how to write a book review on a book you haven't read

How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

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How to Write a Book Review in 7 Steps

Book reviews are a great way to connect with fellow bibliophiles. A well-written review can help you discover new books, find bookish communities, and spark cultural conversations. When writing a book review, you want to share what you felt about a particular work—why you liked or disliked it—without spoiling it for future readers. Ultimately, the goal of writing a book review is to help readers decide whether to read the book themselves.

Let’s take a look at seven steps to help you write a reliable book review.

1. Read the Book

How can you write a review of a book you’ve never read? Alternatively, why would someone want to read a review by someone who has never read the book? The first and arguably most important first step to writing a book review is to read the entire book. Be attentive to your reading experience and note what captured or lost your attention.

2. Take Notes

Once you’ve finished reading the book, go back and take brief, purposeful notes. What are the major events of the book and what were their effects on you as a reader?

Here are some guidelines that can help lay the foundation for your review:

• Explain how the book as a whole affected you.
• Explain how the author evokes an emotional response.
• Explain the relationship between form and content.
• Explain the function of each character in the novel.
• Explain the characters’ relationships to one another.

3. Summarize the Book

All book reviews should include some kind of summary. You’ll want to inform readers of what the book is about without giving too much away. To accomplish this, here are some things to include in your summary:

• How is it categorized by the publisher?
• How is the book structured?
• Who is the target audience?

4. Form an Opinion

Your opinion is the crux of your book review. Be specific! Don’t just say if the book was good or bad, but explain why . Support your opinion with specific examples from the text and move from passing judgement to a thorough explanation.

5. Contextualize the Book

You can often obtain this information from looking at the book’s cover and introduction. Otherwise, you may need to do a little research. Spend some time relating this book to similar works by the author or from the same genre to further your explanation and judgement of it.

Some important questions to consider include:

• What genre does the book fall into?
• Is it the first of its kind or an imitation?
• Is this the author’s first book or fifteenth?

6. Avoid Spoilers

Please, for the love of literature, don’t ruin the book for others. A good book review does not give away the book’s plot twists or endings but piques the interest of future readers. If you absolutely have to give something away about the book, at least mark your review with a fair warning.

7. Review Your Review!

Hooray! You’ve finished writing your review. Now’s the time to step back and revisit your work. You may have to edit your review to add or remove details. Here are some questions to ask during your revisions:

• Did you explain every major aspect of the book?
• What was your target audience?
• Did you write this for a class with specific criteria—or for a fan magazine whose audience already knows this type of book well?
• Did you make a clear claim about your opinion of the book? Do you support your claim with evidence?

For a more in-depth review on how to write a book review, visit eNotes’ How To Series .

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How to Write a Book Review in 5 Steps

Hannah Yang

If you love to read books, you might be looking for ways to share your opinions about your recent reads.

Writing book reviews is a great way to engage with the book-loving community. If your reviews gain a large enough following, you might even get paid to read books—every reader’s dream come true!

So how exactly do you write book reviews?

This article will explain what a book review is and give you a step-by-step guide for writing a good one.

What Is a Book Review?

How to review a book in 5 steps, best book review examples, how to be a book reviewer.

A book review is a critical assessment of a recently published book. Looking at book reviews helps readers figure out which books to read next and which books to avoid.

The average book review is around 300–750 words. It includes a quick summary of the book, the reviewer’s evaluation of the book, and a recommendation about who should read this book.

It’s important not to confuse book reviews with book reports. A book report is a summary that proves you understood the book, often assigned to elementary school or middle school students.

Book reviews, on the other hand, should offer a unique perspective on a book. They’re often assigned to undergraduate or graduate students.

Professional book reviews can be published in academic journals, on the reviewer’s personal blog, or on platforms like Goodreads.

Here are five steps you can follow to write your own book review.

1. Briefly Summarize the Book

If you’re wondering how to start a book review, the answer is simple—start by summarizing the story!

A quick and objective summary, similar to the one you might find on the book jacket, gives your readers a sense of what the book is about. That way, they have enough context to understand the rest of your review.

If the book is nonfiction, you should include the major questions the book examines, the ways the book tries to answer those questions, and any relevant details about the author’s credentials.

If the book is a novel, you should include the genre, the main character, and the events that launch the main character into the story.

However, it’s important not to spoil the story for people who haven’t read it yet. A good rule is not to mention anything that happens after the midpoint of the story. Leave the rest for the readers to discover on their own.

2. Evaluate the Book’s Qualities

Once you’ve explained the premise of the book, it’s time to provide a more subjective evaluation of the strengths and weaknesses of the book. What do you want other readers to know about this book?

Here are some different aspects of a nonfiction book you can evaluate:

• Key takeaways (e.g. What did you learn? What’s the book’s argument?)
• Readability (e.g. What background knowledge do readers need to understand this?)
• Prose (e.g. How are the points communicated? What’s the author’s writing style?)

Here are some different aspects of a novel you can evaluate:

• Characters (e.g. How well-developed is the protagonist? The villain? The love interest?)
• Plot (e.g. Are there surprising twists? Subverted tropes? Plot holes?)
• Worldbuilding (e.g. Is the world of the story immersive? Unique? Original?)
• Theme (e.g. What questions does the story examine? How does it answer those questions?)
• Prose (e.g. Is the writing lyrical or plain? Funny or serious? Dense or digestible?)

Many reviewers focus on one aspect for each of the paragraphs in their review.

As much as possible, try to balance the good with the bad. If the entire review is glowing, or if the entire review is critical, it won’t feel as objective as one that mentions both positive and negative qualities.

Also, make sure you include spoiler warnings if you’re going to mention anything that happens after the midpoint of the story. Some book review platforms let you hide those passages of your review until readers click on them.

3. Include Quotes from the Book

Quotes from the book can serve as useful supporting evidence for your key points. If you say the book includes lyrical prose, make sure to include a passage that represents the lyrical style of the book, so your readers can see what you mean.

You can include well-written passages that showcase the author’s talent. If you disliked the book, you can also choose quotes that showcase what you disliked most.

4. Rate the Book

Many book review platforms, such as Goodreads, let you give a star rating to each book you review.

You can develop your own rating system if you’d like. For example, you could rate books on a scale of 1–5, 1–10, or even 1–100.

Some reviewers break down their ratings into multiple categories. For example, you might give a book five stars for its characters, but only two stars for its plot.

5. Give Your Recommendation

Finish your book review by stating whether or not you would recommend this book to others. That’s the main purpose of a book review, after all—to convince readers either to read the book or to skip it.

It can be helpful to say exactly what kinds of readers you’d recommend it to.

For example, you might write, “This book is perfect for anyone who loves swing dancing and slow-burn romance,” or “Don’t read this if you don’t like slow, atmospheric books that focus more on vibes than on plot.”

You can also recommend other books in the same genre that you think fellow readers will enjoy if they liked this one. “If you liked A Song of Ice and Fire by George R.R. Martin, we recommend The Name of the Wind by Patrick Rothfuss and The Way of Kings by Brandon Sanderson.”

One way to learn how to write great book reviews is by reading them. Let’s look at a few examples of great book reviews you can use as inspiration.

Kirkus Reviews is a well-known American book review magazine. Here’s the beginning of their review of The Seven Husbands of Evelyn Hugo , a historical fiction novel by Taylor Jenkins Reid.

