techniques for teaching creative writing

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How to Teach Creative Writing | 7 Steps to Get Students Wordsmithing

techniques for teaching creative writing

“I don’t have any ideas!”

“I can’t think of anything!”

While we see creative writing as a world of limitless imagination, our students often see an overwhelming desert of “no idea.”

But when you teach creative writing effectively, you’ll notice that every student is brimming over with ideas that just have to get out.

So what does teaching creative writing effectively look like?

We’ve outlined a seven-step method that will scaffold your students through each phase of the creative process from idea generation through to final edits.

7. Create inspiring and original prompts

Use the following formats to generate prompts that get students inspired:

personal memories (“Write about a person who taught you an important lesson”)
imaginative scenarios
prompts based on a familiar mentor text (e.g. “Write an alternative ending to your favorite book”). These are especially useful for giving struggling students an easy starting point.
lead-in sentences (“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”).
fascinating or thought-provoking images with a directive (“Who do you think lives in this mountain cabin? Tell their story”).

Don’t have the time or stuck for ideas? Check out our list of 100 student writing prompts

6. unpack the prompts together.

Explicitly teach your students how to dig deeper into the prompt for engaging and original ideas.

Probing questions are an effective strategy for digging into a prompt. Take this one for example:

“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”

Ask “What questions need answering here?” The first thing students will want to know is:

What happened overnight?

No doubt they’ll be able to come up with plenty of zany answers to that question, but there’s another one they could ask to make things much more interesting:

Who might “I” be?

In this way, you subtly push students to go beyond the obvious and into more original and thoughtful territory. It’s even more useful with a deep prompt:

“Write a story where the main character starts to question something they’ve always believed.”

Here students could ask:

What sorts of beliefs do people take for granted?
What might make us question those beliefs?
What happens when we question something we’ve always thought is true?
How do we feel when we discover that something isn’t true?

Try splitting students into groups, having each group come up with probing questions for a prompt, and then discussing potential “answers” to these questions as a class.

The most important lesson at this point should be that good ideas take time to generate. So don’t rush this step!

5. Warm-up for writing

A quick warm-up activity will:

allow students to see what their discussed ideas look like on paper
help fix the “I don’t know how to start” problem
warm up writing muscles quite literally (especially important for young learners who are still developing handwriting and fine motor skills).

Freewriting is a particularly effective warm-up. Give students 5–10 minutes to “dump” all their ideas for a prompt onto the page for without worrying about structure, spelling, or grammar.

After about five minutes you’ll notice them starting to get into the groove, and when you call time, they’ll have a better idea of what captures their interest.

Did you know? The Story Factory in Reading Eggs allows your students to write and publish their own storybooks using an easy step-by-step guide.

4. Start planning

Now it’s time for students to piece all these raw ideas together and generate a plan. This will synthesize disjointed ideas and give them a roadmap for the writing process.

Note: at this stage your strong writers might be more than ready to get started on a creative piece. If so, let them go for it – use planning for students who are still puzzling things out.

Here are four ideas for planning:

Graphic organisers

A graphic organiser will allow your students to plan out the overall structure of their writing. They’re also particularly useful in “chunking” the writing process, so students don’t see it as one big wall of text.

Storyboards and illustrations

These will engage your artistically-minded students and give greater depth to settings and characters. Just make sure that drawing doesn’t overshadow the writing process.

Voice recordings

If you have students who are hesitant to commit words to paper, tell them to think out loud and record it on their device. Often they’ll be surprised at how well their spoken words translate to the page.

Write a blurb

This takes a bit more explicit teaching, but it gets students to concisely summarize all their main ideas (without giving away spoilers). Look at some blurbs on the back of published books before getting them to write their own. Afterward they could test it out on a friend – based on the blurb, would they borrow it from the library?

3. Produce rough drafts

Warmed up and with a plan at the ready, your students are now ready to start wordsmithing. But before they start on a draft, remind them of what a draft is supposed to be:

a work in progress.

Remind them that if they wait for the perfect words to come, they’ll end up with blank pages .

Instead, it’s time to take some writing risks and get messy. Encourage this by:

demonstrating the writing process to students yourself
taking the focus off spelling and grammar (during the drafting stage)
providing meaningful and in-depth feedback (using words, not ticks!).

Reading Eggs also gives you access to an ever-expanding collection of over 3,500 online books!

2. share drafts for peer feedback.

Don’t saddle yourself with 30 drafts for marking. Peer assessment is a better (and less exhausting) way to ensure everyone receives the feedback they need.

Why? Because for something as personal as creative writing, feedback often translates better when it’s in the familiar and friendly language that only a peer can produce. Looking at each other’s work will also give students more ideas about how they can improve their own.

Scaffold peer feedback to ensure it’s constructive. The following methods work well:

Student rubrics

A simple rubric allows students to deliver more in-depth feedback than “It was pretty good.” The criteria will depend on what you are ultimately looking for, but students could assess each other’s:

use of language.

Whatever you opt for, just make sure the language you use in the rubric is student-friendly.

Two positives and a focus area

Have students identify two things their peer did well, and one area that they could focus on further, then turn this into written feedback. Model the process for creating specific comments so you get something more constructive than “It was pretty good.” It helps to use stems such as:

I really liked this character because…

I found this idea interesting because it made me think…

I was a bit confused by…

I wonder why you… Maybe you could… instead.

1. The editing stage

Now that students have a draft and feedback, here’s where we teachers often tell them to “go over it” or “give it some final touches.”

But our students don’t always know how to edit.

Scaffold the process with questions that encourage students to think critically about their writing, such as:

Are there any parts that would be confusing if I wasn’t there to explain them?
Are there any parts that seem irrelevant to the rest?
Which parts am I most uncertain about?
Does the whole thing flow together, or are there parts that seem out of place?
Are there places where I could have used a better word?
Are there any grammatical or spelling errors I notice?

Key to this process is getting students to read their creative writing from start to finish .

Important note: if your students are using a word processor, show them where the spell-check is and how to use it. Sounds obvious, but in the age of autocorrect, many students simply don’t know.

A final word on teaching creative writing

Remember that the best writers write regularly.

Incorporate them into your lessons as often as possible, and soon enough, you’ll have just as much fun marking your students’ creative writing as they do producing it.

Need more help supporting your students’ writing?

Read up on how to get reluctant writers writing , strategies for supporting struggling secondary writers , or check out our huge list of writing prompts for kids .

Watch your students get excited about writing and publishing their own storybooks in the Story Factory

Inspiring Ink: Expert Tips on How to Teach Creative Writing

The world of creative writing is as vast as it is rewarding. It’s a form of expression that allows the writer to explore different worlds, characters, and narratives – all within the power of their pen.

But what exactly is creative writing and why is it important? Let’s explore the value of creative writing and how to inspire young (or old!) minds to embark on the curious and exciting journey of writing creatively – it’s easier than you think!

What is Creative Writing?

Creative writing, in its simplest form, is writing that goes beyond the bounds of normal professional, journalistic, academic, or technical forms of literature.

It’s characterized by its emphasis on:

narrative craft
character development
the use of literary devices

From poetry to plays, scripts to sonnets, creative writing covers a wide range of genres . It’s about painting pictures with words, invoking emotions, and bringing ideas to life . It’s about crafting stories that are compelling, engaging, and thought-provoking.

Whether you’re penning a novel or jotting down a journal entry, creative writing encourages you to unleash your imagination and express your thoughts in a unique, artistic way. For a deeper dive into the realm of creative writing, you can visit our article on what is creative writing .

Benefits of Developing Creative Writing Skills

The benefits of creative writing extend beyond the page.

It’s not just about creating captivating stories or crafting beautiful prose. The skills developed through creative writing are invaluable in many aspects of life and work.

1. Creative writing fosters creativity and imagination.

It encourages you to think outside the box, broaden your perspective, and explore new ideas. It also enhances your ability to communicate effectively, as it involves conveying thoughts, emotions, and narratives in a clear and compelling manner.

2. Creative writing aids in improving critical thinking skills.

It prompts you to analyze characters, plotlines, and themes, and make connections between different ideas. This process activates different parts of the mind, drawing on personal experiences, the imagination, logical plot development, and emotional intelligence.

3. Creative writing is also a valuable tool for self-expression and personal growth.

It allows you to explore your feelings, experiences, and observations, providing an outlet for self-reflection and introspection. By both reading and writing about different characters in different situations, readers develop empathy in a gentle but effective way.

4. Creative writing skills can open up a host of career opportunities.

From authors and editors to content creators and copywriters, the demand for creative writers is vast and varied. You can learn more about potential career paths in our article on creative writing jobs and what you can do with a creative writing degree .

In essence, creative writing is more than just an art—it’s a skill, a craft, and a powerful tool for communication and self-expression. Whether you’re teaching creative writing or learning it, understanding its value is the first step towards mastering the art.

The 3 Roles of a Creative Writing Teacher

Amongst the many facets of a creative writing teacher’s role, three vital aspects stand out: inspiring creativity , nurturing talent , and providing constructive criticism . These elements play a significant role in shaping budding writers and fostering their passion for the craft.

1. Inspiring Creativity

The primary function of a creative writing teacher is to inspire creativity.

They must foster an environment that encourages students to think outside the box and explore new possibilities . This includes presenting students with creative writing prompts that challenge their thinking, promoting lively discussions around various topics, and providing opportunities for students to engage in creative writing activities for kids .

Teachers should also expose students to a range of literary genres , styles, and techniques to broaden their understanding and appreciation of the craft. This exposure not only enhances their knowledge but also stimulates their creativity, encouraging them to experiment with different writing styles .

2. Nurturing Talent

Nurturing talent involves recognizing the unique abilities of each student and providing the necessary support and guidance to help them develop these skills. A creative writing teacher needs to identify the strengths and weaknesses of each student and tailor their approach accordingly.

This means:

offering personalized feedback
setting realistic yet challenging goals
providing opportunities for students to showcase their work

Encouraging students to participate in writing competitions or to publish their work can give them a confidence boost and motivate them to improve. Furthermore, teachers should educate students about various creative writing jobs and what you can do with a creative writing degree . This knowledge can inspire students to pursue their passion for writing and explore career opportunities in the field.

3. Providing Constructive Criticism

Providing constructive criticism is a critical aspect of teaching creative writing. It involves assessing students’ work objectively and providing feedback that helps them improve .

