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Spectre Soundtrack [ 2015 ]

List of songs.

The Name's Bond... James Bond - David Arnold & Michael Price

The Name's Bond... James Bond

David Arnold & Michael Price

Opening scene

Te He de Querer - Los Organilleros

Te He de Querer

Los Organilleros

Briefly heard as Bond and Estrella enter the hotel.

Los Muertos Vivos Estan (feat. Tambuco)

Thomas Newman

Music at the Day of the Dead parade.

Gloria De La Cruz

Bond and Estrella enter the elevator.

Day of the Dead (feat. Tambuco) - Thomas Newman

Day of the Dead (feat. Tambuco)

Bond chases Marco Sciarra through the streets of Mexico.

Writing's On the Wall - Renée Zellweger & Sam Smith

Writing's On the Wall

Renée Zellweger & Sam Smith

Opening credits

Nisi Dominus (Psalm 126), RV 608: 4. "Cum Dederit" (Andante) - Andreas Scholl, Paul Dyer & Australian Brandenburg Orchestra

Nisi Dominus (Psalm 126), RV 608: 4. "Cum Dederit" (Andante)

Andreas Scholl, Paul Dyer & Australian Brandenburg Orchestra

Lucia plays this song after she leaves the funeral.

One Furtive Tear (L'Elisir D'Amore)

Geoff Love & His Orchestra

Plays in Lucia's bedroom as Bond prepares to go on another mission.

New York, New York (FWB Remix) [feat. Ultra Love] - Ray Quinn

New York, New York (FWB Remix) [feat. Ultra Love]

Briefly plays in the car as Bond is looking for the missile switch.

La Traviata: "Libiamo Ne'lieti Calici (Brindisi)

Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge, Dame Joan Sutherland & The London Opera Chorus

A man is listening to opera music in the car as Bond tries to move the car from his path.

Virgin Cocktails

Yann McCullough & Paul Chandler

Bond waits at a cocktail bar and orders a martini.

The James Bond Theme - Monty Norman

The James Bond Theme

Monty Norman

End Credits

Call and Response

Bill Bernstein & Tambuco

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Spectre (Original Motion Picture Soundtrack)

October 23, 2015 26 Songs, 1 hour, 19 minutes ℗ 2015 Danjaq, LLC, Metro-Goldwyn-Mayer Studios Inc., Columbia Pictures Industries, Inc., under exclusive licence to Decca, a division of Universal Music Operations Ltd

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James Bond Wiki

Spectre (soundtrack)

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Spectre: Original Motion Picture Soundtrack is the soundtrack album to the 24th James Bond film of the same name . Released by Universal Music Classics on October 23, 2015 in the United Kingdom and on November 6, 2015 in the United States, the music was composed by Thomas Newman , who previously composed the soundtrack of 23rd Bond's film Skyfall , making him the third composer after John Barry and David Arnold (and the first non-British composer) to score more than one film in the series. The film's theme song " Writing's on the Wall " performed by Sam Smith is the only one of the four themes that doesn't feature the title of its film. [1] It is also the third song after " You Know My Name " (2006) and " Skyfall " (2012) that did not appear on the film's official soundtrack album.

  • 1 Development
  • 2 Track listing
  • 4 References

Development [ ]

Thomas Newman returned as Spectre's composer. [2] Rather than composing the score once the film had moved into post-production, Newman worked during filming. [3] The theatrical trailer released in July 2015 contained a rendition of John Barry 's On Her Majesty's Secret Service theme. [4] [5] Mendes revealed that the final film would have more than one hundred minutes of music. [6]

In September 2015 it was announced that Sam Smith and regular collaborator Jimmy Napes had written the film's title theme, "Writing's on the Wall", with Smith performing it for the film. [7] The song was released later that month where it received mixed reviews from critics and fans, particularly in comparison to Adele 's " Skyfall ". [8] [9] [10] It became the first Bond theme to reach number one in the UK Singles Chart . [11]

Track listing [ ]

Standard album : [12]

See also [ ]

  • James Bond music

References [ ]

  • ↑ Sam Smith Teases 'Bond' Theme Song; 'Spectre' Soundtrack Gets Release Date . Exclaim (September 21, 2015). Retrieved on November 7, 2015.
  • ↑ " Bond returns in Spectre ", 007.com , Eon Productions , 4 December 2014. Retrieved on 6 December 2014.  
  • ↑ James Bond Producers Delve Deep Into Spectre . Retrieved on 29 March 2015.
  • ↑ New Spectre Trailer (21 July 2015). Retrieved on 30 July 2015.
  • ↑ New Bond soundtrack: what does the new Spectre trailer tell us? (22 July 2015). Retrieved on 30 July 2015.
  • ↑ Never Say Never Again (Again) (16 July 2015). Retrieved on 17 July 2015.
  • ↑ Sam Smith to Sing Title Song for Spectre . Eon Productions (8 September 2015). Retrieved on 8 September 2015.
  • ↑ Petridis, Alexis. " Sam Smith's James Bond theme review – 'It feels like an X Factor ballad' ", The Guardian , Guardian Media Group , 25 September 2015. Retrieved on 25 September 2015.  
  • ↑ McGrath, Rachel. " Sam Smith's Writing On The Wall Spectre Song Hasn't Impressed James Bond Fans ", The Huffington Post UK , 25 September 2015. Retrieved on 25 September 2015.  
  • ↑ " Sam Smith Bond song splits opinion ", bbc.co.uk , BBC , 25 September 2015. Retrieved on 25 September 2015.  
  • ↑ Ellis-Petersen, Hannah. " Sam Smith's "Writing's on the Wall" becomes first ever Bond No. 1 ", theguardian.com , Guardian Media Group , 2 October 2015. Retrieved on 16 October 2015.  
  • ↑ Skyfall: Thomas Newman: Amazon.co.uk: MP3 Downloads . Amazon UK (19 October 2012). Retrieved on 7 November 2015.
  • 1 James Bond (Daniel Craig)
  • 2 Blofeld (Christoph Waltz)
  • 3 Mr. White