An aging starlet with seven marriages behind her generously offers the rights to her memoir to an inexperienced writer—at a heartbreaking cost. Monique Grant is stunned when Hollywood legend Evelyn Hugo grants an exclusive interview to her over more seasoned journalists, but when she’s also chosen to publish Evelyn’s final confessions after her death, she learns that the 79-year-old actress has enough life experience for them both. Growing up poor in Hell’s Kitchen, young Evelyn Herrera trades her virginity for a ride to Hollywood, changes her name, and climbs the rungs of the entertainment-industry ladder one husband at a time until she hits Oscar gold. To write her off as being calculating and fickle would leave out the difficulty of being a woman, especially a woman of color, trying to get by in the late 1950s without a man’s blessing.

Emily May is a UK-based book reviewer who’s one of the top-ranked reviewers on Goodreads. Here are the first few paragraphs of her Goodreads review of The Poppy War , a fantasy novel by R.F. Kuang.

“But I warn you, little warrior. The price of power is pain.” Holy hell, what did I just read?? A fantasy military school A rich world based on modern Chinese history Shamans and gods Detailed characterization leading to unforgettable characters Adorable, opium-smoking mentors That’s a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Finally, Book Geeks is a website that describes itself as “India’s best book blog.” Here’s the beginning of their review of Eat Pray Love by Elizabeth Gilbert.

WRITING STYLE: 3.5/5 SUBJECT: 4/5 CANDIDNESS: 4.5/5 RELEVANCE: 3.5/5 ENTERTAINMENT QUOTIENT: 3.5/5 Eat Pray Love is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from Amazon and sat down to read it. I don’t remember what I expected it to be—maybe more like a chick-lit but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things—Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name—EAT (in Italy), PRAY (in India), and LOVE (in Bali, Indonesia).

There are many benefits to becoming a consistent book reviewer.

After you establish a following, many publishing houses will send you books for free in exchange for a review, which can be a huge perk. In some cases, you can even get paid for your reviews.

So how do you become a book reviewer? Here are a few tips:

Develop your own book reviewing style to give your reviews a more personal touch. Do you want to leave funny reviews that make readers laugh? Personal reviews that include anecdotes from your own life? Serious reviews that readers can trust for an objective opinion?

Start taking notes every time you read a book you’re planning to review. Recording your initial reactions can help you develop more insightful critiques.

Finally, set book reviewing goals and stick to them. For example, you might decide to start by reviewing one book a month. That way, you can turn reviewing into a consistent practice.

Good luck, and happy writing!

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

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Blog – Posted on Wednesday, Apr 03

How to write a book review in 3 steps.

If the idea of reading for free — or even getting paid to read — sounds like a dream come true, remember that it isn’t a pipe dream. There are many places aspiring book reviewers can read books for free, such as Reedsy Discovery — a new platform for reviewing indie books. Of course, if you’re giving serious thought to becoming a book reviewer, your first step should be learning how to write a book review. To that end, this post covers all the basics of literary criticism. Let’s get started!

The three main steps of writing a book review are simple:

• Provide a summary: What is story about? Who are the main characters and what is the main conflict? 
• Present your evaluation: What did you think of the book? What elements worked well, and which ones didn’t? 
• Give your recommendation: Would you recommend this book to others? If so, what kinds of readers will enjoy it?

You can also download our free book review templates and use it as a guide! Otherwise, let’s take a closer look at each element.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

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How to write a review of a book

Step 1. provide a summary.

Have you ever watched a movie only to realize that all the good bits were already in the trailer? Well, you don’t want the review to do that. What you do want the summary to do is reveal the genre, theme, main conflict, and main characters in the story — without giving away spoilers or revealing how the story ends.

A good rule of thumb is not to mention anything that happens beyond the midpoint. Set the stage and give readers a sense of the book without explaining how the central issue is resolved.

Emily W. Thompson's review of The Crossing :

In [Michael] Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl. Read more...

Here are a few more reviews with well-written summaries for you to check out. The summary tend to be the longest part of the book review, so we won’t turn this post into a novel itself by pasting them all here: Le Cirque Navire reviewed by Anna Brill, The Heart of Stone reviewed by Kevin R. Dickinson, Fitting Out: The Friendship Experiment reviewed by Lianna Albrizio.

Non-fiction summary tip: The primary goal of a non-fiction summary is to provide context: what problems or issues has the book spotted, and how does it go about addressing them? Be sure to mention the authors of the title and what experience or expertise they bring to the title. Check Stefan Kløvning’s review of Creativity Cycling for an example of a summary that establishes the framework of the book within the context of its field.

Step 2. Present your evaluation

While you should absolutely weave your own personal take of a book into the review, your evaluation shouldn’t only be based on your subjective opinion. Along with presenting how you reacted to the story and how it affected you, you should also try to objectively critique the stronger and weaker elements of the story, and provide examples from the text to back up your points.

To help you write your evaluation, you should record your reactions and thoughts as you work your way through a novel you’re planning on reviewing. Here are some aspects of the book to keep in mind as you do.

Your evaluation might focus heartily on the book’s prose:

Donald Barker's review of Mercenary : 

Such are the bones of the story. But, of course, it is the manner in which Mr Gaughran puts the bones back together and fills them with life that makes “Mercenary” such a great read. The author’s style seems plain; it seems straightforward and even simple. But an attempt at imitation or emulation quickly proves that simple it is not. He employs short, punchy sentences that generate excellent dialogue dripping with irony, deadpan humour and wit. This, mixed with good descriptive prose, draws the characters – and what characters they are – along with the tumultuous events in which they participated amidst the stinking, steaming heat of the South American jungle, out from the past to the present; alive, scheming, drinking, womanising and fighting, onto the written page.

You can give readers a sense of the book by drawing comparisons to other well-known titles or authors:

Laura Hartman's review of The Mystery of Ruby's Mistletoe :

Reading Ms. Donovan’s book is reminiscent to one of my favorite authors, Dame Agatha Christie. Setting up the suspects in a snowbound house, asking them to meet in the drawing room and the cleverly satisfying conclusion was extremely gratifying. I can picture Miss Marple and Hercule Poirot nodding at Ms. Donovan saying “Well done!”

Not everyone’s tastes are the same, and you can always acknowledge this by calling out specific story elements in your evaluation: 

Kevin R. Dickinson's review of The Heart of Stone :

Whether you enjoy Galley’s worldbuilding will depend heavily on preference. Galley delivers information piecemeal, letting the characters, not the author, navigate the reader through Hartlund. A notable example is the magic system, an enigmatic force that lacks the ridge structures of, say, a Brandon Sanderson novel. While the world’s magical workings are explained, you only learn what the characters know and many mysteries remain by the end. Similar choices throughout make the world feel expansive and authentic.

Non-fiction evaluation tip: A book’s topic is only as compelling as its supporting arguments. Your evaluation of a nonfiction book should address that: how clearly and effectively are the points communicated? Turn back to Stefan’s critique for an example of a non-fiction critique that covers key takeaways and readability, without giving away any “big reveals.”

Step 3. Give your recommendation 

At the end of the day, your critique needs to answer this question: is this a book you would (or wouldn’t) recommend to other readers? You might wrap up by comparing it to other books in the same genre, or authors with similar styles, such as: “Fans of so-and-so will enjoy this book.” 

Let’s take a look at a few more tips:

You don’t need to write, “I recommend this book” — you can make it clear by highlighting your favorable opinion:

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

Add more punch to your rating by mentioning what kind of audience will or won’t enjoy the book:

Charleigh Aleyna Reid's review of The King of FU :

I would recommend this book to anyone who grew up in the 90’s and would like to reminisce about the time, someone who is interested to see what it was like to be a 90’s kid, or perhaps anyone who is looking for a unique, funny story about someone’s life.