Teachers should:

highlight the strengths of the work
address the areas that need improvement
suggest ways to make the piece better

Constructive criticism should be specific, actionable, and encouraging . It’s important to remember that the goal is to help the student improve, not to discourage them. Therefore, teachers need to communicate their feedback in a respectful and supportive manner.

In essence, a teacher’s role in teaching creative writing extends beyond mere instruction. They are mentors who inspire, nurture, and shape the minds of budding writers. By fostering a supportive and stimulating environment, they can help students unlock their creative potential and develop a lifelong love for writing.

3 Techniques for Teaching Creative Writing

When it comes to understanding how to teach creative writing, there are several effective techniques that can help inspire students and foster their writing skills.

1. Encouraging Free Writing Exercises

Free writing is a technique that encourages students to write continuously for a set amount of time without worrying about grammar, punctuation, or topic. This type of exercise can help unleash creativity, as it allows students to freely express their thoughts and ideas without judgment or constraint.

As a teacher, you can set a specific theme or provide creative writing prompts to guide the writing session. Alternatively, you can allow students to write about any topic that comes to mind. The key is to create an environment that encourages creative exploration and expression.

2. Exploring Different Genres

Another effective technique is to expose students to a wide range of writing genres. This can include fiction, non-fiction, poetry, drama, fantasy, mystery, and more. By exploring different genres, students can discover their unique writing styles and interests. This variety also offers the chance to expand their writing skills and apply them to various writing formats.

To facilitate this exploration, you can assign writing projects in different genres, conduct genre-specific writing workshops, or invite guest speakers who specialize in different genres. You can also encourage students to critically analyze how different authors approach their work.

3. Analyzing Published Works

Analyzing published works is a powerful way to teach creative writing. This technique allows students to learn from established authors by studying their:

writing styles
narrative structures
use of language.

It also provides a practical context for understanding writing concepts and techniques.

As a teacher, you can select diverse pieces of literature for analysis , ranging from classic novels to contemporary short stories. Encourage students to identify elements they admire in these works and discuss how they can incorporate similar techniques into their own writing.

These techniques for teaching creative writing are effective ways to inspire creativity, encourage self-expression, and develop writing skills. As a teacher, your role is crucial in guiding students through their creative journey and helping them realize their potential as writers.

Creative Writing Workshops and Exercises

One effective method on how to teach creative writing is through the use of targeted workshops and exercises. These interactive sessions can stimulate creativity, foster character development , and help in understanding story structures .

Idea Generation Workshops

Idea generation is a crucial aspect of creative writing. It is the starting point that provides a springboard for writers to explore and develop their narratives. Idea generation workshops can be an interactive and fun way to help writers come up with fresh ideas.

Workshops can include brainstorming sessions , where writers are encouraged to think freely and note down all ideas, no matter how unconventional they may seem. Another method is the use of writing prompts , which can serve as a creative spark.

A prompt could be:

even an image

Editor’s Note : Encourage children to create a big scribble on a scrap piece of paper and then look for an image in it (like looking for pictures in the clouds). This can be a great creative writing prompt and students will love sharing their writing with each other! Expect lots of giggles and fun!

Character Development Exercises

Characters are the heart of any story. They drive the narrative and engage the readers. Character development exercises can help writers create well-rounded and relatable characters.

Such exercises can include character questionnaires , where writers answer a series of questions about their characters to gain a deeper understanding of their personalities, backgrounds, and motivations. Role-playing activities can also be useful, allowing writers to step into their characters’ shoes and explore their reactions in different scenarios.

Story Structure Workshops

Understanding story structure is vital for creating a compelling narrative. Story structure workshops can guide writers on how to effectively structure their stories to engage readers from start to finish .

These workshops can cover essential elements of story structures like:

rising action
falling action

In addition to understanding the basics, writers should be encouraged to experiment with different story structures to find what works best for their narrative style. An understanding of story structure can also help in analyzing and learning from published works .

Providing writers with the right tools and techniques, through workshops and exercises, can significantly improve their creative writing skills. It’s important to remember that creativity flourishes with practice and patience .

As a teacher, nurturing this process is one of the most rewarding aspects of teaching creative writing. For more insights and tips on teaching creative writing, continue exploring our articles on creative writing .

Tips to Enhance Creative Writing Skills

The process of teaching creative writing is as much about honing one’s own skills as it is about imparting knowledge to others. Here are some key strategies that can help in enhancing your creative writing abilities and make your teaching methods more effective.

Regular Practice

Like any other skill, creative writing requires regular practice . Foster the habit of writing daily, even if it’s just a few lines. This will help you stay in touch with your creative side and continually improve your writing skills. Encourage your students to do the same.

Introduce them to various creative writing prompts to stimulate their imagination and make their writing practice more engaging.

Reading Widely

Reading is an essential part of becoming a better writer. By reading widely, you expose yourself to a variety of styles, tones, and genres . This not only broadens your literary horizons but also provides a wealth of ideas for your own writing.

Encourage your students to read extensively as well. Analyzing and discussing different works can be an excellent learning exercise and can spark creative ideas .

Exploring Various Writing Styles

The beauty of creative writing lies in its diversity. From poetic verses to gripping narratives, there’s a wide range of styles to explore. Encourage your students to try their hand at different forms of writing. This not only enhances their versatility but also helps them discover their unique voice as a writer.

To help them get started, you can introduce a variety of creative writing activities for kids . These tasks can be tailored to suit different age groups and proficiency levels. Remember, the goal is to foster a love for writing, so keep the activities fun and engaging .

Have Fun Teaching Creative Writing!

Enhancing creative writing skills is a continuous journey. It requires persistence, curiosity, and a willingness to step out of your comfort zone. As a teacher, your role is to guide your students on this journey, providing them with the tools and encouragement they need to flourish as writers – and most of all – enjoy the process!

For more insights on creative writing, be sure to explore our articles on what is creative writing and creative writing jobs and what you can do with a creative writing degree .

Brooks Manley

Creative Primer is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024:

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

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Writing Techniques

How to Teach Creative Writing

Last Updated: March 13, 2024 References

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 13 references cited in this article, which can be found at the bottom of the page. This article has been viewed 117,153 times.

Creative writing is one of the most enjoyable types of writing for students. Not only does it allow students to explore their imaginations, but it helps them to structure their ideas and produce writing that they can be proud of. However, creative writing is a relatively difficult type of writing to teach and offers challenges to both new and seasoned teachers alike. Fortunately, though, with some work of their own, teachers can better develop their own abilities to teach creative writing.

Providing Students with the Fundamentals

Step 1 Introduce the important elements of storytelling.

Theme. The theme of a story is its message or the main idea behind it.
Setting. The setting of a story is the location or time it takes place in.
Plot. The plot is the overall story, narrative, or sequence of events.
Characterization. Characterization is how a character or person in a story is explained or presented to the reader.
Conflict and dramatic action. Conflict and dramatic action are the main events of focus in the story. These events are often tense or exciting and are used to lure the reader in. [1] X Research source

Step 2 Encourage students to engage the reader.

Explain how your students, as writers, can appeal to the humanity of their readers. One great way to do this is to ask them to explore character development. By developing the characters in their story, readers will become invested in the story.
Discuss the triggers that engage readers in an effective story. Most great stories start with a problem, which is solved with the resolution, or conclusion of the story. Encourage students to create an engaging problem that will hook the readers in the first few pages of a short story or novel. [2] X Research source

Step 3 Explain the importance of tone and atmosphere.

By setting the tone and atmosphere of a story, the author will establish his or her attitude to the subject and the feel of the story.
Tone can be positive, neutral, or negative. [3] X Research source
Atmosphere can be dark, happy, or neither.
Descriptive words like “darkness” or “sunshine” can help set both the tone and atmosphere. [4] X Research source

Active verbs are used to show action in the story.
Active verbs are very often a better alternative to passive voice, as it keeps your writing clear and concise for your readers. [5] X Research source
For example, instead of writing “The cat was chased by the dog” your student can write “The dog chased the cat.”

Guiding Students through the Process

Step 1 Allow students to pick their topic.

Tell your students to brainstorm about ideas they are truly interested in.
If you must restrict the general topic, make sure that your students have a good amount of wiggle room within the broad topic of the assignment.
Never assign specific topics and force students to write. This will undermine the entire process. [6] X Research source

Step 2 Have your students write a flexible outline.

Letting your students know that the outline is non-binding. They don’t have to follow it in later steps of the writing process.
Telling your students that the parts of their outline should be written very generally.
Recommending that your students create several outlines, or outlines that go in different directions (in terms of plot and other elements of storytelling). The more avenues your students explore, the better. [7] X Research source

Step 3 Avoid teaching a story “formula.”

Tell students that there is no “right” way to write a story.
Let students know that their imaginations should guide their way.
Show students examples of famous writing that breaks normal patterns, like the works of E.E. Cummings, William Faulkner, Charles Dickens, and William Shakespeare.
Ask students to forget about any expectations they think you have for how a story should be written. [8] X Research source

Step 4 Provide feedback on rough drafts.

Gather the first drafts and comment on the student's work. For first drafts, you want to check on the overall structure of the draft, proper word use, punctuation, spelling, and overall cohesion of the piece. [9] X Research source
Remind them that great writers usually wrote several drafts before they were happy with their stories.
Avoid grading drafts for anything other than completion.

Let students pair off to edit each others' papers.
Have your students join groups of 3 or 4 and ask them to go edit and provide feedback on each member’s story.
Provide guidance so students contribute constructively to the group discussion. [10] X Research source

Step 6 Evaluate your students based on their creativity.

Reward your students if they are innovative or do something unique and truly creative.
Avoid evaluating your students based on a formula.
Assess and review your own standards as often as you can. Remember that the point is to encourage your students' creativity. [11] X Research source

Spurring Creativity

Step 1 Inspire students with an appreciation of literature.

Teach your students about a variety of writers and genres.
Have your students read examples of different genres.
Promote a discussion within your class of the importance of studying literature.
Ask students to consider the many ways literature improves the world and asks individuals to think about their own lives. [12] X Research source

Step 2 Provide your students with a large number of resources.

