how to write a essay on a novel

How to Write an Essay about a Novel – Step by Step Guide

Writing about literature used to scare the heck out of me. I really couldn’t wrap my mind around analyzing a novel. You have the story. You have the characters. But so what? I had no idea what to write.

Luckily, a brilliant professor I had as an undergrad taught me how to analyze a novel in an essay. I taught this process in the university and as a tutor for many years. It’s simple, and it works. And in this tutorial, I’ll show it to you. So, let’s go!

Writing an essay about a novel or any work of fiction is a 6-step process. Steps 1-3 are the analysis part. Steps 4-6 are the writing part.

Step 1. create a list of elements of the novel .

Ask yourself, “What are the elements of this book?”

Well, here is a list of elements present in any work of fiction, any novel:

Here is a table of literary elements along with their descriptions. 

In this step, you simply pick 3-6 elements from the list I just gave you and arrange them as bullet points. You just want to make sure you pick elements that you are most familiar or comfortable with.

For example, you can create the following list:

This is just for you to capture the possibilities of what you can write about. It’s a very simple and quick step because I already gave you a list of elements. 

Step 2. Pick 3 elements you are most comfortable with

In this step, we’ll use what I call The Power of Three . You don’t need more than three elements to write an excellent essay about a novel or a book. 

Just pick three from the list you just created with which you are most familiar or that you understand the best. These will correspond to three sections in your essay. 

If you’re an English major, you’ll be a lot more familiar with the term “metaphor” than if you major in Accounting. 

But even if you’re a Math major, you are at least probably already familiar with what a story or a character is. And you’ve probably had a takeaway or a lesson from stories you’ve read or seen on screen.

Just pick what you can relate to most readily and easily. 

For example, you can pick Characters , Symbols , and Takeaways . Great!

You Can Also Pick Examples of an Element 

Let’s say that you are really unfamiliar with most of the elements. In that case, you can just pick one and then list three examples of it.

For example, you can pick the element of Characters . And now all you need to do is choose three of the most memorable characters. You can do this with many of the elements of a novel.

You can pick three themes , such as Romance, Envy, and Adultery. 

You can pick three symbols , such as a rose, a ring, and a boat. These can represent love, marriage, and departure. 

Okay, great job picking your elements or examples of them. 

For the rest of this tutorial, I chose to write about a novel by Fedor Dostoyevskiy, The Brothers Karamazov. This will be our example. 

It is one of the greatest novels ever written. And it’s a mystery novel, too, which makes it fun. 

So now, let’s choose either three elements of this novel or three examples of an element. I find that one of the easiest ways to do this is to pick one element – Characters – and three examples of it. 

In other words, I’m picking three characters. And the entire essay will be about these three characters.

Now, you may ask, if I write only about the characters, am I really writing an essay about the novel? 

And the answer is, Yes. Because you can’t write about everything at once. You must pick something. Pick your battles. 

And by doing that, you will have plenty of opportunities to make a statement about the whole novel. Does that make sense? 

Just trust the process, and it will all become clear in the next steps. 

Let’s pick the three brothers – Alexei, Dmitriy, and Ivan. 

And don’t worry – I won’t assume that you have read the book. And I won’t spoil it for you if you’re planning to. 

So we have the three brothers. We’re ready to move on to the next step.

Step 3. Identify a relationship among these elements

In this step, you want to think about how these three elements that you picked are related to one another. 

In this particular case, the three brothers are obviously related because they are brothers. But I want you to dig deeper and see if there is perhaps a theme in the novel that may be connecting the elements.

And, yes, I am using another element – theme – just to help me think about the book. Be creative and use whatever is available to you. It just so happens that religion is a very strong theme in this novel. 

What do the three brothers have in common? 

• They have the same father.
• Each one has a romantic interest (meaning, a beloved woman).
• All three have some kind of a relationship with God. 

These are three ways in which the brothers are related to one another. All we need is one type of a relationship among them to write this essay. 

This is a religious novel, and yes, some of the characters will be linked to a form of a divinity. In this case, the religion is Christianity.

Note: there are many ways in which you can play with elements of a novel and examples of them. Here’s a detailed video I made about this process:

Let’s see if we can pick the best relationship of those we just enumerated.  

They all have the same father. 

This relationship is only factual. It is not very interesting in any way. So we move on to the next one.

They all have women they love.

Each brother has a romantic interest, to use a literary term. We can examine each of the brothers as a lover. 

Who is the most fervent lover? Who is perhaps more distant and closed? This is an interesting connecting relationship to explore. 

One of them is the most passionate about his woman, but so is another one – I won’t say who so I don’t spoil the novel for you. The third brother seems rather intellectual about his love interest. 

So, romantic interest is a good candidate for a connecting relationship. Let’s explore the next connection candidate. 

They all relate to God in one way or another. 

Let’s see if we can put the brothers’ relationships with God in some sort of an order. Well, Alexei is a monk in learning. He lives at the monastery and studies Christianity. He is the closest to God.

Dmitriy is a believer, but he is more distant from God due to his passionate affair with his woman. He loses his head many times and does things that are ungodly, according to the author. So, although he is a believer, he is more distant from God than is Alexei.

Finally, Ivan is a self-proclaimed atheist. Therefore, he is the farthest away from God.

It looks like we got ourselves a nice sequence, or progression, which we can probably use to write this essay about this novel. 

What is the sequence? The sequence is: 

Alexei is the closest to God, Dmitriy is second closest, and Ivan is pretty far away.

It looks like we have a pattern here. 

If we look at the brothers in the book and watch their emotions closely, we’ll come to the conclusion that they go from blissful to very emotionally unstable to downright miserable to the point of insanity.

Here’s the conclusion we must make: 

The closer the character’s relationship with God, the happier he is, and the farther away he is from God, the more miserable he appears to be.

Wow. This is quite a conclusion. It looks like we have just uncovered one of Dostoyevskiy’s main arguments in this novel, if not the main point he is trying to make.

Now that we’ve identified our three elements (examples) and a strong connecting relationship among them, we can move on to Step 4.

Step 4. Take a stand and write your thesis statement

Now we’re ready to formulate our thesis statement. It consists of two parts:

• Your Thesis (your main argument)
• Your Outline of Support (how you plan to support your main point)

By now, we have everything we need to write a very clear and strong thesis statement. 

First, let’s state our thesis as clearly and succinctly as possible, based on what we already know:

“In his novel Brothers Karamazov , Dostoyevskiy describes a world in which happiness is directly proportional to proximity to God. The closer to God a character is, the happier and more emotionally stable he is, and vice versa.”

See how clear this is? And most importantly, this is clear not only to the reader, but also to you as the writer. Now you know exactly what statement you will be supporting in the body of the essay. 

Are we finished with the thesis statement? Not yet. The second part consists of your supporting points. And again, we have everything we need to write it. Let’s do it.

“Alexei’s state of mind is ultimately blissful, because he is a true and observant believer. Dmitriy’s faith is upstaged by his passion for a woman, and he suffers a lot as a result. Ivan’s renunciation of God makes him the unhappiest of the brothers and eventually leads him to insanity.”

Guess what – we have just written our complete thesis statement. And it’s also our whole first paragraph. 

We are ready for Step 5. 

Step 5. Write the body of the essay

Again, just like in the previous step, you have everything you need to structure and write out the body of this essay.

How many main sections will this essay have? Because we are writing about three brothers, it only makes sense that our essay will have three main sections.

Each section may have one or more paragraphs. So, here’s an important question to consider:

How many words or pages do you have to write? 

Let’s say your teacher or professor wants you to write 2,000 words on this topic. Then, here is your strategic breakdown:

• Thesis Statement (first paragraph) = 100 words
• Conclusion (last paragraph) = 100 words
• Body of the Essay = 1,800 words

Let me show you how easy it is to subdivide the body of the essay into sections and subsections.

We already know that we have three sections. And we need 1,800 words total for the body. This leads us to 600 words per main section (meaning, per brother). 

Can we subdivide further? Yes, we can. And we should.

When discussing each of the brothers, we connect two subjects: his relationship with God AND his psychological state. That’s how we make those connections. 

So, we should simply subdivide each section of 600 words into two subsections of 300 words each. And now all we need to do is to write each part as if it were a standalone 300-word essay.

Does this make sense? See how simple and clear this is?

Writing Your Paragraphs

Writing good paragraphs is a topic for an entire article of its own. It is a science and an art.

In essence, you start your paragraph with a good lead sentence in which you make one point. Then, you provide reasons, explanations, and examples to support it. 

Here is an article I wrote on how to write great paragraphs .

Once you’ve written the body of the essay, one last step remains. 

Step 6. Add an introduction and a conclusion 

Introductions and conclusions are those little parts of an essay that your teachers and professors will want you to write. 

Introduction

In our example, we already have a full opening paragraph going. It’s our thesis statement. 

To write an introduction, all you need to do is add one or two sentences above the thesis statement. 

Here is our thesis statement:

“In his novel Brothers Karamazov, Dostoyevskiy describes a world in which happiness is directly proportional to proximity to God. The closer to God a character is, the happier and more emotionally stable he is, and vice versa. Alexei’s state of mind is ultimately blissful, because he is a true and observant believer. Dmitriy’s faith is upstaged by his passion for a woman, and he suffers a lot as a result. Ivan’s renunciation of God makes him the unhappiest of the brothers and eventually leads him to insanity.”

As you can see, it is a complete paragraph that doesn’t lack anything. But because we need to have an introduction, here is a sentence with which we can open this paragraph:

“Dostoyevskiy is a great Russian novelist who explores the theme of religion in many of his books.”

And then just proceed with the rest of the paragraph. Read this sentence followed by the thesis statement, and you see that it works great. And it took me about 30 seconds to write this introductory sentence. 

You can write conclusions in several different ways. But the most time-proven way is to simply restate your thesis. 

If you write your thesis statement the way I teach, you will have a really strong opening paragraph that can be easily reworded to craft a good conclusion. 

Here is an article I wrote (which includes a video) on how to write conclusions .

Congratulations!

You’ve made it to the end, and now you know exactly how to write an essay about a novel or any work of fiction!

Tutor Phil is an e-learning professional who helps adult learners finish their degrees by teaching them academic writing skills.

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How to Write an Essay About a Novel

Soheila battaglia, 25 jun 2018.

Think about the last novel you read. What about it did you love or hate? The purpose of a literature essay is to examine and evaluate a work of literature in an academic setting. To properly analyze a novel, you must break it down into its constitutive elements, including characterization, symbolism and theme. This process of analysis will help you to better understand the novel as a whole in order to write a thorough, insightful essay.

Explore this article

• Parts of the Novel
• Main Argument in the Essay
• Textual Evidence in the Essay
• Personal Interpretation Based on Evidence

1 Parts of the Novel

During and after reading a novel, the reader should ask a series of questions about aspects of the text to better understand the material. Readers might ask questions like regarding the characters' motivations. Or ask what are the main characters’ virtues and vices? Which of their actions or statements give insight into their morals? What do the characters desire? In terms of the novel's theme, the reader should ask, what is the story about? Are there any social problems conveyed through the novel? What messages does the author communicate regarding shared human experiences and perspectives on reality? If the story uses symbols, what do they represent? You may find that one or more of your responses to these questions will then become the base of your essay.

2 Main Argument in the Essay

The first step to writing an essay about a novel is to determine the main idea or argument. Millsaps College advises students, "Your essay should not just summarize the story's action or the writer's argument; your thesis should make an argument of your own." If the point you are making seems too general or too obvious, be more specific. For example, for the novel "Farenheit 451" by Ray Bradbury, the following main argument is too general: "The novel talks about the dangers of technology." A more specific and effective main argument would be, "Through its depiction of a highly controlled dystopian society, the novel conveys the dangers of using technology as an escape from human emotion and relationships." This main argument is your thesis statement.

3 Textual Evidence in the Essay

The English department at California State University, Channel Islands writes that "it's fine to make a point... but then you must provide examples that support your points." Specific evidence to support your argument includes direct references to the novel. These can be paraphrases, specific details or direct quotations. Remember that textual evidence should only be employed when it directly supports the main idea. That evidence must also be preceded or followed by analysis and an explanation of its relevance to your main point. Textual evidence must always be cited with page numbers from the novel.

4 Personal Interpretation Based on Evidence

Analysis and explanation show the reader you have closely read and reflected on the novel. Instead of summarizing or retelling the story, the focus of a literature essay should be the development of a particular point being made about the text. Your personal interpretation of the material can be conveyed through the conclusions you draw about the motivations and meanings of the novel and any real-world relationships. Those related conclusions need to be based on specific evidence from the text. Options for analyzing the text include looking it through an argument, story structure and author's intent, in a social context or from a psychological standpoint.

• 1 California State University, Channel Islands: Essay Writing Essentials
• 2 University of Nebraska-Lincoln: Some Questions to Use in Analyzing Novels

About the Author

Soheila Battaglia is a published and award-winning author and filmmaker. She holds an MA in literary cultures from New York University and a BA in ethnic studies from UC Berkeley. She is a college professor of literature and composition.

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How to Write an Essay About a Novel

How to Set Up a Rhetorical Analysis

Writing an engaging and stimulating essay about a novel can further develop your understanding of the text -- and earn a high grade as well. Even though there are a great number of ways to construct a well-developed essay about a novel, focus on the following prominent elements to ensure success. By analyzing these key elements in relation to a particular novel, you’ll better understand the text and be able to produce a cohesive, successful essay.

The thesis statement is the central argument of your essay. Pinpoint a particular characteristic about the novel that is open for interpretation and develop a position. It must be insightful and possess a clear counter argument. If you believe the protagonist divorced her husband because of her tragic upbringing and not her husband’s infidelity and you are confident the argument will sustain the entire essay, clearly state your position in the introductory paragraph. The thesis statement generally is the final sentence of the introductory paragraph.

Claims & Evidence

The best way to support your thesis statement is to make claims relevant to your central argument in the body of your essay. In order for your claims to have value, they must be justified with specific examples from the text. Analyze, interpret and present specific themes, character motivations, rising actions and all other elements of the novel that you believe support your central argument. The stronger your pieces of evidence are, the easier it will be to prove your claims.

Transitions

Each claim must transition smoothly into the next. Your essay is a single, cohesive piece, and the better your claims and evidence are able to build off one another the stronger and more persuasive your essay will be as a whole. Without smooth transitions from claim to claim and paragraph to paragraph, your reader will have difficulty piecing all of your positions together. This will inhibit them from seeing that your central argument has warrant and value.

Even though your conclusion is the final paragraph of your essay, it isn't simply a summation of everything you’ve already stated in the rest of the essay. The conclusion needs to elevate the essay as a whole and connect the thesis statement, claims and evidence together in a way that hasn’t yet been achieved. Offer an insight into a particular theme or character that hasn’t been addressed yet, and further convince your reader that your central argument is legitimate.

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• The University of North Carolina: The Writing Center: Literature(Fiction)

Jake Shore is an award-winning Brooklyn-based playwright, published short story writer and professor at Wagner College. His short fiction has appeared in many publications including Litro Magazine, one of London's leading literary magazines. Shore earned his MFA in creative writing from Goddard College.

How to Write a Novel Study: A Complete Guide for Students & Teachers

What Is a Novel Study?

A novel study is essentially the process of reading and studying a novel closely. There are three formats the novel study can follow, namely:

• The whole-class format
• The small group format
• The individual format

Each of these formats comes with its own advantages and disadvantages. Which you will use in your classroom will depend on several variables, including the novel study’s purpose, class demographics, time constraints, etc. 

This article will look at activities you can use with your students in a novel study. Though the focus will primarily be on the whole-class format, the activities outlined below can easily be adapted for small-group and individual novel studies. 

But first, let’s take a look at some of the many considerable benefits of the novel study.

What Are the Benefits of a Novel Study?

The benefits of this type of learning are many and varied. Essentially, the novel itself serves as a jumping-off point for a diverse range of learning experiences that can benefit students’ learning in many ways. 

Here are just three of these benefits.

1. Encourages a Love of Reading

As teachers, we are well aware of how much literature can enrich our lives. However, for many of our students, reading is a chore in and of itself and is to be avoided whenever possible.

The novel study sets aside time in class to focus on reading in an engaging manner that not only encourages students to enjoy reading but helps them develop the tools and strategies required to get the most out of the books they read.

2. Builds a Wider Knowledge Base

Sharing books in this manner creates opportunities for students to become exposed to experiences far beyond those of their daily lives. Not only will they enter new and unfamiliar worlds through the portal of fiction, but they’ll also be exposed to the experiences and opinions of other students in the class. These experiences and opinions may differ markedly from their own.

It will also widen the student’s knowledge and understanding of text structure, vocabulary, punctuation, and grammar . Novel studies are an extremely effective way to practice comprehension skills and improve critical thinking.

3. Boosts Class Cohesion

Whole class novel studies help your students to flex their muscles of cooperation as they work their way through a text together. They also help students to understand each other, take on board the opinions of others, and learn to defend their own thoughts and opinions.

While reading is often viewed as a solitary activity, reading in this manner can become a social experience that helps students to bond as a class.

What Should I Do in a Novel Study?

There are many different ways to undertake a novel study in your classroom. 

For example, some teachers like to read the entire novel to their students first before going back through it as a class, focusing then on student interactions with the text.

Other teachers like to weave guided reading activities into their novel study sessions. However, this often works better with smaller groups where students can be grouped according to ability and assigned texts accordingly.

What shape a novel study takes in your classroom will depend on your student demographics and learning objectives. However, we can helpfully divide the various activities into pre-reading, during-reading, and post-reading. You can select those that suit your situation best. 

Now, let’s look at some of these.

How to Start a Novel Study

Your novel study begins even before the first page is read. The activities below will help students tune in to the book they are about to read. 

This is a crucial stage of the novel study, especially if the book is of historical significance or deals with historical events and where some background knowledge may be essential for understanding the novel. 

Prereading Activities

• Examine the Covers

Before opening the book, have students examine the covers closely, both front and back. What can they tell about the book before opening it based on:

• The cover illustration?
• The author’s name?
• The blurb on the back?

It’s useful to do this as a whole-class discussion to allow for sharing ideas. Ask questions to encourage reflection and get students to make predictions about the novel based on their answers and observations. For example:

• What information does the cover provide?
• Does the cover illustration intrigue you? Why?
• Does this novel remind you of any other books you’ve read? Why?
• Do you recognize the author’s name? What else have they written?

It can be pretty surprising just how much information you can glean from a novel’s covers.

• Generate a List of Questions

Once students have had a good chance to examine the novel’s covers in small groups, get them to generate questions they have about the book and its contents.

These questions may be based on their expectations in the first activity, but they may also be general questions related to common elements in all novels. For example:

• Where is the story set?
• When is it set?
• Who is the main character/protagonist in the novel?
• Who is the antagonist?
• What is the nature of the central conflict?
• What happens in the climax? Resolution? Etc.

While most of these questions will not be answered entirely until the students have read the novel, asking these questions will get the students thinking about the novel’s structure from the outset. This will be extremely useful for later activities.

• Take a Peek Inside

Now, it’s time to open the book to look closer. Task students to go ‘finger-walking’ through the book and, without reading the novel, explore the book’s pages for more surface information. For example:

• When was the book published? Why is this significant?
• Are there any illustrations inside? What impression do they make?
• Does the book have chapters? What do the chapter titles tell us about the story?
• Open a random page and read it. What language register does the writer use? What point of view is employed?

Encouraging students to work in small groups can be helpful here. You can also ask prompting questions to help students maintain focus during this activity.

During Reading Activities

The whole-class format is perhaps the most widely used in the classroom context. In this format, each student will usually have a copy of the text and follow along while the teacher or another student reads. 

The reading will pause at intervals to allow the students to engage in discussion, ask questions, or complete various activities supporting learning goals related to the text they have been reading.

In general, novel study activities will focus on:

• Building vocabulary
• Improving comprehension
• Making text-to-text connections
• Making text-to-self connections
• Making text-to-world connections

In the following section, we’ll look at each of these in turn.

Reading is a fantastic way to build vocabulary; when your students encounter new vocabulary while reading, encourage them to employ several strategies to decipher the word before resorting to their dictionaries.

Firstly, what clues to the word’s meaning can the students find in the word itself? Do students recognize the word’s root or affixes? Does it resemble any other words they already know the meaning of?

Secondly, students should look at the context in which the word is used, not just in the sentence itself but also in the preceding and following paragraphs. What clues can the students find to the word’s meaning?

After analyzing the parts of the word and exhausting context clues, students can look up the word in dictionaries. However, they will still need to do some legwork to make the new word stick. Some valuable ways of committing a new word to memory include:

• Sketching a visual interpretation of the word
• Making a list of synonyms of the word using a thesaurus to assist
• Apply the target words in personal contexts (in conversation/writing sentences)
• Reading Comprehension

Vocabulary is only one aspect of comprehension. Novel studies afford students a valuable opportunity to develop their deep comprehension abilities.

Beyond just understanding the meaning of the words in a novel, students will work on their understanding of skills such as:

• Identifying the central idea/themes
• Examining character/plot development
• Distinguishing between fact and opinion
• Summarizing
• Inferencing
• Comparing and contrasting

While activities for teaching some of the more basic comprehension skills may be more self-evident, activities for teaching higher-level skills, such as inferencing, may require a bit more thought and planning.

We can define inference as the process of deriving a conclusion based on the available evidence in the text combined with the student’s background knowledge and experience. 