Spectre [Original Motion Picture Soundtrack]

Spectre [Original Motion Picture Soundtrack]

Thomas newman.

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007 Soundtrack: SPECTRE (2015)

007 Soundtrack: SPECTRE (2015)

SPECTRE:  Original Motion Picture Soundtrack is the soundtrack album to the 24rd James Bond film of the same name. Released by Decca Records on October 23, 2015 in the United Kingdom and on 3 November 2015 in the United States, the music was composed by Thomas Newman . This is Newman’s second  Bond soundtrack, making him the ninth composer to score a Bond film. 

Track Listings

1. Los Muertos Vivos Estan (featuring Tambuco) 2. Vauxhall Bridge 3. The Eternal City 4. Donna Lucia 5. A Place Without Mercy 6. Backfire 7. Crows Klinik 8. The Pale King 9. Madeleine 10. Kite In A Hurricane 11. Snow Plane 12. L’Americain 13. Secret Room 14. Hinx 15. Writing’s On The Wall (Instrumental) 16. Silver Wraith 17. A Reunion 18. Day Of The Dead (featuring Tambuco) 19. Tempus Fugit 20. Safe House 21. Blindfold 22. Careless 23. Detonation 24. Westminster Bridge 25. Out Of Bullets 26. Spectre (End Title)

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james bond spectre soundtrack list

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ALBUM REVIEW: Spectre (James Bond) Soundtrack

by Maggie Molloy

“ The name ’ s Bond. James Bond. ”

spectre-the-james-bond-24-opening-sequence-and-new_txge.1920

In fact, this year ’ s “ Spectre ” is the 24 th film in the Bond series which, by the way, is the third-highest-grossing film series in history. But for a secret agent, James Bond sure does get a lot of press. Which is why we ’ re more interested in the man behind the scenes — or rather, the man behind the music: Thomas Newman.

Alright, alright — in all fairness Newman is not so new to the press either. The man ’ s been nominated for 12 Academy Awards and three Golden Globes, won two BAFTAs, an Emmy, and six Grammys — but who ’ s counting? In any case, we ’ re ending the year with a bang by reviewing Newman ’ s spellbinding spy soundtrack for “ Spectre. ”

Now I know what you ’ re thinking: “ Really ? How many ways can they spin the classic Bond theme? ” But fear not: over the course of this 80 -minute masterwork Newman manages to musically set the scene, illustrate the action, build the excitement, and still weave in the in famous Bond theme with drama, wit, and subtle charm.

SAVING MR. BANKS..Thomas Newman..Ph: Alberto Rodriguez..©Disney Enterprises, Inc. All Rights Reserved.

SAVING MR. BANKS..Thomas Newman..Ph: Alberto Rodriguez..©Disney Enterprises, Inc. All Rights Reserved.

The result is a theatrical and gorgeously textured musical journey that is every bit as action-packed as the movies. Let ’ s begin with a quick movie synopsis:

In this latest Bond flick, a cryptic message from the past leads Bond to Mexico City and eventually Rome, where he meets the latest Bond girl: the beautiful and forbidden widow of an infamous criminal. He infiltrates a secret meeting and uncovers the existence of a top secret and super sinister organization known as SPECTRE — which, by the way, stands for Special Executive for Counter-Intelligence, Terrorism, Revenge, and Extortion — and the action unfolds from there.

Of course, you can ’ t see any of this while listening to the soundtrack — but you can certainly feel it happening all around you. Timbral nuances, sultry strings, mystical flute melodies, and striking percussion elements bring to life the multifaceted world of James Bond in all its elegant and adventurous glory.

From exotic percussion grooves to lush romantic themes, immersive atmospheric electronics to those moments of glorious and radiant movie magic — the soundtrack takes you on an adventure through the streets of Mexico City to the catacombs of Rome, through the eyes of a spy and the heart of a hero.

Over the course of 26 tracks, Newman explores all of the most poignant and powerful moments of human experience: love, loss, life, and death. With cultural nods to Italy and Mexico and pop cultural nods to the great Bond composers before him (Monty Norman, anyone?), Newman navigates the world of Agent 007 with a sense of wit, wonder, imagination, and the utmost adventure.

And just like the film, the soundtrack for “ Spectre ” is full of thrilling twists and turns, grand mysteries and golden movie magic.

