political, as inward facing as it is socially responsible. Forces of antiblackness have long considered the act of writing a threshold of humanity—even and especially when writing was illegal for African Americans; however, writers like poet Phyllis Wheatley have eloquently exceeded that benchmark. Black letters, then, are conscious extensions of not only cultural identities but the fullness of Black humanity, which writers from Frederick Douglass to Toni Cade Bambara commit to representing through a diversity of stories. In this course, we trace the beginning of the African American Literary Tradition, reading classic novels and landmark essays that all center the same question: what is the point and potential of Black writing?

An advanced research methods and composition course required for students pursuing honors in the department. The class will introduce students to the process of conducting independent research in the field of English and will provide experience with the most common research tools and methods used by scholars of literary analysis. We will discuss argumentative structures, disciplinary conventions, and work together in a collegial and cooperative environment that gives students experience with scholarly collaboration. Class sessions will be devoted to giving students in-class writing time, offering peer critiques, reflecting on the nature of scholarly writing, and working through exercises to develop and discover students’ individual voices and analytic priorities. In addition, students will work closely with their thesis advisor throughout the term as part of the course requirements, meeting with their advisor regularly outside of class for individual guidance and feedback about their project. By the end of the semester, students will have produced an initial rough draft of their thesis project that will then be revised in a more leisurely manner, under the supervision of their thesis advisor, during the following term. 

Admission to the class is granted by the department. To be selected, students must submit an abstract of their intended project over the summer and the department will approve the abstracts they believe will produce successful honors theses. 

Creative Writing Courses

Discussions will center on students' poems. Selected readings are assigned to focus on technical problems of craftsmanship and style.

If you’re dreaming up ways to tell new stories, the Beginning Fiction Workshop provides a welcoming space to explore techniques to hone your skills as a writer of fiction. You will read a diverse array of stories while we create a common language to aid us in discussion of the stories we study and create. You will write through generative exercises and build toward your own stories. Each writer will uncover their writing voice while becoming a part of the larger writing community. Together, we will become studied observers and generous participants in the writing and reading of fiction. 

Are you a fan of The Flight Attendant or House of Cards ? Do you love Raya and the Last Dragon, Encanto , or Turning Red ? What do they all have in common? They were all written by playwrights. Whether you are a fiction writer interested in improving your dialogue, a poet who wants to explore narrative, a theatre geek who wants to see their work come to life, or someone simply interested in trying something new, Beginning Playwriting Workshop is an excellent opportunity to explore dramatic writing in a safe and supportive environment. Emphasis is placed on promoting growth as a writer. A variety of foundational texts are read in order to develop an understanding of basic dramatic structure. Each play is chosen to address a corresponding skill, such as dramatic tension, subtext, dialogue, exposition, or character. Weekly writing exercises are assigned to work in concert with the plays we read. By reading plays and dissecting the form and content, students have an opportunity to develop their analytic skills, which can then be applied to their own work. In addition to short writing exercises, students will also complete either two 10-minute plays or a one-act play.

Craft-based instruction in specific formal issues in the tradition of poetry. Students will read poems through the lens of technique and craft, studying how writers utilize certain forms. The class will also focus on the generation of creative work, adhering to the forms discussed in class. Prerequisite: WRIT 205 or WRIT 206 or WRIT 207 or WRIT 208.

In this iteration of the forms course, we will focus on the novel. Over the course of the semester, we will study a range of contemporary novels, looking at story structure, elements and expectations of genre conventions, character development, and explorations of conceits and themes. We will also focus on the generation of our own concept, working to create between 50 and 75 pages of the opening of the novel, while also building a comprehensive outline, character sheet, and researching our setting. We will also spend time on the professional aspects of pitching a novel to an agent. 

