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How to Turn Your Thesis into a Book

Table of contents, introduction, understanding your audience, adapting thesis content for a book, crafting a compelling narrative, writing style and tone, exploring publishing options, understanding literary agents and academic presses, preparing your manuscript for publication, creating a book proposal, marketing and promotion.

The transition from researcher to author can seem daunting, but turning a thesis into a book offers significant rewards. Publishing a book allows you to share your research with a broader audience beyond academia. It also helps establish your authority and expertise in your field.

Books have more longevity than journal articles, enabling you to tell a richer, more in-depth story. As an author, you can reach practitioners who can apply your insights and educate the general public. The process of adapting your thesis helps strengthen your writing and communication abilities.

A book enhances your brand and opens speaking opportunities, consulting engagements, and career options. However, writing a book requires reevaluating how to convey your ideas to non-specialist readers best. You must shift to a more accessible writing style and think creatively about crafting a compelling narrative arc.

This involves restructuring content, integrating anecdotes, choosing an engaging voice, and mastering storytelling techniques focused on keeping readers’ attention. The publishing process also brings new complexities concerning agents, editors, guidelines, and marketing. Yet, with careful planning and persistence, it is possible to navigate these hurdles successfully.

For academic researchers, the thesis often represents the culmination of years of study in a specialized field. However, researchers can turn their thesis into a published book rather than let it collect dust. This allows them to reach a much wider audience with their ideas and establish themselves as authorities in their subject.

Books have a permanence and legitimacy that other mediums lack. While journal articles may have more prestige in academia, books make research accessible to mainstream readers. They have the potential to educate the public, shape dialogues in a discipline, inspire future scholarship and impact real-world practice. By publishing a book , researchers greatly amplify the influence of their thesis.

Yet, transitioning from researcher to author involves more than copy-pasting a thesis. It requires adapting to a completely different style of writing. Academic writing prioritizes precision, empirical rigor, complex language, and speaking to a niche audience. Books aimed at general readers use clearer prose, compelling narratives, and real-world stories and structure content more thematically.

Researchers must shift their mindset accordingly. The publishing process also brings new challenges concerning agents, editors , guidelines, publicity, and marketing. With commitment and perseverance, this obstacle course can be successfully navigated.

Beyond making an original contribution to academic literature, publishing a book version of your thesis can provide career advantages and personal satisfaction. Turning a thesis into a book dramatically expands your audience and visibility. While only committee members may have read your thesis, a published book makes your ideas accessible to students, practitioners in your field, policymakers, journalists, and interested lay readers. This establishes your reputation as an authority on the topic.

With an academic book on your resume, opportunities for speaking engagements, consulting jobs, teaching roles, and media commentary will likely arise. Your work may even influence legislation or real-world applications of your research. On a personal level, adapting your writing style, finding your narrative voice, and connecting with readers can be deeply fulfilling. After spending years on specialized research, being able to articulate your insights to the public is incredibly rewarding.

Finally, a successfully published book represents a seminal career achievement. As an academic book author, you join the ranks of thought leaders pushing disciplines forward and changing conversations through their writings. Few accomplishments are gratifying than seeing your name and ideas preserved between book covers for posterity.

When transitioning from writing a thesis to writing a book, it is crucial to recognize that the audiences differ significantly. Academic writing is geared towards a specialized scholarly community familiar with theory, methodology , and disciplinary conventions. In contrast, writing a trade book targets a more mainstream readership looking for an accessible and engaging narrative. As an author, you must identify who your new readers are and what kind of content would appeal to them.

Academic writing utilizes discipline-specific jargon, an impersonal tone, extensive literature reviews, and a rigid structure to establish authority on a narrow topic. Trade writing uses plain language, anecdotes, humor, and a flexible narrative style to captivate nonspecialist readers on a more universal theme.

Determine if your book will speak to students, professionals, policymakers, or the general public interested in your field. Analyze comparable titles to discern what resonated. Shape chapter content and style to align with readers’ interests and background knowledge levels. Weave in examples and analogies rooted in their contexts to increase relevance.

Becoming an adept storyteller enables your specialized material to crossover to mainstream audiences. Master cliffhangers, plot twists, character development, and other devices to immerse readers. Share amusing anecdotes and clever turns of phrase to add flair. Stimulate imagination through vivid scenic descriptions. Pose thoughtful discussion questions to encourage critical reflection. Building rapport with readers amplifies the book’s real-world influence.

Transforming a thesis into a book requires re-evaluating and restructuring the content for a more narrative-driven approach. Academic writing tends to be dense and technical, while general readers expect an engaging story and relatable concepts. As an author, you must balance retaining scholarly rigor and making the ideas accessible.

Identify your thesis research’s key themes, arguments, and findings. Break these down into logical chapters and subsections. Consider which topics would benefit from additional examples or backstories to embed within the analysis. You may need to condense detailed statistical analyses into summarized findings and then expand on the practical implications. The goal is to convert technical content into an intriguing narrative that draws readers in.

While academic texts impress with jargon and complex concepts, the general public loses interest quickly. As an author, focus on explaining ideas using everyday language. Define terminology and provide illustrative examples wherever possible. Break down complex arguments into step-by-step logic that is easy to follow. Quote outside experts to reinforce your points. Include stories and anecdotes to humanize the research. However, it upholds standards of intellectual rigor by substantiating claims and highlighting study limitations.

Personal perspectives allow readers to connect with the author and material more deeply. Share what motivated your research questions and discuss memorable moments from collecting or analyzing data. Describe conversations with study participants that illuminated key insights. Use examples from your own life to illustrate broader concepts. Occasional touches of humor also help. Such anecdotes breathe life into academic subjects. However, ensure that any personal information shared is appropriate and relevant to the discussion.

Storytelling is a powerful tool that can breathe new life into academic material. Researchers can make their work more engaging and memorable for general audiences by incorporating narrative elements like plot, characters, and setting.

Academic writing often focuses solely on facts, theories, and data analysis. While important, this approach rarely captivates readers outside one’s field. Storytelling techniques offer a solution—they provide structure, conflict, and resolution to make the content more compelling. For instance, case studies allow researchers to frame their work around a specific person or organization, adding a human element. Techniques like foreshadowing, flashbacks, and cliffhangers also heighten narrative tension. Applying story arcs to research gives readers a reason to care beyond factual accuracy.

Weaving in real-world examples brings sterile academic concepts to life. For example, an economic treatise could profile a small business owner grappling with rising inflation. This puts a human face on monetary policy debates. Case studies also showcase how theories operate in specific organizational contexts. Infographics, photos, diagrams, and other illustrations make complex ideas more understandable. Using relatable examples and visuals helps concretize abstract arguments for non-specialist readers.

A disjointed narrative quickly loses readers’ interest. Compelling storytelling strategically sequences events, balancing scene-setting, rising action, climax, and resolution. Transitions should smoothly guide readers between ideas. Maintaining narrative momentum also means limiting digressions and cutting content that distracts from the core story arc. Like fiction, academic writing succeeds when readers feel transported into an immersive world brimming with possibilities. Careful narrative construction makes scholarly work impossible to put down.

