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Eric Whitney (born April 15, 1991), professionally known as Ghostemane or alternatively as Baader-Meinhof, Swearr, Limsa Lominsa or GASM, is an American rapper, singer, and songwriter. Originally growing up in Florida, Ghostemane started out playing in local hardcore punk and doom metal bands. He moved to Los Angeles, California after starting his career as a rapper. Ghostemane's merging of rap and metal gained him popularity on SoundCloud. In 2018, Ghostemane released his seventh studio album, N/O/I/S/E, which was highly anticipated in the underground music scene due to its heavy influence from industrial and nu metal groups. more »

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Written by: ERIC WHITNEY

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Acrylic Ghostemane Lyrics

Ghostemane's song "Acrylic" dives deep into the rapper's complex emotions as he grapples with depression and the meaning of life. The opening lines express this despair as he wakes up, seemingly disappointed that he is still alive and unable to escape his thoughts. He questions why he couldn't have died in his sleep and contemplates the possibility of an afterlife. He then reflects on the danger of his words, acknowledging that his actions may have brought upon his own death.

The next lines reveal Ghostemane's struggle with his mental health, as he admits to finding solace in algorithms in his search for love and peace of mind. His use of drugs is also mentioned as a means of coping with his pain. The repeated line "And these acrylics keep breaking and breaking" is a metaphor for his facade of strength and stability, which is slowly crumbling under the weight of his emotions.

The final verse is a contemplation on suicide and the consequences of his death. He questions whether anyone would truly miss him and concludes that his absence would not be felt. These lyrics highlight the rapper's feelings of insignificance and the bleak outlook on life that often comes with depression.

Overall, "Acrylic" is a raw and honest portrayal of the internal struggles that Ghostemane faces daily. The lyrics exhibit his vulnerability and give listeners a glimpse into the complexities of mental health.

I guess I’m awake Realizing and accepting the reality of the situation

Fuck Expression of frustration and anger

Why me? Questioning why the situation is happening to oneself

Couldn’t he just take me in my sleep? Wishing for an easier way out of the situation

I guess he doesn’t exist Questioning the existence of God or any higher power

After all I should be dead for what I’ve said Feeling guilty about past actions or words that could have resulted in negative consequences

I been looking for love In algorithms Tryin' to find My piece of mind I been playing with drugs Since I lost my gun And these acrylics keep breaking and breaking (and...) Feeling lost and searching for fulfillment through technology and substances while recognizing the temporary nature of these solutions

You’re still the rose below my shin Expressing feelings of love towards someone special

And everyday I fight to not Ask how you been Struggling with the urge to reach out to someone who may not be good for one's well-being

I’ve been wasted not thinking 'bout what’s next Cuz you know when movies end No one reads the creds Living in the moment and not worrying about the future because life can be unpredictable and end without closure

I’m switching to a new diet Heavy on lead Open up my lips Let the end begin Taking drastic measures and potentially harmful actions as a form of self-destruction

I wonder would you care If I wasn’t here I wonder would you care I wonder who would care If I shoot and miss I know you’ll never miss me If I shoot and miss I know you’ll never miss me (again...) Questioning whether anyone would truly care if they were gone while struggling with suicidal thoughts

  • Translation

Cannibalism and the meaning of flesh

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"Acrylic" lyrics

  • Ghostemane Lyrics

Ghostemane - Opium EP cover

Ghostemane Tabs

How Ghostemane is changing the fabric of heavy music

Ghostemane’s pitch-black eighth album ANTI-ICON was a product of the most turbulent time in his life, yet he insists it is the ultimate cathartic realisation of his twisted vision. Kerrang! heads to Prague to find out why it’s taken an immersion in deepest darkness to rediscover the light...

How Ghostemane is changing the fabric of heavy music

E ric Whitney isn’t often an artist with the spare seconds to step back and take stock. Over the last half-decade, the prolific “trap-metal” trailblazer has pulled himself by his bootstraps from subterranean obscurity to genre-straddling ubiquity off the back of an improbable body of work that comprises eight ‘studio’ albums, 10 EPs, and countless features and collaborations under four different personas, all while relentlessly touring the world and capturing the imaginations of a new breed of heavy music fans. Oh, and he fills any spare time broadening an impressive knowledge on the ancient arts of mysticism, hermeticism and the occult.