Make sure your room is stocked with a wide variety of fiction stories.
Make sure your room is stocked with plenty of paper for your students to write on.
Line up other writing teachers or bring in writers from the community to talk to and encourage your students.

Step 3 Have your students write practice stories based on random photos or pictures you provide.

Cut out pictures and photographs from magazines, comic books, and newspapers.
Have your students cut out photographs and pictures and contribute them to your bank.
Consider having your students randomly draw a given number of photos and pictures and writing a short story based on what they draw.
This technique can help students overcome writer's block and inspire students who think that they're "not creative." [13] X Research source

Pair your students with students from another grade in your school.
Allow your students to write stories that younger students in your school would like to read.
Pair your students with another student in the class and have them evaluate each others' work. [14] X Research source

If you just have a typical classroom to work with, make sure to put inspirational posters or other pictures on the walls.
Open any curtains so students can see outside.
If you have the luxury of having an extra classroom or subdividing your own classroom, create a comfortable space with a lot of inspirational visuals.
Writing spaces can help break writer's block and inspire students who think that they're "not creative." [15] X Research source

Involve students in the printing process.
Publication does not have to be expensive or glossy.
Copies can be made in the school workroom if possible or each student might provide a copy for the others in the group.
A collection of the stories can be bound with a simple stapler or brads.
Seek out other opportunities for your students to publish their stories.

Expert Q&A

↑ https://www.writersonlineworkshops.com/courses/creative-writing-101
↑ https://kobowritinglife.com/2012/10/14/six-tips-for-engaging-readers-within-two-seconds-the-hook-in-fiction-and-memoir/
↑ https://www.dailywritingtips.com/in-writing-tone-is-the-author%E2%80%99s-attitude/
↑ http://ourenglishclass.net/class-notes/writing/the-writing-process/craft/tone-and-mood/
↑ https://owl.english.purdue.edu/owl/resource/539/02/
↑ http://www.alfiekohn.org/article/choices-children/
↑ https://www.writersdigest.com/write-better-fiction/7-steps-to-creating-a-flexible-outline-for-any-story
↑ http://thewritepractice.com/the-formula-to-write-a-novel/
↑ https://student.unsw.edu.au/editing-your-essay
↑ http://orelt.col.org/module/unit/5-promoting-creative-writing
↑ http://education.seattlepi.com/grade-creative-writing-paper-3698.html
↑ http://www.theatlantic.com/education/archive/2016/04/educating-teenagers-emotions-through-literature/476790/
↑ http://www.wrightingwords.com/for-teachers/5-tips-for-teaching-creative-writing/

About This Article

To teach creative writing, start by introducing your students to the core elements of storytelling, like theme, setting, and plot, while reminding them that there’s no formula for combining these elements to create a story. Additionally, explain how important it is to use tone and atmosphere, along with active verbs, to write compelling stories that come alive. When your students have chosen their topics, have them create story outlines before they begin writing. Then, read their rough drafts and provide feedback to keep them on the right path to storytelling success. For tips from our English reviewer on how to spur creativity in your students, read on! Did this summary help you? Yes No

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Creativity and Innovation in the Writing Classroom

Learn more about how to teach creativity and innovation along with, and as an important part of, traditional writing and research skills.

“You can’t use up creativity. The more you use, the more you have.” —Maya Angelou

Creativity is fundamental to the teaching of writing. Although WR 153 focuses specifically on creativity and innovation, all WR courses ask students to approach their reading, viewing, writing, and research in creative ways. One important approach to creativity is “design thinking,” which emphasizes that creativity is a non-linear, iterative process. Design thinking is based on two foundational assumptions:

Everyone can be creative.
Creativity can be taught.

The principles of design thinking can be used in any WR course to teach students that creativity is a process of asking questions, using multiple strategies and approaches in answering those questions, taking risks in conceiving and executing original work, developing and refining ideas in response to feedback, and learning from productive failure. The metacognitive aspects of design thinking invite students to think about their own creative processes and identify factors that promote creativity.

Although WR 153 is structured by the steps of the design process (understand, empathize, define, ideate, prototype, test, assess/reflect), all WR courses can benefit from incorporating elements of design thinking and an emphasis on creativity and innovation. Approaching writing instruction in this way can:

Increase student engagement by focusing on creative responses to problems that students care about;
Give students a sense of agency as a result of greater choice in what to write and how to write about it;
Encourage taking intellectual risks and reward productive failure as a means of learning;
Help students develop skills that are transferrable to other academic situations and their professional lives; and
Enhance students’ personal lives by allowing them to learn about themselves and their own creative potential.

Principles of Design Thinking

Design thinking is a non-linear, iterative approach to creativity that involves between three and seven steps. Although it is based on theories of design practice that go back to the early twentieth century, it has most recently been popularized by the design firm IDEO and the Hasso Plattner Institute of Design at Stanford, commonly known as the d.school. The process involves understanding the issues involved in a design project, empathizing with the audience for an end product, defining the scope of the project, generating ideas for and creating prototypes of the product, testing and assessing those ideas and prototypes, and revisiting the steps of the design process until a final product is created.

The complete set of seven steps can be applied to the writing process in a WR course:

Understand: Students develop a foundation for their work by exploring issues and approaches relevant to the course topic, as well as previous work in the field.

Empathize: Students practice empathy by demonstrating their awareness and understanding of the audience for whom they write or create.

Define: Based on their observations and insights, students articulate a problem or question that will motivate their work over the course of the semester.

Ideate: Students generate new ideas and possible solutions by challenging assumptions and engaging in a variety of creative activities.

Prototype: Students start to create solutions and implement their ideas into written, digital or other forms in order to capture ideas, but also redefine choices.

Test: Students share drafts with others in order to gain feedback and insight into improving final versions.

Assess/Reflect: Students reflect on and evaluate their peers’ and their own processes and final outcomes.

The steps of the design thinking process are not meant to be followed in a rigid way. They should be flexible and customizable to the particular project: students may need to define, ideate, and prototype multiple times and in various modes/genres before they are ready to create a final draft. The skills students gain in going though these steps should be transferrable to other projects and courses.

Learn more about design thinking:

“What is Design Thinking and Why Is It So Popular?” by Rikke Friis Dam and Teo Yu Siang provides an overview of design thinking.
David Kelly of IDEO explains the history of design thinking in “How to Design Breakthrough Inventions,” an interview with 60 Minutes .
“How to Solve Problems Like a Designer,” which includes an interview with Tim Brown of IDEO, explains the basic principles of design thinking.

Understand and Empathize

The first step of the design process asks students to understand not only the course material, but also the resources necessary for their particular project. Since this usually involves additional reading/viewing, the “understand” step is part of the research and information literacy component of WR15X. Assignments that focus on this step may include conducting library or online research, categorizing research material using BEAM/BEAT, and creating annotated bibliographies.

Define, Ideate, and Prototype

Before they begin the process of generating ideas, it is often useful for students to define, at least in a preliminary way, what question or problem their paper/project is addressing. Assignments that help students define their projects may include questionnaires that ask students to state what they intend to work on and why, as well as more formal paper/project proposals.

In the IDEO design process, the goal of ideation is to generate a multitude of ideas without rejecting those that may seem impractical or even silly. Ideas can be rejected later, after a sufficient number of ideas have been generated. The most common ideation assignment involves various forms of brainstorming, often in teams. Ideas should be written down in some way, such as on sticky notes or index cards. To encourage divergent thinking in the brainstorming process, consider posting some fundamental principles in the classroom, such as these from IDEO:

Defer judgment.
Encourage wild ideas.
Stay focused on the topic.
Build on the ideas of others .

In the IDEO design process, prototypes are models that can be easily revised and even discarded if necessary. Prototypes for writing courses might include outlines, storyboards, slide decks, oral or video presentations, and preliminary drafts. Prototypes should be tested and assessed in some way that allows for reconsideration and revision before students turn in their final products.

Learn more about brainstorming and prototyping:

“What is Brainstorming?” by Rikke Friis Dam and Teo Yu Siang provides helpful information and ideas for the ideation step of the design process.
This example of “Brainstorming at IDEO” shows one popular way of brainstorming with sticky notes.

Test and Assess/Reflect

The final steps of the design process, testing and assessing/reflecting, are not meant to be the final steps in completing a student’s paper/project. After testing and assessing a prototype, students will likely need to reconsider and revise their papers/projects, which will take them back to earlier steps—they may need to conduct further research, generate additional ideas, or refine their prototypes. The design process is meant to be iterative, with students returning to steps in the process as needed until they have completed a final draft.

Just as designers test their prototypes, students should test drafts of their papers/projects by sharing them with others. Assignments that focus on this step usually involve workshopping with one or more peers, but testing may also include making an oral or video presentation to the class, meeting with the professor or a writing tutor, or sharing the student’s work with any other reader/viewer capable of providing feedback. Students may also test their papers/projects using techniques such as reverse outlining to assess the strength and clarity of their arguments.

The final step in the design process, assessing the student’s work, may lead back to any earlier step as students come to understand what they still need to work on to complete their papers/projects. This step may also involve the broader metacognitive task of reflecting on the student’s creative process. Assignments that focus on this step may include a variety of reflective exercises, including a final reflection for the course.

A Note on Assessment

“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.” —Samuel Beckett

Because WR 153 courses can include such a wide range of papers and project, contract grading is recommended. Other WR courses that incorporate creativity and innovation may also wish to use contract grading, either for specific assignments or the course as a whole. More information on contract grading can be found here .

An important component of creativity and innovation is productive failure. We learn to create new things or develop new skills by failing and trying again until we succeed. Productive failure is failure that leads to new knowledge, insight, or innovation. Courses that focus on creativity can encourage productive failure by requiring prototypes that will be reconsidered and revised extensively, asking students to share examples of failure as valuable learning experiences, and assigning reflective work on how students have grown through failure over the course of the semester.

Learn more about productive failure:

Both readings below argue for the importance of productive failure. The Burger article contains specific examples of how to validate and reward productive failure in the classroom.

“Next Time, Fail Better” by Paula M. Krebs, The Chronicle of Higher Education , May 11, 2012.

Classroom Q&A

With larry ferlazzo.

In this EdWeek blog, an experiment in knowledge-gathering, Ferlazzo will address readers’ questions on classroom management, ELL instruction, lesson planning, and other issues facing teachers. Send your questions to [email protected]. Read more from this blog.