The shift from formal academic writing to a more conversational and engaging tone is key when adapting a thesis into a book for a general audience. Academic writing is often dense, technical, and aimed at a narrow group of experts. In contrast, trade nonfiction requires an accessible writing style that feels like a conversation with an intelligent friend sharing hard-won knowledge.

When academics write books for general readers, they must consciously work to transform their formal thesis prose into a more relaxed yet authoritative style. Sentences should generally be shorter and less complex. Technical jargon should give way to clear explanations and vivid examples. The text may directly address the reader through second-person narration and rhetorical questions.

At the paragraph level, variety in sentence structure and length helps carry the reader along. An occasional humorously phrased insight makes the text more enjoyable. Using active voice and strong action verbs injects energy into the narrative.

While academic writing seeks an objective, impersonal tone, trade nonfiction benefits from revealing glimpses into the author’s experiences, passions, and personality. The strategic use of anecdotes about the writer’s intellectual journey in a candid first-person voice makes the book more approachable and involving for readers.

That said, professional decorum must be maintained while allowing one’s voice to emerge. Too much informality risks undermining the writer’s scholarly credibility. A thoughtful, nuanced take on the subject matter, with careful qualifying statements where needed, reminds readers that this is still an expert guiding them through complex terrain.

For scholar-writers seeking to engage general readers, the central challenge lies in balancing academic rigor with accessibility. This means not watering down complex scholarly ideas but taking the time to contextualize and explain them clearly to intelligent non-specialists. Using vivid examples and metaphors to illustrate abstractions can aid understanding.

Occasionally, the author might consciously decide to retain some technical terminology where no equivalent plain language substitute exists or adequately conveys the precise meaning. In such cases, clear definitions should be supplied the first time such a term is introduced. The glossary can also be utilized for convenient reference.

By emphasizing quality over quantity of information and spotlighting the most critical insights from the thesis, scholarly authors can craft books that inform and enlighten readers without overwhelming them. The art lies in judicious simplification without distortion of meaning.

How to Turn Your Thesis into a Book: Navigating the Publishing Process

Understanding the publishing industry landscape is crucial for academics looking to turn their thesis into a published book. There are two main paths to publication – traditional publishing through an established publisher or self-publishing your work independently. Both have their own merits and considerations.

The traditional publishing route involves signing with an academic or trade publisher. This option benefits the publisher’s distribution networks, marketing capabilities, editorial services, and imprint credibility. However, competition is fierce, with low acceptance rates.

Self-publishing offers greater control and faster time-to-market, enabled by print-on-demand technology. Platforms like Amazon Kindle Direct Publishing make self-publishing accessible. The downside is that marketing and distribution remain the author’s responsibility.

For the traditional route, securing a literary agent can be invaluable for getting your book noticed by publishers. Literary agents have established relationships with publishers and can help negotiate book deals and navigate the publishing process. On the other hand, academic presses specialize in publishing scholarly works and may be more interested in publishing academic theses. Researching and identifying potential literary agents and academic presses that align with your book’s subject matter and target audience is important.

Before submitting your manuscript to publishers or self-publishing, it is crucial to ensure it is polished and ready for publication. This involves careful editing and proofreading to eliminate any errors or inconsistencies. It is also important to format your manuscript according to the publisher’s guidelines or industry standards. Creating a visually appealing and well-structured book will enhance its professionalism and appeal to readers.

When submitting your manuscript to publishers, it is common practice to include a book proposal. This document provides an overview of your book, including its subject matter, target audience, market potential, and competition analysis. It is also important to highlight your qualifications and expertise as the author. A well-crafted book proposal can help publishers understand the value and marketability of your book.

Regardless of your publishing route, marketing and promotion are essential for getting your book noticed and reaching your target audience. This involves creating an author platform, including a website and social media presence, and engaging with your readers through blog posts or public speaking events. Utilizing online platforms such as Goodreads, Amazon, or book review websites can also help generate buzz and attract readers to your book.

Navigating the publishing process can be challenging, but with careful planning and consideration, turning your thesis into a book can be a rewarding experience. By understanding the publishing industry landscape, preparing your manuscript effectively, and implementing effective marketing strategies, you can increase the chances of your book reaching a wide readership and making a meaningful impact in your field.

We have delved into how to turn your thesis into a book that melds creative storytelling with scholarly acumen. It is a transformative act that extends the reach of your rigorous academic efforts to inform, engage, and inspire a general audience. The endeavor presents an opportunity to refine your ideas, solidify your expertise, and broaden the dialogue within and beyond your field. The thesis-to-book transition requires critical adjustments in writing style, narrative construction, and audience engagement. It demands that complex ideas be distilled without diluting their significance, enabling readers from various backgrounds to glean insights and appreciate the depths of your research. At once a scholarly and creative pursuit, reshaping a thesis into a book offers academics a wider platform for influence. It allows a work that might otherwise remain within the confines of academic circles to educate, affect public discourse, and potentially guide policy and practice. Upon successful publication, seeing your work in book form is not simply an act of personal accomplishment but a contribution to the collective repository of knowledge that charts new paths for understanding and innovation. Whether navigating traditional publishing avenues or embracing the autonomy of self-publishing, the meticulous effort to produce and promote a book is an adventure with unique challenges and rewards. The act of persevering through these stages is a testament to the importance you place on the dissemination of knowledge. Ultimately, transitioning your thesis into a book is more than a mere reformatting of academic work; it is a sharing of passion, a conversation extended to curious minds, and a beacon for those seeking to delve into your study’s essence.

As a newly minted author, you offer a window into a world shaped by your expertise, inviting readers to explore, question, and apply the knowledge within. The book that ensues carries the weight of your scholarly dedication and serves as a dynamic vessel for ideas to be encountered, contemplated, and utilized in the ever-evolving tapestry of intellectual pursuit.

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How to Turn your Dissertation into a Book

You finished your dissertation and want to turn it into a book? Then don’t let the revision process scare you – we've got you covered with helpful tips and tricks on the way.

This post is part of a series, which serves to provide hands-on information and resources for authors and editors.

After years of hard work on their dissertation, more than a few Early Career Researchers consider turning their PhD research into a monograph. While this is great to reach a whole new audience, the process of getting there can seem complex and daunting at first.

But we’re here to help!

The first and most essential step is to decide whether your dissertation should become a book at all. For many scholars this is a no-brainer, especially in the humanities and the social sciences, where the publication of books is crucial for getting professional recognition, climbing up the career ladder, and eventually gaining tenure.

Your dissertation could also be published in the form of one or several journal articles. Or something you just want to upload on a university server and be done with.

However, let’s say that you do want to convert your thesis into a publishable book, here are the general steps of this exciting undertaking:

• Find your match
• Build your confidence
• Get down to the nitty gritty
• Pitch your work
• Respond and revise

1. Find Your Match

The process of revising a dissertation goes hand-in-hand with the search for the right publishing house. The question what kind of book you want or need will influence your choice. Vice versa, the publisher shapes what kind of book you will be rewarded with.

Publishing with an established publisher is still considered as a sign of quality. They take care of things like quality control and peer review, and they select their titles carefully, so they fit their lists. This also means the books will sell better. Moreover, and most importantly: a publisher makes your work visible, be it online, in catalogues, on conferences, book fairs, or by distributing your book among libraries and universities.