“If you’re skipping from interview to interview,” he flashes a knowing grin, “that stuff can get kinda muddy. I have a lot of different passions, and I tend to dive into them super-deep.”

On a sweltering afternoon in Prague, he finds a rare moment to reflect.

ghostemane acrylic

Eric is very much in Ghostemane mode today, reclining in the shade of a deserted hotel lobby bar. The vodka orange on our table, presented by an overly-attentive concierge, contrasts sharply with the monochrome figure sitting across it. He regards K! with pointed interest, noting that this is one of his first (and only) “real” interviews. With black hair on pale skin, piercing blue eyes and a webbed sweater the colour of midnight pulled over his wiry, tattooed frame, he could seem downright vampiric.

That is, if he weren’t so full of life.

“I sometimes need to pinch myself and come back to reality,” he says, with an accent far softer than the croaky Southern drawl we know from on record. The Krkonoše mountain range sits in the distance; Eric reveals he rarely travelled before his life in music, and hadn’t witnessed such a geographical sight until he was 25. Being here, then, is not being taken for granted. “When I began the Ghostemane project, I just wanted to be able to pay my bills and travel. Now that’s escalated exponentially to the point where I need to be here. It feels like my career coming full-circle.”

Nor, however, is today being treated like a holiday. That “need” is driven by looming LP ANTI-ICON . Teased by a bizarre clip of an orgy in a morgue on February 18 and confirmed by another of Eric burning a hearse in the desert on 23 July, the record is finally scheduled for October 21. Its themes – to which we will come – are deep and tangled, but its aesthetic is immediate and grotesque. Aside from the aforementioned clips, one widely-seen photo of Ghoste sees him looking like a corpse, adorned with pointed chrome grills, black lipstick and one milky contact lens.

Under normal circumstances, expanding that nightmarish vision would’ve entailed hooking up with Hollywood contacts only a short cab ride from Eric’s Los Angeles home. With the American film industry still mothballed thanks to COVID-19, however, a plan was hatched to undertake the 6,000-mile jaunt to the Czech Republic, where a no-nonsense anti-viral response has allowed them to return to some degree of normalcy.

ghostemane acrylic

The necessary production specialists, make-up artists, dancers and effects experts are on stand-by, he enthuses, to enact the “elevated” music video plans worked out for upcoming singles Hydrochloride and Lazaretto.

This potent evolution of aesthetic, Eric explains, is a reflection of his increasingly fucked-up sound, but even more so a rebellion against the scene that spawned him. The SoundCloud rap set, like so many others, has become streetwear-obsessed, with coveted brands like Supreme a sign of real credibility. “To me, it was always so oxymoronic and hypocritical,” he rails. “You come from this culture that’s supposed to say, ‘Fuck the establishment’ – idealistically, it’s the new punk – but then you’re sporting these brands that become things kids are made fun of for when they don’t have them. I’m not going to have a logo on me. I’m going high fashion. I don’t want to look like anybody else.”

So, is that what it means to be an ANTI-ICON?

“I feel like ‘icon’ is one of those terms that just gets thrown around in the internet age,” he replies. “There are no prerequisites anymore. To me, an icon is someone like Alice Cooper , Marilyn Manson or RuPaul. They’re people you’ll recognise from 10 miles away. You know what they look like. You know their voice. You could make an action figure out of them. Nowadays, it feels like the label is thrown on every random YouTuber, TikToker and internet personality.

“If that’s an icon, it’s not what I want to be.”

ghostemane acrylic

T his Ghoste story begins, properly, in Lake Worth, Florida: a small town in the Sunshine State’s suburban sprawl, about eight miles south of Palm Beach and 65 north of Miami. Eric’s memories of the place are still darkened by the long shadow of his father.

A phlebotomist who relocated from New York just before Eric was born, Whitney Snr. was injured in a car crash when his son was four years old and thereafter bound to his couch and cane for much of Eric’s youth. Frustrated, perhaps, by his own predicament (and a resultant opioid dependency), he became a controlling force in Eric’s life. The singer’s memories are understandably complicated, but he recalls this “tyrannical, helicopter parent” presence: a “big scary guy with massive hands, jabbing his fingers into my chest and telling me what to do” with incredible vividity.

Growing up in the town’s lower middle-class, Eric’s youth was unremarkable almost by design. Alternative interests were discouraged. The machismo of American football was forced down his throat. Any effort to dress up or act out was swiftly suppressed.