Building on the skills learned in Beginning Playwriting, students in Intermediate Playwriting will explore plays that utilize a non-linear story structure.  The semester will begin with readings from contemporary playwrights like Tony Kushner, Paula Vogel, Katori Hall, and Lauren Yee, as we continue to discuss craft. By reading plays and dissecting the form and content, student have an opportunity to develop their analytic skills which will serve them well as they begin examining their own work.  Students will apply the skills they have learned as they write their own original one-act play (30-60 pages).

In the advanced workshop, students focus on their capstone project, sharing that work with peers in a workshop setting. The course requires students to work with the professor to develop specific reading lists with the goal of shaping their own capstone project. The primary focus of the workshop is the creation and critique of their own work and the work of their peers. Prerequisite: WRIT 306.

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Nassau Community College to Host Poetry Reading with Renowned Poet & Professor Richard Jeffrey Newman

Event is part of the ncc creative writing program’s lit live reading series.

In what promises to be a thought-provoking event, Professor Newman will read selections from his latest book of poems, T’shuvah. This work is a profound exploration of the author’s personal journey of recovery and self-discovery following childhood sexual violence. T’shuvah is the final installment in Newman’s critically acclaimed trilogy, which also includes Word for What Men Have Done (Guernica Editions 2017) and The Silence of Men (Cavankerry Press 2006).

T’shuvah is the Hebrew word for “repentance,” from the root “to return.” With the caveat that a survivor of sexual violence has committed no sin, the poems in  T’shuvah  explore what it means for a survivor of sexual trauma to “return” from the alienation inherent in that experience.

Through T’shuvah, Newman navigates the complex terrain of healing and acceptance with raw honesty and lyrical prowess. The book serves as a moving example of the transformative power of poetry. “A poem for me, both as a writer and a reader, is a way of exploring the truth of an experience,” said Professor Newman. “And precisely because it is an exploration, the truth can be emotional, psychological and cultural, all at the same time.” He hopes his work will inspire readers to engage more deeply with their own experiences and the world around them.

A resident of Queens, Professor Newman is not only celebrated for his poetry, but also for his contributions to literature as a translator, notably for The Teller of Tales:  Stories from Ferdowsi’s Shahnameh (Junction Press 2011).

Sponsored by the Creative Writing Program, Nassau Community College’s Lit, Live! reading series brings to campus renowned writers from around the world. Among those who have read at NCC are Joyce Carol Oates, Charles Simic, Jamaica Kincaid, Yusef Komunyakaa, Tobias Wolff, Mark Doty, Marilyn Hacker, Nahid Rachlin, and Michael Thomas. These writers present their work in readings that are free and open to the public, conduct master classes and Q&A sessions for creative writing students, and meet with faculty groups.

Lit, Live! also sends writers from Nassau Community College out into the Long Island community to give lectures, readings and/or workshops at libraries, local public schools, art galleries, museums, or any other Long Island organization that would like to include literary activities in its offerings. The  Faculty Profiles  page contains biographies, samples of work, and contact information, or, for more general information, contact Dr. Sabrina Davis, Coordinator of the Creative Writing Program, at  [email protected] .

Event Details: Date:  Wednesday, April 24 Time:  12:30 pm Location: Room 252-253, College Center Building, Nassau Community College Admission:  Free/Open to the Public More information

Media Contact:  Gail Mattimore |  [email protected]  |  (516) 572-9634

ncc.edu/newsreleases Ref:2303.4/11/24/50

About Nassau Community College Nassau Community College, a campus of the State University of New York, provides a comprehensive public college experience designed to transform lives through higher education. Serving 17,000 full-time, part-time and continuing education students, NCC offers more than 80 programs that lead to an associate’s degree or certificate. Through on-campus and online offerings, the College educates local and international students, and boasts 168,000 alumni. Situated on 225 acres in Garden City, Long Island, the college grounds reside in historic Nassau County, one of the most desirable locations to live in the United States and an epicenter for business and careers. Since 1959, NCC has earned a nationwide reputation for academic excellence, affordability, and ease of transferability to four-year schools. 