Are you looking for the right press to publish your academic work? Find out here whether De Gruyter might be the right partner for your project!

Ask yourself this: Where do you want to see your book? Where have your favorite publications been published? Browse bookshelves, and visit book exhibitions at conferences . Talk to editors, approach them, ask for their conditions; check websites.

But whilst you do all of that: Please never submit to more than one publisher at the same time. Wasting editors’ time is frowned upon and doesn’t bode well for future publication with the house.

2. Build your Confidence

Once you decided on which press would be a good choice (from university presses, independent academic publishers, trade publishers etc.), there are a couple of things you need to take into consideration.

First and maybe most importantly: Be kind to yourself. Acknowledge what you have already accomplished. This has been a huge effort, and you have earned every right to be proud of yourself! Then, get to work.

Be prepared to invest time and nerves into reworking your dissertation. Focus on what you have already done, and build from there.

Remember, a book is not a dissertation. You do not need to convince anyone anymore that you are the expert and that you have done your reading. The reader of your book trusts that you are, and that is why they bought it.

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3. Get Down to the Nitty Gritty

• Envision your audience. This will help you give your dissertation a makeover.
• Your viva was probably a while ago, so lots of new and interesting research has been published since then that could potentially influence your work. Do the reading.
• Go over your literature review and see what is not needed anymore for your argument. Do not quote other people as much – the reader wants to know what you think. The reader of your book is also not hugely interested in all of the methodologies out there. Tell them what you used and why, but cut everything else.
• Tell the reader in the introduction what the book’s central argument is. What is your contribution to the field? What’s new? In the conclusion, tell them what the consequences are. What difference do your findings make? How do they help the field?
• Try to stay close to the 100,000 word threshold (=300 pages), including notes. Keep the manuscript sleek, limit the apparatus. Try to have chapters of equal lengths.
• Sure enough, images are nice and often help the reader get a sense for the text, but do not forget that you have to clear rights for most of them, and get all the technicalities for print sorted.
• Use simple wording. Be on point. Always remember your audience needs to understand you, and not all of them are experts.
• Go easy on the footnotes: Resist making them a container for all of the brilliant thoughts that don’t quite fit in the flow or argument of your book. If a remark doesn’t belong in your text, it might not belong in your book altogether.

Bear in mind: With a dissertation, you have something to prove. With a book, you have something to say.

4. Pitch Your Work

After revising, you need to prepare a pitch: Sell your book! Let the publisher know why your research is important and how it changes the field. What’s the unique selling point of your book, what sets it apart from others?

To get started, check the publisher’s website. Usually there is a proposal form hidden away somewhere. Try to find information on the submission process and/or a personal contact. Follow the guidelines, and write an e-mail to the responsible Acquisitions Editor.

Indicate that you are familiar with the scope of the publisher’s list. Maybe you know of a book series of theirs, where your work might fit in. Let them know you did your homework, and that you are invested. Describe how your book complements other titles in the series and why it would be a great fit.

Learn more about book proposals in our blog post “How to Write an Academic Book Proposal: 6 Questions for Laura Portwood-Stacer” .

Be concise. Your proposal should demonstrate not only that you are an expert on the topic, but that you can condense and synthesize what you know, that you can share it concisely, and that you can present your research in a way that is stimulating and thought-provoking.

Usually, the more material you send, the better. Being able to read a sample chapter of the dissertation, in addition to the proposal, makes it much easier for the publisher to get a sense about the writing style of an author, who is still unknown to them.

5. Almost There! Respond and Revise

After you submitted, and heard back from the editor of the press, you can relax a little. Your manuscript is now either under consideration with the editor or already sent out for external peer review. This might take a while.

Chances are, when you hear back from the editor the next time, the reviewers will have criticized parts of your manuscript and are asking for improvements. Hence, you will need to get back into the text once again. This can be a hard moment, but remember: you are so close now! Revise one last time and at the end of the road, you might already see the light of your shiny new author contract.

Good luck – you got this!

If you are interested, check out this related blog post

[Title image by hanna grace via Unsplash]

Rabea Rittgerodt

Rabea works as Acquisitions Editor at De Gruyter. She is specialized on 19th & 20th century social, cultural, and global history. You can follow her on Twitter via @RabeaRi .

Sophie Wagenhofer

Sophie Wagenhofer works as Senior Acquisitions Editor Islamic & Jewish Studies at De Gruyter.

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From Thesis to Book: A Guide to Publishing Your PhD Research Publishing phd thesis as a book

From thesis to Published Book: Transforming Academic Research into a Wider Audience

Completing a PhD is a tremendous accomplishment that requires dedication, perseverance, and countless hours of research and writing. After years of hard work, it’s only natural to want to share your findings with the wider world. One option for doing so is to publish your thesis as a book.

Turning a thesis into a book can be a rewarding experience, as it allows you to reach a broader audience and share your research with people beyond the academic community. While the process of publishing a book can be daunting, it’s not as complicated as it may seem.

The first step is to determine whether your thesis is suitable for publication as a book. Consider the following questions:

• Does your thesis address a topic that is of interest to a wider audience?
• Can you present your research in a way that is accessible to non-specialists?
• Are there existing books on your topic, and if so, what makes your research unique?

If you believe that your thesis has the potential to be published as a book, the next step is to identify potential publishers. Look for publishers that specialize in your subject area and have a strong track record of publishing academic works. Many publishers have guidelines on their websites that will give you an idea of what they are looking for in a book proposal.

When preparing your book proposal, keep in mind that you will need to present your research in a way that is engaging and accessible to a wider audience. This may require revising some parts of your thesis and presenting your findings in a way that is relevant to non-academic readers.

Once you have submitted your book proposal, be prepared for a long wait. The publishing process can take months or even years, as publishers carefully review proposals and decide which ones to pursue. If your proposal is accepted, you will work closely with an editor to revise and refine your manuscript.

Publishing your thesis as a book can be a rewarding experience that allows you to share your research with a wider audience. With careful planning and preparation, you can turn your thesis into a book that is engaging, accessible, and informative.

Ok, now that we discussed the “why”, let’s elaborate on the “How”.

Easy and fast ways to publish a PhD thesis as a book?

While publishing a PhD thesis as a book is not necessarily an easy or fast process, as was discussed before, there are some steps you can take to make it happen more efficiently.

One option is to self-publish your book . This means that you will need to take care of all aspects of the publishing process, from editing and formatting the manuscript to designing the cover and promoting the book. Self-publishing platforms / publishers such as LAP Publishing which may offer an easier and more accessible route to publishing your work.

Another option is to consider a publisher that specializes in publishing academic books. Some publishers may even offer expedited publication services for PhD theses that have already undergone rigorous review and editing.

It’s also worth considering publishing individual chapters of your thesis as articles in academic journals. This can help increase the visibility of your research and potentially lead to book deals with publishers who are interested in your work.

In any case, it’s important to research publishers and their submission guidelines, prepare a strong book proposal, and work closely with an editor to refine your manuscript. While there may not be a shortcut to publishing your PhD thesis as a book, taking these steps can help streamline the process and increase the likelihood of success.

