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FILL IN THE BLANKS TYPE QUESTION :
TRUE & FALSE : 1. Methane belongs to the homologous series of alkanes. 2. The compound having the molecular formula C4H10 does not show isomerism. 3. The methane molecule has a pyrmidal shape. 4. Methane undergoes substitution reaction. 5. The consumption of ethanol increases the activity of the body. 6. Ethanoic acid is used in the manufacture of textiles. 7. Alkenes as well as alkynes decolourise bromine water. 8. Vanaspati ghee is obtained by the hydrogenation of vegetable oil. 9. Alkanes undergo substitution reactions. 10. Alkenes and alkynes are unsaturated compounds. 11. Ethanol is oxidised by alkaline KMnO4 to oxalic acid. 12. Detergents give scum with hard water. 13. The polar end in soap is called hydrophilic end. 14. Methanol is safe to be used for drinking purpose. 15. The reaction of ethanol with conc. H2SO4 gives ethane. 16. Carboxylic acids react with alcohols to form esters.
Very short answer type questions :
1. Name an allotrope of carbon which has 60 carbon atoms.
2. What is combustion?
3. What is the nature of substances that produce a flame?
4. The molecular formula of a compound is C 2 H 6 O. Name its homologous series.
5. What type of reactions are given by alkanes?
6. What is the composition of natural gas used for cooking?
7. Which of the following open chain compounds can have a double bond?
8. Name an allotrope of carbon which contains both single and double bonds between carbon atoms.
9. Write the name and molecular formula of alcohol derived from butane.
10. What is rectified spirit?
11. Give the name and structural formula of one homologue of HCOOH.
12. Why does hard water not produce foam with soap easily?
13. Name the hydrophobic and hydrophilic ends of a soap.
14. What is a detergent?
15. An organic compound burns with a sooty flame. Is it saturated or unsaturated compound?
Short answer type question :
1. Name any four substance obtained from organic compounds which are used in our daily life.
2. Hydrogen and chlorine react to form hydrochloric acid. Will they form an ionic or covalent bond?
3. How many electrons a carbon atom shares with other carbon atom in the formation of acetylene molecule?
4. Give examples of covalent compounds which contain :
(a) one unshared pair of electron (b) two unshared pairs of electrons.
5. What is meant by the term functional group?
6. What is meant by homologous series? Give its three important characteristics.
7. Name the functional group present in : (i) CH 3 CH 2 OH, and (ii) HCOOH.
8. The molecular formula of a hydrocarbon is C 5 H 10 . Name its homologous series.
9. Write structural formulae of the following compounds.
(i) Ethyl alcohol (ii) Acetaldehyde (iii) Propionic acid (iv) Butanone
10. What is the IUPAC name of fourth member of alcohol series? Draw its two structural isomers.
11. Write the general formulae of the following homologous series.
(i) Aldehydes (ii) Ketones (iii) Alkyne
12. How do alcohols differ structrually from alkanes?
13. Give the common and IUPAC names of the following alcohols :
(i) CH 3 OH (ii) CH 3 CH 2 OH (iii) CH 3 CHOHCH 3
14. Identify the functional group in CH 3 CH 2 OH. Give IUPAC name of the compound.
15. Ethanol can be oxidised to ethanoic acid. Write the equation involved in the reaction.
16. Name the oxidising agent which can oxidise :
(i) Ethanol to enthanal (ii) Ethanol to ethanoic acid.
17. How would you distinguish experimentally between an alcohol and a carboxylic acid?
18. A neutral organic compound 'A' having molecular formula C 2 H 6 O, undergoes oxidation with acidified potassium permanganate to give an acidic compound 'B'. The organic compound 'A' reacts with compound 'B' on warming and in the presence of concentrated sulphuric acid to form a sweet-smelling substance 'C'. Identify A, B and C.
19. An organic compound 'A' having molecular formula C 2 H 4 O 2 turns blue litmus red and gives brisk effervescence with sodium hydrogencarbonate. Give the name and formula of 'A'.