Unless you found the title absolutely abhorrent, a good way to balance out a less favorable book review it to share what you did like about the book — before ultimately stating why you wouldn’t recommend the novel:

Nicola O's review of Secrets of the Sea Lord :

Overall, there are plenty of enjoyable elements in this story and fans of Atlantis and mer mythology should give it a try. Despite this, it does not rise above a three-star rating, and while I had some difficulty pinning down why this is, I concluded that it comes from a surprisingly unsophisticated vocabulary. There are a couple of graphic sex scenes, which is absolutely fine in a paranormal romance, but if they were removed, I could easily imagine this as an appealing story for middle-schoolers.

Non-fiction recommendation tip: As with fiction book reviews, share why you did or didn’t enjoy the title. However, in one of the starkest divergences from fiction book reviews it’s more important than ever that you mention your expectations coming into the non-fiction book. For instance, if you’re a cow farmer who’s reading a book on the benefits of becoming a vegetarian, you’re coming in with a large and inherent bias that the book will struggle to alter. So your recommendation should cover your thoughts about the book, while clearly taking account your perspective before you started reading. Let’s look once more at Stefan’s review for an example of a rating that includes an explanation of the reviewer’s own bias.

Bonus tips for writing a book review

Let’s wrap up with a few final tips for writing a compelling review.

• Remember, this isn’t a book report. If someone wants the summary of a book, they can read the synopsis. People turn to book reviews for a fellow reader’s take on the book. And for that reason...
• Have an opinion. Even if your opinion is totally middle-of-the-line — you didn’t hate the book but you didn’t love it either — state that clearly, and explain why.
• Make your stance clear from the outset. Don’t save your opinion just for the evaluation/recommendation. Weave your thoughts about the book into your summary as well, so that readers have an idea of your opinion from the outset.
• Back up your points. Instead of just saying, “the prose was evocative” — show readers by providing an actual passage that displays this. Same goes for negative points — don’t simply tell readers you found a character unbelievable, reference a certain (non-spoiler) scene that backs this up.
• Provide the details. Don’t forget to weave the book’s information into the review: is this a debut author? Is this one installment of a series? What types of books has the author written before? What is their background? How many pages does the book have? Who published the book? What is the book’s price?
• Follow guidelines. Is the review you’re writing for Goodreads? For The New York Times ? The content and tone of your review will vary a good deal from publication to publication.
• Learn from others. One of the best ways to learn how to write a great review is to read other reviews! To help you out with that, we’ve published a post all about book review examples .

Writing book reviews can be a rewarding experience! As a book-lover yourself, it’s a great opportunity to help guide readers to their next favorite title. If you’re just getting started as a reviewer and could use a couple more tips and nudges in the right direction, check out our comprehensive blog post on how to become a book reviewer . And if you want to find out which review community is the right fit for you, we recommend taking this quick quiz:

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Finally, if you feel you've nailed the basics of how to write a book review, we recommend you check out Reedsy Discovery , where you can review books for free and are guaranteed people will read them. To register as a book reviewer, simply go here !

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How to Write an Essay on a Book You Didn't Read: A Simple, Step-By-Step Guide

Writing an A-level essay about book can be a pain on its own. Typically, it takes solid skills, lots of time, and at least a few rounds of reading in order to craft a top-notch paper. But, do things really have to be so hard?

In this article, we will share with you the handiest tips to help you write an essay on book you haven’t read quickly and easily, and, at the same time, ensure the highest grade. Also, if you want to get help with your dissertation, you can visit dissertation help https://dissertation-service.com/dissertation-help service. On this service you can get professional phd dissertation help.

What Is a Book Review Essay?

In our guide, we will help you learn how to start a book review essay even if you haven’t read the book. But, first, let’s define what a book review essay is.

A book review essay is a short piece of writing that reflects on a particular literary work. Such papers present a whole book review with constructive analysis of the author’s ideas, writing style, techniques, etc.

The main purpose of this task is to check if students have actually read the assigned book, assess how well they understood it, and, also, let them share their own thoughts on it.

How to Write an Essay on a Book?

When pondering over how to write an essay about a book you didn’t read, the first idea that will probably cross your mind is to look for a ready-made essay on the Internet. After all, the chances that someone has already written a good essay on the same topic are pretty high. But, we encourage you not to give in to this temptation so as not to get a low grade.

Instead, use other ready-made essays only as examples for writing your own paper. And follow along with our tips on writing an essay on a book to ensure success!

Take Notes While Reading

So, how to start an essay about a book without reading the whole thing? The first thing to do is to carefully read the requirements for your essay in order to understand what information you need to pay attention to. Then, you will move on to skimming through the book. And the first tip is to always take notes while reading. If you write down the key information and ideas it will significantly simplify the process of essay writing book.

You Must Read Introduction and Conclusion

If you want to succeed in writing essay books without wasting too much time, the main rule you have to remember is that reading the book’s introduction and conclusion is a MUST! You may not read the whole piece, but reading the introduction and conclusion will help you grasp the main idea of the book and understand what the author wants to emphasize in it. This trick will help you gather enough information to reflect on this book in essay.

Quickly Read Chapters of the Whole Book

Reading the first and last chapters (intro and conclusion) is vital, but it’s not always enough to grasp the whole idea. Thus, if you want to learn how to write a book essay well, we advise you to read the first paragraph of each chapter to understand the idea better.

Choose a Couple of Main Points

Since a reading essay is often quite short, no one expects you to examine the whole book from core to core. Thus, when you grasp what the book is about, choose a couple of main points (or more, depending on the length) to focus on in your essay on book.

Make the First Draft

Now, how to introduce a book in an essay? When you get over all the preparatory steps and define your focus points, you can move on to completing your first draft by writing down the most important information and ideas for your essay about the book.

Quotes Are One of the Most Important Points in Your Essay on Book

Direct quotes play a huge role in the process of essay writing books review. Professors love to see them in students’ works, so this is a very responsible step. But, here is a trick - the more quotes you find, the less you will have to write yourself.

To use quotes from the book in essay to your benefit, find chapters that relate to the main points you previously selected and review them to find quotes. After you find quotes that explain or support your point of view, put them in the main paragraphs.

Point Your Sources

When thinking about how to talk about a book in an essay using quotes, the main rule is to always cite your quotes accordingly. It will help the teacher see that you’ve read the book and found all the quotes yourself.

Cite sources as required in the guidelines for your essay about reading book provided by the teacher. And remember that the more sources and pages you add, the more it will look like you’ve carefully read the entire book.

Write an Essay on a Book With Us!

In this article, we’ve gathered all the main tips and tricks for successfully writing an essay on a book. However, sometimes even the handiest tips can’t help you create a compelling review of a book in an essay, especially if you lack the time or the task is too complex.

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Contributor Bio

Helen vendler, more online by helen vendler.

• In Memoriam: Stratis Haviaras (1935–2020)

On Book Reviewing

By helen vendler.

On December 6, 1990, Harvard professor and eminent literary critic Helen Vendler gave a talk on book reviewing. Somehow the text of this talk found its way into a copy of Erato/Harvard Book Review , where it was discovered twenty-six years later by a Harvard Review staff member who was packing up boxes to send to the University Archives. We are delighted to be able to share these notes and hope you enjoy Professor Vendler’s insights into the duties of a book reviewer.

Writing a book review is a difficult task: it requires us to describe an object that is invisible, to recreate it for someone who has never seen it.