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A Close Look at the SPECTRE Score by Matthew Grice

  • May 31, 2016

james bond spectre soundtrack list

SPECTRE, the 24th installment of the longest running franchise in cinema history has caused a divide amongst fans.  Some love it while others think it was poor calling for Craig to bow out from role. I will hold my hands up and admit that I once didn’t like Quantum Of Solace as I felt the film was rushed, weak, and didn’t live up to the same expectations as Casino Royale, however, my view has changed over the years.   If watched directly after Casino Royale, Quantum is a better film and now after seeing SPECTRE, I can appreciate Quantum even more. Despite mostly enjoying SPECTRE, it took me a few days to fathom what my issue was with it.  The Bond Craig played seemingly ceased to be the literature Bond who we’ve seen in his previous three films and how now morphed into the typical cinematic Bond of old.

The score of the film has also been criticized by many who claim that it was boring and unoriginal. I certainly don’t want to encroach on other opinions as we are all entitled to them as fans but I strongly think that the work of Thomas Newman’s second Bond score has been misunderstood and underrated. Many critics have said that he has repeated himself for SPECTRE and as you listen to the soundtrack album you can understand where they are coming from.  Certain action cues such as Backfire, Tempus Fugit, and Westminster Bridge are exactly the same as what can be heard in Skyfall with slightly different arrangements. Even the tracks Donna Lucia and Madeline are in the same vein as the track for Severine in Skyfall in the sense that it’s just nondescript sound and there isn’t any recognizable tune to be heard.

I will admit that when I first saw the film at the cinema I was completely thrown out by the music that accompanied the MGM and Sony logos.   I learned from a reliable source that the gun barrel was now back at the very beginning of the film and upon hearing that, I looked forward to the bold, brassy and loud music that famously accompanies most gun barrel sequences.  I even avoided listening to track 1  “Los Muertos Vivos Estan” on the SPECTRE album as I wanted to be surprised by the music, and if the music wasn’t good, it would have ruined the whole film.  For me the gun barrel music is the most important and vital piece that needs to be right. The music that accompanied the studio logos and gun barrel is in fact the exact same arrangement that can be heard during the very final scene in Skyfall between Bond and Ralph Fiennes as the new M. It’s also heard at the very end of SPECTRE. Could this be part of Newman’s James Bond theme, which we first heard on track 18 titled ‘Breadcrumbs’ from the Skyfall soundtrack?  Who knows, as we never got a full version of Newman’s rendition of the Bond theme on either of the soundtrack albums. The music playing over the logo made me wonder if the gun barrel was back where it belonged.  Of course it was!! But like that of The Spy Who Loved Me, Tomorrow Never Dies and The World Is Not Enough it didn’t feature the famous guitar riff.  Overall I think the style and visual of the gun barrel is the best in the series and I definitely appreciated the whole sequence the second time round.

The second piece of music that is taken from Skyfall is heard at 6:25 into the pre title sequence when Bond has narrowly escaped being buried in rubble.  When I had heard this I had instantly recognized it from being in Skyfall and was somewhat annoyed at why Newman was repeating himself. At 7:14  we then hear the first piece of original music which appears to be the same as track 6 ‘Backfire,’ which eventually leads to track 18 of the soundtrack album titled ‘Day Of the Dead’.   Note to self: I must find the lyrics to that! At 10:42 of the pre-titles sequence we then hear the climax of Backfire, which is the same piece that was, used for track 1  ‘Grand Bazar’ of Skyfall.   This is then followed immediately by track 19 of the SPECTRE soundtrack titled Tempus Fugit.    Interestingly this is the same as Track 25  ‘Welcome to Scotland’ from the Skyfall soundtrack but with a different arrangement. This  ‘version’ of ‘Welcome to Scotland’, which I am a fan of had fans speculating at whether there was a hint of a slide whistle to accompany the barrel role that the helicopter engages in. This of course could be a nod to the bizarre choice that John Barry had done in The Man With The Golden Gun. At 12:24 we then here a fresh approach to the Bond theme, which is used in the correct place just as Bond saves the helicopter from crashing.   This piece then goes immediately into the introduction of the title song.  As memory serves I think this is the first time the introduction of the title song is played before the title sequence has begun and I think it works wonderfully as the introduction that sounded like something written by John Barry fits perfectly for a vista landscape which is exactly what we get as Bond flies off into the distance.  Unfortunately this is the only time the introduction of the song is used for a Vista shot as it is a perfect piece.

When I first received the SPECTRE soundtrack I noticed track 1  ‘Los Muertos Vivos Estan’ was only 2. 35 long, whilst track 18 ‘Day of the Dead’ (which 100% has a Live and Let Die feel to it, but then the whole PTS does) is 2.43.  This made me realize that we only have 5:45 worth of music for a 12 minute long scene.  Was the remaining 5:45 minutes without score???

Even thought PTS is considered to be the best in the series the music is quite powerful and uses hints of the Bond theme.   Why Newman or Sam Mendes decided to recycle a music cue from Skyfall, I’m not sure but one can only imagine what David Arnold would have done if he had been chosen to score the film.    Whether the music cues were composed especially for the scene or just copied and pasted from other tracks of the score I’m not sure, but I do find that process lazy and lacking in imagination if that is the case.   Whether this was the composer or director’s choice, we as fans who pay attention to Bond film scores are left to wonder.