Put simply, inference involves reading between the lines.

Inference = What is in the text + What I already know

To encourage students to use inference while completing a novel study, ask questions building on prompts such as:

• Why do you think…
• What do you think would happen if…
• What can you conclude about x based on what you’ve read?
• How does the writer feel about…
• How do you think x feels?

If you want to learn more about teaching inference in the classroom, check out our thorough article on the topic here .

• Making Connections

While vocabulary building and developing reading comprehension skills are a big part of what novel studies are all about, this type of reading lends itself to a deeper exploration of the power of the written word.

Too often, our students read prescribed texts without ever making any personal or profound connections to the material they read. Students can better understand what they are reading by exploring ways of connecting to a novel. There are three main types of connections we can explore:

• Text-to-self connections
• Text-to-text connections
• Text-to-world connections

Let’s look at how students can make each type of connection in a novel study.

Text-to-Self

This is all about the student making a personal connection and responding to the text as an individual. Essentially, this type of connection is about encouraging the students to share their thoughts and feelings on various aspects of the novel. This sharing can take the form of oral contributions to class discussions and debates or in the form of a written response.

Either way, question prompts are a great way to kick things off. Here are some examples to get the ball rolling.

• What does this incident remind you of in your own life?
• Which character do you identify with the most?
• Have you ever been in a similar situation? What happened?
• What would you do in this situation?

Text-to-Text

These connections are all about the student linking the novel they are studying to other texts they have read or seen. This could include other novels, comics, nonfiction books, websites, and poems.

Here are some useful prompts to encourage your students to make text-to-text connections.

• Have you ever read anything like this before?
• How is this text similar to/different from other texts you’ve looked at?
• What other fictional character does the hero of this novel remind you of?

Text-to-World

Making a text-to-world connection requires students to think about the novel in terms of the wider world. Here, students forge links with the broader culture and current affairs. Text-to-world connections will frequently require students to tie the novel into other areas of learning, such as social studies and the sciences.

Here are a few helpful text-to-world prompts.

• How do the events described in the novel relate to real-world events?
• What issues explored in the novel are pertinent in today’s world?
• How does the world described in the novel relate to the world we live in now?

Post-Reading Activities

The number of possible activities you can do to complete a novel is almost endless. Which activities you choose will depend on what aspect of the novel and/or objectives you are trying to teach. Here are just a few popular tasks students regularly complete after they finish reading a novel.

• Create a timeline of events.
• Graph the plot .
• Write a character profile.
• Design an alternative book cover/blurb.
• Write a summary of the novel.
• Write an alternative ending.
• Have a formal debate based on themes or issues explored in the novel.
• Write a book review.

Well, that’s enough to start a novel study in your classroom. However, if you’d like to read more on reading comprehension strategies you can employ in your novel studies, check out our depth article on the topic here .

The flexibility of the novel study format lends itself well to almost any age group; just be sure to choose a text that matches the general reading ability of your class. For older kids, you may even want to involve them in deciding what text to study. 

However you decide to choose your novel, just be sure to read the text thoroughly in advance to stay one step ahead of your students – and don’t forget to have fun with it!

How to Write a Novel (Without Fail): The Ultimate 20-Step Guide

by Joe Bunting | 0 comments

What if you could learn how to write a novel without fail? What if you had a process so foolproof, you knew you would finish no matter what writer's block throws at you? The zombie apocalypse could finally strike and you’d still face the blank page to finish your novel.

Every day I talk to writers who don’t know how to write a novel. They worry they don’t have what it takes, and honestly, they’re right to worry.

Writing a novel, especially for the first time, is hard work, and the desk drawers and hard drives of many a great writer are filled with the skeletons of incomplete and failed books.

The good news is you don't have to be one of those failed writers.

You can be a writer that writes to the end.

You can be the kind of writer who masters how to write a novel.

Table of Contents

Looking for something specific? Jump straight to it here:

1. Get a great idea 2. Write your idea as a premise 3. Set a deadline 4. Set smaller deadlines building to the final deadline 5. Create a consequence 6. Strive for “good enough” and embrace imperfection 7. Figure out what kind of story you’re trying to tell 8. Read novels and watch films that are similar to yours 9. Structure, structure, structure! 10. Find the climactic moment in your novel 11. Consider the conventions 12. Set your intention 13. Picture your reader 14. Build your team 15. Plan the publishing process 16. Write (with low expectations) 17. Trust the process and don’t quit 118. Keep going, even when it hurts 19. Finish Draft One . . . then onward to the next 20. Draft 2, 3, 4, 5 Writers’ Best Tips on How to Write a Novel FAQ

My Journey to Learn How to Write a Novel

My name is Joe Bunting .

I used to worry I would never write a novel. Growing up, I dreamed about becoming a great novelist, writing books like the ones I loved to read. I had even tried writing novels, but I failed again and again.

So I decided to study creative writing in college. I wrote poems and short stories. I read books on writing. I earned an expensive degree.

But still, I didn’t know how to write a novel.

After college I started blogging, which led to a few gigs at a local newspaper and then a national magazine. I got a chance to ghostwrite a nonfiction book (and get paid for it!). I became a full-time, professional writer.

But even after writing a few books, I worried I didn’t have what it takes to write a novel. Novels just seemed different, harder somehow. No writing advice seemed to make it less daunting. 

Maybe it was because they were so precious to me, but while writing a nonfiction book no longer intimidated me—writing a novel terrified me.

Write a novel? I didn’t know how to do it.

Until, one year later, I decided it was time. I needed to stop stalling and finally take on the process.

I crafted a plan to finish a novel using everything I’d ever learned about the book writing process. Every trick, hack, and technique I knew.

And the process worked.

I finished my novel in 100 days.

Today, I’m a Wall Street Journal bestselling author of thirteen books, and I'm passionate about teaching writers how to write and finish their books. (FINISH being the key word here.)

I’ve taught this process to hundreds of other writers who have used it to draft and complete their novels.

And today, I'm going to teach my “how to write a novel” process to you, too. In twenty manageable steps !

As I do this, I’ll share the single best novel writing tips from thirty-seven other fiction writers that you can use in your novel writing journey—

All of which is now compiled and constructed into The Write Planner : our tangible planning guide for writers that gives you this entire process in a clear, actionable, and manageable way.

If you’ve ever felt discouraged about not finishing your novel, like I did, or afraid that you don’t have what it takes to build a writing career, I’m here to tell you that you can.

There's a way to make your writing easier.

Smarter, even.

You just need to have the “write” process.

How to Write a Novel: The Foolproof, 20-Step Plan

Below, I’m going to share a foolproof process that anyone can use to write a novel, the same process I used to write my novels and books, and that hundreds of other writers have used to finish their novels too.

1. Get a Great Idea

Maybe you have a novel idea already. Maybe you have twenty ideas.

If you do, that’s awesome. Now, do this for me: Pat yourself on the back, and then forget any feeling of joy or accomplishment you have.

Here’s the thing: an idea alone, even a great idea, is just the first baby step in writing your book. There are nineteen more steps, and almost all of them are more difficult than coming up with your initial idea.

I love what George R.R. Martin said:

“Ideas are useless. Execution is everything.”

You have an idea. Now learn how to execute, starting with step two.

(And if you don’t have a novel idea yet, here’s a list of 100 story ideas that will help, or you can view our genre specific lists here: sci-fi ideas , thriller ideas , mystery ideas , romance ideas , and fantasy ideas . You can also look at the Ten Best Novel Ideas here . Check those out, then choose an idea or make up one of your own, When you're ready, come back for step two.)

2. Write Your Idea As a Premise

Now that you have a novel idea , write it out as a single-sentence premise.

What is a premise, and why do you need one?

A premise distills your novel idea down to a single sentence. This sentence will guide your entire writing and publishing process from beginning to end. It hooks the reader and captures the high stakes (and other major details) that advance and challenge the protagonist and plot.

It can also be a bit like an elevator pitch for your book. If someone asks you what your novel is about, you can share your premise to explain your story—you don't need a lengthy description.

Also, a premise is the most important part of a query letter or book proposal, so a good premise can actually help you get published.

What’s an example of a novel premise ?

Here’s an example from The Wizard of Oz by L. Frank Baum:

A young girl is swept away to a magical land by a tornado and must embark on a quest to see the wizard who can help her return home.

Do you see the hooks? Young girl, magical land, embark on a quest (to see the wizard)—and don't forget her goal to return home.

This premise example very clearly contains the three elements every premise needs in order to stand out:

• A protagonist described in two words, e.g. a young girl or a world-weary witch.
• A goal. What the protagonist wants or needs.
• A situation or crisis the protagonist must face.

Ready to write your premise? We have a free worksheet that will guide you through writing a publishable premise: Download the worksheet here.

3. Set a Deadline

Before you do anything else, you need to set a deadline for when you’re going to finish the first draft of your novel.

Stephen King said a first draft should be written in no more than a season, so ninety days. National Novel Writing Month, or NaNoWriMo, exists to encourage people to write a book in just thirty days.

In our 100 Day Book Program, we give people a little longer than that, 100 days, which seems like a good length of time for most people (me included!).

I recommend setting your deadline no longer than four months. If it’s longer than that, you’ll procrastinate. A good length of time to write a book is something that makes you a little nervous, but not outright terrified.

Mark the deadline date in your calendar, kneel on the floor, close your eyes, and make a vow to yourself and your book idea that you will write the first draft novel by then, no matter what.

4. Set Smaller Deadlines Building to the Final Deadline

A novel can’t be written in a day. There’s no way to “cram” for a novel. The key to writing (and finishing) a novel is to make a little progress every day.

If you write a thousand words a day, something most people are capable of doing in an hour or two, for 100 days , by the end you’ll have a 100,000 word novel—which is a pretty long novel!

So set smaller, weekly deadlines that break up your book into pieces. I recommend trying to write 5,000 to 6,000 words per week by each Friday or Sunday, whichever works best for you. Your writing routine can be as flexible as you like, as long as you are hitting those smaller deadlines. 

If you can hit all of your weekly deadlines, you know you’ll make your final deadline at the end.

As long as you hold yourself accountable to your smaller, feasible, and prioritized writing benchmarks.

5. Create a Consequence

You might think, “Setting a deadline is fine, but how do I actually hit my deadline?” Here’s a secret I learned from my friend Tim Grahl :

You need to create a consequence.

Try by taking these steps:

• Set your deadline.
• Write a check to an organization or nonprofit you hate (I did this during the 2016 U.S. presidential election by writing a check to the campaign of the candidate I liked least, whom shall remain nameless).
• Think of two other, minor consequences (like giving up your favorite TV show for a month or having to buy ice cream for everyone at work).
• Give your check, plus your list of two minor consequences, to a friend you trust with firm instructions to hold you to your consequences if you don’t meet your deadlines.
• If you miss one of your weekly deadlines, suffer one of your minor consequences (e.g. give up your favorite TV show).
• If you miss THREE weekly deadlines OR if you miss the final deadline, send your check to that organization you hate.
• Finally, write! I promise that if you complete steps one through six, you'll be incredibly focused.

When I took these steps while writing my seventh book, I finished it in sixty-three days. Sixty-three days!

It was the most focused I’ve ever been in my life.

Writing a book is hard work. Setting reasonable consequences make it harder to NOT finish than to finish.

Watch me walk a Wattpad famous writer through this process:

6. Strive for “Good Enough” and Embrace Imperfection

The next few points are all about how to write a good story.

The reason we set a deadline before we consider how to write a story that stands out is because we could spend our entire lives learning how write a great story, but never actually write the actual story (and it’s in the writing process that you learn how to make your story great).

So learn how to make it great between writing sessions, but only good enough for the draft you’re currently writing. If you focus too much on this, it will ruin everything and you’ll never finish.

Writing a perfect novel, a novel like the one you have in your imagination, is an exercise in futility.

First drafts are inevitably horrible. Second drafts are a little better. Third drafts are better still.

But I'd bet none of these drafts approach the perfection that you built up in your head when you first considered your novel idea.

And yet, even if you know that, you’ll still try to write a perfect novel.

So remind yourself constantly, “This first draft doesn’t have to be perfect. It just has to be good enough for now.”

And good enough for now, when you’re starting your first draft, just means you have words on a page that faintly resemble a story.

Writing is an iterative process. The purpose of your first draft is to have something you can improve in your second draft. Don’t overthink. Just do. (I’ll remind you of this later, in case you forget, and if you’re like me, you probably will.)

Ready to look at what makes a good story? Let’s jump into the next few points—but don’t forget your goal: to get your whole book, the complete story, on the page, no matter how messy your first draft reads.

7. Figure Out What Kind of Story You’re Trying to Tell

Now that you have a deadline, you can start to think more deeply about what your protagonist really wants.

A good story focuses primarily on just one core thing that the protagonist wants or needs, and the place where your protagonist’s want or need meets the reader’s expectations dictates your story's genre.

Plot type is a big subject, and for the purposes of this post, we don’t have time to fully explore it (check out my book The Write Structure here ).

But story type is about more than what shelf your book sits on at the bookstore.

The book type gets to the heart, the foundational values, of what your story is about. In my book The Write Structure , I define ten plot types, which correspond to six value scales. I’ll give an abbreviated version below:

External Values (What Your Protagonist Wants)

• Life vs. Death: Action, Adventure
• Life vs. a Fate Worse Than Death: Horror, Thriller, Mystery
• Love vs. Hate: Love, Romance
• Esteem: Performance, Sports

Internal Values (What Your Protagonist Needs)

Internal plot types work slightly different than external plot types. These are essential for your character's transformation from page one to the end and deal with either a character's shift in their black-and-white view, a character's moral compass, or a character's rise or fall in social status.

For more, check out The Write Structure .

The most common internal plot types are bulleted quickly below.

• Maturity/Sophistication vs. Immaturity/Naiveté: Coming of Age
• Good/Sacrifice vs. Evil/Selfishness: Morality, Temptation/Testing

Choosing Your External and Internal Plot Types Will Set You Up for Success

You can mix and match these genres to some extent. For your book to be commercially successful, you must have an external genre.

For your book to be considered more “character driven”—or a story that connects with the reader on a universal level—you should have an internal genre, too. (I highly recommend having both.)

You can also have a subplot. So that’s three genres that you can potentially incorporate into your novel.

For example, you might have an action plot with a love story subplot and a worldview education internal genre. Or a horror plot with a love story subplot and a morality internal genre. There’s a lot of room to maneuver.

Regardless of what you choose, the balance of the three will give your protagonist plenty of obstacles to face as they strive to achieve their goal from beginning to end. (For best results when you go to publish, though, make sure you have an external genre.)

If you want to have solid preparation to write you book, I highly recommend grabbing a copy of The Write Structure .

What two or three values are foundational to your story? Spend some time brainstorming what your book is really about. Even better, use our Write Structure worksheet to get to the heart of your story type.

8. Read Novels and Watch Films That Are Similar to Yours

“The hard truth is that books are made from books.”

I like to remember this quote from Cormac McCarthy when considering what my next novel is really about.

Now that you’ve thought about your novel's plot, it’s time to see how other great writers have pulled off the impossible and crafted a great story from the glimmer of an idea.

You might think, “My story is completely unique. There are no other stories similar to mine.”

If that’s you, then one small word of warning. If there are no books that are similar to yours, maybe there’s a reason for that.

Personally, I’ve read a lot of great books that were a lot of fun to read and were similar to other books. I’ve also read a lot of bad books that were completely unique.

Even precious, unique snowflakes look more or less like other snowflakes.

If you found your content genre in step three, select three to five novels and films that are in the same genre as yours and study them.

Don’t read/watch for pleasure. Instead, try to figure out the conventions, key scenes, and the way the author/filmmaker moves you through the story.

There's great strength in understanding how your story is the same but different.

9. STRUCTURE, STRUCTURE, STRUCTURE!

Those were the three words my college screenwriting professor, a successful Hollywood TV producer, wrote across the blackboard nearly every class. Your creative process doesn't matter without structure.

You can be a pantser , someone who writes by the seat of their pants.

You can be a plotter , someone who needs to have a detailed outline for each of the plot points in their novel.

You can even be a plantser , somewhere in between the two (like most writers, including me).

It doesn’t matter. You still have to know your story structure .

Here are a few important structural elements you’ll want to figure out for your novel before moving forward:

6 Key Moments of Story Structure

There are six required moments in every story, scene, and act. They are:

• Exposition : Introducing the world and the characters.
• Inciting incident : There’s a problem.
• Rising Action/Progressive complications : The problem gets worse, usually due to external conflict.
• Dilemma : The problem gets so bad that the character has no choice but to deal with it. Usually this happens off screen.
• Climax : The character makes their choice and the climax is the action that follows.
• Denouement : The problem is resolved (for now at least).

If you're unfamiliar with these terms, I recommend studying each of them, especially dilemma, which we'll talk about more in a moment. Mastering these will be a huge aid to your writing process.

For your first few scenes, try plotting out each of these six moments, focusing especially on the dilemma.

Better yet, download our story structure worksheet to guide you through the story structure process, from crafting your initial idea through to writing the synopsis.

I've included some more detailed thoughts (and must-knows) about structure briefly below:

Three Act Structure

The classic writing advice describes the three act structure well:

In the first act, put your character up a tree. In the second act, throw rocks at them. In the third act, bring them down.

Do you wonder whether you should use three act structure or five act structure? (Hint: you probably don't want to use the five act structure. Learn more about this type with our full guide on the five act structure here .)

Note that each of these acts should have the six key moments listed above.

The Dilemma

I mentioned the importance of a character undergoing a crisis, but it bears repeating since, for me, it completely transformed my writing process.

In every act, your protagonist must face an impossible choice. It is THIS choice that creates drama in your story. THIS is how your plot moves forward. If you don’t have a dilemma, if your character doesn’t choose, your scenes won’t work, nor will your acts or story.

In my writing, when I’m working on a first draft, I don’t focus on figuring out all five key moments every time (since I’ve internalized them by now), but I do try to figure out the crisis before I start writing .

I begin with that end in mind, and figure out how I can put the protagonist into a situation where they must make a difficult choice.

One that will have consequences even if they decide to do nothing.

When you do that, your scene works. When you don’t, it falls flat. The protagonist looks like a weak-willed observer of their own life, and ultimately your story will feel boring. Effective character development requires difficult choices.

Find the dilemma every time.

Write out a brief three-act outline with each of the six key moments for each act. It’s okay to leave those moments blank if you don’t know them right now. Fill in what you do know, and come back to it.

Point of View

Point of view, or POV, in a story refers to the narrator’s position in the description of events. There are four types of point of view, but there are only two main options used by most writers:

• Third-person limited point of view is the most common and easiest to use, especially for new writers. In this POV, the characters are referred to in third person (he/she/they) and the narrator has access to the thoughts and feelings to a maximum of one character at a time (and likely one character for the duration of the narrative). You can read more about how to use third-person limited here .
• First-person point of view is also very common and only slightly more difficult. In this POV, the narrator is a character in the story and uses first person pronouns (I/me/mine/we/ours) and has access only to their own thoughts and feelings. This point of view requires an especially strong style, one that shows the narrator's distinct attitude and voice as they tell the story.

The third option is used much less common, though is still found occasionally, especially in older works:

• Third-person omniscient point of view is much more difficult to pull off well and isn't recommended for first time authors. In this POV, the characters are referred to in third-person (he/she/him/her/they/them), but the narrator has access to the thoughts and feelings of any and all characters at the same time. This is a difficult narrative to pull off because of how disorienting it can be for the reader. Readers are placed “in the heads” of so many characters, which can easily destroy the drama of a story because of the lack of mystery.

One final option:

• Second-person point of view is the most difficult to pull off and isn't recommended for most authors. In this POV, the characters are referred to in second person (you/your). This choice is rarely (although not never) found in novels.

Get The Write Structure here »

10. Find the Climactic Moment in Your Novel

Every great novel has a climactic moment that the whole story builds up to—it's the whole reason a reader purchases a book and reads it to the end.

In Moby Dick , it’s the final showdown with the white whale.

In Pride and Prejudice , it’s Lizzie accepting Mr. Darcy’s proposal after discovering the lengths he went to in order to save her family.

In the final Harry Potter novel (spoiler alert!), it’s Harry offering himself up as a sacrifice to Voldemort to destroy the final Horcrux.

To be clear, you don’t have to have your climactic moment all planned out before you start writing your book . (Although knowing this might make writing and finishing your novel easier and more focused.)

But it IS a good idea to know what novels and films similar to yours have done.

For example, if you’re writing a performance story about a violinist, as I am, you need to have some kind of big violin competition at the end of your book.

If you’re writing a police procedural crime novel, you need to have a scene where the detective unmasks the murderer and explains the rationale behind the murder.

Think about the climactic moment your novel builds up before the final showdown at the end. This climactic moment will usually occur in the climax of the second or third act.

If you know this, fill in your outline with the climactic moment, then write out the five key moments of the scene for that moment.

If you don’t know them, just leave them blank. You can always come back to it.

11. Consider the Conventions

Readers are sophisticated. They’ve been taking in stories for years, since they were children, and they have deep expectations for what should be in your story.

That means if you want readers to like your story, you need to meet and even exceed some of those expectations.

Stories do this constantly. We call them conventions, or tropes, and they’re patterns that storytellers throughout history have found make for a good story.

In the romantic comedy (love) genre, for example, there is almost always the sidekick best friend, some kind of love triangle, and a meet cute moment where the two potential lovers meet.