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Lewis Center for the Arts’ Princeton Atelier presents a concert of original songs by students in the spring course, “How to Write a Song”

Princeton students perform April 23 at 4:30 p.m. at Frist Film/Performance Theatre

Students in Princeton University’s spring course, “How to Write a Song,” offered by the Princeton Atelier at the Lewis Center for the Arts, will present a concert of original songs on Tuesday, April 23, at 4:30 p.m. in the Frist Film/Performance Theatre at Frist Campus Center on the Princeton campus. The students will present selected new songs with music and lyrics written over the past semester. The concert is free and open to the public. No tickets are required. Guests in need of access accommodations are invited to contact the Lewis Center at [email protected] at least one week prior to the event date.

Students and instructor Bridget Kearney who will perform new songs they have written in the spring Princeton Atelier course “How to Write a Song.” Photo credit: Brandon Le

“How to Write a Song” is taught this semester by Bridget Kearney, a founding member of the band Lake Street Dive. Each week the students, all with varying levels of literary and musical backgrounds, split into different groupings of four or five participants and wrote lyrics and composed tunes on an assigned emotional topic, such as gratitude, loss, protest, desire, joyousness, remorse, and defiance. At each class, the students performed their pieces for Kearney and their classmates, who then provided critiques. Guest critics and singer/songwriters joined the class to share their experience and to listen to and provide feedback to the student songwriters. Some of the guests this semester included Arooj Aftab, Cautious Clay and Akie Bermiss.

“The class has really dug deep over the course of the semester and written over 100 songs, honing their craft as lyricists, baring their souls in song and even trying some new instruments for the first time,” said Kearney. “No subject matter has been overlooked, from zooming in on the overlooked beauties of everyday life to zooming out to global and generational stories. We’ll be selecting our favorite songs from the semester to share at the final concert, and it is sure to bring the house down!”

The Princeton Atelier , celebrating its 30th anniversary in 2024, was founded by Princeton Professor Emerita Toni Morrison and is directed by Paul Muldoon, Princeton’s Howard G.B. Clark ’21 Professor in the Humanities and Professor of Creative Writing. The Atelier brings professional artists from different disciplines together with Princeton faculty and students to create new work in the context of a semester-long course that usually culminates in the public presentation of the new work. Participating Atelier artists often select a project they want to explore and experiment within the context of a class with Princeton students before developing it for the professional art world. Previous artists have included the choreographer Jacques d’Amboise, cellist Yo-yo Ma, playwright Branden Jacobs-Jenkins, multimedia artist Laurie Anderson, theater artist Basil Twist, choreographer Monica Bill Barnes, the theater ensemble Elevator Repair Service, percussionist Evelyn Glennie, and the Wakka Wakka puppet theater.

Kearney, who has co-taught “How to Write a Song” with Muldoon in past years, is a songwriter, multi-instrumentalist, and producer. A founding member of the band Lake Street Dive, she has performed at Radio City Music Hall, The Hollywood Bowl, Red Rocks Amphitheater, and The White House South Lawn, as well as appeared on The Late Show with David Letterman, The Late Show with Stephen Colbert, The Colbert Report, Ellen , and Conan . Her 3rd solo album, Comeback Kid , comes out this month on Keeled Scales. With Lake Street Dive she will release a new album in June and headline Madison Square Garden in September. Kearney holds a Bachelors in Music from the New England Conservatory in Jazz Studies (bass) and Bachelor of Arts from Tufts University in English.

Visit the Lewis Center website to learn more about the Princeton Atelier, the Lewis Center for the Arts, and the more than 100 public performances, exhibitions, readings, screenings, concerts, lectures, and special events presented by the Lewis Center each year, most of them free.

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Steve Runk Director of Communications 609-258-5262 [email protected]

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Lewis Center for the Arts’ Princeton Atelier presents Mr g: A Play About the Creation

Program in Creative Writing Celebrates National Poetry Month 2024

How to Write a Song: Concert of New Songs

How to Write a Song

Bridget Kearney

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