Four Strategies for Effective Writing Instruction

(This is the first post in a two-part series.)

The new question-of-the-week is:

What is the single most effective instructional strategy you have used to teach writing?

Teaching and learning good writing can be a challenge to educators and students alike.

The topic is no stranger to this column—you can see many previous related posts at Writing Instruction .

But I don’t think any of us can get too much good instructional advice in this area.

Today, Jenny Vo, Michele Morgan, and Joy Hamm share wisdom gained from their teaching experience.

Before I turn over the column to them, though, I’d like to share my favorite tool(s).

Graphic organizers, including writing frames (which are basically more expansive sentence starters) and writing structures (which function more as guides and less as “fill-in-the-blanks”) are critical elements of my writing instruction.

You can see an example of how I incorporate them in my seven-week story-writing unit and in the adaptations I made in it for concurrent teaching.

You might also be interested in The Best Scaffolded Writing Frames For Students .

Now, to today’s guests:

‘Shared Writing’

Jenny Vo earned her B.A. in English from Rice University and her M.Ed. in educational leadership from Lamar University. She has worked with English-learners during all of her 24 years in education and is currently an ESL ISST in Katy ISD in Katy, Texas. Jenny is the president-elect of TexTESOL IV and works to advocate for all ELs:

The single most effective instructional strategy that I have used to teach writing is shared writing. Shared writing is when the teacher and students write collaboratively. In shared writing, the teacher is the primary holder of the pen, even though the process is a collaborative one. The teacher serves as the scribe, while also questioning and prompting the students.

The students engage in discussions with the teacher and their peers on what should be included in the text. Shared writing can be done with the whole class or as a small-group activity.

There are two reasons why I love using shared writing. One, it is a great opportunity for the teacher to model the structures and functions of different types of writing while also weaving in lessons on spelling, punctuation, and grammar.

It is a perfect activity to do at the beginning of the unit for a new genre. Use shared writing to introduce the students to the purpose of the genre. Model the writing process from beginning to end, taking the students from idea generation to planning to drafting to revising to publishing. As you are writing, make sure you refrain from making errors, as you want your finished product to serve as a high-quality model for the students to refer back to as they write independently.

Another reason why I love using shared writing is that it connects the writing process with oral language. As the students co-construct the writing piece with the teacher, they are orally expressing their ideas and listening to the ideas of their classmates. It gives them the opportunity to practice rehearsing what they are going to say before it is written down on paper. Shared writing gives the teacher many opportunities to encourage their quieter or more reluctant students to engage in the discussion with the types of questions the teacher asks.

Writing well is a skill that is developed over time with much practice. Shared writing allows students to engage in the writing process while observing the construction of a high-quality sample. It is a very effective instructional strategy used to teach writing.

‘Four Square’

Michele Morgan has been writing IEPs and behavior plans to help students be more successful for 17 years. She is a national-board-certified teacher, Utah Teacher Fellow with Hope Street Group, and a special education elementary new-teacher specialist with the Granite school district. Follow her @MicheleTMorgan1:

For many students, writing is the most dreaded part of the school day. Writing involves many complex processes that students have to engage in before they produce a product—they must determine what they will write about, they must organize their thoughts into a logical sequence, and they must do the actual writing, whether on a computer or by hand. Still they are not done—they must edit their writing and revise mistakes. With all of that, it’s no wonder that students struggle with writing assignments.

In my years working with elementary special education students, I have found that writing is the most difficult subject to teach. Not only do my students struggle with the writing process, but they often have the added difficulties of not knowing how to spell words and not understanding how to use punctuation correctly. That is why the single most effective strategy I use when teaching writing is the Four Square graphic organizer.

The Four Square instructional strategy was developed in 1999 by Judith S. Gould and Evan Jay Gould. When I first started teaching, a colleague allowed me to borrow the Goulds’ book about using the Four Square method, and I have used it ever since. The Four Square is a graphic organizer that students can make themselves when given a blank sheet of paper. They fold it into four squares and draw a box in the middle of the page. The genius of this instructional strategy is that it can be used by any student, in any grade level, for any writing assignment. These are some of the ways I have used this strategy successfully with my students:

* Writing sentences: Students can write the topic for the sentence in the middle box, and in each square, they can draw pictures of details they want to add to their writing.

* Writing paragraphs: Students write the topic sentence in the middle box. They write a sentence containing a supporting detail in three of the squares and they write a concluding sentence in the last square.

* Writing short essays: Students write what information goes in the topic paragraph in the middle box, then list details to include in supporting paragraphs in the squares.

When I gave students writing assignments, the first thing I had them do was create a Four Square. We did this so often that it became automatic. After filling in the Four Square, they wrote rough drafts by copying their work off of the graphic organizer and into the correct format, either on lined paper or in a Word document. This worked for all of my special education students!

I was able to modify tasks using the Four Square so that all of my students could participate, regardless of their disabilities. Even if they did not know what to write about, they knew how to start the assignment (which is often the hardest part of getting it done!) and they grew to be more confident in their writing abilities.

In addition, when it was time to take the high-stakes state writing tests at the end of the year, this was a strategy my students could use to help them do well on the tests. I was able to give them a sheet of blank paper, and they knew what to do with it. I have used many different curriculum materials and programs to teach writing in the last 16 years, but the Four Square is the one strategy that I have used with every writing assignment, no matter the grade level, because it is so effective.

‘Swift Structures’

Joy Hamm has taught 11 years in a variety of English-language settings, ranging from kindergarten to adult learners. The last few years working with middle and high school Newcomers and completing her M.Ed in TESOL have fostered stronger advocacy in her district and beyond:

A majority of secondary content assessments include open-ended essay questions. Many students falter (not just ELs) because they are unaware of how to quickly organize their thoughts into a cohesive argument. In fact, the WIDA CAN DO Descriptors list level 5 writing proficiency as “organizing details logically and cohesively.” Thus, the most effective cross-curricular secondary writing strategy I use with my intermediate LTELs (long-term English-learners) is what I call “Swift Structures.” This term simply means reading a prompt across any content area and quickly jotting down an outline to organize a strong response.

To implement Swift Structures, begin by displaying a prompt and modeling how to swiftly create a bubble map or outline beginning with a thesis/opinion, then connecting the three main topics, which are each supported by at least three details. Emphasize this is NOT the time for complete sentences, just bulleted words or phrases.

Once the outline is completed, show your ELs how easy it is to plug in transitions, expand the bullets into detailed sentences, and add a brief introduction and conclusion. After modeling and guided practice, set a 5-10 minute timer and have students practice independently. Swift Structures is one of my weekly bell ringers, so students build confidence and skill over time. It is best to start with easy prompts where students have preformed opinions and knowledge in order to focus their attention on the thesis-topics-supporting-details outline, not struggling with the rigor of a content prompt.

Here is one easy prompt example: “Should students be allowed to use their cellphones in class?”

Swift Structure outline:

Thesis - Students should be allowed to use cellphones because (1) higher engagement (2) learning tools/apps (3) gain 21st-century skills

Topic 1. Cellphones create higher engagement in students...

Details A. interactive (Flipgrid, Kahoot)

B. less tempted by distractions

C. teaches responsibility

Topic 2. Furthermore,...access to learning tools...

A. Google Translate description

B. language practice (Duolingo)

C. content tutorials (Kahn Academy)

Topic 3. In addition,...practice 21st-century skills…

Details A. prep for workforce

B. access to information

C. time-management support

This bare-bones outline is like the frame of a house. Get the structure right, and it’s easier to fill in the interior decorating (style, grammar), roof (introduction) and driveway (conclusion). Without the frame, the roof and walls will fall apart, and the reader is left confused by circuitous rubble.

Once LTELs have mastered creating simple Swift Structures in less than 10 minutes, it is time to introduce complex questions similar to prompts found on content assessments or essays. Students need to gain assurance that they can quickly and logically explain and justify their opinions on multiple content essays without freezing under pressure.

Thanks to Jenny, Michele, and Joy for their contributions!

Please feel free to leave a comment with your reactions to the topic or directly to anything that has been said in this post.

Consider contributing a question to be answered in a future post. You can send one to me at [email protected] . When you send it in, let me know if I can use your real name if it’s selected or if you’d prefer remaining anonymous and have a pseudonym in mind.

You can also contact me on Twitter at @Larryferlazzo .

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Creative Writing Skills: 6 Lessons You Need To Teach Today

So, you’re going to teach Creative Writing. Congratulations! Now comes the hard part–what exactly does that mean? What should you be teaching? What skills should your students be learning? In this post, I’m going to share some essential Creative Writing skills you should be teaching in your high school Creative Writing class.

If you’re looking for more tips to teach Creative Writing, check out this post . And if you need help planning the Creative Writing semester, this post should help .

(Looking to skip the planning entirely? Grab all of my Creative Writing skills lessons right here! )

"Creative Writing Skills: 6 Lessons You Need to Teach Today" It's Lit Teaching blog post Pinterest pin

Creative Writing Skills #1: Show. Don’t Tell.

The advice to “show, don’t tell” is some of the oldest and most consistent advice given to young writers. And it’s for a good reason–they really struggle with it!

About half of my students come into Creative Writing with these big elaborate stories they want to tell. But when they actually get into writing, their stories feel more like a list of events that happened.

I’ve seen months of plot happen in just a paragraph of my students’ writing. Students need to learn to slow down and create an experience for their readers. It’s how a story unfolds, after all, that makes it worthwhile–not the events themselves.

Tips for Teaching “Show. Don’t Tell”

Cover of It's Lit Teaching Product: Creative Writing Workshop and Mini Lesson for Showing, Not Telling in Writing

Like all creative writing skills, you’ll want to show your students some really good mentor texts first . Find some excerpts from books with really juicy descriptions. Share these with your students.

After they have some examples, give students time to try “telling” an event, description, or emotion instead of “showing” it.

I do this by giving each student a “telling sentence” and asking them to turn it into a “showing” paragraph. A student might get a sentence that says something like, “Billy felt angry.” Then, they’ll have to write a whole paragraph that implies Billy is angry without actually saying it bluntly.

If you want to save yourself some time (and the mental anguish of brainstorming a bunch of bland sentences), you can get my “Show. Don’t Tell” Mini-Lesson right here. It includes a slideshow, student worksheets, and those telling sentences.