After having cues taken from Skyfall and music that sounds the same through out the pre title sequence we then get another cue that is taken directly from Skyfall.  This time it appears to be snippets of ‘Close Shave’, track 17of the Skyfall album.   By this point the repetitiveness of Newman actually took away some of my focus from the story of the film, and I instantly began naming that cue!   ‘Close Shave’ appeared at 19:02 in the film when we see Moneypenny give Bond his personal belongings that forensics had found at his ancestral home. After hearing ‘Close Shave’ we then hear the wonderful cue ‘Voluntary Retirement’ which was introduced in Skyfall.   This piece made a comeback as Judi Dench’s M made a surprise cameo.   This tells us that this wonderful music cue may now be dubbed as M’s theme, where ‘Close Shave’ could now be Moneypenny’s theme.

The third track ‘Enternal City’ is the first on the SPECTRE album that sounds the same as what was used in Skyfall for a ‘New World.’   In comparison to both tracks they start off with the same playful melody interwoven with parts of the Bond theme. It then gradually builds up to a typical ‘Bond arrives into another country’ moment.  In each film Bond is with Q before we cut to a vista shot.  Clearly, Newman composed a playful tune to accommodate the playful relationship between Bond and Q.   However what Newman composed for when we entered Shanghai in Skyfall is in my opinion a stronger and more Barry -esque than what he composed for Bond entrance into Rome. Also at 1:1:15 we hear parts of this theme again when Bond introduces Madeline to Q. So ‘New Worlds’ and ‘Eternal City’ both open up with what could be a theme for Q. If Newman is back for Bond 25 will we hear snippets of ‘Close Shave’ and ‘New Worlds’ again? My conclusion is that Newman repeated himself and recycled certain music cues from Skyfall to represent characters, which is the skill of a composer by telling the story through a score.  Therefore, in many cases the recycling of music cues is a stylistic choice to emphasize a sort of musical continuity with the Skyfall score.

For characters to have their own themes in Bond films isn’t anything new.   Monty Norman had of course composed the Bond theme and John Barry had created the ‘007’ theme that can be heard through out 5 films.   However sadly he never gave Blofeld or S.P.E.C.T.R.E their own continuing theme when we saw them the first time round during the Connery era. Of course Arnold used various themes throughout his Bond scores.  We had Elektra’s theme woven throughout the score for The World Is Not Enough and Gustave Graves had his own theme in likes of Icarus, but most importantly Arnold helped tremendously with the storytelling of Quantum Of Solace when he rightly so used Vespers theme, which he composed for Casino Royale.

Why Newman repeated himself on actions cues I’m not too sure, but Arnold also repeated himself when it came to action music.   At 2:44 of ‘Bike Chase’ of Tomorrow Never Dies it is identical to 2:32 of ‘Come in 007 your time is up’.

Also he used the baseline for OHMSS in both The World Is Not Enough and Die Another Day, yet I believe Arnold did this more subtly.  As I mentioned before the ‘Tempus Fugit’ is the same as ‘Welcome to Scotland’ and track 24 ‘Westminster Bridge’ sounds similar to ‘The Moors’ from Skyfall.

Also it is interesting to note that some pieces that where used in ‘Dr No’ that was scored by Monty Norman also made an appearance towards the end of ‘From Russia With Love’ for the boat scene even though that film was the first to be scored by John Barry.

“Los Muertos Vivos Esta” opens up with a 20 second cue which we don’t hear until 42:07 of the film. This is what we hear when we are introduced to Mr Hinx.  This sounds similar to what we hear at 2:45 of track 11 ‘Snow Plane,’ which is of course a scene heavily featuring Mr Hinx.

Track 7 titled ‘Crows Klinic’ even though it was actually called Hoffman clinic in the film features a new theme which is practically used at most vista shots and is played throughout the score at different tempos with a variety of different instruments.

The next time we see Hinx is during the epic fight on the train where Newman has taken a page from Barry’s score and decided not to score this sequence, which I personally think can be just as powerful and have a stronger impact. However in the film we have the typical “will Bond survive moment and we see him practically done in and clearly has no energy left.  This is where we hear track 15 ‘Hinx’, which recalls track 7 from the Skyfall soundtrack.  I will admit that I find it a shame that this particular track isn’t all that long as it is one of my favorites and makes the scene more tense.

https://www.youtube.com/watch?v=AKmdllD5v5A

Despite Bond intense fight scene with Mr. Hinx, which would result in hospitalization in the real world, Bond’s libido kicks into high gear giving him the strength to throw Madeline through the doors of their compartment whilst making passionate love. This love scene is accompanied by the same sweeping strings, which were played during introduction of the title song at the beginning of the film.

The track ‘Tempus Fugit’ (in Skyfall it was known as ‘Welcome To Scotland’) is heard for the first time since the pre-titles sequence as Madeline throws Bond explosive watch towards Blofeld.

https://www.youtube.com/watch?v=-TIX8ioAFYk

As we approach the end of the film when Bond and Madeline both escape the demolition of the MI6 building we then here the track ‘Westminster Bridge’ which is basically ‘The Moors’ from Skyfall. What I actually enjoyed was Newman’s nod to Thunderball, which can be heard at 0.40 in to the track.   Again I was disappointed that we didn’t get more of it.   Throughout there are times where Newman makes the stylistic choice to tease the Bond theme without actually playing the Bond theme.

After Blofeld’s helicopter is shot down over The Thames by Bond’s Walther PPK (ridiculous I know!), Bond simply decides to ‘run out of bullets’ leaving Blofeld to be taken away by the authorities. As Bond chooses to leave with Madeline instead of completing the ultimate act of vengeance against Blofeld.  Then, we cut to external shots of London and cut again to Q’s laboratory.  Bond needs to pick up one last thing: The Aston Martin DB5 of course.