20. What happens when (Give equations of the chemical reaction)
(i) Sodium ethanoate is heated with soda lime.
(ii) Ethanoic acid is warmed with methanol in presence of concentrated sulphuric acid.
(iii) A pinch of sodium hydrogencarbonate is added to ethanoic acid.
(iv) Ethanol is oxidised with acidified potassium dichromate.
Long answer type question :
1. What is covalent bond ? Draw electron dot structure for the following :
(i) Methane (ii) Carbon dioxide (iii) Ammonia (iv) Water
2. Explain the following reaction with one example each :
(i) Substitution reactions (ii) Addition reactions
(iii) Combustion reactions (iv) Oxidation reactions
3. (i) What are alcohols ? What is functional group ?
(ii) Write names and formulae of first four members of alcohols family.
(iii) How does the second member of alcohol family react with
(i) Sodium metal (ii) Ethanoic acid
4. What are soaps and synthetic detergents ? How do they differ ? Discuss their cleaning actions.
5. Which properties of carbon make it a versatile element. Discuss its bonding in saturated and unsaturated hydrocarbon.
6. What are harmful effect of drinking alcohol ?
7. Write short not on :
(i) Catenation (ii) Glacial acetic acid (iii) Power alcohol (vi) Saponification
8. Give chemical test to detect the presence of (i) ethanol, (ii) ethanoic acid and (iii) an ester.
9. Discuss briefly two physical and three chemical properties of ethanol.
10. Discuss briefly the physical and chemical properties of ethanoic acid.
Fill in the blanks 1. Catenation
2. Alkanes/saturated hydrocarbon
3. Alkenes 4. Unsaturated
5. Structural
7. Propene 8. Released
9. Covalent
10. Ni catalyst
11. CnH2n+1OH. 12. Hydroxy
13. Ethanoic acid
14. Hydrogen
15. Unsaturated 16. Polar / COONa+
True or False 1. T
12. F 13. T
1. What are carbon compounds? |
2. What is the importance of carbon compounds? |
3. How are carbon compounds classified? |
4. What is the difference between organic and inorganic compounds? |
5. How do carbon compounds contribute to climate change? |
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Wisconsin football's class of 2025 ranked top-20 by on3, share this article.
The Wisconsin Badgers football team has garnered a lot of attention in recent weeks due to the influx of talent they’ve added for their class of 2025. The latest On3 Industry Team Recruiting Rankings, as a result, has Wisconsin ranked at No. 20 overall.
Five Big Ten programs were ranked above the Badgers: Ohio State, Oregon, Penn State, Michigan and Rutgers.
Entering Thursday, Luke Fickell’s squad has secured 21 verbal commitments , most recently reeling in preferred walk-on specialist Erik Schmidt on Wednesday.
The Badgers are entering their second season with Fickell as their head coach and are looking to take the next step in their evolution to becoming a college football playoff team.
Wisconsin added 22 players in their class of 2024 , 10 of which have already arrived on campus as early enrollees, including three-star quarterback Mabrey Mettauer.
Their class of 2024 was ranked as the 23rd best in the country by 247Sports and the class of 2025 is currently ranked No. 14 by the service.
Updated On3 Industry Team Recruiting Rankings‼️📈 https://t.co/sgucbQFXoE pic.twitter.com/1H0NUfa15M — On3 Recruits (@On3Recruits) June 26, 2024
Ranking all 18 big ten football stadiums from smallest to largest, wisconsin football's top remaining targets in the class of 2025 recruiting cycle, wisconsin updated class of 2025 commits after landing five-star specialist erik schmidt, wisconsin's class of 2025 slips in national ranking after string of bad news, ranking all 18 big ten defensive coordinators entering 2024 football season, ranking all 18 big ten mascots from worst to first, big ten football power index rankings for 2024: which teams are underrated, overrated.
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Nios class 10 result 2024: after checking the result students could collect the migration-cum-transfer-certificates and marks sheet-cum-certificate by their ais..
NIOS 2024 Result: The National Institute of Open Schooling announced the results of the Secondary (Class 10) public theory exams 2024. Once the result is declared, candidates will be able to check and download their results from the official website— results.nios.ac.in.