“I was very introverted,” Eric recalls, “very secluded and really didn’t have any friends. I was that kid in school who didn’t have the cool brands. By the time I reached my teenage years, there was this overwhelming urge to be anything that I’m not; to do anything but this; to go anywhere but here; to be around anyone but him .”

“It’s a lot more personal… I’m trying to come to terms with the type of person I am”

His father’s passing, when Eric was 17 years old, triggered an emotional landslide. “It was like shaking up a bottle of soda and opening the cap,” he shares. “I lost my mind.”

Life, however, has a way of dragging you back inside the box. Although earning a hefty annual salary at a business-to-business sales job he’d stumbled into after high school, the claustrophobic office cubicle did not represent the life of which he’d dreamed.

Hardcore punk was his first escape. Playing guitar in HXC outfit Nemesis and drums for sludge-metal collective Seven Serpents forged multi-instrumental skills and friendships that are still integral to his career today. He smiles. “It felt like a home to me.”

Interests in spirituality and Buddhism opened his mind, but it was the discovery of early 20th century Hermetic text The Kybalion (Eric half-subconsciously flicks back his hair to reveal the tattoo of its title across his forehead) that nudged him down a horizon-pushing rabbit hole.

“Although they’re religions, they’re really science-based,” Eric explains. “To me, astrophysics is the ultimate spirituality. If nothing else, it proves that we aren’t at the centre of the universe and there definitely is this bigger thing out there. It was my way of escaping into another realm.”

ghostemane acrylic

Getting best friend at the time – and Nemesis frontman – Sam Ogonuwe a job at his company could’ve been disastrous for Eric’s fledgling sales career. In the end, the pair’s endless “dicking around” kick-started another in rap.

Aside from a copy of Dr. Dre’s 1992 masterpiece The Chronic gifted by his father, Eric’s hip-hop exposure had to this point been non-existent. Sam’s collection of “golden age” records were revelatory. The loose-tongued creativity of acts like De La Soul, Hieroglyphics and Outkast captivated him. It was the discovery of the darker rhymes from Memphis overlords Three 6 Mafia and Miami’s Raider Klan (RVIDXR CLVN), however, with which he truly connected.

“I became obsessed,” Eric remembers. “Something I had to come to terms with is that darkness and heaviness I identify with isn’t necessarily synonymous with loudness. It’s a mood.”

Although metal and hardcore offered the energy and catharsis he craved, it was rap that offered unlimited, monomaniacal creative potential. “In a band,” he reasons, “you’re clashing with other people, trying to get your ideas across. In rap, everything is my idea. What I do is what I want to do. What I produce is what I produce. I had full and total control.”

The short-lived iLL BiZ persona (one which Eric recalls with the faintest cringe) offered a way in. The 2014 birth of Ghostemane and 2015 relocation seeking the more receptive Californian scene were the real turning points, however.

So what exactly gave him the push?

“Psychedelics were a huge part of it,” Eric replies with playful honesty. The track Ghostemane (a brooding, cosmic affair, far less rigidly defined than what had come before) saw chemical experimentation manifest musically. “It smacked me in the face: the realisation that this is what I really am. I could go down that road and just let loose.”

ghostemane acrylic

U nlike so many lost souls in the City Of Angels, Eric hit the ground running.

Caught up in the content-driven SoundCloud craze, his first years were punctuated by a slew of rapid-fire record releases and carefree collaborations. Industrial darkness and metallic edge were evident from the start, but it was only with 2017’s Hexada and 2018’s N / O / I / S / E that Ghoste really distanced himself from the pack, sounding at times, like a twist-lipped demon from the deep rap underground and, at others, uncannily like Nine Inch Nails .

After its unprecedented two-year gestation, ANTI-ICON marks another profound metamorphosis, with Ghoste drilling down into his psyche while driving towards new creative horizons.

A more complex stylistic blueprint is part of that delay. So, too, is an increased faith in the fanbase (“I used to have to keep up with the Joneses,” Eric admits, “now they’re conditioned to understand it’s worth the wait…”). Mostly, though, it’s a reflection of Eric’s white-knuckle coming to terms with holding onto himself in the jet-set whirlwind. “People think it’s this extravagant thing,” he fixes our eye, “and it is. I’m grateful. But it takes everything I have. It’s something I struggle with to maintain my sanity and not forget who I am.