Engage your students in more creative writing!

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Creative Writing Skills #2: Precise and Concise Language Choice

Now that your students are learning to slow down and offer descriptions in their writing, it’s time to help them focus on their word choice.

Diction is immensely important to a writer–especially when storytelling gets more advanced. A lot of our students want to write down the first words that come to their minds and then “be done.”

But we know great writing doesn’t happen like that. We have to teach our students to find the best word, not the first word–without abusing a thesaurus.

Tips for Teaching Better Word Choice

First, you’ll want to show your students some examples of really great concise and precise word choice. You’ll also want to show some not-so-great examples. The comparison should be eye-opening for your students.

Now, the best way to become more precise in your diction is to improve your vocabulary. We probably can’t make great strides in improving our students’ vocabulary in just a quarter or semester of Creative Writing.

But we can show them how to improve some of the most commonly used vague language . One great example of this is the word “got.”

It’s pretty rare that “got” is the best verb for a situation, but we–and our students–use it all the time. If we can teach students that “got” is a red flag for vague language, that’s a huge step!

We can also teach our students to avoid filler words.

If you need help putting this all together in a lesson, I have a no-prep Precise and Concise Langauge Mini-Lesson right here for you . Included is a slideshow, students worksheets, and a reference handout for students they can use every day.

Creative Writing Skills #3: Dialogue

Your students are starting to put words on a page and–hey–they’re not bad!

But at some point, your students are going to have their characters talk to each other. And this can be when stories get really, really bad.

Early on in your Creative Writing class, encourage your students to start listening to the way others speak. Where do they pause? What slang do they use? When do they use complete sentences and when don’t they? You can even ask students to jot down conversations they overhear.

A great writer has an ear for dialogue, and this skill begins when students become aware of speech around them. Encouraging them to eavesdrop will help them write realistic dialogue later. Just remind them to be respectful. Eavesdropping in the cafeteria is one thing. Listening outside someone’s bedroom door is another.

Our students not only struggle with mimicking real, authentic speech, but they also struggle with punctuating it. Depending on the skill level of your students, you may have to pick your battles here. Cheesy speech might be worth ignoring if there’s no quotation mark in sight.

Tips for Teaching Dialogue Writing

First, and foremost, I like to cover punctuating dialogue first. For one reason, it’s because punctuating dialogue is either right or wrong. It’s easier to learn something that is objective.

For another reason, I, personally, can’t stand reading poorly punctuated dialogue. My English teacher’s eyes just can’t see past it.

Only once the quotation marks, commas, and periods are at least close to the right spot do I focus on trying to improve the content of students’ dialogue.

Students’ dialogue writing is only going to get better through practice and observing real-life speech. However, you can give them some tips for writing dialogue better.

For example, remind your students not to have characters talk too much . I’ve seen stories with pages and pages of dialogue. Each character’s every little “hi,” “‘sup?” and “‘nothin’ much” gets recorded. Let your students know they can skip anything that doesn’t add value to the story.

If you need help planning this lesson, I have a done-for-you Dialogue Mini-lesson right here. It includes a slideshow lesson, worksheets for focusing on both punctuation and craft, and a writing exercise. Get it here.

Creative Writing Skills #4: Mood

If you can only teach your students the above Creative Writing skills, you will no doubt improve their writing tremendously. But if you want to take your students’ writing up a notch, encourage them to think about the mood in their poetry and stories.

Students will no doubt have heard this literary term from their regular English classes, but it’s always worth reviewing first. Plus, they’ve probably read for mood, but creating it is a totally different game.

Tips for Teaching Mood

There are so many ways you can teach your students to create mood. It’s a pretty fun topic!

You might want to begin with some brainstorming. Like, what kind of mood might a horror story have? A comedy? You want students to understand why, as a writer, mastering mood is important to them.

Then, like always, you’ll want to share some solid mentor texts. I love horror stories for showcasing well-written mood, but love poems are also good for this.

Whenever possible in Creative Writing, I like to mix up the media, so I have students first analyze the mood of various classic paintings. As an English teacher, it tickles me to show students that these literary terms apply to art of all kind. Film clips would work really well, too.

Then, challenge students to write a scene and evoke a specific mood. You could randomly assign the mood or let students pick.

In my Mood Mini-Lesson , I have students analyze the mood in painting first. Then, I have them choose a card. Each card has a different mood written on it. Then, students must describe a setting that evokes that mood. You can get this mood lesson for yourself here.

Creative Writing Skills #5: Tone

Well, if you’re going to teach mood, then tone is the likely next skill, right?

Teaching tone and mood is important because their differences are subtle, but important. Until students study tone, they might mistake it for mood and mix the two together.

I never expect my students to master tone. It’s difficult and something that even professional writers polish over the course of many drafts. But it doesn’t hurt to get students thinking about the impact of their word choice.

Don’t forget to remind students of the importance of choosing those precise and concise words. With tone, it’s truly what makes a difference.

Tips for Teaching Tone

After defining tone and showing great examples of it to your students, give them some space to practice identifying it.

Cover for It's Lit Teaching product: Creative Writing Mini Lesson and Workshop Tone

I like to cover informal and formal tones–not just emotional tones. Identifying whether a piece of writing is formal or informal is a great first step for students. It’s a little easier but an important skill and might give your students a bit of confidence in their tone-identifying skills.

Once they know what tone looks like, they can try to create it themselves.

The activity I do involves having students write a short scene.

I randomly give my students a tone to use. I also randomly give them a situation. So, a student may have to describe “eating lunch in the cafeteria” with a “romantic” tone. The results can be pretty entertaining!

If that sounds like a lesson you’d like, you can get my Tone Mini-Lesson right here . Includes are a slideshow, students worksheets, and the slips for tones and situations.

And, if you’re teaching mood and tone, I have a FREE Mood and Tone Handout right here!

Creative Writing Skills #6: Voice

I put voice last in this blog post, but it could just as easily have been first. Voice is difficult to define for students, but it’s something they should be working on crafting throughout your whole Creative Writing class.

Even if your students never quite master their literary voice (who does?), it’s a good skill to discuss with them. If students understand the concept of literary voice, it will make them better writers and more analytical readers.

Tips for Teaching Literary Voice

You’ll first have to define voice for your students. This can be challenging. It might be easier to focus on a few aspects of voice–like diction or syntax–in order to explain the concept.

Discuss with students their favorite authors. What does their “voice” sound like? What about the authors you’ve read and studied together?

Give students examples of strong voice to examine (the stronger the better). Have them discuss the techniques and style of each mentor text.

To drive this home, I do a fun activity with my students. I take three very different poems by authors with very different voices. Then, I cut them up, line by line, and mix the three poems together. My students are then tasked with putting the poems back together!

To do this successfully, they’ll have to look for styles that match. Rhyming may be part of one author’s voice, but not another. One author may create a dark mood while another uses humor consistently. It’s a great way to drive home how voice can be an author’s calling card.

This activity and some additional practice are included in my Voice Mini-lesson . Also included is a slideshow to introduce the concept. You can save yourself some time and get the lesson here.

These are some skills that I think are essential for any Creative Writing class. There’s no one right way to teach any of these skills, and teaching from multiple angles is best.

Whenever possible, I like to make my Creative Writing lessons hands-on. Even the most die-hard students get sick of writing every minute of every class.

If you, too, would like some hands-on lessons and short activities that cover these essential skills, check out my Creative Writing Workshops Bundle . Each lesson includes everything you need to teach, model, and help your students master these skills one at a time.

Cover for It's Lit Teaching Product: Creative Writing Workshops Mini Lessons Bundle

11 Ways to Be a Better Creative Writer

Colleges teaching creative writing are under scrutiny.

Creative writing remains one of the most in-demand majors among modern students.

While it classes teaching creative writing attract myriads of wannabe writers worldwide, the question arises: Can creative writing be considered an academic discipline?

Thus, some people believe that you must be born an author, as real writers have a natural gift to convey important messages through their writings.

On the contrary, others are sure that those who wish to become an author should be taught the nuances of writers’ work at educational institutions.

It is due to the latter opinion that today’s colleges and universities offer creative writing classes in their curricula.

Interestingly, such an educational subject can be useful for enthusiastic amateur writers and those who don’t plan to turn their hobbies into lucrative professions.

Related Reading: Do You Know the 11 Best Day Jobs for Writers ?

Even though possessing a degree in this field doesn’t entail getting a profitable job immediately, learning the art of creative writing has its benefits.

In this post, we are teaching creative writing. Are you ready to read creative writing examples?

Be sure to stay until the end of the post to receive resources to improve your own writing. These resources are helpful for every writing topic .

Let’s get started.

Tips for Learning Creative Writing

Writers at SharpEssay believe that trying out various genres strengthens your problem-solving skills and makes you more flexible when communicating. Moreover, any creative activity that requires knowledge and some “inner work” represents a genuinely empowering process.

How Does One Learn Creative Writing: Useful Ideas

Of course, plenty of educational establishments all over the world provide their attendees with creative writing studies.

Yet, it is crucial to remember that you need to put a lot of effort and time into your development as an author, even when you are not visiting lectures. Despite having professionals guiding you through the jungles of creative writing craft, self-study is of utmost importance.

Approach Reading As a Writer Would

Perhaps, one of the essential tips on boosting one’s writing abilities regards reading – meaning, a lot of reading.

Most well-known authors agree that reading carefully, taking notes on how a specific writer unveils a story in their book helps significantly.

When savoring a poem or a novel, please pay attention to their structure and stylistic devices used. This way, you will be able to apply them in your own writings later.

Set Expectations and Define Consequences

Undoubtedly, writing is an act of creation. It means that, sometimes, you may put words down without a specific purpose, just practicing.

Nevertheless, professional writers often say they are working on a piece for which they have distinct thoughts. Intentions represent a smoother (than usual) process.

It is vital for every creator to have a clear idea of why they are writing. Also, they should know what they are writing and what outcomes their literary work will bring.

Edit with the Larger Picture in Mind

Like any other written work, revising and editing your literary creation should be approached with acute attention.

Indeed, the editing step in the writing process comes only after the first draft is ready when you can replace some words with their more exquisite alternatives.

Nonetheless, reviewing your rough copy and making some corrections to it should also help you have the overall picture of what you have composed.