This is when Newman finally gives us the Bond theme in full.

https://www.youtube.com/watch?v=IZd9XZnSGLI

Overall my thoughts on the score are the same for the film in the sense it’s not my favorite.   I will confess that alongside other fans I was skeptical at what Newman would bring to the franchise when he was announced as the composer for Skyfall, however, his score grew on me and I think there are some memorable and powerful cues such as ‘Voluntary Retirement’ and ‘Tennyson’ but not enough of the Bond theme.   With SPECTRE there are some original pieces, which are memorable. Track 6 ‘Backfire’, Track  14 ‘Hinx’ and  ‘Secret Room’ are my favorite and yet again there just isn’t enough Bond theme.

Would I like to see Newman return?   Yes, I would.  It would definitely be interesting to see if he returned even if Mendes doesn’t.  Over the course of his two Bond films he has done a reasonable job and it’s refreshing to have a different sound and style. As long as he doesn’t make action scenes seem generic by recycling his own music, I think he’d be onto a winner.  Let’s not forget Arnold also repeated himself and yet that is somewhat forgotten now as we critique Thomas Newman.

article by Matthew Grice

4 Responses

Excellent job mate!

I think an important thing to note, however, is that, while Arnold (and many before him) repeated himself (and rightly so), what Newman did sounds more like a mere cut-and-paste, which is why we feel like it is lazy. You have to have some level of repetition in this franchise: you have an iconic hero with his own musical theme or themes, and to not play them would be a crime. It’s also not a crime to use themes for characters as we’ve experienced in these last two films, which you pointed out with themes for characters such as Judi Dench’s M and Moneypenny. And, in fairness as well, when compared to David Arnold’s scores, Newman is being compared to someone who may have been a given with the Bond franchise as Arnold; although he only scored five films, his tenure was akin (albeit smaller) to what we came to expect from John Barry as being a simple “given” on each subsequent film. But what Newman did felt so much more than simply “quoting” his previous cues, especially due to the rate at which he employed this.

Further, an article in Variety that was published after the release of SPECTRE had an interview with Newman where he stated that every musical decision made had to be cleared with Mendes. I would almost blame Mendes as much (if not possibly more so) than Newman for what is, in my opinion, two mostly forgettable scores. Originally, I thought that Newman lacked the ability to properly score a Bond film. However, his first cue on the SPECTRE soundtrack album (as Bond is walking across the rooftops in Mexico City) shows that he can properly do it, but that perhaps he was restricted from doing so.

In my opinion (that being of someone who is a professional musician and who holds a Masters Degree in Music, earned with a thesis on the music of James Bond), the scores of both Skyfall and SPECTRE are as equally lackluster as both films in general. Perhaps they have their moments, but neither grabs you by the collar and forces you to pay attention to the shivers that run down your spine. In fact, the only times I experienced such a phenomenon in either of the last two movies was from the studio logos until the rooftop walk in SPECTRE.

I would much prefer to have David Arnold return for the next film than to have Thomas Newman return.

Great, Matthew. Personally, beforehand I was quite excited about Newman doing the Skyfall score as I’d liked scores he’d done for previous Mendes films. I’ve been disappointed with his two efforts for Bond only because, aside from the occasions that he references the Bond theme, his two Bond scores sound to me like they could be plonked into any action movie. Maybe that ‘s a bit of Bond snobbery on my part to think that the scores for Bond films should be on a higher plain to others in the same genre! I’m torn as to whether or not I’d like Newman to be on board for Bond 25. Part of me would like that so that he gets a chance to nail it next time, but for the sure-fire route to get ‘the Bond sound’ back for the next film then I think everybody would be happy to have David Arnold return. I wondered whether Newman had actually recorded a full version of the Bond theme, because the version heard in the final credits of SPECTRE sounded to me like David Arnold’s arrangement of the theme for Casino… Quantum’s definitely a grower on me too. On my first viewing, my over-riding thought was “Why are they trying to be Bourne?” but take away the first 20 minutes (when the film definitely does want to get into Bourne territory) and now I think there’s so much going for it – beautifully shot, fantastic scene at the opera, brilliant ending for Mathis, great dealing-with of the main villain, nice tie-up to the Vesper storyline at the end. It’s above Skyfall for me within the Daniel films.

Just reading this article and my opinion is similar to yours. When you’re someone who is a repeat watcher, reusing the score can easily take you out of the film. To the casual viewer, it may not be a big deal, but the weak score of SPECTRE made it a lesser film IMO.

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Jesper Christensen, Daniel Craig, Naomie Harris, Ben Whishaw, Tenoch Huerta, Stephanie Sigman, and Marco Zingaro in Spectre (2015)

A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth abo... Read all A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions. A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.

  • Neal Purvis
  • Robert Wade
  • Daniel Craig
  • Christoph Waltz
  • Léa Seydoux
  • 1.3K User reviews
  • 426 Critic reviews
  • 60 Metascore
  • 8 wins & 37 nominations total

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  • Marco Sciarra

Stephanie Sigman

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Skyfall

Did you know

  • Trivia Following the success of this movie, Mexico City held its first The Day of the Dead parade, complete with floats, dancers, and giant marionettes, in 2016. Prior to this, no parade had ever been held, despite the movie scenes.
  • Goofs In the train, Bond and Madeleine order dirty martinis (a break from his normal routine), but when the drinks arrive, they are perfectly clear. Dirty martinis contain olive juice, so they would be cloudy. The International Bartenders Association standard recipe requires Olive Juice/brine. The traditional number of olives is that it should be odd, with 5 seen as excessive and 3 the norm.