“I’ve been through so much,” he breathes a loaded sigh. “It’s been the most transformative time in my life.”

“I took all that shit that was in me and projected it outward”

For those paying attention to the breadcrumbs dropped in the interim, the clues were there.

“Anti-music” noise-project GASM writhed with tortuous unease. The thumping electro of SWEARR pulsated with unbound euphoria. The raw black metal of Baader-Meinhof (a frosty part of Eric’s persona kept on a pedestal, away from his other creations) came across cuttingly. Ghostmane-branded 2019 hardcore EP Fear Network was a distillation of struggle, while its dark acoustic counterpart Opium captures the absolute emptiness of an artist’s lowest point.

ANTI-ICON is broader and deeper: a “moving target” far harder to pin down.

Just beneath the surface, Eric’s everyday fascinations fizzle. Near-future dystopian imagery (the obsession with which, Eric informs us, is psychiatrically symptomatic of overbearing parenting) feels discomfortingly 2020. Recurrent wordplay sees the titular Anti-Icon interchanged with that other AI: Artificial Intelligence. A fine line is walked, between open-mindedness and paranoia.

Dig a little deeper, though, and A-I sounds almost like a break-up album. Doubt turns into anger which bleeds through into despair. Tracks like schizo-rap showcase Sacrilege and the loopy Fed Up repeatedly lament ‘ fake love ’. The powerful Hydrochloride smashes its ‘ I DON’T LOVE YOU ANYMORE !’ mantra against a hydraulic industrial backdrop. Eric himself admits it’s “more personal… a lot more literal” than past disaster chronicles. “It’s a break-up letter from me to opiates.”

Addiction blindsided Eric – hard .

“It was something I thought couldn’t hit me,” he admits. “It was something for those guys, those people who have addictive personalities. But I found out that anyone who’s going through any kind of difficult time can be vulnerable. It started off as if it was the answer to everything. Eventually, I didn’t even feel high anymore. It was just something I needed to do to not feel sick.”

Several attempts to break the habit failed. Hitting the bottom came with a flash of clarity, though. Recognising the same behaviours in himself that had claimed his father (‘ I got your disease !’ gasps late-album highlight Calamity), he felt a jolt of disgust and real alarm. Eric frowns at the memory.

ghostemane acrylic

Despite his enduring NIN fandom, A-I is not a chronicle of that downward spiral, but of the route crawled back. Even the most morbid imagery is representative of ending the old self and birthing the new. The burning hearse symbolises the ashes of the N / O / I / S / E-era. The morgue-orgy is, er, more perversely abstract…

“In hermeticism,” Eric explains, “the ultimate outcome of the ultimate equation is breaking [base material] down and being able to reform it. The phoenix rises from the ashes. For me, it was about breaking my old self down, killing it, rising from the ruins, and becoming this new person: this healthier mind.”

Toxic substances tend to be accompanied by poisonous people. New forces for good became catalysts for the reaction. He credits his DJ Parv0, who went through similar struggles years before, as a guiding force. Producer and engineer Arthur Rizk was the one who turned up at his home to finish the record and drag him out of a slump. Perhaps most pivotal of all has been fellow musician – and K! magazine cover star – Poppy .

Eric cracks a bashful smile when we mention her name. The couple reportedly first met on the Lock Up stage at last year’s Reading & Leeds festivals and announced their engagement on July 10. Sporting jet-black hair to match her beau’s, she’s here directing this trip’s videos, too.

“She’s amazing,” Eric begins. “As a visual artist, she’s just unmatched. That’s the one area of my career which I was never really able to fully realise myself. It’s a weird feeling putting a piece of myself into her hands like this, and waiting to see how it unfolds. But I’m excited.

“She’s an awesome partner. It’s the opposite of a toxic relationship.”

ghostemane acrylic

L ike Poppy, Eric stands at the very cutting-edge: a new breed of performer with the future of heavy music in his hands. As our conversation winds to a close outside the city’s massive Invalidovna building – a centuries-old war dormitory converted, today, into a bustling video set – he ponders that power, potential and deep responsibility.

“Defining rock music these days is kinda like tip-toeing,” he reckons. “I tend to say ‘guitar music’ more often. Is there a lack of danger in modern rock, compared to rap? Sometimes. But the feeling of inauthenticity is more about the lack of intent.