How expensive is it to publish a PhD thesis as a book?

The cost of publishing a PhD thesis as a book can vary widely depending on several factors, such as the publisher, the length of the book, the number of copies printed, the type of printing, and the marketing budget.

If you decide to self-publish your book, you will need to cover all the costs associated with publishing, such as editing, formatting, cover design, printing, and marketing. However, the cost of self-publishing can vary widely, depending on the services you require and the quality of the work. For example if you self publish your book in the LAP Publishing platform the fee is minimal compared to other publishers. Which allows the option to publish a PhD to a wide variety of authors. 

If you go through a traditional academic publisher, there may be some upfront costs associated with the publishing process. For example, some publishers may require an author to pay for the cost of indexing or for any images used in the book. However, most academic publishers will cover the majority of the costs, including editing, formatting, printing, and marketing.

It’s important to note that while the cost of publishing a PhD thesis as a book can be significant, there are also potential financial benefits. For example, some publishers offer royalties on book sales, which can generate income for the author over time. Additionally, publishing a book can enhance an author’s reputation in their field and potentially lead to additional speaking engagements or consulting opportunities.

Overall, the cost of publishing a PhD thesis as a book can vary widely depending on the publishing route you choose, the services required, and the marketing budget. It’s important to carefully research publishers and their costs before making a decision.

Are you a researcher or an author struggling to get your thesis published? Look no further than Lambert Academic Publishing! We offer an easy and affordable publishing process that allows you to share your research with a global audience. With no publishing contract required and professional editing and formatting services included, publishing your thesis with us has never been easier. Plus, our worldwide distribution network ensures that your work will be seen by a wider audience. Don’t let your research go unnoticed – publish your thesis with Lambert Academic Publishing today and take the first step towards sharing your findings with the world!

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Turning Your Thesis Into A Book

Tips and tricks to rewrite for a different type of reader, from Teresa Pitt, a legendary former Senior Commissioning Editor and Publisher with MUP.

MUP occasionally publishes books that have begun their lives as theses and academic research projects.

Some recent examples include Susan Carland's Fighting Hislam, Glenn Morrison's Songlines and Faultlines and Rebe Taylor's Into the Heart of Tasmania .

But rewriting a thesis is not simply a matter of making revisions to existing text. Here are some tips and tricks to help turn your thesis into a book (or perhaps a manuscript you can submit to publishers –  including us ).

An original thesis should be regarded as the basis for an entirely new work, written with a new audience in mind. This new work will address intelligent general readers who seek to be provoked, engaged, intrigued and/or seduced into reading your book. General readers do not expect you to prove to them how thorough your research has been, or how many other texts you have consulted. They simply want to know what you have found out and what you think about it.

The most important tasks in rewriting a thesis are to:

Remove all academic scaffolding

In a thesis, the examiners expect you to explain what you are setting out to do, and how you are going to go about doing it, before you actually do it. Then, after you have done it, you are required to restate or summarise your methods, findings and conclusions.

In a book, these preliminaries and wrap-ups are superfluous. They get in the reader's way, become repetitive and obscure the impact of the real subject matter. They also take up valuable space. The Abstract and Introduction that are both essential in a thesis are not needed in a book. Neither are the usual chapter Introductions and Conclusions.

Ordinary readers want you to get straight to the point. Thus, anything that sounds like "In this chapter I will argue . . ." or "In this chapter I have shown . . ." should be deleted immediately.

Reorganise the material

When writing for the general reader, you should introduce the most arresting, intriguing, or unusual aspects of the work the heart of the matter immediately.

The background information and theoretical discussions should come later. As a rule of thumb, start from the particular, and work to the general, rather than the other way around. In journalism, the rule for any story is always to "grab the reader's attention" in the first paragraph – indeed, in the first sentence. It may seem strange to compare a serious academic work with a newspaper story or article, but in fact the best serious non-fiction writers follow a similar principle.

The most interesting, arresting or unusual parts of the story or argument should come first to attract the interest of the general reader, you can go back later to provide the necessary background and interpretation.

Refocus clearly on the heart of the story

You need to "pick the eyes" out of your thesis. That is, you must decide what the most interesting or important issues or themes are, and concentrate on these, ruthlessly discarding the more peripheral material. Background material for example, surveys of previous literature, historical background, discussions of earlier and current theories, arguments, methodology, etc. if retained at all, should be moved from the beginning to the ends of the book, or incorporated in a much-condensed form into the relevant sections of the main text.

Remember you are writing now for non-specialist readers. You must be aware both of what you want to tell them and of what is going to catch and retain their attention.

Reduce the scholarly apparatus

Most theses have a enormous number of footnotes and an exhaustive bibliography, all designed to impress your examiners with the breadth and depth of your research. Having successfully impressed them, you now need to cut or condense your notes ruthlessly, and to reduce your bibliography to a reasonable size. Keep only what will be genuinely useful to an ordinary reader.

Any discursive or explanatory notes should either be incorporated back into the text or deleted altogether. Notes should be restricted to sources only, and should be turned into endnotes rather than footnotes.

Rewriting and new writing will be necessary. Having sketched out a new structure and focus, you now have to start writing all over again to create a completely new work.

As you rewrite you must move firmly away from the usual impersonal, abstract academic style. This means hunting down and expunging instances of:· academic jargon (find a way of expressing the concept in plain English, especially the first time you introduce it):

• long, complex, convoluted sentences (no sentence should contain more than two ideas, which should be expressed as directly as possible)
• inordinately lengthy paragraphs (break your paragraphs up as much as possible and vary them between, say, three and twenty lines)
• abstract nouns (use concrete nouns wherever you can) the passive voice (don't say "Similar observations were made by Johnson and Smith"; say "Johnson and Smith made similar observations")
• the third person used for yourself (don't say "In the present writer's opinion"; say "I think").

You must learn to address your writing as directly as possible to an imagined non-specialist reader, using a natural, personal, and unpretentious voice and using plain English. Audience awareness the sense of a real, actual person to whom you are talking/writing is one of the most useful communication skills you can develop.

Try to imagine, as you write, that you are talking about your work to an intelligent, educated friend over the kitchen table or in the pub. Your friend is in another field altogether and knows little or nothing about your particular speciality, but is curious to know more about what you do. You would talk to this friend in quite a different way than you would write for your examiners. It is this friendly, straightforward, conversational style that you need to develop.

A number of academics who have become successful writers for a general audience have gained great benefit from joining a writing class in order to develop their writing skills, to enhance their audience awareness, and to unlearn the unfortunate writing habits instilled during their academic training. Courses in creative writing and non-fiction writing are widely available, and we recommend you give this option serious consideration.

Kevin Brophy's Explorations in Creative Writing would be an excellent place to start.

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Book series

Springer Theses

Recognizing Outstanding Ph.D. Research

About this book series

Aims and Scope  

The series “Springer Theses” brings together a selection of the very best Ph.D. theses from around the world and across the physical sciences. Nominated and endorsed by two recognized specialists, each published volume has been selected for its scientific excellence and the high impact of its contents for the pertinent field of research. For greater accessibility to non-specialists, the published versions include an extended introduction, as well as a foreword by the student’s supervisor explaining the special relevance of the work for the field. As a whole, the series will provide a valuable resource both for newcomers to the research fields described, and for other scientists seeking detailed background information on special questions. Finally, it provides an accredited documentation of the valuable contributions made by today’s younger generation of scientists.