In the mystery genre, the story always begins with a murder, there are one or more red herrings , and there’s a final unveiling of the murder at the end.

Think through the three to five novels and films you read/watched. What conventions and tropes did they have in common?

12. Set Your Intention

You’re almost ready to start writing. Before you do, set your intention.

Researchers have found that when you’re trying to create a new habit, if you imagine where and when you will participate in that habit, you’re far more likely to follow through.

For your writing, imagine where, when, and how much you will write each day. For example, you might imagine that you will write 1,000 words at your favorite coffee shop each afternoon during your lunch break.

As you imagine, picture your location and the writing space clearly in your mind. Watch yourself sitting down to work, typing on your laptop. Imagine your word count tracker going from 999 to 1,002 words.

When it’s time to write , you’ll be ready to go do it.

13. Picture Your Reader

The definition of a story is a narrative meant to entertain, amuse, or instruct. That implies there is someone being entertained, amused, or instructed!

I think it’s helpful to picture one person in your mind as you write (instead of an entire target audience). Then, as you write, you can better understand what would interest, amuse, or instruct them.

By picturing them, you will end up writing better stories.

Create a reader avatar.

Choose someone you know, or make up someone who would love your story. Describe them in terms of demographics and interests. Consider the question, “Why would this reader love my novel?”

When you write, write for them.

14. Build Your Team

Most people think they can write a novel on their own, that they need to stick themselves in some cabin in upstate New York or an attic apartment in Paris and just focus on writing their novel for a few months or decades.

And that’s why most people fail to finish writing a book .

As I’ve studied the lives of great writers, I’ve found that they all had a team. None of them did it all on their own. They all had people who supported and encouraged them as they wrote.

A team can look like:

• An editor with a publishing house
• A writing group
• An author mentor or coach
• An online writing course or community

Whatever you find, if you want to finish your novel, don’t make the mistake of believing you can do it all on your own (or that you have to do it on your own).

Find a writing group. Take an online writing class . Or hire a developmental editor .

Whatever you do, don’t keep trying to do everything by yourself.

15. Plan the Publishing Process

One thing I’ve found is that when successful people take on a task, they think through every part of the process from beginning to end. They create a plan. Their plan might change, but starting with a plan gives them clear focus for what they’re setting out to accomplish.

Most of the steps we’ve been talking about in this post involve planning (writing is coming up next, don’t worry), but in your plan, it’s important to think through things all the way to the end—the publishing and marketing process.

So spend ten or twenty minutes dreaming about how you’ll publish your novel (self-publishing vs. traditional publishing) and how you’ll promote it (to your email list, on social media, via Amazon ads, etc.).

By brainstorming about the publishing and marketing process, you’ll make it much more likely to actually finish your novel because you're eager for (and know what you want to do when you're at) the end.

Have no idea how to get published? Check out our 10-step book publishing and launch guide here .

16. Write (With Low Expectations)

You’ve created a plan. You know what you’re going to write, when you’re going to write it, and how you’re going to write.

Now it’s time to actually write it.

Sit down at the blank page. Take a deep breath. Write your very first chapter.

Don’t forget, your first draft is supposed to be bad.

Write anyway.

17. Trust the Process and Don’t Quit

As I’ve trained writers through the novel writing process in our 100 Day Book Program, inevitably around day sixty, they tell me how hard the process is, how tired they are of their story, how they have a new idea for a novel, and they want to work on that instead.

“Don’t quit,” I tell them. Trust the process. You’re so much closer than you think.

Then, miraculously, two or three weeks later, they’re emailing me to say they’re about to finish their books. They’re so grateful they didn’t quit.

This is the process. This is how it always goes.

Just when you think you’re not going to make it, you’re almost there.

Just when you most want to quit, that’s when you’re closest to a breakthrough.

Trust the process. Don’t quit. You’re going to make it.

Just keep showing up and doing the work (and remember, doing the work means writing imperfectly).

18. Keep Going, Even When It Hurts

Appliances always break when you’re writing a book.

Someone always gets sick making writing nearly impossible (either you or your spouse or all your kids or all of the above).

One writer told us recently a high-speed car chase ended with the car crashing into a building close to her house.

I’m not superstitious, but stuff like this always happens when you’re writing a book.

Expect it. Things will not go according to plan. Major real life problems will occur.

It will be really hard to stay focused for weeks on end.

This is where it’s so important to have a team (step fourteen). When life happens, you’ll need someone to vent to, to encourage you, and to support you.

No matter what, write anyway. This is what separates you from all the aspiring writers out there. You do the work even when it’s hard.

Keep going.

19. Finish Draft One… Then Onward to the Next

I followed this process, and then one day, I realized I’d written the second to last scene. And then the next day, my novel was finished.

It felt kind of anticlimactic.

I had wanted to write a novel for years, more than a decade. I had done it. And it wasn’t as big of a deal as I thought.

Amazing, without question.

But also just normal.

After all, I had been doing this, writing every day for ninety-nine days. Finishing was just another day.

But the journey itself? 100 days for writing a novel? That was amazing.

That was worth it.

And it will be worth it again and again.

Maybe it will be like that for you. You might finish your book and feel amazing and proud and relieved. You might also feel normal. It’s the difference between being an aspiring writer and being a real writer.

Real writers realize the joy is in the work, not in having a finished book .

When you get to this point, I just want to say, “Congratulations!”

You did it.

You finished a book. I’m so excited for you!

But also, as you will know when you get to this point, this is really just the beginning of your journey.

Your book isn’t nearly ready to publish yet.

So celebrate. Throw a party for yourself. Say thank you to all your team members. You finished. You should be proud!

After this celebratory breather, move on to your last step.

20. Next Drafts: Draft Two…Three…Four…Five

This is a novel writing guide, not a novel revising guide (that is coming soon!). But I’ll give you a few pointers on what to do after you write your novel:

• Rest. Take a break. You earned it. Resting also lets you get distance on your book, which you need right now.
• Read without revising. Most people jump right into the proofreading and line editing process. This is the worst thing you could do. Instead, read your novel from beginning to end without making revisions. You can take notes, but the goal for this is to create a plan for your next draft, not fix all your typos and misplaced commas . This step will usually reveal plot holes, character inconsistencies, and other high-level problems.
• Get feedback. Then, share your book with your team: editors and fellow writers (not friends and family yet). Ask for constructive feedback, especially structural feedback, not on typos for now.
• Next, rewrite for structure. Your second draft is all about fixing the structure of your novel. Revisit steps seven through eleven for help.
• Last, polish your prose. Your third (and additional) draft(s) is for fixing typos, line editing, and making your sentences sound nice. Save this for the end, because if you polish too soon, you might have to delete a whole scene that you spent hours rewriting.

Want to know more about what to do next? Check out our guide on what to do AFTER you finish your book here .

Writers’ Best Tips on How to Write a Novel

I’ve also asked the writers I’ve coached for their single tips on how to write a novel. These are from writers in our community who have followed this process and finished novels of their own. Here are their best novel writing tips:

“Get it out of your head and onto the page, because you can’t improve what’s not been written.” Imogen Mann

“What gets scheduled, gets done. Block time in your day to write. Set a time of day, place and duration that you will write 4-7 days/week until it becomes habit. It’s most effective if it’s the same time of day, in the same place. Then set your duration to a number of minutes or a number of words: 60 minutes, 500 words, whatever. Slowly but surely, those words string together into a piece of work!” Stacey Watkins

“Honestly? And nobody paid me for this one—enroll in the 100 Day Book challenge at The Write Practice. I had been writing around in my novel for years and it wasn’t until I took the challenge did I actually write it chapter by chapter from beginning to end in 80,000 words. Of course I now have to revise, revise, revise.” Madeline Slovenz

“I try to write for at least an hour every day. Some days I feel like the creativity flows out of me and others it’s awkward and slow. But yes, my advice is to write for at least one hour every day. It really helps.” Kurt Paulsen

“Be patient, be humble, be forgiving. Patient, because writing a novel well will take longer than you ever imagined. Humble, because being awake to your strengths and your weaknesses is the only way to grow as a writer. And forgiveness, for the days when nothing seems to work. Stay the course, and the reward at the end — whenever that comes — will be priceless. Because it will be all yours.” Erin Halden

“Single best tip I can recommend is the development of a plan. My early writing, historical stories for my world, was done as a pantser. But, when I took the 100 Day Book challenge , one of the steps was to produce an outline. Mine started as the briefest list of chapters. But, as I thought about it, the outline expanded to cover what was happening and who was in it. That lead to a pattern for the chapters, a timeline, and greater detail in the outline. I had always hated outlines, but like Patrick Rothfuss said in one of his interviews, that hatred may have been because of the way it was taught when I was in school (long ago.) I know I will use one for the second book (if I decide to go forward with it.) Just remember the plan is there for your needs. It doesn’t need to be a formal I. A. 1. a. format. It can simply be a set of notecards with general ideas you want to include in your story.” Patrick Macy

“Everybody who writes does so on faith and guts and determination. Just write one line. Just write one scene. Just write one page. And if you write more that day consider yourself fortunate. The more you do, the stronger the writing muscle gets. But don’t do a project; just break things down into small manageable bits.” Joe Hanzlik

“When you’re sending your novel out to beta readers , keep in mind some people‘s feedback may not resonate or be true for your vision of the work. Also, just because you’ve handed off a copy for beta reading doesn’t mean you don’t have control over how people give you feedback. For instance, if you don’t want line editing, ask them not to give paragraph and sentence corrections. Instead, ask for more general feedback on the character arcs, particular scenes in the story, the genre, ideal reader , etc. Be proactive about getting the kind of response you want and need.” B.E. Jackson

“Become your main character. Begin to think and act the way they would.” Valda Dracopoulos

“I write for minimum 3 hours starting 4 a.m. Mind is uncluttered and fresh with ideas. Daily issues and commitment can wait. Make a plan and stick to the basic plan.” R.B. Smith

“Stick to the plan (which includes writing an outline, puttin your butt in the chair and shipping). I’m trying to keep it simple!” Carole Wolf

“Have a spot where you write, get some bum glue, sit and write. I usually have a starting point, a flexible endpoint and the middle works itself out.” Vuyo Ngcakani

“Before I begin, I write down the ten key scenes that must be in the novel. What is the thing that must happen, who is there when it happens, where does it take place. Once I have those key scenes, I begin.” Cathy Ryan

“In my English classes, I was told to ‘show, don’t tell,' which is the most vague rule I’ve ever heard when it comes to writing. Until I saw a post that expanded upon this concept saying to ‘ show emotion, tell feelings …’. Showing emotion will bring the reader closer to the characters, to understand their actions better. But I don’t need to read about how slow she was moving due to tiredness.” Bryan Coulter

“For me, it’s the interaction between all of the characters. It drives almost all of my novels no matter how good or bad the plot may be .” Jonathan Srock

“Rules don’t apply in the first draft; they only apply when you begin to play with it in the second draft.” Victor Paul Scerri

“My best advice to you is: Just Write. No matter if you are not inspired, maybe you are writing how you can’t think of something to write or wrote something that sucks. But just having words written down gets you going and soon you’ll find yourself inspired. You just have to write.” Mony Martinez

“As Joseph Campbell said, “find your bliss.” Tap into a vein of whatever it is that “fills your glass” and take a ride on a stream of happy, joyful verbiage.” Jarrett Wilson

“Show don’t tell is the most cited rule in the history of fiction writing, but if you only show, you won’t get past ch. 1. Learn to master the other forms of narration as well.” Rebecka Jäger

“We’ve all been trained jump when the phone rings, or worse, to continually check in with social media. Good work requires focus, but I’ve had to adopt some hacks to achieve it. 1) Get up an hour before the rest of the household and start writing. Don’t check email, Facebook, Instagram, anything – just start working. 2) Use a timer app, to help keep you honest. I set it for 30 minutes, then it gives me a 5-minute break (when things are really humming, I ignore the breaks altogether). During that time, I don’t allow anything to interrupt me if I can help it. 3) Finally, set a 3-tiered word count goal: Good, Great, Amazing. Good is the number of words you need to generate in order to feel like you’ve accomplished something (1000 words, for example). Great would be a higher number, (say, 2000 words). 3000 words could be Amazing. What I love about this strategy is that it’s forgiving and inspiring at the same time.” Dave Strand

“My advice comes in two parts. First, I think it’s important to breathe life into characters, to give them emotions and personalities and quirks. Make them flawed so that they have plenty of room to grow. Make them feel real to the reader, so when they overcome the obstacles you throw in their way, or they don’t overcome them, the reader feels all the more connected and invested in their journey. Second, I think there’s just something so magical about a scene that transports me, as a reader, to the characters’ world; that allows me to see, feel, smell, and touch what the characters are experiencing. So, the second part of my advice is to describe the character’s experience of their surroundings keeping all of their senses in mind. Don’t stop simply with what they see.” Jennifer Baker

“Start with an outline (it can always be changed), set writing goals and stick to them, write every day, know that your first draft is going to suck and embrace that knowledge, and seek honest feedback. Oh, and celebrate milestones, especially when you type ‘The End’. Take a break from your novel (but don’t stop writing something — short stories, blog posts, articles, etc.) and then dive head-first into draft 2!” Jen Horgan O’Rourke

“I write in fits and spurts of inspiration and insights. Much of my ‘writing’ occurs when I am trying to fall asleep at night or weeding in the garden. I carry my stories and essays in my head, and when I sit down to start writing, I don’t like to ‘turn off the tap.’ My most important principle is that when I write a draft, I put it out of my mind for a few days before coming back to see what it sounds like when I read it aloud.” Gayle Woodson

“My stories almost always start from a single image… someone in a situation, a setting, with or without other people… there is a problem to be solved, a decision to make, some action being taken. Often that first image becomes the central point of the story but sometimes it is simply the kick-off point for something else. Once I’ve ‘seen’ my image clearly I sit down at the computer and start writing. More images appear as I write and the story evolves. Once the rough sketch has developed through a few chapters I may go back and fill in holes and round things out. Sometimes I even sketch a rough map of my setting or the ‘world’ I’m building. With first drafts I never worry about the grammatical and other writing ‘rules.’ Those things get ironed out in the second round.” Karin Weiss

“What it took to get my first novel drafted: the outline of a story idea, sitting in chair, DEADLINES, helpful feedback from the beginning so I could learn along the way.” Joan Cory

“I write a chapter in longhand and then later that day or the next morning type it and revise. The ideas seem to flow from mind to finger to pen to paper.” Al Rutgers

“Getting up early and write for a couple of hours from 6 am is my preferred choice as my mind is uncluttered with daily issues. Stick to the basic plan and learning to ‘show’ and ‘not tell’ has been hard but very beneficial.” Abe Tse

If you're ready to get serious about finishing your novel, I love for you to join us!

And if you want help getting organized and going, I greatly recommend purchasing The Write Planner and/or our 100 Day Book Program .

Frequently Asked Questions

If you're working on your first-ever novel, congratulations! Here are answers to frequently asked questions new (and even experienced) writers often ask me about what it takes to write a book.

How long should a novel be?

First, novel manuscripts are measured in words, not pages. A standard length for a novel is 85,000 words. The sweet number for literary agents is 90,000 words. Science fiction and fantasy tend to be around the 100,000 word range. And mystery and YA tend to be shorter, likely 65,000 words.

Over 120,000 words is usually too long, especially for traditional publishing. Under 60,000 words is a bit short, and might feel incomplete to the reader.

Of course, these are guidelines, not rules.

They exist for a reason, but that doesn’t mean you have to follow them if you have a good reason. For a more complete guide to best word count for novels, check out my guide here .

How long does it take to write a novel?

Each draft can take about the same amount of time as the first draft, or about 100 days. I recommend writing at least three drafts with a few breaks between drafts, which means you can have a finished, published novel in a little less than a year using this process.

Many people have finished novels faster. My friend and bestseller Carlos Cooper finishes four novels a year, and another bestselling author friend Stacy Claflin is working on her sixty-second book (and she’s not close to being sixty-two years old).

If you'd like, you can write faster.

If you take longer breaks between drafts or write more drafts, it might take longer.

Whatever you decide, I don’t recommend taking much longer than 100 days to finish your first draft. After that, you can lose your momentum and it becomes much harder to finish.

That’s It! The Foolproof Template for How to Write a Novel

Writing a novel isn’t easy. But it is possible with the write process (sorry, I had to do it). If you follow each step above, you will finish a novel.

Your novel may not be perfect, but it will be what you need on your road to making it great.

Good luck and happy writing!

Discover The Write Plan Planner »

Which steps of this process do you follow? Which steps are new or challenging for you? Let us know in the comments !

Writing your novel idea in the form of a single-sentence premise is the first step to finishing your novel . So let’s do that today!

Download our premise worksheet. Follow it to construct your single sentence premise.

Then post your premise  in the Pro Practice Workshop (and if you’re not a member yet, you can join here ). If you post, please be sure to leave feedback on premises by at least three other writers.

Maybe you'll start finding your writing team right here!

Happy writing!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

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The novel form is a large, unwieldy, towering project, and if you find yourself wondering how to write a novel, you might already be daunted by the project’s size and complexity. Good. How you’re feeling is how every great novelist has ever felt before approaching the blank page; you have already put yourself in the same annals as James Joyce, Sylvia Plath, F. Scott Fitzgerald, and Toni Morrison. 

Writing a novel is like building a house: no matter how much planning and work you put into it, there is always more work you can do. No novel is perfect, and the effort required to build believable worlds, complex characters, and an entertaining plot that explores nuanced themes is certainly overwhelming. If you’re here, you’re probably wondering how you can fit all of these requirements into 300-odd pages. The novel writing tips in this article have you covered. 

Whether you find yourself nervous to start writing a novel for the first time, or whether you’re intrigued by the novel form but don’t know where to begin, this article will help ground you in how to write a novel. In truth, there’s no single, one-size-fits-all novel writing roadmap, but use these ideas as a diving board, and you will soon be swimming through the writing process.

This article answers the most important questions in writing a novel, including:

• What is a novel?
• How many words are in a novel?
• What are some different approaches to writing a novel?
• What are the elements of novel writing?
• What fiction techniques can I use in my novel?
• What are some books on how to write a novel?

So, are you ready to learn how to write a novel? Let’s dive into the novel form, the elements that make a novel come to life, and some other novel writing tips to support you on this long and wondrous journey.

How to Write a Novel: Contents

How Many Words Are in a Novel?

How to write a novel: a 6-phase approach.

• The Pantser Method
• The Plotter Method
• The Plotser Method
• Write a Discovery Draft
• The Snowflake Method
• The 5 Draft Method
• Starting with Short Stories
• Point of View
• Plot and Structure
• Style and Tone
• Scene Vs Summary
• Description

Novel Writing Tips: Find Your Voice as a Novelist

Books on how to write a novel, what is a novel.

Before diving into how to write a novel, let’s first demystify the novel itself. A novel is a book-length work of fiction that tells a complete story (or, as is usually the case, multiple stories). By immersing the reader in a world with complex characters, settings, plot points, and themes, novels emulate real life and inevitably impart wisdom about the human experience.

What is a novel? A novel is book-length work of fiction. By immersing the reader in a world with complex characters, settings, plot points, and themes, novels emulate real life and impart wisdom about the human experience.

Some people might balk at the idea that a novel always emulates real life. After all, there are many genres of fiction that ignore what everyday life looks like. How could a novel set on Mars, or a novel about secret agents, or a novel from the point-of-view of cats, reflect the human experience?

No novel can capture the totality of life, although it might try to. Novels like War & Peace by Leo Tolstoy, The Brothers Karamazov by Fyodor Dostoevsky, and Les Misérable by Victor Hugo each total over 1,000 pages, and each novel examines the complexities and philosophies of simply being human, but none of them can convey the entirety of what it means to be alive.

Rather, novels capture a slice of the human experience. So, even a novel about cats will have its characters make tough decisions, like the ones that human beings make. Even a novel set in a galaxy far, far away might address philosophies of life, love, and conflict.

In fact, these elements—character, setting, plot, etc.—often act as metaphors for human experiences, representing our shared struggles in fictional realms. Such is the magic, the mystery, and the goal of novel writing.

Works of fiction can be categorized into different lengths, such as flash fiction, the vignette, the novella, and the novel. Although these categories are arbitrary, it is important to understand how the length of a work of fiction affects the story itself. It is also worth thinking about length, because length impacts the story’s publication opportunities—both literary journals and publishing houses pay a great deal of attention to word count.

How many words are in a novel? Fictional works of this length, as well as others, are summarized in the chart below:

Some publishers and literary journals may have different definitions for each category of fiction, but these lengths are common definitions. Most publishers claim a novel is 50,000+ words, although you will find some theorists argue that the minimum length is 40,000.

How many words in a novel: 50,000+, though definitions vary.

For a longer breakdown of fiction forms by approximate word count, see our interview with Writers.com instructor Jack Smith .

Although the minimum length of a novel is 50,000 words, novels of this length are rarely published by conventional publishing houses. Why? The primary reason is that book buyers are less likely to purchase short novels. A 50,000 word novel will rarely satisfy the reader’s desire for a well-developed story, with complex characters and themes. Short novels—as well as novellas—simply don’t appeal to the modern reader.

So, what is the ideal length for a novel? If you are writing a novel, and you haven’t previously published any novels, then a good goal to reach for is 70,000-90,000 words. Novels of this length are long enough to satisfy the reader’s desires without being too drawn out that the story becomes boring. 