“I think that modern rock – and pop, any kind of mainstream music – is holding back massively. There isn’t one truly sad, or angry song on the radio anymore. I think there should be more intent to actually connect with people: the broken, the lost, the sad, the angry, the psychotic. For me, that’s the biggest difference from the old days.”

Despite that old ethos, ANTI-ICON is very much the sound of here and now. Rap remains a major part of the Ghostemane formula – the alternation between high-pitched yelps, nasal drawl and throaty gurgles suggesting multiple demons trapped in one body – but ANTI-ICON is not simply a rap album. There is something distinctly nu-metal about the combination of quick rhymes and down-tuned guitars on Lazaretto. The dynamic blend of hardcore, oppressive electronics and apparitional ambience on Sacrilege shares much with Underneath -era Code Orange . The thrusting beat of ASMR (Anti-Social Masochistic Rage) evokes the same squalid sex as peak Marilyn Manson. As a consequence, when Ghoste does throw himself into the old-school southern “phonk” sound on Hellrap (the album’s last rhymed verses, four tracks from the end), it lands with no tongue-knotted fatigue, and real conviction.

For Eric, these more shapeshifting sonics – much like the increasingly ghoulish aesthetic – are emblematic, not of a descent into darkness, but of a growing confidence in himself: a mastery of turning festering feelings into something positive. Daringly, even ANTI-ICON’s most desolate moment Melancholic concludes on a hopeful note: ‘ I deserve to be happy, don’t you think ?’

A flash of contentment. “It feels so much better now, like I’ve taken all that shit that was in me and I’m projecting it outwards. I feel like now I can wear it on me without having to keep it inside.”

Eric loathes any kind of evangelism – declaring to hate “LaVeyan Satanism just as much as Christianity” – but it’s a path which he prays peers will follow down. “I hope [any success I have] might entice other artists to maybe push the envelope rather than worrying about what’s going to pop the hardest on TikTok or whatever,” he says. “If they’re from a subculture or from heavy music, maybe they should put [those heavy feelings] first and see where it goes.”

ghostemane acrylic

Picking out the artists he considers true peers – Ho99o9 , Author & Punisher, Full Of Hell , Youth Code , 3TEETH – there’s clear admiration for performers willing to brave ridicule by stepping out of the box. Boston hardcore trailblazers Vein (now known as Vein.FM ) get a special mention: “They’re experiencing what it’s like to start experimenting and seeing how people in their scene turn their backs on them. I know what that’s like, too. The fact they keep doing it and going harder on it is amazing to me.”

Ultimately, though, his number one priority will always be his fans.

‘ Don't give a damn about a critic, they don't really get it ,’ declares seething lead single AI. ‘ They don't make a difference, they don't buy the tickets, ah / Only really give a damn about the kids / Live and die for the kids …’

Whether that’s the 15-year old coveting a $300 Supreme hoody who comes to realise self-made attire is “high-art, priceless”, the suffocated suburbanite building courage to skip town, or anyone else needing dragged out of the same cycles of depression, addiction and self-destruction from which Eric himself has emerged, the alchemical lesson is ultimately the same.

“As dark and depressing and nihilistic as this music sounds, it’s actually super-hopeful. Nothing is the death of you. You’re this ever-morphing, ever-changing, ever-expanding thing. Life might feel like it’s crushing you, but all it’s doing is creating the new ingredients for you to recreate yourself as something better. When a supernova explodes, it creates new stars. Energy is eternal. You’ve gotta say, ‘Gimme what you you got!’, take it, make art out of it, and be better for it.

“Then move on to the next thing.”

ANTI-ICON is released on October 21.

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Radiators fail once more: Moscow suburbs residents appeal to Putin

Posted: December 11, 2023 | Last updated: December 11, 2023

Residents across the Moscow suburbs are besieged by a heating problem, for which they plead direct intervention from President Vladimir Putin. These individuals have yet to experience any semblance of home heating since winter started due to a dwindling supply of heating oil. The issue, one largely avoided by local authority communication, has left residents desperate to the point of directly appealing to the president.

While plots have been uncovered to disrupt Ukraine's infrastructure for a second consecutive winter, thus depriving civilians of heating, it seems Russians are now mired in their crisis. Irony drips from the fact that those under Putin's leadership are looking to cause turmoil in Ukraine, yet at home, they face a similar predicament.