Theses may be nominated for publication in this series by heads of department at internationally leading universities or institutes and should fulfill all of the following criteria  

• They must be written in good English.
• The topic should fall within the confines of Chemistry, Physics, Earth Sciences, Engineering and related interdisciplinary fields such as Materials, Nanoscience, Chemical Engineering, Complex Systems and Biophysics. 
• The work reported in the thesis must represent a significant scientific advance. 
• If the thesis includes previously published material, permission to reproduce this must be gained from the respective copyright holder (a maximum 30% of the thesis should be a verbatim reproduction from the author's previous publications).
• They must have been examined and passed during the 12 months prior to nomination. 
• Each thesis should include a foreword by the supervisor outlining the significance of its content.
• The theses should have a clearly defined structure including an introduction accessible to new PhD students and scientists not expert in the relevant field.

Book titles in this series

Enhanced microbial and chemical catalysis in bio-electrochemical systems.

• Xian-Wei Liu
• Copyright: 2025

Available Renditions

High Energy Efficiency Neural Network Processor with Combined Digital and Computing-in-Memory Architecture

• Jinshan Yue
• Copyright: 2024

Stability Assessment of Power Systems with Multiple Voltage Source Converters

Bifurcation-Theory-Based Methods

• Youhong Chen

Micromachined Mixed-Potential-Type YSZ-Based Sensors for Nitrogen Dioxide Monitoring in Automobile Exhaust

Event-Based PID Controllers with Fixed Threshold Sampling Strategies

• Oscar Miguel-Escrig

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Publishing from your thesis

Examples of publisher's policies, got invited to publish a book.

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Worried your open access thesis will compromise your article publishing? 

Some researchers may have been questioned or refused acceptance for self-plagiarism. Many publishers use plagiarism checkers like Turnitin on the initial submission and this will find postgraduate theses on Tuwhera.

Consider the following before you submit your articles:

• Check the publisher's policy on their website.
• Check publisher's policy -  this document  lists some key publishers' statements regarding pre-publication and open access theses.
• Whether you are writing a book or an article from your thesis, make sure you have rewritten your research substantially.
• Negotiate an agreement with your publisher to ensure that you are able to use your research in your thesis for your article or book.
• Make sure that you have gained permissions for using any 3rd party copyright materials in your publications.
• Turning your PhD into a successful book Taylor and Francis
• Converting your PhD Thesis into a Book in Five Steps Elsevier Author Services

Some postgraduates may be contacted by "Print on Demand" (POD) publishers offering to publish their research as a book. POD publishers publish theses in a PDF format with an ISBN number. Theses are then listed on Amazon and other bookseller sites. A hard copy is printed when someone makes a request. Typically such emails come from a publisher called VDM (Verlag Dr. Mueller) or any publishing units associated with LAP (Lambert Academic Publishing).

While you own the copyright in your work and are therefore free to decide what to do with it, we advise that you consider these points before proceeding:

• Unlike traditional publishing, the works are not vetted, peer reviewed or professionally edited.
• Your research is already available on Tuwhera, without cost or restriction, for other researchers and students around the world to read.
• You may be asked to sign away the copyright in your own work. Look at the terms and conditions very carefully and consider seeking legal advice before signing.
• Publishing in this way is very likely to harm your chances of publishing your research with a traditional and often more reputable publisher.

In addition to requesting a copy of their author-publisher agreement, here are some things you should try to ascertain before making a decision:

• What is the quality of the printed books (jackets, binding, etc)?
• What is the royalty share you will receive? With POD, as with vanity publishing, you have very little certainty as to the number of books that will be sold.
• What will the publisher do to market/promote your work?
• Will people be able to obtain your thesis only through this publisher from now on? Will they require that your thesis be removed from Tuwhera ?

Vanity Press

The difference between predatory publishers and vanity press. "Predatory publishers claim to have a working peer review, but actually it’s either not present or it’s substantially flawed. Vanity press, on the other hand, never claim to have a peer review process – therefore they are usually perfectly legal businesses." From Bealll's List . Be careful about sending your work to these publishers.

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Revising your thesis into a book

Springer will consider submissions containing material that has previously formed part of a PhD or other academic thesis including those that have been made publicly available according to the requirements of the institution awarding the qualification.

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Thesis Publication

Thesis publication is often considered essential if you wish to expand your career in academia or a related profession. Publishing your thesis/dissertation as a book monograph can be used as a building block to an academic career, to influence your discipline and expand your knowledge of the field. As a thesis, your work had a very small readership, but when you get published online it should attract a much larger readership.

We publish academic thesis/dissertation as a thesis monograph with ISBN and DOI through our AIJR Thesis series which will get deposited in the CrossRef thesis database. All submitted manuscripts will be internally reviewed and the author should expect a number of modifications as per the editor’s instruction.

How to Submit?

Who can submit.

All students whose thesis has already been approved from their institution and a degree has already been awarded based on that thesis can submit their thesis to publish in book form as a thesis monograph. The supervisor can also submit their student’s thesis on behalf of the student by providing the required document and student’s contact information.

Can the supervisor act as a co-author?

No, we publish the academic thesis as a standard ‘Thesis Monograph’, where only a single student can be the author. Supervisors can be included and acknowledged in the inner pages as per thesis standard but can not be a co-author of the thesis monograph.

Thesis Publication Fee

If approved by the editor, the author will require to pay a non-refundable publishing fee of $100 (or Rs. 5000/+GST for Indian students).

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Our common goal is the publication of your book. Before your book is published, there are numerous internal steps in the publishing process.

To ensure timely publication, these steps should be planned and scheduled in good time, so don't be surprised if your editor contacts you during the writing process! Don’t worry, your editor just wants to make sure that the company can plan its internal resources for your book.

Below you can explore these steps, along with some helpful tools and tips to aid you in writing your manuscript.

How to prepare your manuscript

With these clear manuscript guidelines and easy-to-follow checklists, submitting your finished work couldn’t be easier.

Once you've submitted your final manuscript, our team of experts will work on the formatting and typesetting. They will transform your work into a print book, an eBook, or our own digital format, MyCopy.  Learn more about MyCopy .

Writing your manuscript in your native language

You want to publish with Springer Nature in English or German, but you have written your manuscript in another language? Or you prefer writing your current manuscript in your mother tongue?

Your English or German language skills are fine but you lack the time or funding for a translation?

Springer Nature offers a free  auto-translation service . 

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At Springer Nature, we’re committed to Accessibility and we want to help you make your research accessible too. Many factors regarding accessibility are handled by Springer Nature, but we request you to take some actions as well to help make your research accessible.

Alternative Text When preparing your manuscript, it is recommended that you write alternative texts (also known as alt texts) for all figures, illustrations and for tables, which you include in an image format.

• Alternative text is a brief and objective description of the content of an image and/or of the purpose it serves in a digital format. Alt text is crucial for individuals using screen reader technology, as well as for those trying to comprehend the content of an image in case it doesn't load..
• Alt text is not the same as a caption, which typically provides information that is not already in the visual element itself.
• For more tips on how to write good alt text, please visit the Poet Tool .