There are, of course, exceptions to this rule, and there are certainly debut novelists who publish shorter and longer books. But, this Goldilocks zone is sure to please many traditional publishers.

One way to think about writing a novel is through a 6 phase approach. The following phases aren’t the only way to write a novel, but many novelists include these 6 things in their process:

• Generating an Idea
• Writing a Novel Outline
• Establishing a Writing Schedule
• The First Draft
• Edit, Rinse, Repeat

Let’s explore this novel writing process. 

Phase 1: Generating an Idea

The first step to writing a novel is having an idea. Novel ideas can come out of anywhere: you might decide to expand upon a short story you had previously written, or you might decide to build an entirely new fictional world and use the novel to explore it. Your novel idea might try to dissect the psyche of an individual character, or it can try to comment on society as a whole. The novel is infinite, and so are the ideas that jumpstart one.

Generating an idea for your novel is much the same as generating a story idea . A story idea generally answers the following three questions:

• Who is your main character?
• What does your main character want?
• What prevents the main character from getting what they want?

Novel Writing Tips: From Idea to Novel

Novel-length projects are complex. To push your writing past 50,000 words, your novel will likely confront complicated situations and ideas. Let’s compare two stories written by Agatha Christie, both of which share the same premise but are written at vastly different lengths.

“ The Plymouth Express ” (short story): A young naval officer discovers the body of the Honourable – and nearly-divorced – Mrs. Rupert Carrington.

The Mystery of the Blue Train (novel): Detective Hercule Poirot investigates the case of a woman murdered in her train compartment, whose death may have been motivated by death, jealousy, greed, or revenge.

The first premise works perfectly for a short story. We are given the basic event of the story, the central character in question, and enough detail to make the story vaguely interesting.

The second idea, by contrast, shifts the focus of the story onto the motive of the murderer. This allows the story to develop into a novel, as it can muse on the concepts of love and greed, while also giving a narrative framework from the lens of the detective.

So, to write a great novel, start with an idea that offers the basic components of a story, but also offers room to explore the world and its characters. In much the same way as Agatha Christie writes the dark side of the human psyche, your novel can write about people, history, or the world at large.

Novel Writing Tips: How to Start Writing a Novel

Most novels begin at or near the start of the story’s conflict. The reader must become acquainted with the protagonist(s), their motivations and challenges, and the conflict that fuels the story’s plot. Readers must also learn about what everyday life looks like before the conflict begins, and they must be given ways to relate directly with the protagonist(s).

Most novels begin at or near the start of the story’s conflict.

Some stories, of course, begin in the middle or the end of the conflict. If you decide to do this, you must still tell us how the story began, otherwise the reader will get lost in the weeds of a conflict they don’t understand.

If your novel starts at the beginning of the conflict, keep this advice at heart: do not start your novel on a typical day. Start your novel on the day that something changes. 

You might be wondering how to start writing a novel’s first line. This list of 100 first lines in novels might help you find inspiration.

Novel Writing Tips: Know Your Purpose

Once you have an idea, the novel writing process will feel much less daunting if you can identify three things: the genre for your novel, an audience that might enjoy your novel, and your intent for writing the novel.

Define Your Genre

Knowing the genre of your work will help you structure the story you want to write. You might know your novel will be fantasy, mystery, or literary fiction, but go one step further: is it urban fantasy or magical realism ? Is it noir mystery, a medical thriller, or both?

Delving into the genre of your novel requires some time, and it can bring up questions to motivate the plot and details of your fiction. This list of fiction genres is a great place to start unpacking your novel’s genre, though you might end up writing something even more niche.

Genres are just conventions for writing a novel, and while those rules can help guide your work, rules are made to be broken.

Now, “genre” is not a roadmap. Genres are just conventions for writing a novel, and while those rules can help guide your work, rules are made to be broken. Combine genres, avoid genres, or create a new one entirely; either way, know the conventions for your story, and plan accordingly.

Define Your Audience

Knowing your audience will help you plan out your story and develop a writing style for the novel. Of course, write your novel for yourself, not for your audience. But, if you know that a certain readership will gravitate towards your work, there’s no harm in considering what that readership will like.

For example, you might realize that a young adult audience will love your fantasy novel, so you decide to draw inspiration from The Hunger Games or from the Percy Jackson series. Or, you might write a mystery novel that appeals to women readers, so you consider making your main character a female detective. These considerations won’t define your work, but they will certainly guide it.

Define Your Intent

Answer this question: why do you want to write this novel?

Examining your own intent is one of the best tips for writing a novel. Because there is no set procedure on how to write a novel, many of the answers will come from inside yourself. You found yourself attracted to your novel idea for a certain reason, so whether you want to explore the human psyche, examine society, or build a lush and beautiful fantasy world, defining your intent will help you figure out where to start—and where to keep returning.

Phase 2: Research and Planning

All novels require research. Whether you’re writing romance, historical fiction, or autobiographical fiction , you will end up researching relevant details to make your novel more convincing. Having a plan for finding and organizing this research will make writing a novel much easier.

Research can help jumpstart ideas that you will work into your story outline ; more on that below. It will also make the act of writing go by much quicker, as your notes and knowledge base will be much easier to reference. Keep your research organized in a word processing software, like Bear, Scrivener, or Microsoft OneNote.

Here are some free resources to help you with your research:

• Boolean search operators (for mastering search engines)
• The Smithsonian
• Archive today (for accessing paywalled journalism)
• 101 free journals and databases

Most importantly, your local library or university may be able to provide free access to certain research databases. When in doubt, ask a local librarian!

Starting with research will help jumpstart the creative process and make the writing experience much smoother. Your preliminary novel research won’t be comprehensive, and you will likely have to do more research once you start the actual writing process. However, getting it out of the way now will help jumpstart the creative process and make the writing experience much smoother. It will also help you outline your novel, or even spark ideas for what happens in the story. 

Phase 3: Writing A Novel Outline

The story outline scaffolds your novel idea into a working plot. Outlining your novel is a long process, and some writers will take months to outline their ideas before they put the first word down. There are many different ways to write a story outline, but your outline should match your intent for writing the story.

For example, if you want to write a character-focused novel, then writing a novel outline that’s focused on character development might work best. Or, if your novel relies on heavy world-building and setting, then a scene-based outline will do the trick. Let your novel’s purpose guide the outline, then let the outline guide the novel itself.

Let your novel’s purpose guide the outline, then let the outline guide the novel itself.

Note: this method is called the “plotter” method, where you map out key details of the story before you start writing it. The opposite method is called the “pantser” method. If you write without outlining, you “write by the seat of your pants.” Both methods have their benefits: while plotting helps you work out the kinks in your story, pantsing allows you to surprise yourself with where the story might take you. If you’re daring enough, you can even do what our instructor Sarah Aronson does: write a “discovery draft,” where she pantses the first draft of the novel, then delete it (yes,  delete it entirely ), and write a new draft from scratch. 

If you’re uncertain which method to take, try writing some short stories using both plotting and pantsing methods.

For help getting started with this phase of writing your novel, see our practical guide to writing a story outline .

Phase 4: Establishing a Writing Schedule

If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut. —Stephen King

Wouldn’t it be great if we could dream up a novel one day, write it the next, and publish it the day after? Writing a novel is a marathon, not a sprint, so if you want to get to the finish line you’ll need patience, diligence, and discipline.

Stephen King put it best when he said “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

Of course, King has the resources to devote his entire life to writing, which is why he can churn out a first draft in three months. On the other hand, you might be writing your first novel while also working, caring for family, and living day-to-day life.

So, the next step for your novel is to build a working schedule. You might decide you have room to write 500 words a day, or time to write for 30-60 minutes a day. What matters is consistency: setting and keeping a defined schedule for you to sit down and focus your mind on your novel.

Writing a novel is a marathon, not a sprint.

Give yourself a working timeline with weekly or monthly goals, and try to write every day. A consistent writing practice will carry you to the finish line.

Phase 5: The First Draft

Armed with an outline, a schedule, and a passion for your idea, it’s time to start writing. Your writing doesn’t have to come out quickly, and it doesn’t even need to be good writing. The first draft simply needs to exist: if it’s written, then it’s already successful.

The previous phases are intended to give you the structure to write your novel. When it comes to the writing process itself, everyone’s novel writing experience is different. However, remember to stay diligent, join a writing community , and remember that a first draft is allowed to be bad —that’s why we edit!

Phase 6: Edit, Rinse, Repeat

The editing process is often what takes the longest for a novel. You could write a novel in three months and edit it for three years or longer. Like the writing process, there’s no strict timeline for editing your novel, but don’t expect the editing to be quick and easy.

When you finish your first draft and get to the editing stages, give yourself a small brain break and reward yourself—because woohoo , you wrote it! Then when you get back to the drawing board, examine your writing with a critical eye, figure out what the novel needs, and set up an editing schedule like you set up a writing schedule.

A [story] is never finished, only abandoned. —Paul Valery

Follow this process for as many novel drafts until you’re satisfied—and remember, no novel will ever feel perfect. Paul Valery once said “a poem is never finished, only abandoned.” It’s the same with the novel.

Once you feel like you’ve worked on your novel for long enough, and you don’t know how to improve it further, find beta readers. Beta readers are people who read your novel and give useful feedback on how they experienced it, what’s working and what isn’t, and what you might want to do in your next revision. Typically, beta readers will swap ready novel drafts, so you’ll read theirs while they read yours. Do this with writers you trust and whose opinions you respect, and you’ll have feedback that can take your novel draft to the next level.

What comes after that? When you’ve finished writing a novel, check out our guides on publishing:

• Tips on Self-Publishing
• Self-Publishing on Amazon
• Literary Agents (for traditional publishing)

How to Write a Novel: 8 Additional Approaches

How are novels written? What does the process look like for writing a novel? Different novelists have different approaches to the form, and indeed, different novels might require their own unique approaches. 

The following methodologies are tried and true, as they’ve been utilized by countless storytellers. Use these plans as structures to guide your own writing process, and go with what feels comfortable for both you and your work.

Here are 8 different approaches on how to write a novel:

1. How to Write a Novel: The Pantser Method

The “pantser” method gets its name from the phrase “writing by the seat of your pants.” This is the least structured of any particular novel writing approach. To be a pantser, you only need to do one thing: make things up as you go. 

Pantsers do not do much planning in advance. They will likely have a story premise and a sense of who the characters are, but after they’ve written the inciting incident, everything gets made up on the spot. Pantsers simply follow their characters around as they make decisions, mess things up, and follow the plot to its logical conclusion.

Some novel writers are scared of the pantser method, as the innate formlessness of this approach makes it hard to guarantee the first draft is even readable . But, others find this approach to be delightfully freeing. Novel writing is a long process, and if you can have fun with it by letting your imagination run wild, why not give it free rein on the page? 

2. How to Write a Novel: The Plotter Method

Plotting is the opposite of pantsing. If you’re a plotter, then you have all the important details written down before you pen the first word of your manuscript. 

Novel writing requires a lot of attention to detail. Later in this article, we discuss the elements of fiction writing that plotters must consider as they plan things out, including:

• Characters and conflicts
• Settings 
• Point of View 
• The plot itself

Plotters may also want to consider what kinds of themes they want to target, and the styles they want to employ in their writing. Of course, these things also develop organically, and it may be better to allow those elements to emerge naturally. 

Plotting in advance gives novelists a structure to follow. But, some writers feel constricted by having a strict roadmap to follow—they want to steer off course, to consider different ideas, but should they?

While some novelists are strict plotters or strict pantsers, some fall in the middle: the plotser.

3. How to Write a Novel: The Plotser Method

“Plotser” is a portmanteau of “pantser” and “plotter.” It’s an ugly word, but it’ll do. 

Plotsers use a mix of planning and pantsing in novel writing. They might sketch out the details of their characters and form a working plot, but also allow themselves to follow new ideas as they emerge. The plotser doesn’t view their plan as the final roadmap for the novel, but rather as a living document, much like the novel itself, that changes and adapts over time. 

So, which are you? A plotter, a pantser, or a plotser? Again, go with what feels natural to you, and what makes sense given your own traits as a creative writer. 

The following approaches to novel writing can be used by plotters, pantsers, and plotsers alike—they are simply other means for developing ideas and turning them into fully fledged first drafts. 

4. How to Write a Novel: Write a Discovery Draft (and Throw it Away!) 

A “discovery draft” is most closely aligned with the pantser method. It’s a first draft that you use simply to explore what your novel could be. Any idea is fair game, as you simply want to learn about who your characters are and what situations they’ll get themselves in as you’re writing your novel . 

This method, which our talented instructor Sarah Aronson uses, is simple. Write a discovery draft. Then, when you’ve written the last word, throw it away. 

What? Yes! Throw it away. Delete the copy. Kill your darlings. Goodbye, nice to see ya, I’ll never hear from you again. 

What’s the point of this? By deleting your discovery draft, you empower yourself to write a completely new draft with everything you learned by writing the first one. Instead of going back, copying and pasting, and fiddling with words you’ve already written, you write an entirely new draft based on what you remember.

This method might seem crazy. But it works. The second draft you write will be significantly improved than the first, because now you know your characters and plot much better than you did before. You have a better sense of what works for your novel, and what not to include. And, simply by the act of writing a first draft, you have improved your skills as a writer. 

If you’re not comfortable deleting your discovery draft, you don’t have to. One alternative is to reread your discovery draft, plot it out, and then consider how you might want to change the plot before starting a second draft—something more in line with a plotser method. In any case, no matter how counterproductive this method seems, it works , and it will certainly result in a much stronger final draft. 

5. How to Write a Novel: The Snowflake Method

The Snowflake Method is a tried-and-true approach to novel writing. In a series of 10 steps, the novelist writes their novel from idea to finished draft, starting with the most basic details and fine-tuning them into something complete.

Here’s how to write a novel using the snowflake method: 

Step 1: Write a one-sentence summary of your novel. This is a big picture summary, hopefully under 15 words long, detailing the most basic details: what happens, why, and maybe where and when. For most, this summary is connected to the inciting incident. 

Step 2: Expand your sentence to a paragraph. In that paragraph, include broad plot details: the “disasters” or complications that arise from your protagonist trying to achieve something, and an idea of how the story ends. 

Step 3: Develop a list of your novel’s major characters. Write a 1-page summary for each character that includes their names, backgrounds, motivations, conflicts, and how they change (or don’t change) by the end of the novel. Also write a paragraph summary of each character’s storyline. 

Step 4: Take your summary paragraph from Step 2. Now, expand each sentence into its own unique paragraph, providing more detail about the plot points and complications arising for the characters. 

Step 5: Write a 1-page description of each major character. These descriptions should tell the complete story of the novel from each character’s perspective. For non-major (but still important) characters, your description can be a half page. 

Step 6: Expand the 1-page synopsis from Step 4 into a 4-page synopsis (essentially: turn each paragraph into a full page). At this point, you are making strategic decisions about how your plot points go together, and developing the guiding logic of the story as a whole. 

Step 7: Expand your character descriptions into fully developed character charts. Write down everything you can possibly know about each character, even if those details won’t end up in the novel (you never know, they might!) Spend plenty of time thinking about each character’s transformation throughout the novel. 

Step 8: Turn your 4 page novel into a list of scenes. Chart out each individual scene that will eventually be strung together into the novel. If you want, you can do this in a spreadsheet, reserving different columns for different details relating to each scene (for example: the characters involved, the conflict, which subplot each scene is related to, etc.).

Step 9: Take each idea for a scene you’ve sketched out above, and write a 1-paragraph description of each scene. Allow yourself to be thinking about scene details, dialogue, and other useful notes as you move towards the actual writing process. 

Step 10: Actually write your novel’s first draft! At this point, all of the notes you’ve written down will (hopefully) make the writing process much easier, and much more rewarding. 

The Snowflake Method was developed by Randy Ingermanson. Learn more about this method at his site Advanced Fiction Writing . 

6. How to Write a Novel:The 5 Draft Method

The 5 draft method is a different way of developing raw ideas and material into finished, polished work. This method comes courtesy of Jeff Goins . 

Here’s how to write a novel using the 5 draft method:

Draft 1: The Junk Draft . Also, what we’ve termed, the discovery draft. This is exactly what it sounds like: write what you want, because anything goes. 

“The first draft is just you telling yourself the story.” –Ann Patchett 

Draft 2: The Structure Draft . Now that you have your junk draft, it’s time to start making decisions about your story. Will it work? What’s the plot? What things are and aren’t working in your junk draft? (Don’t worry, necessarily, about writing a completely new draft. You can analyze what you wrote and create a working plot before your next draft starts.)

Draft 3: The Rough Draft . This is the draft you’ve written after you have a working plot. Hopefully, you will have written and feel confident about the story as a whole—the work from here is to start polishing the details and getting things just right. 

Draft 4: The Surgery Draft . Take your rough draft, and start shaping things towards a final draft. Cut superfluous details, unnecessary words, unnecessary scenes. Add whatever is needed to make the story whole. At this point, you will most certainly be relying on feedback from other readers to make revising and editing possible. 

Draft 5: The Last Draft . This is where revision turns to editing. The global details have been finalized, and your concerns are largely at the word, sentence, and paragraph level. This is also the point where you start to think about publication.

7. How to Write a Novel: Starting with Short Stories

Novels and short stories rely on the same fundamentals of fiction, yet they’re two vastly different crafts. There are some novelists who are incapable of writing short stories, and vice versa. But, if you feel comfortable experimenting with short-form fiction, you might want to try writing short stories first. 

Many contemporary novelists will use the short story as a space to explore new ideas. Some of those ideas remain as short stories; others end up being developed into novels. 

The novelist Haruki Murakami, for example, will often switch between novel writing and short story writing. After he’s finished a novel, he will work on short stories to tinker with different ideas, one of which often becomes a novel. Writing and publishing short stories can also make getting your novel published possible. Zadie Smith, for example, published her short story “ The Waiter’s Wife ” in Granta , which eventually became her debut novel White Teeth . Smith was discovered by her agent because of, among other things, the stories she was publishing in her university’s literary journal The Mays Anthology . 

Finally, starting with short stories can help you hone your voice and style as an author. Any attempt at writing fiction will naturally make you a stronger fiction writer. 

For more on short story writing, check out our guide:

https://writers.com/how-to-write-a-short-story

8. How to Write a Novel: NaNoWriMo

NaNoWriMo, short for National Novel Writing Month, occurs every year in November. During this month, novelists will write 50,000+ words towards a first draft of a novel. 

NaNoWriMo started as an internet sensation, and has since developed local community chapters and a cult following of avid novel writers. Writing alongside other frantic novelists, even if just over the internet, can help keep you motivated to get that first discovery draft written. That said, you can also try doing your own NaNoWriMo, during whatever part of the year you’re reading this article. If tomorrow is May 1st, why not try to write a full novel by the time June 1st rolls around?

NaNoWriMo is best done with some preparation. Here’s our guide on the topic:

https://writers.com/nanowrimo-tips  

How to Write a Novel: Honing the 6 Elements of Fiction

Writing a novel requires the synchronous interplay of these 6 elements:

1. Writing a Novel: Character

A character is a person in a book. No matter what genre you’re writing in, readers are most drawn to compelling characters; moreover, a good plot is informed by the decisions that characters make, so you want to spend plenty of time developing your characters as you write your novel. 

Your main character is your protagonist . The protagonist is the main character because their conflicts shape the core of what the novel explores. The protagonist’s stakes must be high enough that readers care what happens. 

What do those stakes consist of? A small thing can be a big thing to one character and not to another. It’s the context that makes it work. Context is what affects the character in terms of needs, desires, goals, etc.

When we think of a character’s stake in the story, we think of conflict . Conflict is what drives fiction. Not all conflicts make for good fiction, but some conflict is essential for writing a novel.

Conflict is what drives fiction. Not all conflicts make for good fiction, but some conflict is essential for writing a novel.

For example, be careful with alcoholic, abusive fathers and husbands—these stories tend to be very clichéd. Stephen King did a marvelous job in Dolores Claiborne with an abusive husband, but generally speaking, it’s hard to escape the clichés ridden in this storyline.

Who should be your protagonist? To answer this question, ask yourself whose story needs to be told. Whose story is important enough to give full treatment to? Whose story is the most intriguing? You might opt for more than one point-of-view (POV), using a character who isn’t a protagonist, but simply an interesting (and necessary) additional perspective.

Let’s return to your protagonist, who is central to understand as you learn how to write a novel. More than any other character in the novel, your protagonist needs to come alive—to seem very real. Avoid writing a one-dimensional, cardboard character. We need to get to know this character in and out—their traits, loves, hates, goals, aspirations, disappointments, etc. Make your protagonist complex—or “round,” as E.M. Forster describes it in Aspects of the Novel .

Protagonists also need the potential for change. In Forster’s terms, they need to be “ dynamic characters .” They need a character arc, in which they change in some way—undergoing some sort of movement, perhaps coming to a newfound recognition.

But not every character needs to be multi-dimensional or undergo change. Secondary characters are an exception. Even so, make them as real as possible , if not fully developed. Who are secondary characters? They might be friends or associates. A secondary character might be an antagonist . They might serve as a foil for the protagonist, to reveal certain things about the protagonist that don’t come out elsewhere.

2. Writing a Novel: Point of View

Point of view is the lens through which the story is told. It is also the choice of person: first, second, or third. In The Great Gatsby , Nick Carraway is the POV character; in The Catcher in the Rye , it’s Holden Caulfield. All novels are “filtered” through these points of view, or perspectives. We’re in these characters’ heads, not in others’.