Many dwellings within the Moscow agglomeration are presently without heat. The capital's residents are desperate, directly appealing to President Putin due to a perceived lack of alternate avenues for assistance. The absence of suitable heating functionality since winter commenced pushes them towards desperation with no relief in sight.

This seems improbable, but in Russia, it appears that anything can happen.

It remains uncertain if Vladimir Putin is actively addressing the heating crisis. Some experts suggest that Russia's heating oil reserves are depleting, which negatively affects residents' quality of life. Plagued by cold radiators and plummeting winter temperatures, these citizens have directly addressed their pleas to their head of state.

This heating crisis is happening in Elektrostal, a town approximately 71 miles from Moscow.

Ironically, Russia has constantly aimed to destroy the Ukrainian infrastructure since war broke out, deliberately trying to leave Ukrainians without heating during the harsh winters, aiming to break their strong will. It's an irony they now struggle with a domestic heating crisis, particularly near Moscow, their largest and most pivotal city.

Desperate individuals are reaching out to Vladimir Putin. They question his knowledge of the heating infrastructure conditions in the Moscow suburbs and the dire situations residents face there. Sundown brings no relief from the harsh Russian winter and without heating, their houses turn cold. With elections nearing, more and more residents find themselves reaching out directly to their president.

"Since winter's start, we've been without heating. This has been a yearly occurrence for the past three years. Despite paying for heating, we don't have enough. We implore you, help us!" - these are the desperate pleas from the heavily dressed populace dealing with the Russian winter conditions.

Experts attribute the heating oil shortage to international sanctions and surging demands for diesel fuel, pivotal to military operations. Russia now grapples with a dearth of raw materials essential for boiler and heating plant operation. As supplies dwindle, houses grow cold with little hope of any immediate corrective intervention.

It would be adequate if the war ceased, residents were prioritized, and attention accorded to their welfare.

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Dec 16, 2020

by Press Release

We are first in your inbox with the most important news in the industry―keeping you smarter and one-step ahead in this ever-changing and competitive market.

New modification of Russian VVER-440 fuel loaded at Paks NPP in Hungary

DECEMBER 14, 2020 — After the recent refueling at power unit 3 of the Hungarian Paks NPP, its VVER-440 reactor has been loaded with a batch of fresh fuel including 18 fuel bundles of the new modification. The new fuel will be introduced at all four operating power units of the Paks NPP, and the amount of new-modification bundles in each refueling will be increased gradually.

Development of the new VVER-440 fuel modification was completed in 2020 under the contract between TVEL JSC and MVM Paks NPP Ltd. Its introduction would optimize the hydro-uranium ratio in the reactor core, enabling to increase the efficiency of fuel usage and advance the economic performance of the power plant operation. All VVER-440 fuel modifications are manufactured at the Elemash Machine-Building Plant, a facility of TVEL Fuel Company in Elektrostal, Moscow Region.

Paks Nuclear Power Plant

“Introduction of a new fuel is an option to improve technical and economic performance of a nuclear power plant without substantial investment. We are actively engaged in development of new models and modifications of VVER-440 fuel for power plants in Europe. The projects of the new fuels for Loviisa NPP in Finland, Dukovany NPP in the Czech Republic, Mochovce and Bohunice NPPs in Slovakia, are currently at various stages of implementation. Despite the same reactor model, these projects are quite different technically and conceptually, since we take into account the individual needs and requirements of our customers,” commented Natalia Nikipelova, President of TVEL JSC.

For reference:

The project of development and validation of the new fuel has been accomplished with participation of a number of Russian nuclear industry enterprises, such as OKB Gidropress (a part of Rosatom machine-building division Atomenergomash), Bochvar Institute (material science research facility of TVEL Fuel Company), Elemash Machine-building plant and Kurchatov Institute national research center. At the site of OKB Gidropress research and experiment facility, the new fuel passed a range of hydraulic, longevity and vibration tests.

Paks NPP is the only functioning nuclear power plant in Hungary with total installed capacity 2000 MWe. It operates four similar units powered by VVER-440 reactors and commissioned one by one in 1982-1987. Currently, Paks NPP is the only VVER-440 plant in the world operating in extended 15-monthes fuel cycle. The power plant produces about 15 bln kWh annually, about a half of electric power generation in Hungary. In 2018, the project of increasing the duration of Paks NPP fuel cycle won the European competition Quality Innovation Award in the nomination “Innovations of large enterprises”. Russian engineers from TVEL JSC, Kurchatov Institute, OKB Gidropress, Bochvar Institute and Elemash Machine-building plant provided assistance to the Hungarian colleagues in accomplishment of the project.