Who is the reader of a review? It is someone coming for the first time to a work—often a work that no one knows very much about. The reviewer needs to know something about the readers: are they experts in the field, interested amateurs, the general public that doesn’t know much about the field or the particular work? Am I writing for my optometrist, my dentist, my taxi driver? What can I assume about them? What do they need to know in order to read my review? One can think about two classes of readers: those who read the review because they think they will want to read the book, and those who read the review because they know they won’t want to read it. Reviewers must be mindful of both groups as they write.

Reviewers are responsible for selecting the important elements of a book and explaining their importance. Though they must be as inclusive as possible, reviewers must learn not to report everything; they must compress. Deftness will help—the insertion of a qualifying phrase, an aside, will set the scene or reveal a trait of character. Try to tuck things into the body of the review; use lists if they will help. Try reducing chapters, even whole books, to a sentence. Then take that reduced statement and decide how to expand it. Remember that publishers set a page limit, and use that limit to help yourself select the central issue, the significant details, the quotations. The first draft is almost always too long; learn to cut without destroying the work.

Where to begin the review: in the Garden of Eden, the English Civil War, or the first lines of Paradise Lost ? “Where do you put in your wedge?” It is useful to think of the development curve of the book. How does it move from A to B, from preface to concluding chapter? Following this curve may help plan the shape of the review.

Reviewers can plot the curve in part by making extracts. Isolate passages that you might want to quote because they illustrate the best and worst characteristics of the book. Compile an anthology, a mini-book. Then reread the quotations. Why did they attract you? What do they illustrate? Which can you use to start the review or to end it? Which will you use to illuminate what points?

What are the desiderata: what would we want or expect to learn from this book? What does the book claim to do? What do we find? Were we disappointed? We can trace for ourselves the curve of expectation and match it to the jagged line of reality, sometimes above, sometimes below that curve. Does the book exceed our expectations or disappoint? Does it make us irritable? How shall we measure or explain the difference between promise and performance?

A review has three main parts: a description of the book, an evaluation, and a defense of the evaluation. Fitting those parts together will vary from review to review.

The first task is to describe, to produce a taxonomy of the book: what kind of book is it? Reviewers should describe the whole and its parts economically. Give readers the big picture, then focus on one piece. Use comparisons and contrasts to give readers a sense of the whole work without describing it in excessive detail. “Unlike Jane Austen, this author …. ”

In most books there’s a slough of despond waiting to trap reviewers: a chapter they don’t want to discuss. (Often this is because the author didn’t much like writing that chapter.) Be fair to the author; recognize the “flabby connective tissue,” but don’t let that weakness overwhelm the book or the review.

Turning to the evaluation of the book, reviewers ask about its context. How does it fit into its era, its nation, the ideological patterns of which it is a witness? Situate the book. How is the topic under discussion seen nowadays; does this book fit the paradigm or does it propose a new model? Ask about its ancestors and about what books it might generate. Books make other books happen. What would we like to see next? What evidence, devices does it use; does it use them well?

These questions reveal the reviewer’s criteria as well as the nature of the book. What framework does the reviewer use to measure the book? What are the standards, the measures by which the curve of expectation was drawn?

There’s one ethical rule for reviewers: read every word, including every footnote, the index, the bibliography, the captions of the pictures. And another rule: don’t review what you don’t feel competent to review.

Writing a book review is like giving oneself a mini-seminar. One has to know an enormous amount about the matter of the book to understand it and be properly critical. Preparing to write is a process of self-education; it involves experience and self-awareness. Critics who are too young haven’t read enough; those who are too old may have lost touch with the center of a generation.

Published on May 24, 2016

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How to Do a Book Report Without Reading the Book

Tammie johnson.

Writing a book report without reading the book can be easy or difficult, depending on your resources. When writing a book report, it is always best to read the entire book before writing the report. However, if you procrastinate or just don't want to read the book, there are ways to write the report and get a decent grade. If you have not read the book, you will have to spend time gathering information about the book to make your report believable.

Explore this article

• Writing A Book Report
• Read the summaries
• Read the summary
• Organize your information
• Write the report

things needed

1 writing a book report.

Look at websites on the Internet that have summaries of the book in question. There are several good websites.

3 Read the summaries

Read the summaries. The summaries tell the most important points in the book. They also include the setting, characters, plot and theme.

4 Read the summary

As you read the summary of the book make notes about points that you think are important for your report.

5 Organize your information

Organize your information. If you have a guide that explains how the report should be done, organize the information according to the guide. If you don't have a guide, decide how you want to organize your book report.

6 Write the report

Write the report. When all of the information is gathered and organized, it will be easy to begin writing the report. Be sure to include the information that is required by your teacher. If you include everything the teacher requested, no one will ever know you did not read the book.

• If the teacher asks questions about details from the book that were not included in the summary, you could fail a quiz or test on the book.
• Sometimes you may need to read several summaries to get all of the imformation you need.

About the Author

Tammie Johnson has been writing since 1989 and teaching English for more than 25 years. Her lessons have been published by various education websites. Johnson received her Bachelor of Arts in journalism and Master of Arts in education from the University of South Carolina. She is also National Board-certified in English/language arts.

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How to Write a Book Review: Awesome Guide

A book review allows students to illustrate the author's intentions of writing the piece, as well as create a criticism of the book — as a whole. In other words, form an opinion of the author's presented ideas. Check out this guide from EssayPro — book review writing service to learn how to write a book review successfully.

What Is a Book Review?

You may prosper, “what is a book review?”. Book reviews are commonly assigned students to allow them to show a clear understanding of the novel. And to check if the students have actually read the book. The essay format is highly important for your consideration, take a look at the book review format below.

Book reviews are assigned to allow students to present their own opinion regarding the author’s ideas included in the book or passage. They are a form of literary criticism that analyzes the author’s ideas, writing techniques, and quality. A book analysis is entirely opinion-based, in relevance to the book. They are good practice for those who wish to become editors, due to the fact, editing requires a lot of criticism.

Book Review Template

The book review format includes an introduction, body, and conclusion.

• Introduction
• Describe the book cover and title.
• Include any subtitles at this stage.
• Include the Author’s Name.
• Write a brief description of the novel.
• Briefly introduce the main points of the body in your book review.
• Avoid mentioning any opinions at this time.
• Use about 3 quotations from the author’s novel.
• Summarize the quotations in your own words.
• Mention your own point-of-view of the quotation.
• Remember to keep every point included in its own paragraph.
• In brief, summarize the quotations.
• In brief, summarize the explanations.
• Finish with a concluding sentence.
• This can include your final opinion of the book.
• Star-Rating (Optional).

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How to Write a Book Review: Step-By-Step

Writing a book review is something that can be done with every novel. Book reviews can apply to all novels, no matter the genre. Some genres may be harder than others. On the other hand, the book review format remains the same. Take a look at these step-by-step instructions from our professional writers to learn how to write a book review in-depth.

Step 1: Planning

Create an essay outline which includes all of the main points you wish to summarise in your book analysis. Include information about the characters, details of the plot, and some other important parts of your chosen novel. Reserve a body paragraph for each point you wish to talk about.

Consider these points before writing:

• What is the plot of the book? Understanding the plot enables you to write an effective review.
• Is the plot gripping? Does the plot make you want to continue reading the novel? Did you enjoy the plot? Does it manage to grab a reader’s attention?
• Are the writing techniques used by the author effective? Does the writer imply factors in-between the lines? What are they?
• Are the characters believable? Are the characters logical? Does the book make the characters are real while reading?
• Would you recommend the book to anyone? The most important thing: would you tell others to read this book? Is it good enough? Is it bad?
• What could be better? Keep in mind the quotes that could have been presented better. Criticize the writer.