Generally speaking, the protagonist is the lens through which we view the story’s action. In other words, the protagonist defines the narrator.

There is also the choice of person. First person, in which the protagonist is usually the narrator (using the “I” pronoun), gives an immediacy that’s lacking in third. With the third person, you have the choice of a fully omniscient narrator, a limited narrator, or an effaced narrator (where the author makes no appearance, or presence) with multiple third-person points of view. There is also an objective or dramatic point of view, in which all we come to know about characters is what they say and do. Think of this as close to the script of a play—dialogue and action only.

The riskiest point of view when writing a novel is the omniscient one, because you can easily fall into mere telling, without giving your reader an experience to enter into.

You can find more help in Jack’s article entitled “ Tips on handling the omniscient POV in fiction .”

An unusual point of view for writing a novel is the second person—the “you” POV. Jay McInerney famously pulls it off in Bright Lights, Big City . I deal with the ins and outs of this point of view in a Writer’s magazine article entitled “ When to use the second-person POV in fiction. ”

3. Writing a Novel: Plot and Structure

Plot is what happens and why. It’s a matter of causality. Of course, this can be complicated, though if it’s too complicated your reader will get lost in a thicket of plot threads and story strands. When writing a novel, simple is better than excessively complicated.

Plot is based on conflict; conflict involves reversals. Readers look for foreshadowing (thoughts, events, etc.) that predict future happenings. They also look for echoing, or reminders of different developments. Foreshadowing and echoing stitch a novel together.

As we explore how to write a novel, keep in mind three basic types of narrative structure:

• Five-stage plot structure: exposition (with inciting incident ; rising action; climax; falling action; resolution). Also known as Freytag’s Pyramid .
• Three-act structure, as in screenplays.
• Episodic structure, as in journey stories (e.g. Adventures of Huckleberry Finn ).

If you have two protagonists, matters get more difficult. Not only do you need to decide on the overarching structure of the storylines of each character, but you must also decide on how you’ll alternate from one point of view to another.

For more help on structure, check out Jack’s article in The Writer magazine, entitled “ How to find your novel’s structure .” 

Also read Jeff Lyon’s article discussing the difference between a story and a situation. This guide is essential to any storyteller wondering how to write a novel. 

Stories vs. Situations: How to Know Your Story Will Work in Any Genre

4. Writing a Novel: Setting

Setting includes time and place. In fiction, as in real life, characters are someplace, somewhere, when they engage in action and speech. You need to situate your reader in a given environment, whether it’s an apartment, a workplace, a restaurant, a bar, or in the middle of the woods. If you need to create an atmosphere, choose the details that do this.

You need to situate your reader in a given environment.

In some novels, setting is really important and less so in others. In a workplace novel, setting might well be critical to understanding the conflicts the protagonist faces. In a survival story in the Alaskan wilderness, the rugged setting needs plenty of development to feel real to your reader. If you’re writing a novel set on a college campus, it might be enough to give what in movies is called an establishing shot, a wide shot of the campus—and perhaps only a few details about one classroom building where the protagonist has most of her classes.

No matter the importance of your setting, it should influence the decisions that your characters make. The more important the setting, the more personality it should have. Some writers even treat setting like it’s its own character. A great example of this is the novella  Especially Heinous by Carmen Maria Machado.

5. Writing a Novel: Style and Tone

Style refers to the manner of your expression. As you learn how to write a novel, you’ll find that a novel and its style are inseparable. Style affects the novel’s mood , how we understand the protagonist, how we picture the setting, etc.

As you learn how to write a novel, you’ll find that a novel and its style are inseparable.

Some writers are very dense with their language, very detailed—think Charles Dickens, Henry James, or Toni Morrison. At the opposite end there’s Cormac McCarthy, whose style is utterly stripped-down. Style also is related to the use of figurative language like metaphor, simile, and analogy . Style has to do with the sound of the language, with tone. Is it nostalgic, sarcastic, biting?

Style affects tone —the apparent attitude generated by the work. Tone isn’t just related to style, though. Tone is affected by everything in the work: the nature of the protagonist, the plot, the mood from scene to scene, etc.

Lastly, tone is related to voice. You might be interested in Jack’s article on voice in The Writer magazine, entitled “ Setting the tone: How to handle voice in your fiction .”

6. Writing a Novel: Theme or Idea

Theme is the most abstract idea or ideas of your novel. Any number of plots can suggest the same basic theme. Perhaps the theme is the seductive nature of the pursuit of money, or let’s say it’s the rite of passage from innocence to experience. Any number of plots have been borne out of familiar thematic patterns.

When writing a novel, should you begin with a theme in mind? Some writers do, but many writers argue against doing this, claiming that this leads to authorial intrusion, to manipulation intended to make a point. In other words, theme should be a natural byproduct of storytelling, not the primary focus of the storyteller.

Illuminate instead of preach.

Incidentally, be careful to avoid didactic novels. Illuminate instead of preach. The latter might work well in certain nonfiction works, but the novel reader wants to experience the world of the novel, not be told how to experience it.

How to Write a Novel: Fiction Writing Techniques

Now that we’ve covered the large, overarching elements of fiction writing, let’s get into the more granular elements of storytelling. Fiction writers have a few different modes of storytelling at their disposal, including:

• Summary writing
• Scene writing

These different uses of prose allow fiction writers to convey the most information possible, letting them create cohesive, immersive worlds. It is important to vary your uses of each of these storytelling modes: readers get tired if they read pages upon pages of description, or unending snippets of dialogue.

Of course, those considerations are more important in revision. For the purposes of how to write a novel, let’s explore these fiction writing techniques.

1. How to Write a Novel: Narrative Summary Versus Narrative Scene

A novel operates in two main modes of storytelling: summary and scene.

Narrative summary is a telescoping of life over a given period, perhaps a week, a month, a year or more. Here’s how it was for your protagonist from January to June when she was struggling to advance in her career.

Narrative scene, in contrast, is action at a given time. Your protagonist arrives at a meeting and overhears her bête noire making an ugly remark about her. A narrative scene involves us directly in a play-by-play action. It should reveal character and advance plot. It shouldn’t be dead space you fill up.

Good writing has a mix of scene and summary. You never want to bore the reader with too much summary, but you don’t want too much scene either, or else the reader might lose focus on what’s important. You need places where you stop with the action and distill experience in your protagonist’s head: here’s how it’s been; this is what it adds up to at this point…

For a closer look at scene vs summary, check out this craft analysis:

On Timing and Tension

2. How to Write a Novel: Scene Writing with Dialogue

Good dialogue makes a scene, but it’s not easy to write. You’ve got to get the right rhythm going. You have to avoid making it sound like a prepared speech. Listen to conversation. Notice how speakers interrupt each other, or don’t finish ideas… and move on. Notice how they dodge questions. Work with some back and forth. Get your reader involved.

Some ingredients of a good scene:

• Interesting dialogue.
• Revelation of character through language and gesture.
• Setting details that situate the scene and create interest.
• Depending on point of view, character thoughts.

But, there’s no strict formula here. Read it out loud. Does it move? Does it sound real? Make sure it does.

Novel Writing Tips: Character Tags

Avoid dull character tags like “she responded,” or “he replied,” or “she admitted.” Dead language. As much as you can, avoid “he said,” and “she said.” It’s true that Hemingway could make repetition of “said” sound lyrical and carry us right along, but so often it’s dull. As long as the speaker is clear, you can leave off the “said” bit. Now and then, it’s true, you need to insert the tag for clarification’s sake.

3. How to Write a Novel: Description

Description is a word picture. If you want to show versus tell , give your readers imagery that places them in a world of the five senses.

How much description? This is a matter of style. Some writers use very little description, but we feel like we know their characters because of what they say, and how they say it. Or if they do describe, they give a dominant impression, just enough details to individualize the character, place, or thing.

Some writers describe a lot, providing us a real thicket of language. Some don’t. When writing a novel, decide on the purpose. What is vital in telling your particular story? Which details will get at the essence of this character or place? Be careful, too, about inflated, overdone descriptive language, called purple prose —that can kill your writing right off.

4. How to Write a Novel: Exposition

You can think of exposition in two different ways. In terms of the five-stage plot structure, exposition sets forth the present equilibrium of your protagonist just before a complication, or an inciting incident.

A second way to think of it is expository prose, which explains or comments. This technique can be used anywhere in the story, where ideas and feelings need to be bounced around.

Exposition handled through an author can certainly work—and work beautifully—but you must avoid sounding like you’re telling. If this happens, readers will feel that they can’t enter into the story as well—they can’t experience the world you’re creating.

In the case of the third-person limited point of view, do as much as you can to make readers feel like they’re in the character’s head, experiencing their thoughts and feelings.

There are two key uses of expository prose in writing a novel: backstory, and the protagonist’s thoughts and feelings.

Novel Writing Tips: Backstory

Backstory is important in giving your reader context for present conflicts. Backstory shapes where your protagonist has been. You’ve got a choice in bringing in backstory. First, how much do you need to make the present time-frame of the novel clear? Second, you can either front-load it or bring it in as the novel proceeds in memories and flashbacks.

Novel Writing Tips: Thoughts and Feelings

Your protagonist struggles to make a decision, to understand what to do, to decide how she feels about different choices she’s got. Think of the many areas where we engage in private thoughts and feelings. We work things over in our minds. We analyze problems. We sum up.

The culmination of all these different skills—the elements of fiction, the tools of successful prose writing, and the honing of your own writing style—is “voice.” 

What is “voice?” It’s a difficult concept to define in creative writing. In short, voice is the nebulous, ineffable quality of a piece of writing that “sounds like” you. You can’t point to one specific thing and call it voice; it is the gestalt of everything happening in the text. Not just your style and word choice, but also your characters, your themes, your  perspective as a novelist. 

Our instructor Donna Levin puts it another way: voice is “you, artistically projected.”

Voice: you, artistically projected.

No guide on how to write a novel is complete without mentioning voice. Why? Because your voice is what your readers will fall in love with.

Yes, they will love your characters and plots, the ways your novel immerses them in worlds both strange and familiar. But the thing that sells these elements is your voice as a novelist. 

Think of a novel you love. You don’t just love the story and its characters, you love  the way the story is told . That’s voice. It’s a selling point for readers and, if you want to publish your novel traditionally, it’s a huge selling point for literary agents.

So, how do you find your voice as a novelist? That’s the hard part: there’s no easy way to teach it. After all, voice comes from within you. The only advice we can offer is the work you can do to find your voice and coax it onto the page.

So, here’s some advice on that—how to hone your voice as you write a novel:

• Write often and regularly. The more you write, the better you get at writing, and the more you find your own style and approach to the page.
• Write like yourself. Do not try to write like anyone else, and do not try to be a capital-W “Writer.” 
• That said, experiment on the page. Try different styles and techniques. See what works for you, what feels good, and what doesn’t sit right in your ear. You will find what it means to “write like yourself” this way. 
• Spend ample time in revision. You won’t hone your voice just in the first draft; it will emerge as you write, revise, and revise again. 
• Write with confidence. This is easier said than done, of course. But the more you believe in yourself and your work, the easier it is to let your natural voice shine through on the page. 
• Don’t just write a novel. Experiment with short stories, microfiction, essays, poetry, and other forms of writing. Every word you write is an exploration into your voice as an author. 

For more novel writing tips, here’s a list of books on how to write a novel:

• Bird by Bird by Anne Lamott
• On Writing by Stephen King
• The Art of Fiction by John Gardner
• On Becoming a Novelist by John Gardner
• Write and Revise for Publication by Jack Smith
• Zen in the Art of Writing by Ray Bradbury
• Steering the Craft by Ursula K. Le Guin
• Writing Down the Bones by Natalie Goldberg
• Reading Like a Writer by Francine Prose
• Get That Novel Written by Donna Levin
• Steal Like an Artist by Austin Kleon
• Aspects of the Novel by E. M. Forster

Learn How to Write a Novel at Writers.com

Do my characters seem real? Can you picture this setting? What parts of my novel need editing?

Writing a novel is an ongoing process, and the more you work on it, the more questions you’ll ask. Find your answers at Writers.com. With different novel writing courses to choose from, additional novel writing tips at our blog , and a supportive and caring Facebook group , we’re here to get your novel from idea to bestseller.

Jack Smith is the author of 6 novels and 3 books of nonfiction. He’s a regular contributor to The Writer magazine. He teaches novel writing, as well as other fiction writing courses, for Writers.com.

This is wonderful! congrats!

Thanks for this well-written and detailed article on the novel. I was interested in the discussion about what length/page/word count differentiates writing forms and had not heard of the term “novelette”. If novella length fiction is difficult to find a home for with the exception of small, independent presses, then the novelette length must be near impossible. Or so it seems.

Again, thanks for the informative article.

Our pleasure, Rebecca! I’m happy you found it useful.

I’m so pleased with your article. Thanks for this one! I was looking for some takes regarding this topic and I found your article quite informative. It has given me a fresh perspective on the topic tackled. Thanks!

Good overview. Very helpful. It helps an aspiring writer to think about what he/she is missing, and helps the writer improve. Thank you.

This article provides a comprehensive guide to tackling the daunting task of novel writing, offering insights into essential elements like character, plot, setting, style, and theme. The practical tips and diverse techniques presented here serve as a valuable resource for both novice and experienced writers, demystifying the intricate art of crafting a novel. Excited to apply these strategies to my own writing journey!

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Writing A Book Title In Your Essay – The Right Way

Table of contents

• 1 APA Style: How to Write Book Titles in Essays
• 2 APA Style Essay: Writing The Name of The Author
• 3 MLA Style Essay: Citing a Book Title
• 4 Chicago Style Essay: Writing the Book Title
• 5 Writing Various Types of Titles
• 6 Should We Underline or Italicize Book Titles?

When you are writing an academic essay , the book title and author’s name should be written in italics. However, if the book title is part of a larger work (such as a journal article), it should be underlined instead. So, you’re wondering how to write a book title in an essay?

Writing an essay with a book title can be tricky, particularly because each style guide has its own formatting rules for including titles in the main text. Whether you are using MLA, APA, Chicago, or Harvard referencing styles, you will need to consider how to properly format the book title. For more complicated literature-based assignments, seeking assistance from an admission essay writing service may be wise, as they specialize in writing essays that incorporate academic sources.

In this article, we will explore how to write both titles in an essay properly so that you avoid any mistakes!

APA Style: How to Write Book Titles in Essays

When writing an essay, you must follow the style guide provided by your professor. Some teachers may require you to use APA style and others MLA style. There are some rules on how to quote a book title in an essay. You should use italics and quotation marks when writing book titles in essays. For example: “ The Rape of Nanking: The Forgotten Holocaust of World War II. “

When writing a book title in APA Style , you should be aware of these rules:

Write the book title in italics and place it after the author’s name, which is presented in reverse order (last name first).

Use quotation marks around the headline of a chapter or article.

Capitalize proper names that are not common nouns (names of people, places, organizations), but do not capitalize words such as “and,” “or,” “to,” or “and/or.”

Do not capitalize prepositions that appear at the beginning of titles if they are followed by an article (e.g., “A,” “An”), but do capitalize prepositions at the beginning of titles if they are not followed by articles (“Of”).

The first word of the headline should be capitalized, as well as any other words after a colon or hyphen. For example, “The Elements of Style: Grammar for Everyone”  or “Theories of Personality: Critical Perspectives.”

Capitalize proper names and words derived from them (e.g., the names of people, places, organizations), except proper nouns used generically (e.g., ‘a bed’).

APA Style Essay: Writing The Name of The Author

You should always use the full name and surname of the author in your APA essay because this will give proper credit to the writer. If you do not mention the author’s full name, people may not know who wrote what and will think you copied it from somewhere else. This will cause lots of problems for you and your reputation as well.

Make sure that all authors’ names appear in the same format in each entry. For example, if one person’s surname is Smith and another’s is Jones, both have first names starting with “J.” It may seem like they are being cited as different people when they’re actually written differently from each other on separate pages in your paper.

To write an APA essay without any issues, there are certain rules that you need to follow while writing an author’s name in APA essay:

• Use only one author’s name in your paper unless there are multiple authors
• If there are multiple authors, then use both their last names followed by the initials of their first names
• Only use initials of first names when there are three or more authors; otherwise, use full names with their last names

Example: Johnson, M.C., Carlson, M., Smith, J. N., & Hanover, L. E.

MLA Style Essay: Citing a Book Title

Now let’s discuss how to mention a book in an essay. The MLA Handbook for Writers of Research Papers, 7th edition, published by the Modern Language Association (2014), contains detailed rules about how to cite a book title in an essay.

The following guidelines will instruct you on how to refer to a book in an essay in MLA style :

• List your sources at the end of your paper, before the works cited page or bibliography.
• Use italics for titles of books, magazines, and newspapers, but not for articles within those publications, which should be placed in quotation marks.
• Include all relevant book information under two categories: “title” and “author.” In the former category, include the work’s title and its subtitle if there is one; do this even if neither appears on your title page (see below). In the latter category, include only primary authors who have written or edited an entire book; if there are multiple contributors, you should cite them separately under each.

The general format for citing the title of the book in an essay is as follows:

Author’s last name, first initial (Date). Title of Book with Subtitle if there is one. Publisher Name/Location of Publisher; Year Published

Chicago Style Essay: Writing the Book Title

One of the most important things to remember when writing in Chicago style is how to write the title of a book in an essay. To write a good book title in an essay, you should follow these steps:

• Write it at the beginning of your sentence.
• Capitalize it just like any other noun or proper noun.
• Put a comma after the title unless it’s an introductory clause or phrase. For example: “The Firm,” by John Grisham (not “by”) and “The Catcher in the Rye,” by J.D Salinger (not “and”).
• In addition to the book’s name, punctuation marks should also be italicized.

For example: Harry Potter and the Half-blood Prince: Children’s Edition

Writing Various Types of Titles

Now that we covered how to write a book title and author in an essay, it’s time to look at some different types of titles. When you write a book title in an essay, several things must be considered. Whether it’s a book, series, chapter title, editor’s name, or author’s name, how you write it depends on where it appears in your paper.

Here are some key rules for writing headings for novels:

•  Use capital letters to write the title of the novel. For example,  The Secret Garden by Frances Hodgson Burnett .
• Use italics and capital letters to write the name of the author and his/her other works mentioned in a book title—for example,  Jane Austen’s Pride and Prejudice (1813) .

You should use quotation marks when writing headings of short title poems, articles, and stories.

However, before deciding which format to use, it is important to understand the main idea you want to express in your essay. Additionally, you could use essay papers for sale to help you accomplish your goal of writing an essay effectively.

Should We Underline or Italicize Book Titles?

It depends on which style guide you use. The Modern Language Association and Chicago Manual of Style both suggest using italics, while the American Psychological Association suggests using quotation marks with a few exceptions.

The way you write the title of a book in an essay is different depending on the instructions you were given. For example, if you’re writing an essay in APA style, use quotation marks around the book’s name. If you’re writing for MLA or Chicago style , however, italicize the book’s name instead. If you’re writing a handwritten essay instead of using a computer, capitalize and underline the book’s name.

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The Beginner's Guide to Writing an Essay | Steps & Examples

An academic essay is a focused piece of writing that develops an idea or argument using evidence, analysis, and interpretation.

There are many types of essays you might write as a student. The content and length of an essay depends on your level, subject of study, and course requirements. However, most essays at university level are argumentative — they aim to persuade the reader of a particular position or perspective on a topic.

The essay writing process consists of three main stages:

• Preparation: Decide on your topic, do your research, and create an essay outline.
• Writing : Set out your argument in the introduction, develop it with evidence in the main body, and wrap it up with a conclusion.
• Revision:  Check your essay on the content, organization, grammar, spelling, and formatting of your essay.

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Table of contents

Essay writing process, preparation for writing an essay, writing the introduction, writing the main body, writing the conclusion, essay checklist, lecture slides, frequently asked questions about writing an essay.

The writing process of preparation, writing, and revisions applies to every essay or paper, but the time and effort spent on each stage depends on the type of essay .

For example, if you’ve been assigned a five-paragraph expository essay for a high school class, you’ll probably spend the most time on the writing stage; for a college-level argumentative essay , on the other hand, you’ll need to spend more time researching your topic and developing an original argument before you start writing.

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Before you start writing, you should make sure you have a clear idea of what you want to say and how you’re going to say it. There are a few key steps you can follow to make sure you’re prepared:

• Understand your assignment: What is the goal of this essay? What is the length and deadline of the assignment? Is there anything you need to clarify with your teacher or professor?
• Define a topic: If you’re allowed to choose your own topic , try to pick something that you already know a bit about and that will hold your interest.
• Do your research: Read  primary and secondary sources and take notes to help you work out your position and angle on the topic. You’ll use these as evidence for your points.
• Come up with a thesis:  The thesis is the central point or argument that you want to make. A clear thesis is essential for a focused essay—you should keep referring back to it as you write.
• Create an outline: Map out the rough structure of your essay in an outline . This makes it easier to start writing and keeps you on track as you go.

Once you’ve got a clear idea of what you want to discuss, in what order, and what evidence you’ll use, you’re ready to start writing.

The introduction sets the tone for your essay. It should grab the reader’s interest and inform them of what to expect. The introduction generally comprises 10–20% of the text.