Thus, you will be able to determine if you achieved the initially defined goal at the end of such a journey.

Resort to These Writing Prompts to Start Writing

To enhance your creativity, use the ideas given below to start working on your piece.

Reinterpret a Well-Known Story

Pick a famous fairy tale or a myth that you know very well. Discover a way to retell this story after looking at its events from a different angle.

For instance, you may change the protagonist so that the narrative will also undergo alterations.

Use the new point of view you’ve resorted to practicing to alter the character’s mindset and attitude. See in which way the details of your book change from the viewpoint of this character.

Record and Transcript Conversations

The next tip will come in handy for screenwriters and dramatists since, for the most part, their writings will be represented by dialogues. Hence, you can record yourself chatting with a friend/relative/colleague and then turn it into a script.

Such a practice will endow you with a clear idea of the natural flow of conversation in real life, simultaneously honing your dialogue-writing skills to perfection.

Capture the Readers’ Senses

Choose a vivid memory of something impressive you have once experienced. While taking down notes on it, focus on using as many sensory details as possible.

Mastery of specific descriptions of sight, sound, taste, touch, and smell will allow your audience to connect more intuitively to the experiences you “talk” about.

See the Unusual in the Usual

The prevailing number of famous authors – generally poets – are fantastic visual thinkers. It is because they sharpen their ability to see extraordinary in ordinary things, such as household items.

Observe them closely, dwelling on details and similarities to other objects, creatures, or phenomena. Thus, your camera lens may vaguely resemble an eye that is always watching what is happening around you.

Play Around with Genres

Use an already-published story or one of your own memories to play around with genres a bit.

Try to rewrite a chosen novel or memory in the form of a film script. Hence, you will notice that the information in a screenplay is transmitted differently from a written story. For instance, descriptions of nature recede into the background, giving way to dialogues.

Write Short Stories about Various Characters

Come up with a short story about a particular character. Show how their usual way of life is suddenly changed due to unforeseen circumstances.

After that, you can work on the character’s development. Give them a somewhat ambiguous choice, prompting the protagonist to make a tough decision.

Importantly, to build a connection with your readers from the beginning, you may provide them with hints. Tell about what decision the protagonist will make eventually.

Such short stories containing particular moral challenges will boost your character development skills.

Draw Inspiration from a Family Tradition

It’s no secret that every family has its own traditions and peculiar ways of communicating with each other. Hence, when creating a memoir, it is critical to think outside the box.

Ask yourself, “What other people might think of me or my certain behavior?” When it comes to creative writing, it is of paramount importance that the author realizes how they are different. The author differs from their audience and other people in general.

Experts on engineering assignment help services suggest that you can select one of your family traditions. Explain it in great detail to polish your writing skills.

Use “Turning Points” Exercise

Create a short writing piece (less than a thousand words). Making sure that every paragraph opens with a shocking plot twist to capture the attention of your readers.

At the same time, each turning point should occur most naturally, arising from the earlier paragraphs’ information. Thus, if you haven’t previously mention wizards in your piece, the opening of one of the following paragraphs cannot include a sudden outbreak of war in a magical world.

As a result, such a writing practice will help you understand how exactly plot twists help the writer move the narrative forward.

Wrapping Up: Teaching Creative Writing

Authors who write college essays for money , always point out that creative writing requires both innate talent and constant work.

It’s all about writing competence and imagination development. Combine them wisely, and you will succeed in your literary aspirations!

Today’s contributing author is skilled at teaching creative writing and left us these resources.

Teaching Creative Writing Resources

Resource 1: Remember to use transitional phrases in your writing.

Teaching Creative Writing Resource 2: Use Active Voice

Readers, please share so creative writers learn these teaching creative writing lessons.

I look forward to your views in the comments section. Do you have any tips for teaching creative writing?

This post was contributed and made possible by the support of our readers.

15 Essential Resources for Elementary Writing Instruction

An elementary school teacher provides elementary writing instruction.

Authored by Janine Henley, this blog post offers 15 essential resources for elementary educators to enhance their writing curriculum and instruction. From webinars to books and podcasts, each resource is carefully selected to empower teachers, literacy coaches, and reading specialists in cultivating proficient writers in their classrooms. Dive into this curated collection of resources to unlock writing success, strengthen foundations, and foster creativity among young learners.

Articles, Guides & Research

Books : Effective Writing Instruction

In “Keys to Early Writing,” you’ll find a comprehensive guide aligned to Keys to Literacy’s professional development modules. This resource is designed to support educators with an introduction to writing instruction, detailed instructional practices, real classroom examples, and engaging professional learning activities. The book also features numerous reproducible templates that you can use with your own students.
The Institute of Education Sciences’ “Teaching Elementary School Students to Be Effective Writers” guide offers four insightful recommendations to enhance elementary students’ writing skills. With detailed implementation steps and solutions for common challenges, this guide is a must-have for teachers, literacy coaches, and educators dedicated to improving their students’ writing proficiency. Explore this resource to learn more about effective elementary writing instruction!

Articles, Guides & Research : Elementary Writing Instruction

826 Writing Reports aims to ignite the power and joy of writing, envisioning a world where every student has access to quality writing education. Their dedication to creating more writing spaces and empowering teachers resonates deeply with our own commitment to literacy. 826 is working towards a future where writing flourishes in every classroom, enriching the lives of students and educators alike. The 826 Writing Reports explore the current state of writing instruction and research based best practices that will help move the needle on student achievement.
In the latest edition of “Best Practices in Writing Instruction,” experts dive into strategies to help create a supportive writing environment and strategies to teach writing for different purposes. There are also several chapters that explore how to support students in honing specific skills—from handwriting and spelling to sentence construction and the writing process. This definitive text translates new research into effective guidelines for teaching writing across grades K–12, offering educators practical insights and real classroom examples to cultivate a comprehensive, high-quality writing program.
The Reading League’s Curriculum Evaluation Tool provides educators with a valuable resource to assess the alignment of curricula with evidence-based practices in reading instruction. With the Curriculum Evaluation Guidelines (CEGs) Reviewer Workbook, curriculum review teams can effectively rate and record evidence of potential red flags. It’s crucial to ensure that instructional practices align with the scientific evidence base of how children learn to read, particularly in Tier I instruction. The guidelines are meticulously designed to identify any non-aligned practices, or “red flags,” across key areas such as Word Recognition, Language Comprehension, Reading Comprehension, Writing, and Assessment
In the article “5 High-Impact Writing Strategies for the Elementary Grades,” educators are encouraged to broaden their perspective on writing instruction beyond traditional storytelling and informational pieces. While these are undoubtedly valuable, the article emphasizes the importance of foundational transcription skills, such as handwriting. The article also discusses integrating writing across all content areas to deepen students’ understanding and prepare them as proficient writers. By incorporating writing into various subjects and providing opportunities for student choice, educators can nurture a strong foundation for young writers to excel in authoring texts across genres.
In this blog post, I’ll be diving into The Writing Rope Book Club: A Spotlight on Explicit Writing Instruction. As both a member of the Heggerty team and an experienced educator myself, I’ll share insights and strategies to enhance writing instruction in elementary classrooms. Join me as I explore the steps to starting The Writing Rope book club and provide practical tips to strengthen your teaching practice.
In this insightful blog post, Dr. Gary Troia dives into the realm of effective writing instruction, offering invaluable insights for educators. As we explore “A Guide to Effective Writing Instruction,” Dr. Troia seamlessly connects structured literacy practices with the art of teaching writing, providing practical strategies to enhance instruction. Gain a deeper understanding of the essential elements of effective writing instruction and learn how to integrate them seamlessly into our classrooms.

Webinars : Improving Student Writing Skills in the Classroom

In this insightful webinar, Margie B. Gillis, Ed.D, a nationally recognized literacy expert, discusses the critical role of syntactic knowledge in student comprehension. As we explore the Syntax Attitude Educator session, Margie shares valuable research insights and practical strategies for educators to teach students how to understand the functions of sentence parts within text. During the webinar, Margie’s expertise shines through as she equips educators with evidence-based practices to enhance reading comprehension in the classroom. When we focus on syntax, we help strengthen not only our students’ reading comprehension but their written composition skills as well. This webinar will help equip you with the knowledge of sentence parts so you can teach syntax effectively!
The AIMS Institute 2024 Symposium brings together some of the brightest minds in literacy education to share valuable insights and practical strategies. From exploring the reading-writing connection to delving into considerations for English Learners and Emergent Bilingual Students, this symposium covers a wide range of topics crucial to elementary education. With presentations from experts like Dr. Sonia Cabell and Dr. Devin Kearns, you’ll gain valuable tools and techniques to enhance your instruction and support student learning. Plus, with presentation slides generously shared by the presenters, you’ll have access to a wealth of resources to further your professional development.
The 2022 Literacy Symposium: Writing Strand is a treasure trove of insights and strategies to enrich your teaching practice. Led by esteemed experts like Joan Sedita and Dr. Anita Archer, this symposium covers a wide range of topics crucial to fostering literacy development in your students. From exploring the importance of summarizing for comprehension and writing skills to delving into effective spelling instruction and syntax comprehension, each session offers practical suggestions and research-based approaches that you can implement in your classroom. Whether you want to enhance your students’ writing skills or deepen their comprehension abilities, this symposium provides valuable tools and techniques to support your journey as an educator.
The webinar titled “An Introduction to a Simple View of Writing” presented by Dr. Murray and Dr. Beveren Currie provides a comprehensive overview of the simple view of writing, offering insights into its components and implications for instruction. Through engaging discussions and practical examples, attendees gain a deeper understanding of the transcription and composition skills that are essential to become a proficient writer. Delivered as part of the PATTAN Literacy Symposium, this session equips educators with essential knowledge to enhance writing instruction and support student success in literacy.
“Navigating Writing Instruction in the Elementary Classroom,” hosted by Alisa VanHekken, Chief Academic Officer at Heggerty, this webinar promises valuable insights and strategies to enhance our approach to teaching writing. It explores transformative practices and addresses key questions shaping writing education today. It’s a great resource for anyone looking to inspire a new generation of confident and creative young writers.