Mr. White : You're a kite dancing in a hurricane, Mr Bond.

  • Crazy credits The gunbarrel sequence has returned to the start of the movie.
  • The eye gouging now only shows an establishing shot of the thumbs being inserted, then cuts to a counter-shot from behind the victim's head when the slightly bloody thumbs emerge. The uncut version showed this all from the front, including the aftermath.
  • The suicide now takes place off-screen and with reduced detail. The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head.
  • Connections Edited into Omega 'Spectre' Television Commercial (2015)
  • Soundtracks Writing's on the Wall Music by Sam Smith Lyrics by Jimmy Napes Performed by Sam Smith

User reviews 1.3K

  • Dec 25, 2015
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  • How could Blofeld say that Hannes raised/trained James Bond in this movie? Wasn't it Kincade from Skyfall?
  • Why do they insist on calling Max Denbigh "C"?
  • What does SPECTRE mean?
  • November 6, 2015 (United States)
  • United Kingdom
  • United States
  • 007 (United States)
  • MGM (United States)
  • Rome, Lazio, Italy
  • Columbia Pictures
  • See more company credits at IMDbPro
  • $245,000,000 (estimated)
  • $200,074,609
  • $70,403,148
  • Nov 8, 2015
  • $880,705,312

Technical specs

  • Runtime 2 hours 28 minutes
  • Dolby Digital
  • Dolby Surround 7.1

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James Bond: Every theme song from the film franchise's history

With Billie Eilish the latest star to soundtrack a Bond film, we take a look back at all the 007 themes.

No Time to Die

  • Patrick Cremona
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After first being announced as the performer of the 25th James Bond Song all the way back in January 2020, Billie Eilish's hit track can finally be heard in its corresponding film now No Time To Die has finally been released.

Eilish's song has broken all sorts of records, making her the youngest person ever to write and perform a Bond theme, while the tune itself was the first 007 song by a female artist to top the UK charts.

It's a good job the song has been a success, as previous performers have included the likes of Shirley Bassey, Paul McCartney, Duran Duran, Madonna and Adele – with many of their numbers remaining iconic years later.

With so many stirring spy songs to look back on, we've compiled a list of every Bond theme song released so far, starting with Eilish and stretching all the way back to Monty Norman's iconic theme for Dr No in 1962.

Billie Eilish - No Time to Die (2020)

Written by Eilish and her brother Finneas O'Connell, the latest Bond theme song had its grand unveiling at the Brit Awards in February 2020 – only for the No Time To Die film to be delayed 18 months to September 2021.

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Nevertheless the song went on to achieve great success, topping the UK Singles Chart and winning a Grammy Award for Best Song Written for Visual Media. Could an Oscar soon follow?

Sam Smith - Writing's on the Wall (2015)

Prior to the announcement that Smith would be performing the theme song for 2015's Spectre, it had been heavily rumoured that Radiohead would be recording one - and indeed it later emerged that the band had had an effort turned down by the producers. Smith's Writing on the Wall, written with Jimmy Napes went on to notch both the Academy Award and Golden Globe for Best Original Song.

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Adele - Skyfall (2012)

Probably the most well-known Bond theme song in recent years, Adele recorded Skyfall shortly after the massive success of her second album 21 - and the track became a huge hit, reaching number one in 11 different countries. It also has the honour of being the first Bond theme to win the Academy Award for Best Original Song, Brit Award for British Single of the Year, Critics' Choice Movie Award for Best Song, Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for Visual Media.

Jack White and Alicia Keys - Another Way To Die (2008)

White Stripes frontman Jack White wrote the song for Quantum of Solace, sharing vocals with R&B superstar Alicia Keys. Like the film it soundtracked, the song had something of a mixed reception - with many commenters saying it was a strange fit as a Bond theme song.

Chris Cornell - You Know My Name (2006)

The Soundgarden and Audioslave frontman's Bond theme for Casino Royale became arguably his best known song, and was highly praised in the media - with one critic labelling it "the best Bond theme since 'A View to a Kill.'" It was seen by many as the ideal track to introduce Daniel Craig - who was making his first appearance as 007.

Madonna - Die Another Day (2002)

Producers apparently wanted a high profile singer to perform the theme tune for Pierce Brosnan's final turn as Bond - and it's safe to say they delivered. Despite something of a mixed critical reception, the song performed well in the charts and marked a significant departure from the more traditional style of previous Bond themes.

Garbage - The World Is Not Enough (1999)

Scottish-American rock band Garbage were rather a big deal back in the late 1990s, and this only boosted their profile further. Relatively 'classic Bond' in style, the track was received warmly by most critics and reached number 11 in the UK charts.

Sheryl Crow - Tomorrow Never Dies (1997)

This track was chosen by producers despite numerous other songs being solicited by producers, most notably by k.d lang, who's similarly-titled song was instead used over the end credits. Crow's song was one of the more poorly received in the franchise, but still managed to garner Golden Globe and Grammy nominations.