1. Hook your reader

The first sentence of the introduction should pique your reader’s interest and curiosity. This sentence is sometimes called the hook. It might be an intriguing question, a surprising fact, or a bold statement emphasizing the relevance of the topic.

Let’s say we’re writing an essay about the development of Braille (the raised-dot reading and writing system used by visually impaired people). Our hook can make a strong statement about the topic:

The invention of Braille was a major turning point in the history of disability.

2. Provide background on your topic

Next, it’s important to give context that will help your reader understand your argument. This might involve providing background information, giving an overview of important academic work or debates on the topic, and explaining difficult terms. Don’t provide too much detail in the introduction—you can elaborate in the body of your essay.

3. Present the thesis statement

Next, you should formulate your thesis statement— the central argument you’re going to make. The thesis statement provides focus and signals your position on the topic. It is usually one or two sentences long. The thesis statement for our essay on Braille could look like this:

As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness.

4. Map the structure

In longer essays, you can end the introduction by briefly describing what will be covered in each part of the essay. This guides the reader through your structure and gives a preview of how your argument will develop.

The invention of Braille marked a major turning point in the history of disability. The writing system of raised dots used by blind and visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Write your essay introduction

The body of your essay is where you make arguments supporting your thesis, provide evidence, and develop your ideas. Its purpose is to present, interpret, and analyze the information and sources you have gathered to support your argument.

Length of the body text

The length of the body depends on the type of essay. On average, the body comprises 60–80% of your essay. For a high school essay, this could be just three paragraphs, but for a graduate school essay of 6,000 words, the body could take up 8–10 pages.

Paragraph structure

To give your essay a clear structure , it is important to organize it into paragraphs . Each paragraph should be centered around one main point or idea.

That idea is introduced in a  topic sentence . The topic sentence should generally lead on from the previous paragraph and introduce the point to be made in this paragraph. Transition words can be used to create clear connections between sentences.

After the topic sentence, present evidence such as data, examples, or quotes from relevant sources. Be sure to interpret and explain the evidence, and show how it helps develop your overall argument.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

See the full essay example

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The conclusion is the final paragraph of an essay. It should generally take up no more than 10–15% of the text . A strong essay conclusion :

• Returns to your thesis
• Ties together your main points
• Shows why your argument matters

A great conclusion should finish with a memorable or impactful sentence that leaves the reader with a strong final impression.

What not to include in a conclusion

To make your essay’s conclusion as strong as possible, there are a few things you should avoid. The most common mistakes are:

• Including new arguments or evidence
• Undermining your arguments (e.g. “This is just one approach of many”)
• Using concluding phrases like “To sum up…” or “In conclusion…”

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Write your essay conclusion

Checklist: Essay

My essay follows the requirements of the assignment (topic and length ).

My introduction sparks the reader’s interest and provides any necessary background information on the topic.

My introduction contains a thesis statement that states the focus and position of the essay.

I use paragraphs to structure the essay.

I use topic sentences to introduce each paragraph.

Each paragraph has a single focus and a clear connection to the thesis statement.

I make clear transitions between paragraphs and ideas.

My conclusion doesn’t just repeat my points, but draws connections between arguments.

I don’t introduce new arguments or evidence in the conclusion.

I have given an in-text citation for every quote or piece of information I got from another source.

I have included a reference page at the end of my essay, listing full details of all my sources.

My citations and references are correctly formatted according to the required citation style .

My essay has an interesting and informative title.

I have followed all formatting guidelines (e.g. font, page numbers, line spacing).

Your essay meets all the most important requirements. Our editors can give it a final check to help you submit with confidence.

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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Sam Thomas Davies

How to Write a Book Summary (Step-by-Step)

by Sam Thomas Davies | Last updated: July 13, 2023 | Filed Under: Self-Improvement

In 2015, I wrote a book summary for The War of Art by Steven Pressfield. 

Distilling the book’s key ideas helped me remember what I read. Plus, readers got a lot from it, so I continued with other nonfiction books I read.

Since then, I’ve written 100+ book summaries for the best non-fiction books of all time. And, in doing so, I’ve learned a thing or two about writing good book summaries.  

In this article, I want to share how to write a book summary that will help you remember what you read months, even years, after reading.

Table of Contents

Why write a book summary.

• Step 1. Take Notes While You’re Reading

Step 2. Write the Main Takeaways in Your Own Words

Step 3. continue to summarize overtime .

I’ve found there are three key benefits to writing a book summary.

First, writing a book summary helps you remember what you read. We’ve all read a book only to forget its key ideas as soon as we finish. Summarizing a book in your own words, though, minimizes that problem by helping you internalize the book’s key insights. 

Second, writing a book summary helps you connect key concepts from other books. When writing a book summary for The Little Book of Yes , I noticed the author wrote about the importance of endings, a key idea also covered in The Power of Moments .

In The Power of Moments , Chip and Dan Heath explain that when people assess an experience, such as an experience with a brand, they tend to rate the experience based on the ending. In The Little Book of Yes , by contrast, Noah Goldstein discusses endings in the context of persuasion. 

By summarizing an idea, in my own words, and then looking at that idea through the lens of another context, I was able to understand it on a deeper, more applicable layer. 

Granted, for ideas covered, again and again, there’s a risk of moving too far from the source. (Think of all the instances of “research shows that” with no reference.) 

But for principle-based ideas (e.g., the trichotomy of control ), connecting “knowledge trees,” as author James Clear calls them , helps you internalize and remember what you read.

Third, writing a book summary helps you improve your writing . As Head of Content for Sleeknote , I create a lot of content and need to refer to and reference ideas I’ve read as quickly as possible. 

In this article on copywriting examples , I wanted to talk about how copywriter Claude Hopkins saved Schlitz from bankruptcy. Still, I couldn’t remember which book had introduced me to the story. 

So, I ran a search in my Commonplace Book , found the book, ( Scientific Advertising ), and featured the story in my article.   

You might not be a writer or even a creative for that matter, but as we’ll discuss in Step 3., there’s value in “remixing” an idea as part of the retrieval process. 

Now we’ve covered the benefits of writing a book summary let’s discuss how to write a summary, step-by-step.

Step 1. Take Notes While You Read

If you’re reading a print or hardcover book, highlight important quotes, ideas, or questions, and then write the page number on the first blank page.

By contrast, if you’re reading a Kindle book, use Kindle’s “notes” and “highlights” to capture and save important takeaways. Try to be as descriptive as possible to save time when exporting.

When reading Drive by Dan H. Pink, I marked a popular highlight.

But I also added a note, so when I summarized Drive , weeks, or even months later, I knew who Pink was quoting.

I also recommend highlighting the book’s chapter headings as you’re reading. You won’t always write a book summary, chapter by chapter, but for certain books, where each chapter builds on the last, it’s much easier to get an overview of your notes and highlights.

If you’re reading a print or hardcover book, write your notes and highlights into your preferred word processor or note-taking app. (I recommend Notion for reasons I’ll mention in Step 3.)

However, if you’re reading a Kindle book, adding your notes and highlights is quicker and easier. To export your notes and highlights, go to Your Amazon Kindle page . 

Next, copy all your notes and highlights and paste them into a preferred word processor or note-taking app. For this tutorial, I’m using Notion .

Then, remove all instances of “Read more at location [NUMBER],” “Delete this highlight,” and “Add a note” to remove all redundant copy.

Next, rewrite each highlight in your own words. If a highlight lacks context, like the example I mentioned in Step 1., rewrite it to include the note.

For example, before rewriting, this highlight read, “‘When money is used as an external reward for some activity, the subjects lose intrinsic interest for the activity,’ he wrote.” 

However, after editing, it became, “In one study, Edward Deci found that when money is used as an external reward for some activity, subjects lost intrinsic interest for the activity.”

If you highlighted chapter headings, as suggested in Step 1., turn them into subheadings. I also suggest adding a divider to separate each block. 

Editor’s Note

If you commit to writing book summaries over time, you will soon have dozens, if not hundreds, of summaries that will require a sound organizational system.

To do that, I recommend building a digital commonplace book in Notion. To learn more about how to do that, check out this article .

One of the best book summarization practices is called progressive summarization (PS). Coined by Tiago Forte, the idea is to summarize your notes, and then summarize that summary, then summarizing that summary, distilling the ideas into smaller and smaller layers each time.

There are five layers to PS, but I’ve adapted it for a book summary, specifically.

First, we have layer 1, which is a book’s notes and highlight, unedited, including redundant copy like “Add a note.” The problem, though, as mentioned previously, is raw notes lack context and are therefore unhelpful when we return to them in the future.

Layer 2, the first round of summarization, solves that problem, with a summary of the book, in your own words.

Layer 3 is the second round of summarization. Forte recommends bolding the book’s big ideas at this layer, but I use highlights instead for reasons I’ll explain in a moment.

At layer 3, I highlight key takeaways that are not context-specific.

Next, for Layer 4, I bold what I call “ Directives .” These are bite-sized instructions that “tell” you what to do. Here’s a Layer 3 example (highlights) with Level 4 (bold) added after a fourth revision.

At this stage, if I notice an idea that’s similar to one in another book, I use Notion’s callout box feature to draw attention and link it to the book summary for reference.

Finally, for a tiny minority of book summaries I write, I “remix” them by combining them with another idea for a piece of content. Remixing is a Layer 5 practice.

For instance, for one of my weekly Words Into Works newsletters, I knew I wanted to share a story about Abraham Lincoln, which Ryan Holiday introduced me to in his book, The Daily Stoic . 

I also knew I wanted to use the story to illustrate the idea of pausing, an idea I learned from The Little Book of Yes . So I combined Holiday’s story with Goldstein’s idea and added a creative spin to help me internalize the idea.

I should mention progressive summarization is done best over time. You shouldn’t go through all five levels for a summary in one sitting, nor will you need to. 

But for a select few, you will return, again and again, over time, and improve on the summary you wrote, often with a greater understanding than when you first wrote it.

Writing a book summary requires time, energy, and effort. That much is a given. But when done consistently, over time, it’s one of the best investments you can make in yourself. 

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June 23, 2020 at 12:05 am

It feels like divine intervention to have found your website, Sam. I just finished reading Rich Dad, Poor Dad a week ago, and was summarizing it and linking to other alternative summarizes to the document and I came across your website. I’ve been looking to incorporate book summaries into a blog and my own commonplace book to help myself internalize the content and help my friends. This article of yours is just what I needed. Once I saw your mention of Scientific Advertising , I knew I immediately had to comment on my thanks and check out the rest of your website haha. I’m looking forward to exploring more of your site!

June 23, 2020 at 7:16 am

Thanks a lot, Shawn. I’m glad you enjoyed it.

August 16, 2021 at 11:23 am

Thanks to you. I enjoyed reading this article and gain a lot of ideas. Thank you once again.

August 18, 2021 at 4:33 pm

My pleasure. Glad you enjoyed the article.

November 4, 2021 at 10:44 pm

Many thanks to you! I enjoyed to read this article and it was very impressive! Thanks

November 14, 2021 at 8:54 am

Thanks, Bava. Glad you found it helpful 🙂

July 22, 2020 at 2:11 pm

Sam –

I love your work. Thanks for all you are doing to make great knowledge more accessible to all of us.

I’d like to start writing summaries of the great books I listen to. How long does it take you to write a summary? I want to block some time in my calendar to write summaries.

Thanks so much!

– Curt

July 24, 2020 at 10:55 am

Thanks, Curt. Writing a book summary can take anywhere from six to nine hours, depending on the book’s length.

August 10, 2020 at 1:19 pm

Wow. That is a long time! Thank you for sharing the fruit of your efforts!

August 10, 2020 at 1:47 pm

My pleasure. Thanks for reading, Curt.

August 18, 2021 at 2:03 pm

Thanks a lot, sir. I really grabbed something here. Though a lot of time is required I will practice.

August 18, 2021 at 4:32 pm

Thanks, Jennifer.

August 25, 2020 at 2:10 pm

Amazing job you are doing Sam by writing these priceless summaries. A heartfelt thanks! Btw, just wanted to know: Do we still need to read the books after reading your summary? 😛 I mostly read non-fiction self help books to get ideas for improvement which I believe you are covering aptly in the summary. So what do you suggest? Should I save my time and focus on the implementation part?

August 29, 2020 at 3:07 pm

Thanks, Anabil. I would also recommend reading the book still. The summary is only one interpretation, one that often changes with each new read.

July 7, 2021 at 12:57 pm

Thank you, Sam. I think I understand what you have written here. Helpful. 🙂

I have a question. How do we differentiate a summary of fiction from nonfiction?

Thanks, Kulbushan

July 12, 2021 at 6:17 am

Thanks, Kulbushan. I would still focus on summarizing the book chapter-by-chapter.

August 6, 2021 at 7:49 am

Thanks for your work, Sam. This is so far the most valuable post I have read on summarizing books. The step-by-step guide along with the principles is exactly what I was looking for. While I was at it, I also read some of your book summaries – and kudos to that! 🙂 I am very grateful for your site.

August 6, 2021 at 5:12 pm

Thanks, Sri. I’m glad you found it helpful.

August 26, 2021 at 5:27 am

Thanks, Sam.

February 8, 2022 at 6:19 am

This is so true Sam I think writing summaries help us condense our learning and helps our audience as well as they can easily consume our byte-sized lessons.

February 17, 2022 at 11:00 pm

Very insightful. I struggle remembering most books I read so decided to use a summary to at least reflect. I decided to research how to do this and I chanced on your website. Thank you. Very helpful.

May 18, 2022 at 7:00 am

Thanks, Seth. Glad you found it useful.

February 18, 2022 at 1:48 pm

This is dope, I loved it. Thanks for being plain and clear for a better understanding.

February 28, 2022 at 7:14 am

My pleasure, Andrew. Glad you liked the post.

April 8, 2022 at 4:34 pm

Hi Sam, Your highly instructive and rich article is surely providing great support for writers of overviews and summaries. I have almost finished a book of a prehistoric-linguistic denomination. I am about to prepare it for publishing. One of my tasks is to edit an overview. Would you be able to do the overview for me and how much it will cost?

Kind Regards,

April 18, 2022 at 3:59 pm

Afraid not, Sabah. Try searching for a copyeditor on Upwork. Best of luck.

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How to Write a Novel: A 12-Step Guide

You’ve always wanted to write a novel. But something’s stopped you.

Maybe you’ve tried before, only to get a few, or several, pages in and lose steam because:

• Your story idea didn’t hold up
• You couldn’t overcome procrastination
• You feared your writing wasn’t good enough
• You ran out of ideas and had no clue what to do next

You may be surprised that even after writing 200 books (two-thirds of those novels) over the last 45+ years, including several New York Times bestsellers (most notably the Left Behind Series), I face those same problems every time .

So how do I overcome them and succeed?

I use a repeatable novel-writing plan — one that helps me smash through those obstacles. And that’s what I reveal to you in this definitive guide.

Imagine finishing your first draft. Better yet, imagine a finished manuscript . Or, best of all, your name on the cover of a newly published book — does that excite you?

Imagine letters from readers telling you your novel changed their lives, gave them a new perspective, renewed hope.

If other writers enjoy such things, why can’t you?

Of course this goes without saying, but first you must finish a novel manuscript.

This guide shows you how to write a novel (based on the process I use to write mine). I hope you enjoy it and can apply it to your own writing!

• How to Write a Novel in 12 Steps
• Nail down a winning story idea .
• Determine whether you’re an Outliner or a Pantser .
• Create an unforgettable main character .
• Expand your idea into a plot .
• Research, research, research .
• Choose your Voice and Point of View .
• Start in medias res (in the midst of things) .
• Engage the theater of the reader’s mind .
• Intensify your main character’s problems .
• Make the predicament appear hopeless .
• Bring it all to a climax .
• Leave readers wholly satisfied .
• Step 1: Nail-down a winning story idea.

Is your novel concept special?

• Big enough to warrant 75,000 to 100,000 words?
• Powerful enough to hold the reader all the way?

Come up with a story laden with conflict — the engine that will drive your plot .

I based my first novel, Margo , on this idea: A judge tries a man for a murder the judge committed .

Take whatever time you need to prioritize your story ideas and choose the one you would most want to read — the one about which you’re most passionate and which would keep you eagerly returning to the keyboard every day.

It must capture YOU so completely you can’t get it out of your head. Only that kind of an idea will inspire you to write the novel you’ve always dreamed of.

• Step 2: Determine whether you’re an Outliner or a Pantser.

If you’re an Outliner, you prefer to map out everything before you start writing your novel. You want to know your characters and what happens to them from beginning to end.

If you’re a Pantser, meaning you write by the seat of your pants, you begin with the germ of an idea and write as a process of discovery.

As Stephen King says, “Put interesting characters in difficult situations and write to find out what happens.”

One or the other of these approaches will simply feel most natural to you.

But, in truth, many of us are hybrids, some combination of the two — needing the security of an outline and the freedom to let the story take us where it will.

So do what makes the most sense to you and don’t fret if that means incorporating both Outlining and Pantsing.

(I cover strategies for both types and talk about how to structure a novel here .)

Regardless, you need some form of structure to keep from burning out after so many pages.

I’m a Pantser with a hint of Outlining thrown in, but I never start writing a novel without an idea where I’m going — or think I’m going.

• Step 3: Create an unforgettable main character.

Your most important character will be your protagonist, also known as your lead or your hero/heroine.

This main character must experience a life arc — in other words, be a different, better or worse, stronger or weaker person by the end. (I use “he” inclusively to mean hero or heroine)

For most novels, that means he must bear potentially heroic qualities that emerge in the climax.

For readers to be able to relate to him, he should also exhibit human flaws.

So resist the temptation to create a perfect lead. Who can relate to perfection?

You’ll also have an antagonist (also known as the villain ) who should be every bit as formidable and compelling as your hero. Make sure the bad guy isn’t bad just because he’s the bad guy. 😊

He must be able to justify — if only in his own mind — why he does what he does to make him a worthy foe, realistic and memorable.

You may also need important orbital cast members.

For each character, ask:

• Who are they?
• What do they want?
• Why do they want it?
• What or who is keeping them from it?
• What will they do about it?

Use distinct names (even distinct initials) for every character — and make them look and sound different from each other too, so your reader won’t confuse them.

Limit how many you introduce early. If your reader needs a program to keep them straight, you may not have him for long.

Naturally, your lead character will face an outward problem — a quest, a challenge, a journey, a cause… But he also must face inner turmoil to make him really relatable to the reader and come alive on the page.

Heroic, inventive, morally upright, and physically strong? Of course. But your protagonist must also face fear, insecurity, self-doubt.

The more challenges he faces, the more potential he has to grow and develop.

Much as in real life, the tougher the challenges, the greater the potential transformation.

For more on developing your characters, check out my blog posts Your Ultimate Guide to Character Development: 9 Steps to Creating Memorable Heroes , How to Create a Powerful Character Arc , and Character Motivation: How to Craft Realistic Characters .

• Step 4: Expand your idea into a plot.

True Pantsers — yes, even some bestselling novelists — don’t plot. Here’s the downside:

Like me, you might love being a Pantser and writing as a process of discovery, BUT — even we non-Outliners need some modicum of structure.

Discovering what bestselling novelist Dean Koontz calls the Classic Story Structure (in his How to Write Best-Selling Fiction ) changed my writing forever . My book sales took off when I started following his advice:

• Plunge your main character into terrible trouble as soon as possible.
• Everything your character does to try to get out of that trouble makes it only progressively worse…
• …until his predicament appears hopeless.
• Finally, everything your hero learns from trying to get out of the terrible trouble builds in him what he needs to succeed in the end.

Want to download this 12-step guide to refer to whenever you wish? Click here.

Plot Elements

Writing coaches call by different names their own suggested story structures , but the basic sequence is largely common. They all include some variation of:

• The Inciting Incident that changes everything
• A series of crises that build tension
• A Conclusion

Regardless how you plot your novel, your primary goal must be to grab readers by the throat from the get-go and never let go.

For more on developing your plot, visit my blog post The Writer’s Guide to Creating the Plot of a Story .

More in-depth plotting resources:

• Plot and Structure by James Scott Bell
• The Secrets of Story Structure by K. M. Weiland
• The Snowflake Method by Randy Ingermanson
• Step 5: Research, research, research.

Though fiction, by definition, is made up, to succeed it must be believable. Even fantasies need to make sense.

You must research to avoid errors that render your story unbelievable.

Once a reader has bought into your premise, what follows must be logical. Effective research allows you to add the specificity necessary to make this work .

When my character uses a weapon, I learn everything I can about it. I’ll hear about it from readers if I refer to a pistol as a revolver or if my protagonist shoots 12 bullets from a gun that holds only 8 rounds.

Accurate details add flavor and authenticity.

Get details wrong and your reader loses confidence — and interest — in your story.

Research essentials:

• Consult Atlases and World Almanacs to confirm geography and cultural norms and find character names that align with the setting, period, and customs . If your Middle Eastern character flashes someone a thumbs up, be sure that means the same in his culture as it does in yours.
• Encyclopedias. If you don’t own a set, access one at your local library or online .
• YouTube and online search engines can yield tens of thousands of results. (Just be careful to avoid wasting time getting drawn into clickbait videos.)
• Use a Thesaurus while writing your novel, but not to find the most exotic word. I most often a thesaurus to find that normal word that’s on the tip of my tongue.
• There’s no substitute for in-person interviews with experts. People love to talk about their work, and often such conversations lead to more story ideas.