Requirements for Figures When differentiating elements in charts and graphs, do not just change the color, also change shapes and patterns, or provide other visual differentiation like direct segment labels.

How to Include Alternative Texts in the Manuscript Alternative texts should not be included in the body text to avoid any possibility of confusion with the captions or with the main text. Please include a separate table per chapter in which you make the assignment of figures and the alternative texts clearly. 

Multimedia enhancements

Springer Nature offers a number of multimedia tools that you can add to your book:

Video & audio: Integrate video and audio files into your book to convey specific content in its most suitable form. Both media types can either be streamed online from our electronic book versions or accessed by your readers via the SN More Media app for mobile devices. Learn more about video and audio .

Digital flashcards:  Create digital flashcards for your readers, which can be accessed by your readers via a web and mobile micro-learning app. This way your readers can learn and test their comprehension and better perform on exams.  Learn more about digital flashcards .  

Programming code: Programming code can easily be accessed from your book product page if you use one of our GitHub repositories.

Supplemental files:  It is possible to attach supplemental electronic files (like PDFs, Excel sheets, etc.) to individual chapters of your book. 

Lecturer material:  If you want to provide additional material only available to lecturers (like PowerPoint presentations or solution manuals), you can use our restricted lecturer material service.

ORCID - your personal identifier

Make sure to use your unique, personal, persistent identifier (an iD) that distinguishes you from every other researcher. ORCID also enables organizations to link to your affiliations and works – including your publications - to your iD, ensuring you receive proper credit for your work.  Learn more about ORCID .

Which templates/macros should I use?

To help you in structuring your manuscript you will have access to Word and LaTeX templates for books, as well as for contributed books. See our manuscript guidelines .  

Once it is well structured, the production teams will work on your manuscript to be in proper Springer Nature style.

How to improve search engine optimisation (SEO)

Interesting fact: Over two thirds of our website visitors come from search engines. This shows how critical search engine optimization (SEO) is!

To make sure your book's homepage and content appears at the top of the results list of an appropriate keyword search, Springer Nature constantly lay emphasis on the further optimisation of our product pages.

Check out some  SEO tips for book authors      

How to revise your thesis into a book

Springer Nature will consider submissions containing material that has previously formed part of a PhD or other academic thesis. 

This includes those that have been made publicly available according to the requirements of the institution awarding the qualification. Theses should be nominated for publication by heads of department at internationally leading institutions.

Prospective authors should bear in mind that every PhD thesis will need to undergo rigorous revision in order to be published as a monograph with our press. To help with this revision, our editors have put together the following advice:

How do you go about planning the revisions, and when should you start?

Be aware that transforming your dissertation into a publishable book is a complex process that will take time and require some careful planning. Most authors take at least a year to complete a PhD-based book; however, this timeline may be extended if the book requires fresh data and new research. 

You should only start working on your book proposal after you’ve submitted your thesis, defended it successfully, and completed your PhD program. This will allow you to look at the thesis with a fresh eye and to take into account any helpful feedback from your examiners as you develop your proposal.

Consider all the available formats. Depending on the subject and breadth of the topic, some proposals may develop into a full-length authored book (approximately 90,000 words), whilst for others a shorter format like Palgrave Pivot (25,000 to 50,000 words) may be suitable – for example a single-case or single-country study once they have been extracted out of any redundant or unnecessary content.

What’s the difference between the PhD Thesis and an Authored Book?

• Audience:   While a PhD thesis is meant to be read and scrutinized by your supervisors and examiners, the readership of your book will extend to the broader academic community, scholars and practitioners, who may not be specialized in or even familiar with your research topic.
• Rationale: The motivation behind writing your book will need to be rethought to reflect the expectations of your new audience and should be clearly explained in the introduction. The objective is not to convince your examiners that you have what it takes to complete a PhD, but to make sure the book is coherent and your conclusions are persuasive. 
• Structure:  Your introductory chapter should also offer readers a concise ‘preview’ of the various chapters. The conclusion should summarize your key findings and identify avenues for further research. Look over the table of contents in books which you would consider as related literature or competitors. How does their structure differ from the structure of your thesis? You should simplify and optimize your table of contents to present the material in a logical and accessible fashion.
• Length:  Monographs are typically much shorter than PhD theses. Separate chapters about the review of literature and research methodologies may be essential in a thesis, but will not be necessary in a book, as readers and experts in your field will be familiar already with both. References to the relevant literature can be moved to the endnotes of individual chapters, and what is not pertinent to advancing your own arguments can be removed. The methodology chapter should be reduced and merged with the introduction or omitted altogether.

Learn more about publishing German theses .

Tips for writing your textbook

• Prerequisite knowledge: What topics or concepts should readers already be familiar with? Do you need to review these or provide further explanation?
• Self-contained: Students typically want a one-stop resource so you should try to ensure that as much of the information that student needs is presented in your textbook.
• Modular chapters: Students will likely dip in and out of the textbook rather than read it linearly from start to finish so try to make chapters self-contained where possible, so they can be understood out of context of the rest of the textbook.
• Succinct and to the point: Keep focused on the course that the textbook is supporting and the topics that need to be covered. Avoid including less relevant topics, very advanced topics, explanations of concepts that students should already understand, and any other content that may not actually be useful to the student.
• Didactic elements: Elements such as exercises, case studies, definitions and so on help break up the main chapter text and make it more engaging. Consider what didactic elements you want to include before you start writing so you can ensure that the main chapter text provides the right information to support the didactic element e.g. that a concept is adequately explained in order to answer an exercise question, or that theory is suitably described before a corresponding case study is given
• Writing style: Textbooks can have a lighter, more conversational writing style than monographs and references works. Try to use active rather than passive sentences e.g. “It is believed by some physicians that…” becomes “Some physicians believe that…”
• Online resources: If you have exercises, consider writing a solutions manual for instructors so they don’t have to work out all the solutions themselves. Are there data sets, spreadsheets, programs, etc., that would be useful for students to access so they can test concepts themselves? The same copyright issues apply for online resources as for the print book – see Obtaining Permissions for further information
• Write a helpful Introduction: Explain who the textbook is for and how it should be used. Confirm the level of the students (e.g. 3rd year undergraduates). Confirm the course that the textbook supports. List any prerequisites or assumptions you have made about the student’s background knowledge. Explain how the textbook could be used. If applicable, identify core must-read chapters and chapters that are more advanced or optional; provide short summaries of the chapters (just a sentence or two)
• Test your material as you write: Use your draft chapters as part of your lecture course and see how students respond to it. Do they understand the concepts you are explaining? Are they able to complete any exercises?

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Scholarly Communications

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Things to Consider

Publishing your thesis as a book can be an alternative or an accompaniment to publishing an article in a journal. If you are considering publishing your thesis as a book or monograph, here are some things to consider: 

• You will first need to edit or restructure your thesis to make it suitable for publication. When adapting your thesis for publication, consider the expectations of publishers and your potential audience. 
• Your book should be published by a commercial or academic publisher, rather than a print-on-demand or vanity press. For help finding an appropriate publisher in your subject area, consider consulting your supervisor or a librarian. Self-publishing is not considered reputable for academic careers. 
• You will need to submit a book proposal to potential publishers. For more information on this, consult the Book Proposals tab. 
• Most publishers do not consider a thesis to be prior publication. Consult with the publisher for their policies on this. 