Step 2: Introduction

Presumably, you have chosen your book. To begin, mention the book title and author’s name. Talk about the cover of the book. Write a thesis statement regarding the fictitious story or non-fictional novel. Which briefly describes the quoted material in the book review.

Step 3: Body

Choose a specific chapter or scenario to summarise. Include about 3 quotes in the body. Create summaries of each quote in your own words. It is also encouraged to include your own point-of-view and the way you interpret the quote. It is highly important to have one quote per paragraph.

Step 4: Conclusion

Write a summary of the summarised quotations and explanations, included in the body paragraphs. After doing so, finish book analysis with a concluding sentence to show the bigger picture of the book. Think to yourself, “Is it worth reading?”, and answer the question in black and white. However, write in-between the lines. Avoid stating “I like/dislike this book.”

Step 5: Rate the Book (Optional)

After writing a book review, you may want to include a rating. Including a star-rating provides further insight into the quality of the book, to your readers. Book reviews with star-ratings can be more effective, compared to those which don’t. Though, this is entirely optional.

Count on the support of our cheap essay writing service . We process all your requests fast.

Dive into literary analysis with EssayPro . Our experts can help you craft insightful book reviews that delve deep into the themes, characters, and narratives of your chosen books. Enhance your understanding and appreciation of literature with us.

Writing Tips

Here is the list of tips for the book review:

• A long introduction can certainly lower one’s grade: keep the beginning short. Readers don’t like to read the long introduction for any essay style.
• It is advisable to write book reviews about fiction: it is not a must. Though, reviewing fiction can be far more effective than writing about a piece of nonfiction
• Avoid Comparing: avoid comparing your chosen novel with other books you have previously read. Doing so can be confusing for the reader.
• Opinion Matters: including your own point-of-view is something that is often encouraged when writing book reviews.
• Refer to Templates: a book review template can help a student get a clearer understanding of the required writing style.
• Don’t be Afraid to Criticize: usually, your own opinion isn’t required for academic papers below Ph.D. level. On the other hand, for book reviews, there’s an exception.
• Use Positivity: include a fair amount of positive comments and criticism.
• Review The Chosen Novel: avoid making things up. Review only what is presented in the chosen book.
• Enjoyed the book? If you loved reading the book, state it. Doing so makes your book analysis more personalized.

Writing a book review is something worth thinking about. Professors commonly assign this form of an assignment to students to enable them to express a grasp of a novel. Following the book review format is highly useful for beginners, as well as reading step-by-step instructions. Writing tips is also useful for people who are new to this essay type. If you need a book review or essay, ask our book report writing services ' write paper for me ' and we'll give you a hand asap!

We also recommend that everyone read the article about essay topics . It will help broaden your horizons in writing a book review as well as other papers.

Book Review Examples

Referring to a book review example is highly useful to those who wish to get a clearer understanding of how to review a book. Take a look at our examples written by our professional writers. Click on the button to open the book review examples and feel free to use them as a reference.

Book review

Kenneth Grahame’s ‘The Wind in the Willows’

Kenneth Grahame’s ‘The Wind in the Willows’ is a novel aimed at youngsters. The plot, itself, is not American humor, but that of Great Britain. In terms of sarcasm, and British-related jokes. The novel illustrates a fair mix of the relationships between the human-like animals, and wildlife. The narrative acts as an important milestone in post-Victorian children’s literature.

Book Review

Dr. John’s ‘Pollution’

Dr. John’s ‘Pollution’ consists of 3 major parts. The first part is all about the polluted ocean. The second being about the pollution of the sky. The third part is an in-depth study of how humans can resolve these issues. The book is a piece of non-fiction that focuses on modern-day pollution ordeals faced by both animals and humans on Planet Earth. It also focuses on climate change, being the result of the global pollution ordeal.

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How to Write a Book Review

Last Updated: January 10, 2024 Approved

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 10 references cited in this article, which can be found at the bottom of the page. wikiHow marks an article as reader-approved once it receives enough positive feedback. This article received 66 testimonials and 91% of readers who voted found it helpful, earning it our reader-approved status. This article has been viewed 1,200,767 times.

Writing a book review is not just about summarizing; it's also an opportunity for you to present a critical discussion of the book so others get an idea of what to expect. Whether you’re writing a review as an assignment or as a publication opportunity, you should combine an accurate, analytical reading with a strong, personal touch. An effective book review describes what is on the page, analyzes how the book tried to achieve its purpose, and expresses any reactions and arguments from a unique perspective.

Review Template

Preparing to Write Your Review

• Write down notes in a notebook or use a voice recorder to document any thoughts or impressions you have of the book as you are reading. They don't have to be organized or perfect, the idea is to brainstorm any impressions you may have of the book.
• Try summarizing the major sections of the book you’re reviewing to help understand how it’s structured.

• For example, if you are reviewing a non-fiction book about the development of the polio vaccine in the 1950s, consider reading other books that also examine the same scientific issue and/or period of scientific development. Or if you are reviewing a work of fiction like Nathaniel Hawthorne's The Scarlet Letter, consider how Hawthorne's book relates to other 19th-century works of romanticism and historical fiction set in the same time period (the 17th century) as points of comparison.

• Pay attention to the preface, any quotes, and /or references in the book's introduction, as this content will likely shed light on the book's major themes and viewpoint.
• A simple way to determine one of the major themes of a book is to sum up the book in one word or sentence. So, for example, the major theme of The Scarlet Letter could be "sin". Once you have your one-word summary, stretch the single word into a message or lesson, such as "sin can lead to knowledge, but it can also lead to suffering."

• For example, in The Scarlet Letter, Hawthorne attempts to combine the writing style of the Romantic Period (1800-1855) with the common, everyday language of the American Puritans of the 1600s. Hawthorne does this with long, descriptive sentences that are strung together with commas and semicolons.

• In the Scarlet Letter, for example, Hawthorne begins the book with an introduction to the text, narrated by an individual who has many autobiographical details in common with the author. In the introduction, the nameless narrator tells the story of finding the manuscript bundled in a scarlet letter "A". Hawthorne uses this narrative framing to create a story within a story, an important detail when discussing the book as a whole.

• If we were to use the Scarlett Letter again, it would be significant to note that Hawthorne chose the adulterer and sinner Hester Prynne as his protagonist, and placed the religious, anti-sin Reverend Wilson in the role of antagonist. In writing a review of The Scarlet Letter, it would be useful to consider why Hawthorne did this, and how it relates back to the book's overall theme of sin.

Creating a First Draft of the Review

• Ensure your introduction contains relevant details like the author's background, and if applicable, their previous work in the genre. [2] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source You can also indicate the main themes you will be discussing in your review to situate the reader and give them an indication of your "take" on the book.
• Several possible openings include: a historical moment, an anecdote, a surprising or intriguing statement, and declarative statements. Regardless of your opening sentences, make sure they directly relate to your critical response to the book and keep them short and to the point.
• If you're unsure on how to begin the review, try writing your introduction last. It may be easier to organize all of your supporting points and your critical position, and then write the introduction last—that way you can be sure that the introduction will match the body of the review. [3] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

• Keep the summary short, to the point, and informative. Use quotes or paraphrasing from the book to support your summary. [4] X Research source Make sure you properly cite all quotes and paraphrasing in your review to avoid plagiarism. [5] X Research source
• Be wary of summaries that begin with phrases like “[This essay] is about…” “[This book] is the story of…” “[This author] writes about…”. [6] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Focus on weaving a description of the book's setting, narrative voice, and plot within a critical analysis. Avoid simply regurgitating the book's premise.
• Don't give away important details or reveal the ending of the book in your summary, and don't go into detail about what happens from the middle of the book onwards. [7] X Research source As well, if the book is part of a series, you can mention this to potential readers and situate the book within the series. [8] X Research source

• Use the answers you brainstormed during your preparation for the review to formulate your critique. Address how well the book has achieved its goal, how the book compares to other books on the subject, specific points that were not convincing or lacked development, and what personal experiences, if any, you've had related to the subject of the book.
• Always use (properly cited) supporting quotes and passages from the book to back up your critical discussion. This not only reinforces your viewpoint with a trustworthy source, it also gives the reader a sense of the writing style and narrative voice of the book. [9] X Research source
• The general rule of thumb is that the first one-half to two-thirds of the review should summarize the author’s main ideas, and at least one-third should evaluate the book.