Resist the urge to shortchange the research process.

Readers notice geographical, cultural, and technological blunders and trust me, they’ll let you know.

Even sci-fi or fantasy readers demand believability within the parameters of the world you’ve established .

One caveat: Don’t overload your story with all the esoteric facts you’ve learned, just to show off your research. Add specifics the way you would add seasoning to food. It enhances the experience, but it’s not the main course.

• Step 6: Choose your point of view.

The perspective from which you write your novel can be complicated because it encompasses so much.

Your Point of View (POV) is more than simply deciding what voice to use: First Person ( I, me ), Second Person ( you, your ), or Third Person ( he, she, or it ).

It also involves deciding who will be your POV character, serving as your story’s camera.

The cardinal rule is one perspective character per scene , but I prefer only one per chapter, and ideally one per novel.

Readers experience everything in your story from this character’s perspective.

No hopping into the heads of other characters. What your POV character sees, hears, touches, smells, tastes, and thinks is all you can convey.

Some writers think that limits them to First Person, but it doesn’t. Most novels are written in Third Person Limited.

That means limited to one perspective character at a time, and that character ought to be the one with the most at stake in each scene.

Writing your novel in First Person makes it easiest to limit yourself to that one perspective character, but Third-Person Limited is the most common.

I’m often asked how other characters can be revealed or developed without switching to them as the perspective character.

Read current popular fiction to see how the bestsellers do it.

(One example: the main character hears what another character says, reads his tone and his expression and his body language, and comes to a conclusion. Then he finds out that person told someone else something entirely different, proving he was lying to one of them.)

For a more in-depth explanation of Voice and Point of View, read my post A Writer’s Guide to Point of View .

Step 7: Begin in medias res (in the midst of things) .

You must grab your reader by the throat on page one.

That doesn’t necessarily mean bullets flying or a high speed chase, though that might work for a thriller. It means avoiding too much scene setting and description and, rather, getting to the good stuff — the guts of the story .

Les Edgerton, a gritty writer who writes big boy novels (don’t say I didn’t warn you) says beginning writers worry too much about explaining all the backstory to the reader first.

He’s saying, in essence, get on with it and trust your reader to deduce what’s going on.

The goal of every sentence, in fact of every word , is to compel the reader to read the next.

• Step 8: Engage the theater of the reader’s mind.

Don’t moviegoers often say they liked the book better?

The reason is obvious: Even with all its high-tech computer-generated imagery , Hollywood cannot compete with the theater of the reader’s mind.

The images our mind’s eye evokes are far more imaginative and dramatic than anything Hollywood can produce.

Your job as a writer is not to make readers imagine things as you see them, but to trigger the theaters of their minds.

Give them just enough to engage their mental projectors. That’s where the magic happens.

For more, visit my post on What Is Imagery? and Show, Don’t Tell: What You Need to Know .

• Step 9: Intensify your main character’s problems.

You’ve grabbed your reader with a riveting opener and plunged your hero into terrible trouble.

Now, everything he does to get out of that terrible trouble must make it progressively worse.

Do not give him a break.

Too many amateurs render their hero’s life too easy.

They give a private eye a nice car, a great weapon, a beautiful girlfriend, an upscale apartment, a fancy office, and a rich client. Rather, pull out from under him anything that makes his life easy.

Have his car break down, his weapon get stolen, his girlfriend leave, his landlord evict him, his office burn, and his client go broke. Now thrust him into a dangerous case.

Conflict is the engine of fiction .

(For more on conflict, read my post Internal and External Conflict: Tips for Creating Unforgettable Characters )

His trouble should escalate logically with his every successive attempt to fix it.

You can hint that he’s growing, developing, changing, getting stronger, and adding more to his skillset through his trials, but his trouble should become increasingly terrible until you…

• Step 10: Make his predicament appear hopeless.

Writing coaches have various labels for this crucial plot point.

Novelist Angela Hunt refers to this as The Bleakest Moment. It’s where even you wonder how you’re going to write your way out of this.

The once-reprobate lover who has become a changed man and a loving fiance suddenly falls off the wagon the night before the wedding.

Caught red-handed doing drugs and drinking with another woman, he sees his true love storm off, vowing to never speak to him again.

Imagine the nadir, the low point, the bleakest moment for your lead character. Your ability to mine this can make or break you as a novelist.

This is not easy, believe me. You’ll be tempted to give your protagonist a break, invent an escape, or inject a miracle. Don’t you dare!

The Bleakest Moment forces your hero to take action, to use every new muscle and technique gained from facing a book full of obstacles to prove that things only appeared beyond repair.

The more hopeless the situation, the more powerful your climax and ending will be.

• Step 11: Bring it all to a climax.

The ultimate resolution, the peak emotional point of your story, comes when your hero faces his toughest test yet. The stakes must be dire and failure catastrophic.

The conflict that has been building throughout now crescendos to a final, ultimate confrontation, and all the major book-length setups are paid off.

Star Wars: A New Hope climaxes with the rebels forced to destroy the Death Star.

In the original version of the movie, that scene felt flat. So the filmmakers added that the Death Star was on the verge of destroying the rebel base.

That skyrocketed the tension and sent the stakes over the top.

Give readers the payoff they’ve been set up for. Reward their sticking with you and let them experience the fireworks.

But remember, the climax is not the end. The real conclusion ties up loose ends and puts everything into perspective.

• Step 12: Leave readers wholly satisfied.

A great ending :

• Honors the reader for his investment of time and money.
• Is the best of all your options. If it comes down to clever, quirky, or emotional, always aim for the heart.
• Keeps your hero on stage till the last word.

Because climaxes are so dramatic, endings often just peter out. Don’t let that happen.

Your ending might not be as dramatic or action-filled as the climax, but it must be every bit as provocative and riveting.

Don’t rush it. Rewrite it until it shines. I’ve long been on record that all writing is rewriting, and this is never more true than at the end of your novel.

When do you know it’s been rewritten enough? When you’ve gone from making it better to merely making it different.

Write a fully satisfying ending that drops the curtain with a resounding thud. Your readers will thank you for it.

• Frequently Asked Questions and Novel Writing Tips

1. How long does it take to write a novel?

A lifetime. It will pull from you everything you know and everything you are.

It takes as long as necessary.

I know those answers sound flippant, but remember, speed is not the point.

Quality is the point.

Spend as much time as it takes for you to be happy with every word before you start pitching your manuscript to the market.

How long writing a novel will take you depends on your goals and your schedule.

A manuscript of a 100,000 words, including revision, should be doable — even for a beginner — in six to nine months.

Develop and practice the right habits , set a regular writing schedule, and stick to it.

2. How hard is it to write a novel?

If you’re anything like me, it will prove the hardest thing you have ever done. If it was easy, everyone would do it.

Every published novelist (yes, even any big name you can think of) was once right where you are — unpublished and unknown. They ultimately succeeded because they didn’t quit.

Resolve to not quit, and you will write a novel. I can’t guarantee it will become a bestseller, but I can guarantee it won’t if you don’t finish it.

3. How do I know if my story idea has potential?

You’ll know your story has legs if it stays in your mind, growing and developing every time you think of it.

The right concept simply feels right. You’ll know it when you land on it. Most importantly, your idea must compel you to write it.

Tell your story idea to someone whose opinion you trust.

You should be able to tell by their expression and their tone of voice whether they really like it or are just being polite.

• You Can Do This

If you want to write a novel, don’t allow the magnitude of the writing process to overwhelm you.

Attack it the way you would eat an elephant — one bite at a time. 😊

Don’t let fear stop you. Use it as motivation to do your best work.

Avoid wondering What if…?

Take the leap.

Stay focused on why you started this journey in the first place.

Follow the steps I’ve given you, and you may find that this time next year, you’re holding in your hands a manuscript that could become a published novel with your name on the cover.

• Step 7: Begin in medias res (in the midst of things).

Are You Making This #1 Amateur Writing Mistake?

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What You and I Can Learn From Patricia Raybon

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Blog • Perfecting your Craft

Last updated on Feb 07, 2023

How to Write a Book (with Tactics from Bestsellers)

What’s the secret formula to tapping into your creativity and writing a book? Some authors would tell you there is no single path to authorship , as every writer’s journey is unique. However, almost every bestselling author will have highly effective writing patterns and habits that help them attain their writing dreams . In this post, we'll share some of their most commonly used tactics for starting and finishing a book.

How to write a book:

1. Start with a book idea you love

2. research by reading genre-prominent books, 3. outline the story, 4. write the opening sentence , 5. write the first draft, 6. set a schedule with achievable goals, 7. find a good writing space, 8. pick a "distraction-free" writing software, 9. finish your draft, 10. edit the manuscript, 11. publish your book for readers to buy.

There's a long, exciting road ahead. So let's get started.

The one thing you absolutely  need  to write a book is, of course, an idea. If you don't have that, you'll never get past the first page of your draft.

You may already know what you want to write about, or you may be at a total loss. Either way, you can settle on a “big book idea” by asking yourself a few simple questions:

• What do I  want  to write about?
• What do I feel is  important  to write about?
• Who will want to read about this story/subject?
• Will I be able to carry out this idea effectively?

Your answers to these questions will help you narrow it down to your best options. For example, if you have several different ideas for a book, but only one that you're truly passionate about and feel you can pull off, then voilà — there's your premise!

On the other hand, if you  lack  ideas, these questions should steer you in a firmer direction. Think about the kinds of books you love to read, as well as books that have made a significant impact on you. In all likelihood, you'll want to write a book in a similar vein.

Tools to help you find an idea

If you're grasping at straws, consider free-writing based on a writing prompt or generating a story via a plot generator to get the ball rolling! You might stumble upon an interesting concept or story element that sparks a “big idea” for your book. (And if you're still uninspired even after trying these tools, you may want to reconsider whether you really want to write a book after all.)

Which writing app is right for you?

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Once you've found your big idea, the next step is to research your genre. Again, if you're writing the book you like to read , you already have a leg up! Reading books in your genre is by far the best way to learn how to write in that genre yourself.

But if not, you'll want to select a couple of representative titles and analyze them.  How long are the novels  and  how many chapters do they have ? What does the  shape of the story look like? What themes and ideas pull the book together? Perhaps most importantly, do you think you can produce a book with similar elements?

Find out what people are reading

You should also conduct market research on Amazon to determine the most  popular  books in your genre. If you want your book to succeed, you'll have to contend with these bestsellers. Go to the  Amazon Best Sellers page  and find your genre in the lefthand sidebar:

Then read those books' blurbs to figure out what really sells. What do they all have in common, and why might readers find them appealing? Does your book hold up to these standards?

Finally, think about how your book can offer something NEW. For example, if you're writing a psychological thriller, will there be a particularly sneaky narrator who's unreliable, or maybe a  series of twists and turns that the reader never sees coming? If your book is nonfiction , do you have a unique take on the subject, or a particularly deep well of knowledge? And so on.

Going above and beyond is the only way to give your book a chance in today's hyper-competitive market. So don't skimp on the genre research, because this will tell you where the bar is and how you can surpass it.

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Many great stories begin with a great outline. This is especially important if it's your first book, since you need a solid blueprint to rely on when you get stuck! (Because believe us, you will  get stuck.)

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Use this template to go from a vague idea to a solid plan for a first draft.

So how do you go about creating that outline for your book? We actually have a  whole other post on the subject , but here are the essentials:

• Pick a format that works for you.  There are so many different types of outlines: the free-flowing mind map, the rigorous chapter-and-scene outline, the character-based outline, and so on. If one approach doesn't work for you, try another! Any kind of plan is better than none.
• Have a beginning, middle, and end.  Way too many authors go into writing a book with a strong notion of how their story should start... yet their middle is murky and their ending, nonexistent. Take this time to flesh them out and connect them to one another.  Remember:  the best books have endings that feel “earned,” so you should try to be building toward it from the start!
• Consider your conflict points.   Conflict is at the heart of any good book  — it draws in the reader, conjures tension and emotion, and ultimately reflects the themes and/or message you want to convey. You don't have to know  exactly  where your conflict will manifest, but you should have a pretty good grasp of how it works throughout your book.
• Get to know your characters. If you haven't spent much time shaping your characters  yet, your outline is the perfect opportunity to do so. How will your characters interact in the story, and how will these interactions demonstrate who they are and what matters to them?

If you'd like to outline your story directly in a writing app, we recommend using the pre-made templates in the free Reedsy Book Editor. Simply create your account with one click below and start creating the building blocks of your story — right away.  

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The Reedsy Book Editor

Use the Boards feature to plan, organize, or research anything.

Let's get into the actual writing and make a dent in your first draft . One of the most important parts of writing a book is starting it ! It's no exaggeration to say your first few pages can make or break your book — if these pages aren't good enough, many readers will lose interest, possibly never returning to your book again.

First off, you need an opening hook that grabs the reader's attention and makes it impossible for them to look away. Take a look at the first lines of these hit bestsellers:

“Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” — Harry Potter and the Sorcerer's Stone

“Renowned curator Jacques Saunière staggered through the vaulted archway of the museum's Grand Gallery.” — The Da Vinci Code

“If all the Saturdays of 1982 can be thought of as one day, I met Tracey at 10 a.m. on that Saturday, walking through the sandy gravel of a churchyard, each holding our mother's hand.” — Swing Time

All of these books fall into different genres, yet all their opening lines do the same thing: capture the reader's attention. You can imitate them by making a similarly strong, slightly furtive statement in  your  opener!

From there, your job is to maintain the reader's interest by heightening the stakes and  kicking off the plot . You should also make the reader care about the main characters by giving them distinct personalities, as well as  character goals  and motivations. (Note that “main” is a key descriptor here; never introduce more than a couple of characters at a time!)

Of course, there are infinite ways to write your first chapter. You might have to experiment with lots of different opening lines, even opening scenes, to find the right balance — but it's worth the effort to set the stage perfectly.

If you struggle to write consistently, sign up for our How to Write a Novel course to finish your novel in just 3 months.  

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Many writers believe that the key to writing an amazing book is style: impressive vocabulary, elaborate sentences,  figurative language  that would make Shakespeare swoon.

We're here to dissuade you of that notion. While style is great (as long as your prose doesn't  start to become purple ),  substance  is far more important when writing a book — hence why you should focus primarily on your plot, characters, conflict(s), and themes.

Make sure your book is all killer, no filler

Of course, that's easier said than done, especially once you've already started working on your book . When you get to a patchily outlined section, it's tempting to  keep  writing and fill out the page with literary gymnastics. But that's exactly what this content is: filler. And if you have too much of it, readers will become frustrated and start to think you're pretentious.

This is another reason why outlining is so important. You need to KNOW your story in order to stay on track with it! But besides outlining, here are a few more tips for making substance a priority:

• Every sentence must do one of two things — reveal character or advance the action.  This advice comes straight from Kurt Vonnegut, and it's 100% true: if a sentence doesn't accomplish one or both of those things, try removing it. If the passage still makes sense, leave it out.
• Be conscious of your pacing.  Slow pacing is a symptom of excess description. If the events of your book seem to move like molasses, you're probably using too much style and not enough substance.
• Use a writing tool to reduce flowery language.  Speaking of great American novelists, Hemingway is a fantastic tool to help you write like the man himself! Simply paste your writing into the app and Hemingway will suggest ways to make your prose more concise and effective.

Tell us about your book, and we'll give you a writing playlist

It'll only take a minute!

Keep readers in mind while writing

Do you want to be the author of a novel that people will really  enjoy (and buy)? Well, this is pretty much the cardinal rule: you should always be thinking about your audience and trying to write “reader-first.”

For example, sometimes you'll have to write scenes that aren't very exciting, but that  serve the overall story arc . Don't rush through these scenes just to get them over with! Even if they don't seem interesting to  you,  they contribute to the reader's experience by building tension and preserving the pacing — and the reader deserves to relish those things.

Create 'fake' people who will want to read your book

When considering your readership, you should also  keep a proto-persona in mind  for marketing purposes. These are constructed personalities that marketers use to better understand their target customers. The more your book can cater to this hypothetical reader, the easier it will be to sell!

Maybe you're writing a true-crime account for zealous true crime readers . Such readers will have pored over countless criminal cases before, so you need to include unique details to make  your  case stand out, and craft an extra-compelling narrative to engage them.

Let's move on to practical ways that you can improve your writing habits. Word count goals play a huge part in creating an effective writing process, especially if you're trying to finish your book  in a certain amount of time .

You should create word count goals for both your individual sessions and per week — or per month, if that's how you prefer to think about your writing output. For relatively novice writers, we'd recommend the following word count goals:

• 500-750 words per day
• 1,500-2,500 words per week
• 6,000-10,000 words per month

These goals are based on a pattern of 3-4 sessions per week, which is reasonable for a beginner, but still enough to make commendable progress. Even if you only follow our  minimum  recommendations — 500 words per session at 3 sessions per week — you can still easily finish your book in less than a year!

Speeding up the writing process

If you're looking for how to write a book  as fast as possible , your word count goals should look a little more like this:

• 1,500-2,000 words per session
• 9,000-15,000 words per week
• 35,000-50,000 words per month

The figures above adhere roughly to NaNoWriMo, the event in which participants write an average of 1,667 words/day to complete a 50,000-word book in  one month . It's hard work, but it's definitely possible to write a book that quickly; hundreds of thousands of people do so every year!

But as any author who's done NaNo can attest, it's also a pretty grueling experience. Most authors find it exhausting to write such great quantities for so many days in a row — and they still have to  revise copiously once they're done .

If this is your first book, make sure you take your time, set manageable word goals, and gradually build to bigger goals.

Use writing sessions to establish a schedule

Having a healthy writing routine is the only way you'll actually hit those word count goals — not to mention it fosters a better relationship with writing overall! To establish a healthy routine, ask yourself these baseline questions first:

• When do I have the most free time in the day/week?
• What time of the day do I tend to be most productive?
• How can I space out my writing sessions effectively?
• Will I realistically be able to balance my writing goals with other responsibilities?

The best way to set up your routine is to take advantage of your pre-existing schedule and natural patterns. So for example, if you already go to the gym on Tuesdays and Thursdays, perhaps the best time to write would be on Mondays, Wednesdays, and Fridays. Or if you find yourself most creative late at night ( many of us do! ), you can plan late-night sessions over the weekend/before your day off, so you can sleep in the next day.

Ultimately, you just want a well-balanced writing routine that facilitates productivity, yet keeps you from burning out. If you find that writing for several days in a row is too much for you, space out your sessions more or try to shake things up by moving to a new writing space. If you can't keep up with your goals, it's okay to reduce them a little.

Yes, writing a lot is important, but it's not more important than your mental health! Remember that writing a book is a marathon, not a sprint, and that a consistent, healthy approach is absolutely vital. Here are some tips for making the most of your writing routine.

Don't skip more than one session in a row

Life happens, and sometimes you won't be able to make a planned writing session. However, unless it's a serious emergency, you should try to get back in the saddle for your next session. Otherwise, you'll lose too much progress and feel discouraged, which typically leads to skipping even  more  writing sessions, and eventually giving up.

Track your progress

With our free writing app , Reedsy Studio, you'll see the numbers update automatically depending on your activity: you'll see how many words you added  and deleted on any given day. Depending on the overall goal you set for your manuscript, you'll also see your daily targets adjust depending on how much you've written so far.

Use a site blocker to stay focused

Distraction is the enemy of routine, and the biggest distraction in our modern world is the Internet. To that end, download a site-and-app blocker to use during your writing sessions so you won't be enticed by social media or adorable cat memes. We'd recommend  Freedom , as you can schedule block sessions in advance and even keep track of your productivity   within  the app.

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Another major component of how to write a book is  where  you write, hence why it gets a separate section. If you want to complete an entire book, you absolutely must find a calm, focused space for your writing.

This may be in your house, a coffee shop, a library, a co-working space — wherever you can work productively and without interruptions. It should also be a place that you can access easily and go often. Working from home is the most convenient option in this sense, but it may be difficult if you have family around, or if you don't have a designated “room of one's own” (i.e. an actual office, or at least a desk).

What does a good writing space look like?

Try out different locations to see what works for you. Indeed, you may find that you like to rotate writing spaces because it keeps you energetic and your writing fresh! But wherever you go, do your best to make the space:

• Quiet  (noise-canceling headphones can be very helpful)
• Clean  (no clutter, especially if you do chores to procrastinate)
• Non-distracting  (nothing too fun around to tempt you away from writing; turn off your phone so other people won't bother you)
• Your own  (cultivate a nice atmosphere in your home office with posters and plants, or simply take the same seat at your local café every time — truly carve out a “dedicated writing space”)

We've already talked about a few different pieces of software to help you with writing a book. But if you haven't found the right app or program yet, never fear — there's plenty more where those came from!

Book writing software is a topic we've actually  written an entire post about , but it's worth touching on a few of our favorite writing tools here:

Scrivener 🖋️

Scrivener is  the  downloadable writing software of choice for many writers, and for good reason: it has an exceptional interface and tons of useful features. You can outline chapters with its drag-and-drop system, create labels for elements you want to track, and use various templates to plan AND format your book. If you want to feel like a true professional, you can't go wrong with Scrivener — and it's even free to try for 30 days.

Or if you're not much for outlines because your thoughts are all over the place, Milanote can help. The super-flexible interface allows you to “mind map” just as you would longhand, and rearrange different sections as you please. When writing, you can see all your notes at once, so you don't have to stress about forgetting things. It's a very refreshing, intuitive way approach that's worth a try for all disorganized authors.