This year, the theory exam for the NIOS class 10 exam was held from April 6 to May 22 across various examination centers all over India and overseas. In the public theory 2024 exam, candidates were provided a surplus of 15 minutes to read the question – 2:15 pm to 5:30 pm, while some exams concluded at 4 pm, 4:30 pm and 5 pm.
Step 1– Go to the official website — results.nios.ac.in
Step 2 – Select the “Public Examination class 10 result 2024”
Step 3 – Next tab, enter enrollment number and provided captcha
Step 4 – Click on the submit button
Step 5 — Result will be displayed on the candidate’s screen
Step 6 — Download and save the result for further reference
Last year, the NIOS exam was held from April 6 to May 8 and the results were declared on June 24.
In 2022, a total of 77,836 students were enrolled in Class 10. Out of the aforementioned total, 76,776 students appeared for the October 2022 exam for Class 10. The total number of students who passed the exam are— 43,930 in Class 10.
After checking the result students could collect the migration-cum-transfer-certificates and marks sheet-cum-certificate by their AIs. Also, the request for NIOS Class 10 result correction can be applied within 30 days from the date of the result declaration.
Kalki 2898 AD has broken box office records, making Rs 180 crore on its opening day in India and surpassing the collections of previous hits like KGF Chapter 2 and Jawan. The film, released in multiple languages, collected the most from its Telugu version. With a star-studded cast and high anticipation, it is predicted to have a strong weekend and potentially reach Rs 500 crore.
A new report found that the change in Michigan's middle-class income range over 10 years has generally kept pace with national trends — but that isn't the case with every state.
GOBankingRates , using United States Census Bureau data, reported that Michigan had a 41.33% increase in the middle-class income range between 2012 and 2022. In comparison, the national rate of change over the same period of time was 41.67%.
What makes an individual or a household middle-class has long been debated , with varying definitions and metrics from multiple sources. However, GOBankingRates uses the Pew Research Center's definition — "an income that is two-thirds to double the U.S. median household income."
By this definition, Michigan's 2022 middle-class income range was between $45,670 and $137,010. In 2012, the same range was between $32,314 and $96,942 per year. In both years, the state's threshold and ceiling for the middle class were slightly below national averages, meaning that Michigan's median income is also lower than the national median income.
Michigan's rate of change for its middle-class income range places it at 21st out of 50 states. Of every state in the U.S., Oregon had the greatest increase at 53.15%. On the other end of the spectrum, Alaska had the lowest rate of change at a 23.53% increase over 10 years.
However, it is important to note that this ranking differs from calculations of which state has the lowest and highest income thresholds to be considered middle class. By that metric, Michigan has the 18th-lowest income range for the middle class. Nationally, Maryland has the highest ceiling for its definition of the middle class, while Mississippi has the lowest floor.
Tamara Walker of Asbury Park Press contributed.
Qatar Airways offers the best business-class cabin in the world, according to travelers polled by travel industry rating company Skytrax .
Skytrax published its latest rankings in June as part of the 2024 World Airlines Awards, which also named Qatar Airways the best airline in the world .
Business-class offerings from Asian and Middle Eastern airlines took the top six spots in the Skytrax rankings which are compiled using feedback from over 350 airlines from travelers representing over 100 countries.
Here's a closer look at airlines with this year's 10 best business-class offerings in the world, according to Skytrax.
Turkish Airlines operates a fleet of more than 450 narrow and widebody airliners, including the Airbus A321neo, the Airbus A350, and the Boeing 777, with various business layouts .
The Istanbul-based carrier also won the Skytrax award this year for best business class catering in the world and best airline in Europe .
EVA Air is a subsidiary of container shipping giant Evergreen Group. The Premium Laurel business class on board the Taiwanese carrier's widebody fleet offers lie-flat seats and 15.4-inch entertainment screens.
The DeltaOne business class is available on the Atlanta-based airline's widebody fleet for long-haul flights.
DeltaOne is the top-rated business class in North America.