Tina Turner - GoldenEye (1995)

Written by U2 stars Bono and The Edge, GoldenEye was a huge hit for Tina Turner, particularly in Europe, later appearing on her album Wildest Dreams. The song was fairly conventional as Bond theme - unlike the film itself, which was the first not to be based on any of Ian Fleming's works.

Pierce Brosnan as James Bond in GoldenEye

Gladys Knight - Licence To Kill (1989)

Knight was enlisted to perform the song for License To Kill after an earlier plan to have Eric Clapton and original Bond theme guitarist Vic Flick write a theme fell through. A big hit in Europe, it was based on the horn line from Goldfinger and is the longest James bond theme to date - at 5 minutes 43 seconds.

A-ha - The Living Daylights (1987)

Norwegian pop band A-ha were considered a rather unusual choice for a Bond theme, but this Europop number remains one of their more enduring hits. It was chosen for the theme after an earlier track by the Pet Shop Boys was rejected by the studio.

Duran Duran - A View To A Kill (1985)

One of many themes to be written with legendary Bond composer John Barry, A View To A Kill was an enormous hit for the new wave band, making it to number two on the UK singles charts for three weeks and being nominated for the Golden Globe Award for Best Original Song.

Rita Coolidge - All Time High (1983)

All Time High was the theme for 1983's Octopussy and marked a return for John Barry after an absence from For Your Eyes Only. Apparently the song was not named after the film because it would have been too much of a challenge to write a song with the title Octopussy! It was the first Bond theme to have an accompanying music video.

Sheena Easton - For Your Eyes Only (1981)

Nominated for an Academy Award, this track written by Bill Conti was preferred to an alternative theme that had been recorded by Blondie. It was one of few Bond tracks at the time that John Barry had not been involved with and remains one of Easton's most well-known songs.

Shirley Bassey - Moonraker (1979)

Bassey's third Bond theme had previously been offered to numerous stars including Frank Sinatra, Johnny Mathis and Kate Bush. It was recorded at very short notice, and for that reason Bassey has never considered it to be her own song - performing it far less frequently than her other two Bond themes.

Shirley Bassey

Carly Simon - Nobody Does It Better (1977)

This track from The Spy Who Loved Me was the first Bond theme not to be named after its corresponding film since Dr No. It was a major hit and was nominated for Golden Globe and Academy Awards, whilst in 2004 was listed as the 67th greatest film song ever by the American Film Institute.

Lulu - The Man With The Golden Gun (1974)

John Barry considers this track to be his weakest musical contribution to the franchise, and is the only Bond theme not to have charted in either the UK or America. It is also considered by some to be one of the more raunchy numbers to have graced the series, with Lula warbling about villain Scaramanga's "powerful weapon". A-hem .

Paul McCartney & Wings - Live and Let Die (1973)

Still one of the most iconic Bond themes, this notable track reunited McCartney with George Martin - who had produced many of The Beatles biggest hits and most famous albums. At the time of its release it was the best performing Bond song ever - charting at number two in the US and nine in the UK, and being nominated for the Best Song Oscar.

Shirley Bassey - Diamonds Are Forever (1971)

Another iconic title song (and Bassey's second entry to the Bond theme canon) this track was nonetheless despised by producer Harry Saltzman, allegedly due to the innuendo in the lyrics.

Louis Armstrong - We Have All The Time in the World (1969)

This was actually the secondary theme to On Her Majesty's Secret Service - there was also a self-titled orchestral number. The title is taken from the final words George Lazenby's Bond utters in the film.

Nancy Sinatra - You Only Live Twice (1967)

Considered by many to be one of the best Bond themes, this track has been widely re-recorded - and is especially known for its striking opening, which has been described as "perfection."

Tom Jones - Thunderball (1965)

Tom Jones

Jones allegedly fainted while singing the final high note of this song - which might not had been a Bond theme at all had the original track, titled Mr Kiss Kiss Bang Bang (which had versions recorded by Dionne Warwick and Shirley Bassey) not fallen through.

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Shirley Bassey - Goldfinger (1964)

The first of Bassey's three Bond theme songs and arguably still the most iconic, this was Bassey's only song to break the US top 40, and was named the 53rd best film song by the American Film Institute.

Matt Monro - From Russia with Love (1963)

This was the first Bond film for which Barry was the primary composer, with the title song sung by popular cabaret singer Matt Monro. An instrumental version plays over the opening credits – the full song is first heard in the film over a radio, before playing as the closing credits roll.

John Barry & Orchestra, Monty Norman - James Bond Theme (1962)

One of the most famous pieces of film music of all time, this has featured in every single Bond film in some form or another since it played over the opening credits of Dr No back in 1962. The definition of iconic!

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No Time To Die was released in cinemas in the UK on 30th September – visit our Movies hub for more news and features, or find something to watch with our TV Guide .

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IMAGES

  1. Spectre (soundtrack)

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COMMENTS

  1. Spectre Soundtrack (2015)

    58 songs / 44K views List of Songs The Name's Bond... James Bond David Arnold & Michael Price 0:01 Opening scene Te He de Querer Los Organilleros 0:02 Briefly heard as Bond and Estrella enter the hotel. Los Muertos Vivos Estan (feat. Tambuco) Thomas Newman 0:02 Music at the Day of the Dead parade. La Llorona Gloria De La Cruz 0:03

  2. Spectre (soundtrack)

    Spectre: Original Motion Picture Soundtrack is the soundtrack album to the 24th James Bond film of the same name.