• Examine the strengths and weaknesses of the book, and discuss whether you would recommend the book to others. If so, who do you think is the ideal audience for the book? [10] X Research source Do not introduce new material in your conclusion or discuss a new idea or impression that was not examined in your introduction and body paragraphs. [11] X Research source
• You can also give the book a numerical score, a thumbs up or thumbs down, or a starred rating. [12] X Research source

Polishing the Review

• Always use spell check and adjust any grammar or spelling. Nothing undermines a quality review more than bad spelling and grammar.
• Double check that all quotes and references are properly cited in your review.

Community Q&A

• As you're writing, try thinking of your reader as a friend to whom you're telling a story. How would you relay the book's themes and main points to a friend in a casual conversation? This will help you balance formal and informal language and simplify your critical assessment. [13] X Research source Thanks Helpful 0 Not Helpful 0
• Review the book in front of you, not the book you wish the author had written. Being critical means pointing out shortcomings or failures, but avoid focusing your criticism of the book on what the book is not. Be fair in your discussion and always consider the value of the book for its audience. [14] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Thanks Helpful 0 Not Helpful 0
• Make sure, after you've finished your review, to reread it and check any grammar or spelling mistakes so that it makes sense. Try reading your review from numerous perspectives, or asking a friend to proofread it for you. Thanks Helpful 3 Not Helpful 1

Make sure to read the book thoroughly. If you don't, it will be bad.

You Might Also Like

• ↑ http://www.thedramateacher.com/genre-or-style-a-dramatic-problem/
• ↑ http://writingcenter.unc.edu/handouts/book-reviews/
• ↑ http://writingcenter.unc.edu/handouts/introductions/
• ↑ https://www.wikihow.com/Write-a-Book-Summary
• ↑ https://writing.wisc.edu/Handbook/QPA_quoting.html
• ↑ http://writingcenter.unc.edu/handouts/summary-using-it-wisely/
• ↑ http://www.booktrust.org.uk/books/teenagers/writing-tips/tips-for-writing-book-reviews/
• ↑ http://teacher.scholastic.com/writewit/bookrev/tips.htm
• ↑ http://www.infoplease.com/homework/wsbookreporths.html
• ↑ http://guides.library.queensu.ca/bookreviews/writing

About This Article

To write a book review, start with a heading that includes the book's title, author, place of publication, publisher, date of publication, and number of pages. Then, open your review with an introduction that includes the author's background as well as the main points you'll be making. Next, split up the body of your review so the first half of the review is a summary of the author's main ideas and the rest is your critique of the book. Finally, close your review with a concluding paragraph that briefly summarizes your analysis. To learn how to read a book critically so it's easier to write a review, keep reading! Did this summary help you? Yes No

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For years I found myself visiting a particular author’s website over and over again. 

Why? Because I liked his movie reviews. We had similar tastes in movies, and if he didn’t like a movie, I figured I wouldn’t either. 

Authors often ask me, “What should I talk about in my email newsletter?” or “What should I blog about?” I recommend writing book reviews and movie reviews. Reviews provide helpful information for your readers. As readers agree with your tastes, they’ll feel connected to you, and you’ll build credibility with your target reader.

While reviews make great content for all writers, they are  magic  for unpublished novelists. 

When you write reviews on books and movies in your genre, you develop your taste, voice, and audience. Writing reviews keeps you reading and forces you to read with intent. 

Readers don’t want to read your blog post on how to write romance novels, but they do want to find out what you thought about the popular romance novel everyone is talking about. Your reviews help readers find new books to read. Over time, your readers will view you as a reliable source of book recommendations, which is  really  helpful when it comes time to recommend your own book. 

But there is a catch to writing book reviews, and two Novel Marketing listeners called in wondering about it. 

How do you write a  good, helpful  book review?

Two Kinds of Reviews

Before you write a review, you need to decide what kind of review you want to write.

There are two kinds of reviews.

Standard Reviews (Discovery)

A standard review helps readers answer the question, “Is this the kind of book I would enjoy reading?” Readers typically seek a standard review  before  they read a book they’ve already heard about.

But readers also  discover  new books through standard reviews. They may not have known about the book until they read your review, and after reading and learning about the book, they’ll decide whether to read it.

Spoiler Reviews (Understanding)

I asked listeners on  AuthorMedia.social  whether they read book reviews after they’ve finished the book, and most of them did! Sometimes people read reviews to understand the book better after they’ve completed it. 

Spoiler reviews give readers a sense of community and a place to discuss a book. Readers are curious to see whether anyone else noticed that the author got the horses all wrong. 

Some readers like spoiler reviews because they can read the full review and skip the book altogether. 

For instance, some people say, “I want to be able to talk about  Thinking Fast and Slow  (Affiliate Link) without actually having to finish that book.”

Or, “I don’t want to read  Jordan Peterson’s  12 Rules for Life  (Affiliate Link), but I want to be able to argue with people who like Jordan Peterson. So what do I need to know about it?”

Why Most Reviews are Boring

If the person writing the review is unskilled or doesn’t have a strategy, their book reviews can be painfully dull. 

Reviews are usually boring because the reviewer lacks:

• Passion 

Specificity

Originality .

How do you write interesting reviews? You develop those characteristics. 

Your duty is to your reader, not the author of the book. Don’t water down your opinion just because you are afraid you will hurt the author’s feelings. A courageously negative review may actually sell more copies of a book than a boring milk-toast review. 

Why? Because no one reads boring reviews! And if few people read the review, then fewer people will discover the book. And if readers don’t know about it, they can’t buy it. 

The more you care about the book (or what the book could have been if you didn’t like it), the more your readers will enjoy reading your review. Enthusiasm is infectious. Apathy is noxious. Your enthusiasm for the genre will make your reviews more fun and convincing. 

Good reviews address the specifics of what you liked and didn’t like. You can be specific without spoiling it. 

For instance, I loved the characters of  Avatar the Last Airbender . I loved how each of them changed, and I loved how they interacted with each other. By the third season, each character had undergone a transformation, but you will have to watch the show to find out why. 

Most reviewers begin by reading other reviews about the same book so their thoughts will be similar. Don’t do that. You can read the other reviews, but you must say something new. Tell us what  you  thought, not what you think society wants you to think. There is enormous pressure to conform. The only way to stand out is to resist the pressure.

Pick an Angle

One way to quickly make your reviews more popular is to pick an angle for your reviews. Your angle not only makes the reviews more interesting to readers, but it also makes them easier to write. Instead of reviewing the whole book, review just one aspect of the book.

You can choose any angle, but here are a few to get you thinking.