FocusWriter ✍️

Speaking of intuitive, what's more intuitive than simply writing on a piece of paper, no distractions — just like the old days? Meet FocusWriter, which allows you to do exactly that. The full-screen default interface is a sheet of paper on a wooden desk: no bells, no whistles, no distractions whatsoever. Seriously, this one will get you in the zone.

The Reedsy Book Editor 📖

We couldn't leave out one of the coolest word processing, editing, and formatting tools on the market! All jokes aside, the RBE lets you cleanly format your book  as you go,  so you can watch it take shape in real-time. You can also add sections for front matter and back matter and invite collaborators to edit your text. Plus you can toggle on goal reminders to make sure that you're on track with your writing schedule. Once you finish writing, you can export the files of your book. But don't take our word for it: you can try Reedsy Studio for free right here .

FREE WRITING APP

Set goals, track progress, and establish your writing routine in our free app.

Getting into the groove of writing a book can be difficult. When there are a million different things to distract and discourage you, how can you keep going with your writing routine and finish your book?

Based on ours and other writers' experience, here are a few motivational strategies for you to try:

• Make a list of reasons  why  you want to write a book.  Having a tangible reminder of your true purpose is one of the best ways to motivate yourself, so think hard: Do you want to send an important message? Reach a certain group of people? Or do you simply yearn to tell this particular story? Write down all your reasons and keep them as an ace in the hole for when your motivation dwindles.
• Find someone else to write with you.  Getting a writing buddy is another great way to stay motivated! For one thing, you get some camaraderie during this process; for another, it means you can't slack off too much. So ask your writer friends if they'd like to meet up regularly, or join a community of authors online . With the latter, just make sure you exchange progress updates and proof that you're actually writing!
• Reward yourself at important milestones.  Sometimes the best motivation is the prospect of treating yourself. If you respond well to this kind of motivation, set a goal, a deadline, and a reward for meeting it: “If I can write 10,000 more words by the end of the month, I'll go out for an amazing, fancy dinner with all my friends.” This kind of goal is also helpful because you can  tell  your friends about it, and that very act will hold you accountable.

For even more advice on how to staying motivated through the writing process, check out this Reedsy Live from author and writing coach Kevin Johns!

Don't give up

Remember how we said you'd inevitably get stuck? Well, that's what this step is all about: what to do when you hit a wall. Whether it's a tricky plot hole, an onslaught of insecurity, or a simple lack of desire to write, all writers experience setbacks from time to time .

There are countless ways to overcome writer's block, from freewriting to working on your characters to taking a shower (yes, that's a legitimate tip!). However, here are some of the most effective techniques we've found:

• Revisit your outline.  This will jog your memory as to planned story elements you've forgotten — which may help you find the missing piece.
• Try writing exercises.  It's possible you just need to get the words flowing, and then you can jump get right back into your book. Luckily for you, we have a whole host of great writing exercises  right here!
• Share your experience with friends.  This is another great role for your writing buddy to fill, but you can easily talk about writer's block with your non-writing friends, too. If you're struggling, it always helps to vent and bounce ideas off other people.
• Take a  short  break to do something else.  Yes, sometimes you need to step away from the keyboard and clear your head. But don't take more than a day or so, or else you'll lose momentum and motivation.

Most of all, remember to take setbacks in stride and not let them get you down. As platitudinous as that might sound, it's true: the only thing that can stop you from writing a book is if you, well,  stop writing . So keep calm and carry on — every day brings new opportunities and you'll get through this.

Your aim at this point is not to emerge with an instant masterpiece. The quality almost always emerges in the edit.

You can write all day, all night, to your heart's content... but if no one else likes what you've written, you might end up heart broken  instead. That's why it's crucial to request feedback on your book, starting early and from as many sources as possible.

Begin by asking your friends and fellow writers to read just a few chapters at a time. However, apply their suggestions not only to those chapters, but wherever relevant. For example, if one of your friends says, “[Character A] is acting weird in this scene,” pay extra attention to that character to ensure you haven't misrepresented them anywhere else.

Once your book is finished, you're ready for some more intensive feedback. Consider getting a beta reader to review your entire book and provide their thoughts . You may want to hire an editor to give you professional feedback as well. (Find out about the different types of editing, and which type your book might need,  in this post .)

Finally, it might sound obvious, but we'll say it anyway for all you stubborn writers out there: feedback is useless if you don't actually listen to it. Separate yourself from your ego and don't take anything personally, because no one wants to offend you — they're just trying to help.

You’ve persevered to the end at last: brainstormed, outlined, and written a draft that you've edited extensively (based on feedback, of course). Your book has taken its final form, and you couldn’t be prouder. So what comes next?

Well, if you’ve taken our advice about catering to your target readers, you may as well give publishing a shot! We have a  full guide to publishing right here  — and if you’re thinking about traditional publishing,  read this article  to decide which is right for you.

Get help from publishing professionals

Publishing is another rigorous process, of course. But if you’ve come this far to find out how to write a book, you can pretty much do anything! Invest in  stellar cover design for your book , study up on  marketing for your book , or start writing an  irresistible query letter that will get you an offer .

Whichever route you take, one thing will remain true: you’ve written a book, and that’s an incredible achievement. Welcome to the 0.1% — and may the next book you write be even greater than the first. 📖

13/12/2019 – 15:33

thank you for helping me find a new way to write my book

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How to Write a Book Name in an Essay

Last Updated: February 14, 2024 Fact Checked

This article was co-authored by Noah Taxis and by wikiHow staff writer, Danielle Blinka, MA, MPA . Noah Taxis is an English Teacher based in San Francisco, California. He has taught as a credentialed teacher for over four years: first at Mountain View High School as a 9th- and 11th-grade English Teacher, then at UISA (Ukiah Independent Study Academy) as a Middle School Independent Study Teacher. He is now a high school English teacher at St. Ignatius College Preparatory School in San Francisco. He received an MA in Secondary Education and Teaching from Stanford University’s Graduate School of Education. He also received an MA in Comparative and World Literature from the University of Illinois Urbana-Champaign and a BA in International Literary & Visual Studies and English from Tufts University. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 64,479 times.

When you’re writing an essay that includes a book title, it can be confusing to write the title correctly. However, it’s really easy once you know the rules. How you write the title will vary a little bit depending on the style your instructor assigns and if you are typing or handwriting the essay. Luckily, it's easy to follow the rules for writing a book name in an essay.

Writing Help

Typing an Essay in MLA or Chicago Style Format

• For example, you would write To Kill a Mockingbird , The Lord of the Rings , or Wuthering Heights .

• If you have the book name in front of you, you can just copy it down as it is printed.
• Articles include a, an, and the.
• Prepositions include at, in, on, of, about, since, from, for, until, during, over, above, under, underneath, below, beneath, near, by, next to, between, among, and opposite.
• Coordinating conjunctions include the FANBOYS, which are for, and, not, but, or, yet, and

• For example, you would write the name of William Faulkner’s novel Absalom, Absalom! with both the comma and the exclamation point in italics.

• If the highlight bar goes away, try again, making sure that you don’t click anywhere on the page after you highlight the book name.

• Alternatively, you can press the italicize icon before you type the title.
• If you’re using Microsoft Word to type your essay, the italicize key may appear if you hover over the highlighted book name.

• If the next word after your title appears italicized when you resume typing, simply highlight it and click the italicize icon to remove the formatting.

• For example, The Lord of the Rings trilogy is sometimes published in one volume. In this case, you could write the name of the first novel as "The Fellowship of the Ring" when citing it in an essay.

Typing an Essay in APA Format

• Capitalize the first letter of the words, not the entire word.
• If the word is a two-part hyphenated word in the title, you should capitalize both words. For example, you would write Blue River: The Trial of a Mayor-Elect .
• If there is a dash or colon in the title, you should capitalize the word after the punctuation, regardless of how long the word is. As above, you would write Blue River: The Trial of a Mayor-Elect .

• For example, you would write Philip K. Dick’s Do Androids Dream of Electric Sheep? with the question mark italicized.

• If the book name is not highlighted, left click and drag your cursor again, making sure that you don’t click again anywhere on the page.

• If you are using Microsoft Word, the italics icon may appear when you hover over the highlighted book title. It’s okay to click this key.

Handwriting an Essay

• For MLA and Chicago style essays, capitalize the first word of the book name and every word other than articles, prepositions, or coordinating conjunctions. For example, write The Lord of the Rings .
• If you’re using APA style, capitalize the first word and all words longer than 4 letters. [9] X Research source This means you would write Public Policy in Local Government .

• If you’re writing on lined paper, it may help to follow along the line of the paper. However, make sure your line is dark enough so that your instructor will see that you properly underlined the book name.

• For example, you would write Judy Blume’s Are You There, God? It’s Me, Margaret by underlining the punctuation marks as well as the words.

Expert Interview

Thanks for reading our article! If you’d like to learn more about academic writing, check out our in-depth interview with Noah Taxis .

• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_general_format.html
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_literature/formatting.html
• ↑ https://www.grammarly.com/blog/underline-or-italicize-book-titles/
• ↑ https://askus.library.wwu.edu/faq/116757
• ↑ https://libguides.up.edu/apa/books_ebooks
• ↑ https://apastyle.apa.org/style-grammar-guidelines/italics-quotations/italics

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How to Write a Novel

Faber Academy – 5 July 2024

7 minutes read

Writing a novel can seem like a daunting task.

And it’s true that it’s no mean feat: as a creative endeavour it takes an astonishing amount of time and commitment, and that’s before you even think about sending it out into the world to be published..

If you’ve always dreamed of writing a novel but are overwhelmed and unsure of where to start, here are some key things to think about along your writing journey.

Find your idea

Unsure of what to write about? Often writers will start with what they know, especially when writing their first book. Whatever you decide on, make sure it’s something you really want to write about – not just what you think you should write about. It can be wise, too, not to worry too much about current publishing trends. The odds are that by the time you’ve finished writing, revising, submitting and eventually having your book published, the trend will have passed.

What are you most interested in? What are you most excited by? Hone in on this. There will be an inevitable stage when you grow tired by your idea, so the more invested and interested you are in it at the start, the more likely you are to see your creative project through to completion. If you can’t decide on what to write about, you could try freewriting or some mind-mapping exercises to get you started.

The most precious thing you can have in making a novel work is momentum. And you need therefore to treat it in your life like a job of work that needs to be done. And it should be exciting too. [...] Time is precious in life but as long as your novel is preoccupying you and you’re thinking about its shape and its characters and where it might go tomorrow, then you’re also, I think, writing your novel. So on a practical level I also recommend that every writer should have a notebook and a pen in their pocket — the phone isn’t good enough!

Richard T Kelly

Writing a Novel course tutor

Plan Your Novel

Planning your novel will look different for everyone. Some novelists will produce detailed outlines before setting pen to paper and others will start writing with no idea where the story is taking them, discovering what happens as they go. Wherever you lie on the planning spectrum, it’s usually a good idea to have some idea of your characters and their motivations (who are they, what do they want?), the main conflict (what’s stopping them from getting what they want?) and the overarching structure.

In terms of outlining your plot, there are many forms this could take. Some novelists will draw up a synopsis outline, an in-depth outline, or follow the snowflake or the bookend method (knowing what happens at the beginning and end and then discovering how you get there through writing). Structure-wise you could follow the 3-Act Story Structure (Act I = Setup, Act II = Confrontation, Act III = Resolution), or use the Hero’s Journey . Deciding which works best for you can take time and can even differ from novel to novel.

I have several keywords that are very much a part of my teaching. The first is stay inside the story . And by that I mean not be distracted by the outcome, the way it’s going to be received. Staying inside the story means being with the characters on their journey, going through the process of whatever the aspiration of the character or the impediments the character might face – staying with it. Another thing I say to students is be quite sure whose story it is, and why you’re telling the story.

Shelley Weiner

Write the First Draft

Perhaps the most important step of them all: write. When you get to this stage, it’s important to just focus on getting it all down on the page. We’ve put together some tips for writing your first draft here , but the essential thing to remember at this point is not to judge. Just write. Get it all down on paper, keep the momentum going and then you can edit it later. It can be useful to set yourself some sort of writing routine at this stage, or a word count goal, but the realities of this will look different for everyone.

I think if you’re writing a novel, whether on the course or not, the main thing you can do for yourself, particularly at the beginning, is feel free to make messy art in a way. That you just have to go for it, that you just have to sit there and you have to write. And you don’t immediately edit yourself and you don’t listen to that critical voice that we all have — anyone worth their salt as a writer has that critical internal voice, you have to learn to mute it. So just write — even if it’s for five minutes, ten minutes — just put something on the page, don’t criticise yourself.

Joanna Briscoe

Revise and Edit Your Novel

When you’ve finished your first draft, put it away. After a reasonable amount of time has passed, when you’ve maybe forgotten a lot of what you’ve written, take your manuscript back out of a drawer or open the file on your computer. Now reread and revise your novel. Be ruthless.

Sarah Moss has said that she writes a full draft and then deletes it before writing it again properly: ‘I even delete it from the trash can. It’s like being a dressmaker – mocking it up in a cheap fabric, to then make it in silk later.’ While you don’t necessarily have to be this ruthless, do try to not be too precious about anything that you’ve written: if it doesn’t serve your story, take it out. You can always set it aside for something else.

Some general things to look out for while revising are pacing, character development and plot holes. Have others read your novel and give you notes. You don’t have to act on all of their suggestions, but stay open: if you find the same issue being raised by beta readers over and over again, chances are other readers will have the same issue. Some writers find it easier to print out and bind their drafts and make notes as they read through. You might prefer to edit on screen. Or, you might like to do some of both, depending on where you are in the process. There’s no set amount of drafts you have to do – it differs from writer to writer, but when you read through and can’t think of anything else you would change, then you’re finished (for now!). Read more about the different types of editing and how best to go about it here .

Make sure to celebrate once you’ve completed your final draft! But be aware that the work isn’t completely finished yet. The next step is preparing your submission for agents, potentially going through edits with your agent, and, if your manuscript is accepted for publication … going through yet another editing process with your publishers. But for now, take a break and congratulate yourself on a job well done.

Writing a Novel is designed to support aspiring fiction writers to develop their craft over six months, with courses in London (at Faber’s HQ in Hatton Garden), Newcastle and online.

A six-month programme of seminars, sessions will cover all the essentials of novel writing – including character, story, structure, plotting, voice, dialogue, conflict and more.

Find out more about the next iterations of Writing a Novel  here .

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Writing Your First Fiction Novel and Don’t Know What to Do? A Complete Guide for Beginners

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Imagination holds within the realm of creativity, which is the perfect essence for a fictional novel. Fiction is one of the most-read genres of all time. With captivating narrations, inspiring characters, and amusing dialogues and plots, novels get their readers hooked. If you are an avid fiction reader who has ever thought of writing a captivating fiction novel but doesn't know how to write one as a beginner, you have landed on the perfect page. According to a survey conducted in 2002 in the USA, almost 81% of readers desire to write a book , but only a few reach their final destination. 

From reading fiction books to writing one, unlock the secrets behind writing a top-notch fiction novel as a beginner in this article that will help you embrace the diversity of creative writing and introduce writing secrets to explore the fiction world.

How to Start Writing a Fiction Novel: Best Tips and Tricks for a Beginner

To start writing a fiction novel, following are some tips that can help:

1. Choose a Sub-Genre and Practice:

Practice makes a man perfect and if done in the right direction, you can become extraordinary. But before that, choose a fiction sub-genre such as romance, adventure, crime, horror, comedy, thriller, or any of your interests, and start reading books that fall under that category. Collect as many ideas as possible, pay attention to each detail, and create your pointers. Last but not least, practice writing as much as you can.

2. Select the Ideal Story and Choose a Writing Style:

After brainstorming dozens of ideas, reading multiple books, and practicing writing, comes the next part of crafting your perfect story and setting a tone for it. Decide whether you want it in the present or past tense, first-person or third-person phrasing.

3. Don’t Forget that a Good Plot and the Best Characters are a Win: 

How many times have you gotten hooked on a book that didn't have an interesting plot or captivating characters? The answer is probably never. The moment the plot and characters get monotonous, readers leave the book. To avoid such setbacks, create amusing plots with suspense, and interesting characters that make the readers fall in love with the whole story.

4. Time for the First Draft:

After finalizing the storyline, plot, characters, and narration style, it’s time to put your first draft into action. Another big hurdle you need to overcome here is getting over the habit of rechecking grammar and editing again and again while writing. Although these are the most important aspects, they can be figured out in the end. In the beginning, keep writing whatever ideas come to mind, and remember that your first draft isn’t the final one.

5. Review, Rewrite, and Revise:

After completing your first fiction book as a beginner, share it with others, narrate the story to gain multiple perspectives, and improve accordingly. Reach out to people who have already excelled in fiction writing and try to pitch them your drafts for professional constructive criticism. And boom, you are good to go.

Looking for Some Inspirational Books for Fiction Novel Writing:

Looking for Some Inspirational Books for Fiction Novel Writing: The following books provide valuable insight into the craft of writing and offer helpful tips for honing one's skills.

Diligently Screaming: Ascension Rise in the Deep:

Diligently screaming is a battle between good and evil, a journey of emotions and excitement where truths will be revealed and friendship will be a hurdle in the fate of destiny. In the chaos of power, some brave souls stand against evil. Luminous and Aurora will be seeking the stone of power before it gets into the wrong territory. But many unforeseen burdens in the world of darkness will try to take over. 

Trashedies :

The Tales of Trashedies is a feminist world of humor, poetry, and sophistication intertwining paths on the seats of The Fumetti Cafe. Each story dives into new directions and perspectives and acknowledges that your decisions and your empowerment depend on you.

This book unravels the world of powers, mysteries, wisdom, and purpose. Alastair vanished out of the blue and left his father and friends, Caelyn and Mydia behind in the city. Caelyn was sent home, a place she was desperate to escape, but with Dr. Alastair’s help, she discovered something she never expected. Whereas Mydia decided to find Alastair, the wielder of fire and sought the help of the sorceress. Meanwhile, Alastair seeks his purpose, mastering his power, and uncovering his father’s secrets and the answers he has been looking for so long.

Riley Whittle and the Curse of the Moon:

This inquisitive story is not an ordinary tale but an untold mystery of love, betrayal, and curse, where Riley is beholding the lives of naive beings. The story starts with one mistake that turns Riley’s world upside down, forcing her father to decide between her daughter and the innocent lives of the villagers. Everyone turned back on her, leaving her with the scar of loneliness for her entire life. But amidst the deep darkness of her cursed world, some hands came forward towards her. 

Write Your First Fictional Novel Right Away:

As a beginner, writing your first novel can be exciting and challenging at the same time. But with the correct techniques and knowledge, you can put your imagination into words. Read, write, and practice. Choose a sub-genre, brainstorm ideas, and create plots. Do experiments with tones and writing styles until you find the perfect one for your fiction novel and write your first draft. Finally, review, edit, revise, and share it with others to get a brief overview before publishing it. 

Connect with  Austin Macauley Publishers  for more such blogs, and  submit  your manuscript if you want to publish your work. You can also make a quick and easy submission through the  online submission form . You can stay updated with our new releases and activities by joining our family of authors and readers on  Facebook ,  X,   TikTok , and  Instagram .

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Guest Essay

ChatGPT vs. Me: Who Will Write a Better Beach Read?

By Curtis Sittenfeld

Ms. Sittenfeld is the author of the novel “Romantic Comedy” and the forthcoming story collection “Show Don’t Tell.”

What makes a beach read a beach read? Is it an escapist subject matter? A frothy tone? Or is any book you read on a beach automatically a beach read?

I’m the author of seven novels and one short-story collection, and I have no idea what the answer is to these questions. But in an attempt to figure them out, I’ve agreed to participate in an experiment, and I hope you’ll join me.

I’ve put together a list of some of my favorite elements of summer, along with other topics I like to write about. Please vote on which items you would most want included in a summery short story — your ideal beach read — and submit your own suggestion, too. I’ll then write a story that includes the top three vote getters and two elements I choose from readers. And because it’s 2024 and life is now weird all the time, so will ChatGPT. Which will help us answer another pressing question: What’s the difference between human and machine writing?

Both stories will be the same length (1,000 words), and both will incorporate the same five prompts. ChatGPT, which will be told to write in my style, will complete its story in a few seconds; I’ll complete mine in a few weeks.

I’m curious about whether, in its current iteration, ChatGPT can write fiction I’d want to read or aspire to write. Can it write like me specifically? What does writing like me even mean? I’m one of the many fiction writers whose novels were used, without my permission and without compensation, to train ChatGPT. (I confess that I was offended in one way that five of my books were used and offended in a different way that two of them — the two that sold the least and received the worst reviews — weren’t.) Groups of fiction writers have sued OpenAI, which developed ChatGPT, for copyright infringement. The New York Times has sued Microsoft and OpenAI over the use of copyrighted work.

So it may go without saying that in this contest, I’m rooting for myself; I’m Team Human, and I’m hoping to honorably defend my species. But as with the steel-driving John Henry and the chess-playing Garry Kasparov before me, the outcome is unknown in advance. Maybe fiction writers’ jobs are in danger, or maybe there’s some ineffable quality, similar to the transcendent quality of a beach read, that still separates a story told by a person from a story told by a computer.

Beach Read Ingredients (Take Your Pick):

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