  3. Spectre (2015)

    Libiamo Ne'lieti Calici [La Traviata/Act 1] Written by Giuseppe Verdi Performed by Luciano Pavarotti, Joan Sutherland (as Dame Joan Sutherland), The London Opera Chorus, National Philharmonic Orchestra (as The National Philharmonic Orchestra), Richard Bonynge

  4. Spectre (Original Motion Picture Soundtrack)

    26 songs • 1 hour, 19 minutes Spectre: Original Motion Picture Soundtrack is the soundtrack album to the 24th James Bond film of the same name.

  5. Spectre (Original Motion Picture Soundtrack)

    1995 Road To Perdition (Original Motion Picture Soundtrack) 2002 The Shawshank Redemption 1994 Inspired by James Bond Apple Music Thomas Newman Essentials Apple Music Film, TV & Stage Listen to Spectre (Original Motion Picture Soundtrack) by Thomas Newman on Apple Music. 2015. 26 Songs. Duration: 1 hour, 19 minutes.

  6. Spectre (soundtrack)

    Spectre: Original Motion Picture Soundtrack is the soundtrack album to the 24th James Bond film of the same name.

  7. Spectre Soundtrack

    October 26, 2015 | 31 Songs Music Details Theme Song Know it? Tell us! Composer Thomas Newman Music Supervisors Is it you? Tell us! Merchandise Browse Spectre Merchandise Questions ( 1) Community Guidelines LoneWolf1993 2249 days ago What is the song at the Mexican parade when the ladies in dresses dance?

  8. Spectre (Original Motion Picture Soundtrack)

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  9. Spectre [Original Motion Picture Soundtrack]

    01:19:30 Genre Stage & Screen, Classical Styles Soundtracks, Film Score, Original Score Discography Timeline See Full Discography The Judge [Original Motion Picture Soundtrack] (2014) 35 Whirlpools Below Sound (2014) The Second Best Exotic Marigold Hotel [Original Soundtr… (2015) He Named Me Malala [Original Motion Picture Soundtrack] (2015)

  10. James Bond: Spectre Soundtrack

    James Bond 007 Spectre full SoundtrackTrack list:Los Muertos Vivos Estan (feat. Tambuco) 0:00Vauxhall Bridge 2:47The Eternal City 5:06Donna Lucia 9:41A Place...

  11. 007 Soundtrack: SPECTRE (2015)

    SPECTRE: Original Motion Picture Soundtrack is the soundtrack album to the 24rd James Bond film of the same name. Released by Decca Records on October 23, 2015 in the United Kingdom and on 3 November 2015 in the United States, the music was composed by Thomas Newman.

  12. James Bond Spectre

    007 James Bond Spectre - Thomas Newman - 26. Spectre (End Titles) Soundtrack / Song / Ost, Main Theme / Original Motion Picture SoundtrackSubs us for every...

  13. ALBUM REVIEW: Spectre (James Bond) Soundtrack

    "The name ' s Bond. James Bond. " What a name. What a role! In the past 50 years, six of Hollywood ' s most devilishly handsome and devastatingly charming actors have brought Agent 007 to life on the big screen — from Sean Connery to Roger Moore to Pierce Brosnan and, most recently, Daniel Craig.. In fact, this year ' s " Spectre " is the 24 th film in the Bond series which, by ...

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  15. A Close Look at the SPECTRE Score by Matthew Grice

    Could this be part of Newman's James Bond theme, which we first heard on track 18 titled 'Breadcrumbs' from the Skyfall soundtrack? ... When I first received the SPECTRE soundtrack I noticed track 1 'Los Muertos Vivos Estan' was only 2. 35 long, whilst track 18 'Day of the Dead' (which 100% has a Live and Let Die feel to it, but ...

  16. Spectre (2015)

    Spectre: Directed by Sam Mendes. With Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes. A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.

  17. Spectre Soundtrack Tracklist by Thomas Newman

    Soundtrack Tracklist from: Spectre Movie (James Bond 007)Subscribe - https://www.youtube.com/channel/UCr5U6R93a3GGcMk8s_iOqhw?sub_confirmation=1Amazon: http:...

  18. Spectre (2015 film)

    Spectre is a 2015 spy film and the twenty-fourth in the James Bond series produced by Eon Productions.Directed by Sam Mendes and written by John Logan, Neal Purvis, Robert Wade, and Jez Butterworth from a story conceived by Logan, Purvis, and Wade, it stars Daniel Craig as Bond, alongside Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Monica Bellucci, and Ralph Fiennes.

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  20. Every James Bond Theme / Title Song (1962

    Spectre (2015) Sam Smith, "Writing's on the Wall" ... Browse through the timeline of every James Bond title track including songs from 1962 until this day. ... Non-Music Soundtrack List. Expand.

  21. James Bond music

    Three Bond songs have won the Academy Award for Best Original Song: "Skyfall" by Adele, "Writing's on the Wall" by Sam Smith and "No Time to Die" by Billie Eilish, with Writing's on the Wall also became the first Bond theme to reach number one on the UK Singles Chart. [1] "James Bond Theme" Main article: James Bond Theme

  22. Every James Bond theme song in order

    Adele - Skyfall (2012) Probably the most well-known Bond theme song in recent years, Adele recorded Skyfall shortly after the massive success of her second album 21 - and the track became a huge...