Persona Review

One common way to review books is through a persona. View the book through the lens of one aspect of your identity. For example, you might title your persona review “A Homeschool Mom’s Review of  The Shack ” or perhaps, “A Texan’s Review of The Dark Tower Series.” 

The popular YouTube Channel called  Girlfriend Reviews  provides an excellent example of how persona reviews work. She talks about video games, but she doesn’t review the game itself. 

She talks about what it’s like to live with someone who  plays  the video game. For instance, she’ll discuss how annoying the game is to listen to from the next room. Persona reviews can be extremely entertaining and useful, as the channel’s 1.26 million subscribers would testify.

Content Review 

Content reviews answer questions about whether a book is rated R rated or PG. The reviewer reveals what types of objectionable content the book includes. 

Different readers find different kinds of content objectionable. Some readers are offended by bad language and sexual content, but they are fine reading graphic violence. Other readers object to violence of any kind but accept the profanity. 

When you write a review, you’re forced to know and address the issues your audience cares about. 

Content reviews are in high demand, but very few reviewers are writing them.

Worldview Review 

Readers want to know whether a book will line up with their worldview. They want to know if a book secretly advocates for communism, feminism, capitalism, environmentalism, conservatism, liberalism, etc. Every  ism  has an audience who wants to know whether the book will match their worldview.   

When you review a book through the lens of a particular worldview, you help readers decide whether the book is one they want to read.

Comedy Review

Some people use book reviews as a chance to crack jokes and make readers laugh. Mathew Pierce writes comedy reviews, and he titled one recent review, “ I Did Not Read Girl, Wash Your Face , but I Am Outraged By It .” While that blog post could technically be considered a review, it’s more of a platform for the author to write social commentary and make jokes. 

Technical Review

If you have an area of technical expertise, you can review the book’s attention to pertinent details. For example, if you know a lot about guns, you can detail how the author got the guns right (or not). If you are a historian or a scientist, you can validate or argue certain aspects of the setting, events, or plausibility of the science used in the story.  

Theology Review

Just because a book is published by a Christian publisher doesn’t mean it has good theology. Additionally, each reader has a different understanding of what constitutes “good theology.” Christian readers often read reviews to determine the theological underpinnings of a book before they read or buy it. 

What to Include in Your Review

Open with a line that sparks curiosity ..

Your reader is asking, “Why should I care about this review?” and you must begin by answering that question.

Mark Twain brilliantly sparks curiosity in his  review of James Fenimore Cooper  by titling his essay “Fenimore Cooper’s Literary Offenses.” Twain opens with quotes from literature professors claiming that “Cooper is the greatest artist in the domain of romantic fiction in America. “

Get your popcorn, ladies and gentlemen! We are in for a fight. What will Mark Twain say to these luminaries? 

There are many ways to pique curiosity. You don’t have to be controversial, but you do have to make people curious  somehow . 

If you are writing a comedy review, open with one of your best jokes. 

If you are writing a technical review, make people curious. “Is  The Expanse  really hard science fiction, or is it secretly a space opera? Let’s dig into the science and find out.”    

Answer these Questions:

• What did you love?
• What did you hate?
• Who would like this book?
• Who would hate this book?
• How does this book compare with similar books?

The more specific you can be with your answers, the more helpful your review will be.

Close with a summary .

If you shortened your book review into a Rotten Tomatoes blurb, how would it read? Closing your book review with a summary is an excellent way to practice making punchy and truthful statements with only a few words. And if you can say it in less than 280 characters, it’s also tweetable. 

5 Tips on Writing Better Reviews

Tip #1: pick a goal and an audience..

Who are you writing your review for? The answer to that question will shape your review.

• Is this a spoiler review for readers who have already read the book? 
• Is this a critical review for people who have no intention of reading the book? 
• Is this a review for potential readers who haven’t decided if they will read the book?
• Is this a review for moms wondering whether this would be a good book to buy for their children? 

Having a consistent goal will help you develop your reviewer voice and provide consistency.

Tip # 2: Make an argument, then provide evidence. 

“ Fenimore Cooper’s Literary Offenses” by Mark Twain  is a good example of how to argue and prove a point. Fenimore Cooper was the author of  The Last of the Mohicans  and several other popular books during the first half of the 19th century.

In that review, Mark Twain laid out 19 rules for writing romantic fiction, and then he showed how Cooper’s writing in  The Deerslayer  violated 18 of those rules. One of those rules is still commonly quoted today: “Use the right word, not its second cousin.”

He concludes with this:

“Now I feel sure, deep down in my heart, that Cooper wrote about the poorest English that exists in our language, and that the English of “Deerslayer” is the very worst that even Cooper ever wrote.”

Twain got away with that scathing summary because he first gave evidence to back it up. If you write fiction, I encourage you to take a few minutes to read his essay. 

Tip # 3: Write both negative and positive reviews.

Positive reviews build your audience, demonstrate what you like, and develop relationships with other authors. If a positive review is the playground of fun reading, a negative review is the fence around the playground.  

​​Negative reviews build your credibility, demonstrate your reading tastes, and develop your courage. 

Writing both negative and positive makes reviews familiar with your tastes. They’ll be able to predict their own enjoyment of a book based on your negative or positive review.

Tip # 4: Establish a creative scoring system.

If you plan to write a lot of reviews, you might consider establishing your own scoring system. For example, Rotten Tomatoes is the “home of the  Tomatometer , the most trusted measurement of quality for Movies & TV.”

When it’s done well, a scoring system provides context for your reviews and makes them more fun to read. The more creative you are, the better. Avoid a five-star system, especially if you plan to give every book four or five stars. This is not a helpful scoring system. 

Howard Taylor  has three categories in his scoring system:

• Cleared the Threshold of Awesome
• Not Awesome, Not Disappointing
• Fell Below the Threshold of Disappointment

He also ranks each movie against the others. Each year you can see what his fifth favorite film was for that year. This scoring system gives his reviews plenty of context. 

You could also score various elements of the book. For example, “The plot and characters get a thumbs up, but the setting gets a thumbs down.” 

Tip # 5: Study Craft

If you find it difficult to write reviews for the books you are reading, it may indicate you haven’t read enough books on the craft of writing.

Here are some craft books you should consider:

• Plot & Structure , James Scott Bell  (Affiliate Link)
• Getting into Character , by Brandilyn Collins  (Affiliate Link)
• The Story Equation , by Susan May Warren  (Affiliate Link)

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When it comes to blogging, Thomas Umstattd Jr. knows what he is talking about. His two blogs have several million page views, and he has also coached authors all over the world who collectively get millions of visitors each year.