Selected Video Resources

• “From Dissertation to Book: Navigating the Publication Process” A panel talk of academic publishing experts hosted by UC Berkeley.
• “How to Turn Your Dissertation Into a Book” A panel talk of publishing professionals hosted by Yale University.
• “The Monograph Publishing Process” A short video from Cambridge University.
• “From Thesis to Monograph” A short video from Cambridge University.

Selected Library Resources

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Shanlax is a book publish company. We are doing book publish as well as journal publish. Our Anna university thesis format work appreaciated by many scholars.

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Shanlax, the name itself unique and also its service, customer care, comfort and satisfaction. Since the year 1990, Shanlax as a book publishing company offers book publications and book printing services and its allied services to their customers, both offline and online.

Customers always searching online for publishing house especially book publishers near me keywords. Now-a-days lot of online publishing companies available for academic book publications. But it is very difficult to find best book publishing house and best book publishers. To find the best one, you have to check the traditional publishing companies and also academic publishers to meet your requirements. Shanlax Publications agreement with international book publishers and publishes books with international scope.

We introduce ourselves as the academic publishers by publishing scholarly books, National and International conferences volume, textbooks and general books in various fields. Shanlax Publications is a suitable platform to share your knowledge child and show cast it to the world.

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The Best Nonfiction Books of 2024, So Far

Here’s what memoirs, histories, and essay collections we’re indulging in this spring.

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy.

Truth-swallowing can too often taste of forced medicine. Where the most successful nonfiction triumphs is in its ability to instruct, encourage, and demand without spoon-feeding. Getting to read and reward this year’s best nonfiction, then, is as much a treat as a lesson. I can’t pretend to be as intelligent, empathetic, self-knowledgeable, or even as well-read as many of the authors on this list. But appreciating the results of their labors is a more-than-sufficient consolation.

Filterworld: How Algorithms Flattened Culture by Kyle Chayka

There’s a lot to ponder in the latest project from New Yorker writer Kyle Chayka, who elegantly argues that algorithms have eroded—if not erased—the essential development of personal taste. As Chayka puts forth in Filterworld , the age of flawed-but-fulfilling human cultural curation has given way to the sanitization of Spotify’s so-called “Discover” playlists, or of Netflix’s Emily in Paris, or of subway tile and shiplap . There’s perhaps an old-school sanctimony to this criticism that some readers might chafe against. But there’s also a very real and alarming truth to Chayka’s insights, assembled alongside interviews and examples that span decades, mediums, and genres under the giant umbrella we call “culture.” Filterworld is the kind of book worth wrestling with, critiquing, and absorbing deeply—the antithesis of mindless consumption.

American Girls: One Woman's Journey Into the Islamic State and Her Sister's Fight to Bring Her Home by Jessica Roy

In 2019, former ELLE digital director Jessica Roy published a story about the Sally sisters , two American women who grew up in the same Jehovah’s Witness family and married a pair of brothers—but only one of those sisters ended up in Syria, her husband fighting on behalf of ISIS. American Girls , Roy’s nonfiction debut, expands upon that story of sibling love, sibling rivalry, abuse and extremism, adding reams of reporting to create a riveting tale that treats its subjects with true empathy while never flinching from the reality of their choices.

Leonor: The Story of a Lost Childhood by Paula Delgado-Kling

In this small but gutting work of memoir-meets-biography, Colombian journalist Paula Delgado-King chronicles two lives that intersect in violence: hers, and that of Leonor, a Colombian child solider who was beckoned into the guerilla Revolutionary Armed Forces of Colombia (FARC) only to endure years of death and abuse. Over the course of 19 years, Delgago-King followed Leonor through her recruitment into FARC; her sexual slavery to a man decades her senior; her eventual escape; and her rehabilitation. The author’s resulting account is visceral, a clear-eyed account of the utterly human impact wrought by war.

Madness: Race and Insanity in a Jim Crow Asylum by Antonia Hylton

A meticulous work of research and commitment, Antonia Hylton’s Madness takes readers deep inside the nearly century-old history of Maryland’s Crownsville State Hospital, one of the only segregated mental asylums with records—and a campus—that remain to this day. Featuring interviews with both former Crownsville staff and family members of those who lived there, Madness is a radically complex work of historical study, etching the intersections of race, mental health, criminal justice, public health, memory, and the essential quest for human dignity.

Come Together: The Science (and Art!) of Creating Lasting Sexual Connections by Emily Nagoski

Out January 30.

Emily Nagoski’s bestselling Come As You Are opened up a generations-wide conversation about women and their relationship with sex: why some love it, why some hate it, and why it can feel so impossible to find help or answers in either camp. In Come Together , Nagoski returns to the subject with a renewed focus on pleasure—and why it is ultimately so much more pivotal for long-term sexual relationships than spontaneity or frequency. This is not only an accessible, gentle-hearted guide to a still-taboo topic; it’s a fascinating exploration of how our most intimate connections can not just endure but thrive.

Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis by Jonathan Blitzer

A remarkable volume—its 500-page length itself underscoring the author’s commitment to the complexity of the problem—Jonathan Blitzer’s Everyone Who Is Gone Is Here tracks the history of the migrant crisis at the U.S.-Mexico border through the intimate accounts of those who’ve lived it. In painstaking detail, Blitzer compiles the history of the U.S.’s involvement in Central America, and illustrates how foreign and immigration policies have irrevocably altered human lives—as well as tying them to one another. “Immigrants have a way of changing two places at once: their new homes and their old ones,” Blitzer writes. “Rather than cleaving apart the worlds of the U.S., El Salvador, Guatemala, and Honduras, the Americans were irrevocably binding them together.”

How to Live Free in a Dangerous World: A Decolonial Memoir by Shayla Lawson

Out February 6.

“I used to say taking a trip was just a coping mechanism,” writes Shayla Lawson in their travel-memoir-in-essays How to Live Free in a Dangerous World . “I know better now; it’s my way of mapping the Earth, so I know there’s something to come back to.” In stream-of-consciousness prose, the This Is Major author guides the reader through an enthralling journey across Zimbabwe, Japan, the Netherlands, France, Spain, Italy, Mexico, Bermuda, and beyond, using each location as the touchstone for their essays exploring how (and why) race, gender, grief, sexuality, beauty, and autonomy impact their experience of a land and its people. There’s a real courage and generosity to Lawson’s work; readers will find much here to embolden their own self-exploration.

Get the Picture: A Mind-Bending Journey Among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See by Bianca Bosker

There’s no end to the arguments for “why art matters,” but in our era of ephemeral imagery and mass-produced decor, there is enormous wisdom to be gleaned from Get the Picture , Bianca Bosker’s insider account of art-world infatuation. In this new work of nonfiction, readers have the pleasure of following the Cork Dork author as she embeds herself amongst the gallerists, collectors, painters, critics, and performers who fill today’s contemporary scene. There, they teach her (and us) what makes art art— and why that question’s worth asking in an increasingly fractured world.