Podcasts: Teacher-Friendly Podcasts Spotlighting Effective Writing Instruction

Dive into the fascinating world of writing science with Pedagogy Non-Grata’s latest podcast episode. Join the round table discussion featuring esteemed writing experts Dr. Steve Graham, Dr. Amy Rouse Gillespie, Joan Sedita, and Lyn Stone as they discuss the best practices of effective writing instruction. Gain valuable insights and practical strategies from these leading voices in education as they explore the latest research that fosters writing proficiency. Whether you’re an educator, parent, or writing enthusiast, this episode offers invaluable knowledge to enhance your understanding of the science behind writing.
In this podcast episode, “Writing Your Way to Better Reading,” host Susan Lambert engages in a thought-provoking conversation with renowned expert Dr. Steve Graham about the intricate relationship between writing and literacy. Drawing from his extensive experience, including his role in chairing the What Works Clearinghouse Practice Guides on writing, Dr. Graham shares valuable insights into supporting student writing, overcoming obstacles in writing development, and emphasizing the significance of teaching handwriting skills.

KeystoLiteracy.com. (n.d.). Training Book: Keys to Early Writing, 2nd Edition (2020). Retrieved from https://keystoliteracy.com/product/training-book-keys-to-early-writing-2nd-edition-2020/

Institute of Education Sciences. (n.d.). Foundational Skills to Support Reading for Understanding in Kindergarten Through 3rd Grade (NCEE 2016-4008). Retrieved from https://ies.ed.gov/ncee/WWC/PracticeGuide/17

826 National. (n.d.). Retrieved from https://826national.org/

Graham, S., MacArthur, C. A., & Hebert, M. (n.d.). Best Practices in Writing Instruction: Second Edition. Guilford Press. Retrieved from https://www.guilford.com/books/Best-Practices-in-Writing-Instruction/Graham-MacArthur-Hebert/9781462537969

The Reading League. (n.d.). Curriculum Evaluation Guidelines. Retrieved from https://www.thereadingleague.org/curriculum-evaluation-guidelines/

Mosby, A. (2024, March 15). 5 High-Impact Writing Strategies for the Elementary Grades. Edutopia. Retrieved from https://www.edutopia.org/article/high-impact-writing-strategies-elementary-students

Henley, J. (2024, March 27). The Writing Rope Book Club: A Spotlight on Explicit Writing Instruction [Blog Post]. Retrieved from https://heggerty.org/resources/blog-post/the-writing-rope-book-club/

Troia, G. A. (2023, November 2). A Guide to Effective Writing Instruction [Blog Post]. Retrieved from https://heggerty.org/resources/blog-post/a-guide-to-effective-writing-instruction/

PaTTAN Literacy Symposium. (2022, August 26). The Syntax Attuned Educator [Webinar]. YouTube. Retrieved from https://www.youtube.com/watch?v=JE1LFsDS7j8

AIM Institute. (2024, March 11). 2024 Symposium Recordings: The Intersection of Reading and Writing [Conference Session]. Retrieved from https://institute.aimpa.org/programs-research/research-to-practice-symposium/2024symposium/2024recordings?utm_campaign=2024%20Symposium&utm_medium=email&_hsmi=299155430&_hsenc=p2ANqtz-_2Mwhxo4h2zTp5A1zJMW9we3d_o-BvaIw8nMYzNk-OCNhGiOM6mH5LIQNYXm-OyNLmYi5kYMfhLwqaMv1rBboVrYldfQ&utm_content=299155430&utm_source=hs_email

PaTTAN Literacy Symposium. (2022). Writing Strand: 2022 Literacy Symposium [Webinar Collection]. Retrieved from https://sites.google.com/pattan.net/pattan-literacy/2022-pattan-literacy-symposium/writing-strand?authuser=0

Murray, J., & Beverine-Curry, L. (2020, July 13). An Introduction to a Simple View of Writing [Webinar]. Retrieved from https://www.youtube.com/watch?v=G4oX81uJwmQ

VanHekken, A. (Host). (n.d.). Navigating Writing Instruction in the Elementary Classroom [Webinar]. Heggerty. Retrieved from https://heggerty.org/downloads/webinar-navigating-writing-instruction-in-the-elementary-classroom/

The Science of Writing Round Table. (n.d.). [Audio podcast episode]. In Apple Podcasts. Retrieved from https://podcasts.apple.com/us/podcast/the-science-of-writing-round-table/id1448225801?i=1000647603501

Graham, S. (Guest). (n.d.). Writing your way to better reading [Audio podcast episode]. In Science of Reading: The Podcast (Season 7, Episode 8). Amplify. Retrieved from https://amplify.com/episode/science-of-reading-the-podcast/season-7/episode-8-writing-your-way-to-better-reading/

Janine Henley, M.Ed

Janine is currently a Literacy Specialist at Heggerty. Before joining Heggerty, she served as a classroom teacher, reading specialist, and literacy coach. Janine holds a Master’s degree in Elementary Education from the University of Mary Washington and earned her reading specialist endorsement from the University of Virginia. Trained in Orton Gillingham, she has worked with diverse grade levels, spanning from K-8, showcasing her passion for education.

12 ideas for teaching creative writing

Teaching creative writing to kids can be one of the most rewarding parts of teaching the English curriculum. But with so many statutory requirements to hit in a portfolio of writing, it can be difficult to capture truly creative writing as well as instil enthusiasm for the art.

Some of your class will really enjoy creative writing from scratch. For others, this will be a daunting experience. We have gathered together a collection of simple ideas for teaching creative writing to help your pupils smash writing tasks.

Creative writing tips for teachers

Use a workshop-style environment
Show your class how it’s done
Draw up a storyboard
Encourage book reading
Re-write a known story
Show, don’t tell
Inspire them with video
Deconstruct characters
Give your pupils freedom
Use story-starters and prompts
Elaborate with a story generator
Get the children to take creative writing home

1. Use a workshop-style environment

Separate your class into groups or tables, each group will then be able to choose what they work on. Some may look to write fiction pieces and use ideas around storytelling. Another group could focus on word games, spelling and puzzle-solving. There could even just be a group for reading stories and learning the craft!

All children are able to work in groups, but each pupil will have one-to-one time with you too. As long as assignments and tasks are rotated, children will find their favourite part and be more engaged as a result. Working this way can also lead to competitions and collaborative creative writing work.

2. Show your class how it’s done

The adage is ‘practise what you preach’. When it comes to creative writing, this means you should be showing the class what the process is.

Doing live creative writing sessions for your class can give them perspective on how to build a story effectively. More importantly, it gives them chance to see how it’s OK to make mistakes, how to take criticism and that they shouldn’t be afraid to create whatever they feel they want to. You could even get your more able (and confident!) pupils to live write on the board for the class to gather inspiration from; pupil modelling can be a really fantastic assessment for learning activity.

3. Draw up a storyboard

Some visual cues might be the key to unlocking greater creativity in your pupils. Instead of writing out a story, why not begin with a storyboard? It doesn’t need to be a work of art – simple stick people will do the job.

Once you’ve drawn out the basis of your story, you can then start to write down more detail to really flesh out their story.

4. Encourage book reading

If there is one place anyone can go to experience good storytelling, it’s in books. Reading brings a whole host of benefits to children form an educational standpoint – many of which apply to creative writing.

To increase vocabulary, improve creativity and enflame imaginations (plus a whole lot more), we should always be looking for more reading opportunities for pupils in class. Beyond the classroom, encourage them to do as much reading as possible at home too.

5. Re-write a known story

If you’re struggling for ideas, why not take inspiration from one of the countless legendary stories already out there. Give a classic story a twist and ask the class to elaborate on it:

Three Billy Goats Gruff are the ones under the bridge, and you’re trying to cross it
At the top of Jack’s Beanstalk is Mars
Aladdin rubs his lamp, but what are his three wishes?
The three bears are the ones sneaking into Goldilocks’ house

6. Show, don’t tell

It’s a tenant of good storytelling across many different mediums. The idea of show, don’t tell means the writer should avoid explaining every aspect of what a character is feeling or thinking and instead focus on different ways of revealing that information in the story.

For example, give your class some basic information like “the boy was sad”, and ask to write a sentence that would display that information more creatively. It could become, “the boy’s heart sank, his head bowed and he sniffled as the tears began to fall.”

This way, the reader is able to unravel the emotions involved in the story themselves, rather than being told.

7. Inspire them with video

YouTube is a treasure trove of learning resources and other helpful content that can boost a pupil’s creative writing capability. With a quick search, you’ll find plenty of interviews with famed writers sharing their experiences in the job.

Use these to dig a little deeper into the mind of a writer. What is there process for coming up with ideas? What are the challenges they face? This type of content can provide key takeaways that pupils can bring into their next creative writing task.

8. Deconstruct characters

A simple but effective method for getting into the routine of character building involves writing down what makes them tick. Take a famous character from a book or a famous children’s TV show. Split a piece of paper into a grid, and label them with things like “what makes them happy”, “what makes them angry” “How would they react in a certain situation?”

Then as a class fill out the grid. You could use them method when a pupil comes up with a new character for their story, helping them to get in the correct mindsight for creating characters.

9. Give your pupils freedom

There will be a lot of children in your class who thrive when given the freedom to write. Always remember to set aside time for your pupils to have an open-ended opportunity to write, allowing them to express their favourite topics. If it’s too open for some children, then proposing a particular topic for this time can help too.

10. Use story-starters and prompts

Story-starters or prompts are great for getting the creative juices flowing. It helps pupils to avoid the dreaded ‘writer’s block’. We’ve got a whole load of story starters for KS1 and KS2 creative writers, but here are just a few to get the juices flowing:

It was there and then it was gone! As quick as a flash…
This was it! I now had the power to change anything.
A million pounds sat there in the suitcase. “What should we do with it?” I said.
The three friends set out on their journey, with nothing but each other to help them for what lied ahead.
The car lurched down the road when suddenly a thud came from below.
The tap on my shoulder woke me. “Shhh” she said with a finger pressed to her lips. “Follow me.”

11. Elaborate with a story generator

Generate ideas and get a story rolling with a tried and tested method: the story generator. Here is a step-by-step guide on how to do it:

Find three bags
Create three lists: one for characters (a footballer, a dog, an astronaut etc), one for scenes (an unknown planet, a bedroom, a park etc) and one for the situation (looking for a lost coin, meets a talking dog, during a big thunderstorm etc)
Cut out each of the ideas and group them together in the bags. You have three bags filled with dozens of possibilities for different stories.
Ask a pupil to reach into each bag so they then have a character, a scene and a situation. This is the basis of their story.