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BookBrowse Reviews How to Talk About Books You Haven't Read by Pierre Bayard

Summary  |  Excerpt  |  Reviews  |  Beyond the book  |  Read-Alikes  |  Genres & Themes  |  Author Bio

How to Talk About Books You Haven't Read

by Pierre Bayard

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Readers' Opinion:

• Humor & Satire
• Adult-YA Crossover Fiction
• Books about Books

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A book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read

By all rights, I shouldn’t have to read this book. After all, Pierre Bayard begins with an epigraph from Oscar Wilde: "I never read a book I must review; it prejudices you so." But I did read it, swiftly, ferociously, and with a pen in hand. Many times I underlined a sentence I admired, such as this one: "He who pokes his nose into a book is abandoning true cultivation, and perhaps even reading itself." But just as often, I underlined in fierce disagreement. This book isn’t, finally, about books, but about book conversation, and I had a particularly lively one with it. Bayard takes the deliberately perverse stance that non-reading is an activity that should be defended and even taught. His argument begins by noting the conundrum which pinions the educated reader: on the one hand, our universities inculcate in us the value of exhaustively knowing a formidable body of classic literature; on the other hand, to read exhaustively is so impossible that, as Bayard phrases it, "reading is first and foremost non-reading." Even when we are reading a book, we are not reading all the other books in the universe, and even when we are reading a book, we are reading only the sentence in front of us, all the others disappearing into the receding horizon of our faulty memories. Everyone, from the casual reader to the literature professor, shares this experience of reading, yet we all must disavow it. Thus our attitudes toward reading are plagued with guilt, feelings of inadequacy, and anxious lies about how much we’ve actually read. With a wave of his hand, Bayard absolves us of such guilt. He punctures the highbrow notion of perfect comprehension and retention, and instead substitutes a whole catalog of ways we non-read books: we skim them, we read about them in reviews such as this one, we read them and then forget them. All of these methods, he argues, qualify us to discuss the books we've non-read because they allow us to understand books as part of a collective library. "Culture," he writes, "is above all a matter of orientation . Being cultivated is a matter of not having read any book in particular, but of being able to find your bearings within books as a system." Bayard burnishes his manifesto with a rogues' gallery of non-readers in classic literature, from the librarian in Robert Musil's The Man Without Qualities who excels at his job by virtue of not having read a single book, to Montaigne, who is so profound a non-reader of his own books that he cannot recognize them when they are quoted in his presence. Yet as even a non-reader of Bayard's book will have intuited, Bayard’s argument is très disingenuous. How could he take us on so debonair a tour of classic literature without having read some of it? And what about the nonsocial pleasures of reading? Many readers characterize their experience of novels as absorbing , when the rest of the world melts away and they are enveloped by the pages in front of them. This, it strikes me, is the opposite of the university model of reading, not Bayard's non-reading. Indeed, Bayard's own book is so felicitous it gives the lie to his theory: I inhaled it and have been talking about it to other people ever since I closed the cover. Perhaps it is possible to speak worthily about books you haven't read, but in order to do so, you must at least have thoroughly devoured some other ones—you must be a reader. The wonderfully self-defeating irony of How to Talk about Books You Haven't Read is that it made me want to disappear into any one of the books Bayard mentions that I haven't already read. I could talk to you about them—Bayard has equipped me to do so. But I don't want to. I’d rather read than talk.

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ON GIVING UP , by Adam Phillips

One of the most arresting things about Adam Phillips’s work is how it resists easy summary, dissolving into a trace memory the moment you try to describe it. Over several decades, in more than 20 books — many of them slim volumes further subdivided into even slimmer essays — Phillips, a British psychoanalyst, sidles up to his subjects, preferring the gentle mode of suggestion to the blunt force of argument. His writing has a way of sneaking up on you, like a subterranean force. An interviewer once described trying to edit his comments as “sculpting with lava.”

Even Phillips’s titles tell us only so much. “Attention Seeking” (2019) sounds as if it’s about something shameful, when in fact, he says, “attention-seeking is one of the best things we do.” In “On Wanting to Change” (2021), he writes about change as an object of both desire and dread; we long for the conclusiveness of a conversion experience, “a change that will finally put a stop to the need for change.”

Phillips, who was formerly a child psychotherapist, likes to play with terms that are capacious, elastic and stubbornly ambiguous. The title of his new book, “On Giving Up,” covers the vast territory between hope and despair. We can give up smoking, sugar or a bad habit; but we can also give up on ourselves. “We give things up when we believe we can change; we give up when we believe we can’t.”

It’s this extreme and despairing definition of “giving up” that we tend to fixate on, to the neglect of what Phillips calls “the other, minor forms of giving up.” When we do think of giving up in this “minor” sense of cessation or withdrawal, it’s something that needs to be justified, because we valorize completion and commitment. But such relentless determination can also be tyrannical. The tragic hero, Phillips says, is someone who is “either unable or unwilling to give up.” Macbeth cannot pause his murderous ambition. He stops sleeping, because “sleep that knits up the ravelled sleeve of care” — or what Phillips calls “restorative giving up” — risks opening the sleeper to other possibilities. And a sense of other possibilities is corrosive to a single-minded determination.

Phillips cites work by Shakespeare, Kafka and Camus. He cites Freud, too — not as an infallible authority but as the incisive interpreter of human ambivalence who nevertheless succumbed to the lure of becoming a “dogmatic essentialist.” Feeling betrayed by the occult ideas of Carl Jung, his onetime disciple, Freud reacted protectively, by hunkering down: “Freud had to declare himself the owner of psychoanalysis and begin a whole disreputable tradition of people who need to tell us what psychoanalysis is, people who claim to know precisely what should be called psychoanalysis, as opposed to going on working out what it might be and what we might want it to be.”

Instead of essentialism, with its pretensions to certainty, Phillips prefers curiosity, “because it tends toward the unknown, and the potentially unknowable.” The unknowable can make us feel vulnerable, which is why we sometimes resist our curiosity; in other words, we give it up. We tamp down its possible dangers with “over-decisiveness” — insisting that we know what we think and we know what we’re doing, when in truth we don’t know much when it comes to either.

Phillips’s looping lines of inquiry strike some of his critics as troubling, exasperating or simply annoying. Joan Acocella wrote that his “linguistic capering” often generated the kind of sentence that makes you say to yourself, “That’s interesting, I’ll think about it later,” and then you return to it and “realize that it’s not true.” The literary critic Elaine Showalter derided his “stylistic one-upmanship.” In a sharp essay for The Guardian, Oliver Eagleton argued that Phillips, with his emphasis on conversation over conviction, offers “liberal bromides” when it comes to politics instead of landing decisively on the side of “meaningful change.”

But eliciting such frustration is perhaps part of the point. “People become real to us by frustrating us,” Phillips wrote in “Missing Out,” as long as they do it by “the right amount.” When they frustrate us too much, they become demons we have to destroy; when they frustrate us too little, they become idealized, impotent and unreal. Phillips doesn’t try to prevent us from thinking whatever it is that we want to think; what he does is repeatedly coax us to ask if that’s what we really believe, and how we can be sure.

This constant questioning is, I think, what Phillips means in his new book by “aliveness,” which he presents as “the true antidote to giving up.” Improvisational and experimental, an enlivened existence “can depend on the vitalizing effects of conflict” and contrasts with what the psychoanalyst Christopher Bollas calls “the fascist state of mind,” which tries to “empty the mind of all opposition.” Such emptying amounts to a willed oblivion, “a desperate and murderous deadening.” Fascism, whether inside the mind or out in the world, resorts to a “simplifying violence.” The fascist finds the give-and-take of conflict unbearable but is enthralled by the annihilation of war.

In interviews, Phillips maintains an insistent uncertainty (“I don’t know the answer to that”; “I’ve got no idea what I’m talking about here”). He says his writing is “reiterative” because everything is always “being worked out” and never “resolved.” Anything especially tricky or charged is ripe for “redescription,” which offers a way of looking at it anew.

The same goes for “giving up.” Does it require renunciation or “destruction”? Can it be redescribed as a matter of “revision” or even “reinclusion”? Or is the term so loaded that we get “distracted by an analogy”? Phillips keeps asking questions, even if answers are contingent and provisional, and ultimately elusive. As he puts it elsewhere in the book, “All we can do, if we are interested, is to ask these questions and see what, if anything, we want to do.”

ON GIVING UP | By Adam Phillips | Farrar, Straus & Giroux | 145 pp. | $26

Jennifer Szalai is the nonfiction book critic for The Times. More about Jennifer Szalai

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