Air France has the highest-rated business-class product in Europe. The French national carrier also won awards for the best airline in Western Europe and for best first-class catering.
Hainan has consistently been China's highest-rated carrier and the only one of the country's four major airlines not owned by the Chinese central government.
Hainan operates a fleet of over 100 aircraft, including the Boeing 737, 787 Dreamliner, and the Airbus A330.
Hong Kong's Cathay Pacific operates a fleet of more than 150 passenger aircraft, primarily widebody jets such as the Airbus A330, A350, and Boeing 777, with lie-flat business-class cabins.
Dubai-based Emirates offers a world-class business class product across its fleet of Boeing 777-300ER and Airbus A380 Super Jumbo fleets. The standout feature of Emirates business class experience on board its A380 fleet is the iconic bar and lounge at the back of the upper deck .
Japan's All Nippon Airways offers a variety of business-class products across its widebody fleet led by its fully enclosed suite called "The Room" on board its Boeing 777-300ERs.
Singapore Airlines's business class is a stalwart at the top of the annual Skytrax rankings. In addition to being named the second-best airline in the world, Singapore also picked up honors for the world's best cabin staff and the world's best first-class cabin.
Qatar Airways isn't just the highest-rated business class carrier; it's also the best airline in the world according to travelers surveyed by Skytrax.
Qatar's top business class offering is the Qsuite business class , which is found onboard its latest Airbus A350 and Boeing 777 widebody jets.
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All students studying in Grade 10 English should download the assignments provided here and use them for their daily routine practice. This will help them to get better grades in English exam for standard 10. We have made sure that all topics given in your textbook for English which is suggested in Class 10 have been covered ad we have made assignments and test papers for all topics which your teacher has been teaching in your class. All chapter wise assignments have been made by our teachers after full research of each important topic in the textbooks so that you have enough questions and their solutions to help them practice so that they are able to get full practice and understanding of all important topics. Our teachers at https://www.assignmentsbag.com have made sure that all test papers have been designed as per CBSE, NCERT and KVS syllabus and examination pattern. These question banks have been recommended in various schools and have supported many students to practice and further enhance their scores in school and have also assisted them to appear in other school level tests and examinations. Its easy to take print of thee assignments as all are available in PDF format.
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Undergraduate courses.
Composition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.
Tuesday and Thursday, 11 a.m.-12:15 p.m.
Sharon Smith
ENGL 151 serves as an introduction to both the English major and the discipline of English studies. In this class, you will develop the thinking, reading, writing and research practices that define both the major and the discipline. Much of the semester will be devoted to honing your literary analysis skills, and we will study and discuss texts from several different genres—poetry, short fiction, the novel, drama and film—as well as some literary criticism. As we do so, we will explore the language of the discipline, and you will learn a variety of key literary terms and concepts. In addition, you will develop your skills as both a writer and researcher within the discipline of English.
In this section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the mind, the body and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the efficacy of sex education programs; the degree to which beliefs about race and gender influence school dress codes; and the unique mental and physical challenges faced by college students today. In this course, you will be learning about different approaches to argumentation, analyzing the arguments of others and constructing your own arguments. At the same time, you will be honing your skills as a researcher and developing your abilities as a persuasive and effective writer.
Monday/Wednesday/Friday 1-1:50 p.m.
Gwen Horsley
English 201 will help students develop the ability to think critically and analytically and to write effectively for other university courses and careers. This course will provide opportunities to develop analytical skills that will help students become critical readers and effective writers. Specifically, in this class, students will:
Students will improve their writing skills by reading essays and applying techniques they witness in others’ work and those learned in class. This class is also a course in logical and creative thought. Students will write about humankind’s place in the world and our influence on the land and animals, places that hold special meaning to them or have influenced their lives and stories of their own families and their places and passions in the world. Students will practice writing in an informed and persuasive manner, in language that engages and enlivens readers by using vivid verbs and avoiding unnecessary passives, nominalizations and expletive constructions.