Alphabetical Diaries by Sheila Heti

A profoundly unusual, experimental, yet engrossing work of not-quite-memoir, Sheila Heti’s Alphabetical Diaries is exactly what its title promises: The book comprises a decade of the author’s personal diaries, the sentences copied and pasted into alphabetical order. Each chapter begins with a new letter, all the accumulated sentences starting with “A”, then “B,” and so forth. The resulting effect is all but certain to repel some readers who crave a more linear storyline, but for those who can understand her ambition beyond the form, settling into the rhythm of Heti’s poetic observations gives way to a rich narrative reward.

Slow Noodles: A Cambodian Memoir of Love, Loss, and Family Recipes by Chantha Nguon

Out February 20.

“Even now, I can taste my own history,” writes Chantha Nguon in her gorgeous Slow Noodles . “One occupying force tried to erase it all.” In this deeply personal memoir, Nguon guides us through her life as a Cambodian refugee from the Khmer Rouge; her escapes to Vietnam and Thailand; the loss of all those she loved and held dear; and the foods that kept her heritage—and her story—ultimately intact. Interwoven with recipes and lists of ingredients, Nguon’s heart-rending writing reinforces the joy and agony of her core thesis: “The past never goes away.”

Splinters: Another Kind of Love Story by Leslie Jamison

The first time I stumbled upon a Leslie Jamison essay on (the platform formerly known as) Twitter, I was transfixed; I stayed in bed late into the morning as I clicked through her work, swallowing paragraphs like Skittles. But, of course, Jamison’s work is so much more satisfying than candy, and her new memoir, Splinters , is Jamison operating at the height of her talents. A tale of Jamison’s early motherhood and the end of her marriage, the book is unshrinking, nuanced, radiant, and so wondrously honest—a referendum on the splintered identities that complicate and comprise the artist, the wife, the mother, the woman.

The Great Wave: The Era of Radical Disruption and the Rise of the Outsider by Michiko Kakutani

The former chief book critic of the New York Times , Michiko Kakutani is not only an invaluable literary denizen, but also a brilliant observer of how politics and culture disrupt the mechanics of power and influence. In The Great Wave , she turns our attention toward global instability as epitomized by figures such as Donald Trump and watershed moments such as the creation of AI. In the midst of these numerous case studies, she argues for how our deeply interconnected world might better weather the competing crises that threaten to submerge us, should we not choose to better understand them.

Supercommunicators: How to Unlock the Secret Language of Connection by Charles Duhigg

From the author of the now-ubiquitous The Power of Habit arrives Supercommunicators , a head-first study of the tools that make conversations actually work . Charles Duhigg makes the case that every chat is really about one of three inquiries (“What’s this about?” “How do we feel?” or “Who are we?”) and knowing one from another is the key to real connection. Executives and professional-speaker types are sure to glom on to this sort of work, but my hope is that other, less business-oriented motives might be satisfied by the logic this volume imbues.

Whiskey Tender by Deborah Jackson Taffa

Out February 27.

“Tell me your favorite childhood memory, and I’ll tell you who you are,” or so writes Deborah Jackson Taffa in Whiskey Tender , her memoir of assimilation and separation as a mixed-tribe Native woman raised in the shadow of a specific portrait of the American Dream. As a descendant of the Quechan (Yuma) Nation and Laguna Pueblo tribe, Taffa illustrates her childhood in New Mexico while threading through the histories of her parents and grandparents, themselves forever altered by Indian boarding schools, government relocation, prison systems, and the “erasure of [our] own people.” Taffa’s is a story of immense and reverent heart, told with precise and pure skill.

Grief Is for People by Sloane Crosley

With its chapters organized by their position in the infamous five stages of grief, Sloane Crosley’s Grief is For People is at times bracingly funny, then abruptly sober. The effect is less like whiplash than recognition; anyone who has lost or grieved understands the way these emotions crash into each other without warning. Crosley makes excellent use of this reality in Grief is For People , as she weaves between two wrenching losses in her own life: the death of her dear friend Russell Perreault, and the robbery of her apartment. Crosley’s resulting story—short but powerful—is as difficult and precious and singular as grief itself.

American Negra by Natasha S. Alford

In American Negra , theGrio and CNN journalist Natasha S. Alford turns toward her own story, tracing the contours of her childhood in Syracuse, New York, as she came to understand the ways her Afro-Latino background built her—and set her apart. As the memoir follows Alford’s coming-of-age from Syracuse to Harvard University, then abroad and, later, across the U.S., the author highlights how she learned to embrace the cornerstones of intersectionality, in spite of her country’s many efforts to encourage the opposite.

The House of Hidden Meanings by RuPaul

Out March 5.

A raw and assured account by one of the most famous queer icons of our era, RuPaul’s memoir, The House of Hidden Meanings , promises readers arms-wide-open access to the drag queen before Drag Race . Detailing his childhood in California, his come-up in the drag scene, his own intimate love story, and his quest for living proudly in the face of unceasing condemnation, The House of Hidden Meanings is easily one of the most intriguing celebrity projects of the year.

Here After by Amy Lin

Here After reads like poetry: Its tiny, mere-sentences-long chapters only serve to strengthen its elegiac, ferocious impact. I was sobbing within minutes of opening this book. But I implore readers not to avoid the heavy subject matter; they will find in Amy Lin’s memoir such a profound and complex gift: the truth of her devotion to her husband, Kurtis, and the reality of her pain when he died suddenly, with neither platitudes nor hyperbole. This book is a little wonder—a clear, utterly courageous act of love.

Thunder Song by Sasha taqʷšəblu LaPointe

Red Paint author and poet Sasha taqʷšəblu LaPointe returns this spring with a rhythmic memoir-in-essays called Thunder Song , following the beats of her upbringing as a queer Coast Salish woman entrenched in communities—the punk and music scenes, in particular—that did not always reflect or respect her. Blending beautiful family history with her own personal memories, LaPointe’s writing is a ballad against amnesia, and a call to action for healing, for decolonization, for hope.

Lessons for Survival: Mothering Against "The Apocalypse" by Emily Raboteau

Out March 12.

In Emily Raboteau’s Lessons For Survival , the author (and novelist, essayist, professor, and street photographer) tells us her framework for the book is modeled loosely after one of her mother’s quilts: “pieced together out of love by a parent who wants her children to inherit a world where life is sustainable.” The essays that follow are meditations and reports on motherhood in the midst of compounding crises, whether climate change or war or racism or mental health. Through stories and photographs drawn from her own life and her studies abroad, Raboteau grounds the audience in the beauty—and resilience—of nature.

What to Read in 2024

Yael van der Wouden on The Safekeep

How to Read the 'Bridgerton' Books in Order

Shelf Life: R.O. Kwon

Remembering Bendel’s Legendary Morning Lineup

My Anxiety Had Something to Teach Me

The Best Sci-Fi and Fantasy Reads of 2024

Shelf Life: Miranda July

Kaliane Bradley on The Ministry of Time

Read an Excerpt from 'The Midnight Feast'

Shelf Life: Claire Messud

Honor Levy Says ‘Goodnight Meme’