  TVEL Fuel Company of Rosatom incorporates enterprises for the fabrication of nuclear fuel, conversion and enrichment of uranium, production of gas centrifuges, as well as research and design organizations. It is the only supplier of nuclear fuel for Russian nuclear power plants. TVEL Fuel Company of Rosatom provides nuclear fuel for 73 power reactors in 13 countries worldwide, research reactors in eight countries, as well as transport reactors of the Russian nuclear fleet. Every sixth power reactor in the world operates on fuel manufactured by TVEL.  www.tvel.ru  

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World Energy

Rosatom Starts Production of Rare-Earth Magnets for Wind Power Generation

TVEL Fuel Company of Rosatom has started gradual localization of rare-earth magnets manufacturing for wind power plants generators. The first sets of magnets have been manufactured and shipped to the customer.

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In total, the contract between Elemash Magnit LLC (an enterprise of TVEL Fuel Company of Rosatom in Elektrostal, Moscow region) and Red Wind B.V. (a joint venture of NovaWind JSC and the Dutch company Lagerwey) foresees manufacturing and supply over 200 sets of magnets. One set is designed to produce one power generator.

“The project includes gradual localization of magnets manufacturing in Russia, decreasing dependence on imports. We consider production of magnets as a promising sector for TVEL’s metallurgical business development. In this regard, our company does have the relevant research and technological expertise for creation of Russia’s first large-scale full cycle production of permanent rare-earth magnets,” commented Natalia Nikipelova, President of TVEL JSC.

“NovaWind, as the nuclear industry integrator for wind power projects, not only made-up an efficient supply chain, but also contributed to the development of inter-divisional cooperation and new expertise of Rosatom enterprises. TVEL has mastered a unique technology for the production of magnets for wind turbine generators. These technologies will be undoubtedly in demand in other areas as well,” noted Alexander Korchagin, Director General of NovaWind JSC.

For reference:

TVEL Fuel Company of Rosatom incorporates enterprises for the fabrication of nuclear fuel, conversion and enrichment of uranium, production of gas centrifuges, as well as research and design organizations. It is the only supplier of nuclear fuel for Russian nuclear power plants. TVEL Fuel Company of Rosatom provides nuclear fuel for 73 power reactors in 13 countries worldwide, research reactors in eight countries, as well as transport reactors of the Russian nuclear fleet. Every sixth power reactor in the world operates on fuel manufactured by TVEL. www.tvel.ru

NovaWind JSC is a division of Rosatom; its primary objective is to consolidate the State Corporation's efforts in advanced segments and technological platforms of the electric power sector. The company was founded in 2017. NovaWind consolidates all of the Rosatom’s wind energy assets – from design and construction to power engineering and operation of wind farms.

Overall, by 2023, enterprises operating under the management of NovaWind JSC, will install 1 GW of wind farms. http://novawind.ru

Elemash Magnit LLC is a subsidiary of Kovrov Mechanical Plant (an enterprise of the TVEL Fuel Company of Rosatom) and its main supplier of magnets for production of gas centrifuges. The company also produces magnets for other industries, in particular, for the automotive

industry. The production facilities of Elemash Magnit LLC are located in the city of Elektrostal, Moscow Region, at the site of Elemash Machine-Building Plant (a nuclear fuel fabrication facility of TVEL Fuel Company).

Rosatom is a global actor on the world’s nuclear technology market. Its leading edge stems from a number of competitive strengths, one of which is assets and competences at hand in all nuclear segments. Rosatom incorporates companies from all stages of the technological chain, such as uranium mining and enrichment, nuclear fuel fabrication, equipment manufacture and engineering, operation of nuclear power plants, and management of spent nuclear fuel and nuclear waste. Nowadays, Rosatom brings together about 350 enterprises and organizations with the workforce above 250 K. https://rosatom.ru/en/

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  20. New modification of Russian VVER-440 fuel loaded at Paks NPP in Hungary

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  22. Rosatom Starts Production of Rare-Earth Magnets for Wind Power

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