12. Get the children to take creative writing home

The home environment will be a more comfortable or possibly, a more inspiring place for children to write their stories. Encouraging parents to get onside with this can sometimes be a battle, but one worth fighting. Sharing their stories and creations across different audiences is a valuable experience for children, whether that be in class, at home or safely online. The perfect flipped classroom experience!

Amber Vaccianna

Hope Education writer

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Creative writing tips for teachers: ideas and activities to inspire your class

Engaging children and encouraging them to write has become increasingly difficult in the classroom. My children are bombarded with interactive and visual images constantly through the media and the internet and, as their teacher, it has become much harder for me to compete. Who wants to read or write an emotional descriptive piece when they can be fully immersed in this feeling through interactive game play?

This challenge has led me to look at how I can use these media, and more dynamic approaches, to engage children in wanting to use their literacy skills and to hook them into becoming creative and thoughtful writers.

Using video

One way which is sure to engage children is through the use of video, in particular TV and film. There is a wealth of materials on YouTube, and other platforms, which will help children to explore and fully develop ideas. Always begin with the learning objective and ensure that video clips can fulfil the language and structural features of the relevant text type.

For example, with my year 3 class I used the Jason and the Argonauts films to help them to explore the key features of the myths and legends genre. Using the films I was able to cover everything from monsters to settings to quests to heroes in a much more inspiring manner than simply using a text based resource. Another year 3 activity harnessed the power of Doctor Who to look at character emotion. I then used it as a way to discuss the role of pace, movement, setting and character to help the children to structure their writing.

Non-fiction can be dealt with equally as well. Recently a number of documentaries on the second world war soldier and footballer Walter Tull , enabled the children to gain a timeline of the events in his life to support them in the creation of a biography.

By using visual prompts the children feel more confident and ready to write. They have had time to build up and discuss their vocabulary and then adapt this to the writing they want to create. It also allows comprehension, text organisation and sentence structures to be taught in an exciting and meaningful way for the children.

Real life experience

Another approach that can help children to connect emotionally is for them to experience it for themselves. I've had great success in helping the children to build up their vocabulary and to create exciting emotional writing using this method. For example, I worked with my year 6 class on the theme of 'the race'. I armed myself with a starter gun and took the class into the playground to enable them to experience what it felt like to prepare for a race, to hear the starter gun and to then run the race – watch this lesson in a video created with Teachers Media.

It resulted in many of the students using much more vivid language immediately after the race which they could draw on when back in the classroom. We also looked at how to adapt their sentence styles and structures to follow the flow of the race.

Cross curricular writing

Engaging children and encouraging them to write has also been boosted since the introduction of a creative curriculum in school. This offers more opportunities to extend and develop children's writing through hooking them into a topic that is being taught across the curriculum. This full immersion into a subject can be very powerful for children and enables them to explore and understand concepts previously reserved for secondary school pupils.

Our year 5 topic on South Africa was linked to the book Journey to Jo'Burg and allowed for full exploration of both the country and the time period of the book. This topic led to writing on apartheid, character description and biographies on Nelson Mandela.

Traditionally this sort of activity would have been reserved for KS3 however the consistent link between the foundation subjects and English enabled the children to access and enjoy them and create work that was far superior to anything they might have created in a separate stand-alone literacy hour.

Adding drama

Many drama techniques enable the children to become immersed into the life and world of a character. Encouraging hot-seating, conscience corridors , debates and improvisation engages children can increase their understanding of a text and their ability to express their opinions in written form.

For example, taking a dramatic approach to understanding how it feels to be a soldier can lead to a far deeper understanding of war and how this might have affected the soldiers. In turn this helps the children to write more thoughtfully and creatively.

Rather than feeling that I compete with the interactive games and digital media that engage children, I feel more like a magpie. Stealing the ideas and approaches and using these as hooks and new ways to stimulate the children, gets them excited in a lesson and it's this excitement and engagement that means they'll achieve the most.

Take a look at Kate in action in the video Visible Improvement Primary Literacy. A film created by Teachers Media as part of its Visible Improvement series

Kate Parietti is literacy coordinator, at Churchend School , Reading, Berkshire.

This content is brought to you by Guardian Professional . To get articles direct to your inbox, and to access thousands of free resources, sign up to the Guardian Teacher Network here . Looking for your next role? See our Guardian jobs for schools site for thousands of the latest teaching, leadership and support jobs

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Dr Doug Cowie on teaching creative writing

Dr Doug Cowie gives 5 tips for Teaching Creative Writings through reading and experience.

Use published texts to read together in class as the foundation/basis for every topic
Use in-class writing exercises that can be discussed after their completion
Get students to read their work aloud
Link in-class work to outside assignments, producing a sense of creative development
Student generated work is absolutely vital, both for the writing processes and the subject as a whole. Give the students totally ownership of their own creative work.
Reading: It's important to learn to read well, and that means exposing students to a wide variety of literature
Writing from reading: avoid the temptation of 'writing in the style of' an author, and literally copy out their writing instead. Copying something out word for word can teach a student what it feels like to write in a certain way.
Experience: Move away from 'write what you know'. There are many types of experience, not just the autobiographical experience, but the key thing is how to use experience. One exercise is to get students to write about a small insignificant thing that happened and think about what might be interesting about it for someone else
Writing (Again). Writing from experience. Once students have learnt about developing a style, and what it means to write about an experience keeping in mind how it might be interesting to others, it's time to think about beginnings, middle and ends, especially beginnings and ends. How do you start telling an experience, how do you end telling that experience?
Process: Writing is always a process. These questions you ask at the beginning are part of the process, and hard as it may be, you will need to keep asking those questions throughout.

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Teacher’s Guide: Tips and Tricks in Teaching Creative Writing

John anderson.

February 6, 2019

Creative writing is one of the most enjoyable forms of writing that students learn in school. Unlike in the case of academic and formal theme writing, students are able to express their creativity in such writing classes. They can craft stories, describe characters and settings, and share with the readers their thoughts and ideas. Through creative writing, they can share their experiences, make their own world, design their heroes and villains, and create and solve conflicts for their characters.

Teachers play a big role in encouraging their students to enjoy writing. As the captain of the ship, you should lead and inspire them to enjoy the craft and later on, be good at it. However, how can you be an effective creative writing teacher? Here are some tips and tricks for you:

As with teaching any subject, planning is of great importance when teaching writing. Plan ahead to make sure that you and your class will be on the right track. Schedule your lessons and arrange topics chronologically. Start with the basics such as plot and character development. Look for materials to supplement your lessons. There are plenty of creative writing worksheets online . Make use of them as part of your students writing activities—either as seatwork or homework.

Set themes and topics

It also helps to line up themes and topics for your students to draw inspiration from. Browse through magazines and books to get ideas. List down topics as your “seed ideas” and arrange them according to your scheduled lessons. This should help students use their imagination as they work on subjects that may not be familiar to them.

Challenge your students

Test your students’ skills by giving them writing challenges. One good example is writing a six-word story. Writing stories can be daunting, especially when you’re required to write at least three pages, for instance. But the thing is that it’s harder to write when you’re limited to just a few words. This kind of challenge will make your students get those creative juices oozing for good.

Encourage competition

Friendly competition is great for every class. Encourage your students to step up their game by giving them activities that will earn them points and bragging rights. Give them contests such as character designing and making their own story endings, as well as homework like word bank and journaling. Give them points for their output and give recognition to top scorers. Remember that creativity is subjective, so create a simple rubric to assess their written works.

Allow review and feedback

Let your students review the works of their classmates. You can group your class into small groups wherein they can share their stories and writing pieces. This should help your young writers to gain confidence in what they’re doing and listen to other people’s comments and suggestions to better their skills. At the same time, it helps you gauge the competencies and weaknesses of your students through the eyes of other audience.

The best thing about teaching a subject like creative writing is that you don’t just get to teach, you also learn in the process. It is truly a great experience seeing your students get better at writing. Who knows, you could very well be training the next Hemingway or perhaps the next J.K. Rowling.

About the Author

Teaching creative writing

So, here are my 10 tips for creative essays:

1. Get story ideas from the world around you

Read the paper to see what weird things are going on. Listen to strangers’ conversations and steal them. If you love history, write historical fiction. If you love science, write about the moon. Make it your own.

2. There are no rules here

Creative writing is personal and individual. Nobody should tell anybody what they can or can’t do. Having said that, the following suggestions are tried and tested. They will give most stories a bit of a boost.

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3. Avoid trying to cram in too many characters or action sequences

Two or three characters is plenty, I think, for a story that is going to be around 1,000 words. Be careful you don’t try to do too much in too short a space. No car chases or mad battle scenes.

4. Good stories rely on good characters

That’s it. If you don’t make us care about your character, it doesn’t matter what happens to them in the end. Make them authentic, with likes and dislikes, flaws and strengths. Show the good, the bad and the ugly.

5. Don’t dwell for too long on setting

Your word count won’t allow it. But do develop a bit of atmosphere by using the five senses to generate an authentic sense of place - what is there to hear, see, feel, smell? Place the reader there.

6. Ignore anybody who insists that stories must be structured a certain way to have merit, and suggests confusing labels like ‘exposition’, ‘rising action’ or ‘resolution’

They are wrong.

7. Think about introducing a dual timeline or narrative

This helps to develop structural complexity. Using flashback sequences is an excellent way to make us care about a character. Switching between narrators is an excellent way to demonstrate adaptability.

8. Symbolism is an important and easy technique to feature

Introduce a recurring physical object (a pocket watch, for example) and make it represent something abstract (love for a lost grandparent). All of a sudden, you’ve got a lot more emotional depth.

9. Dialogue should be a representation of speech, not a direct copy

Leave out all the “um, er, ah” bits. They rarely work. Ask yourself what the character wants to communicate, and write is as simply as possible.

10. Edit and redraft until you are sick of it

For every sentence, ask yourself, “does this develop character, explore theme or enhance the plot?” If it does none of these, it may be unnecessary. Cut it. There are apps you can use to help edit successfully.

Alan Gillespie is principal teacher of English at Fernhill School in Glasgow

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IMAGES

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