Students will prepare writing assignments based on readings and discussions of essays included in "Literature and the Environment " and other sources. They may use "The St. Martin’s Handbook," as well as other sources, to review grammar, punctuation, mechanics and usage as needed.
Tuesday and Thursday 9:30-10:45 a.m.
Paul Baggett
For generations, environmentalists have relied on the power of prose to change the minds and habits of their contemporaries. In the wake of fires, floods, storms and droughts, environmental writing has gained a new sense of urgency, with authors joining activists in their efforts to educate the public about the grim realities of climate change. But do they make a difference? Have reports of present and future disasters so saturated our airwaves that we no longer hear them? How do writers make us care about the planet amidst all the noise? In this course, students will examine the various rhetorical strategies employed by some of today’s leading environmental writers and filmmakers. And while analyzing their different arguments, students also will strengthen their own strategies of argumentation as they research and develop essays that explore a range of environmental concerns.
S17 Tuesday and Thursday 12:30-1:45 p.m.
S18 Tuesday and Thursday 2-3:15 p.m.
Jodi Andrews
In this composition class, students will critically analyze essays about food, food systems and environments, food cultures, the intersections of personal choice, market forces and policy and the values underneath these forces. Students will learn to better read like writers, noting authors’ purpose, audience organizational moves, sentence-level punctuation and diction. We will read a variety of essays including research-intensive arguments and personal narratives which intersect with one of our most primal needs as humans: food consumption. Students will rhetorically analyze texts, conduct advanced research, reflect on the writing process and write essays utilizing intentional rhetorical strategies. Through doing this work, students will practice the writing moves valued in every discipline: argument, evidence, concision, engaging prose and the essential research skills for the 21st century.
Michael S. Nagy
English 221 is a survey of early British literature from its inception in the Old English period with works such as "Beowulf" and the “Battle of Maldon,” through the Middle Ages and the incomparable writings of Geoffrey Chaucer and the Gawain - poet, to the Renaissance and beyond. Students will explore the historical and cultural contexts in which all assigned reading materials were written, and they will bring that information to bear on class discussion. Likely themes that this class will cover include heroism, humor, honor, religion, heresy and moral relativity. Students will write one research paper in this class and sit for two formal exams: a midterm covering everything up to that point in the semester, and a comprehensive final. Probable texts include the following:
Monday, Wednesday and Friday noon-12:50 p.m.
April Myrick
A survey of the history of literature written for children and adolescents, and a consideration of the various types of juvenile literature. Text selection will focus on the themes of imagination and breaking boundaries.
Randi Anderson
In English 240 students will develop the skills to interpret and evaluate various genres of literature for juvenile readers. This particular section will focus on various works of literature at approximately the K-5 grade level. We will read a large range of works that fall into this category, as well as information on the history, development and genre of juvenile literature.
Readings for this course include classical works such as "Hatchet," "Little Women", "The Lion, the Witch and the Wardrobe" and "Brown Girl Dreaming," as well as newer works like "Storm in the Barn," "Anne Frank’s Diary: A Graphic Adaptation," "Lumberjanes," and a variety of picture books. These readings will be paired with chapters from "Reading Children’s Literature: A Critical Introduction " to help develop understanding of various genres, themes and concepts that are both related to juvenile literature and also present in our readings.
In addition to exposing students to various genres of writing (poetry, historical fiction, non-fiction, fantasy, picture books, graphic novels, etc.) this course will also allow students to engage in a discussion of larger themes present in these works such as censorship, race and gender. Students’ understanding of these works and concepts will be developed through readings, research, discussion posts, exams and writing assignments designed to get students to practice analyzing poetry, picture books, informational books and transitional/easy readers.
Tuesday and Thursday 12:30-1:45 p.m.
This course provides a broad, historical survey of American literature from the early colonial period to the Civil War. Ranging across historical periods and literary genres—including early accounts of contact and discovery, narratives of captivity and slavery, poetry of revolution, essays on gender equality and stories of industrial exploitation—this class examines how subjects such as colonialism, nationhood, religion, slavery, westward expansion, race, gender and democracy continue to influence how Americans see themselves and their society.
Required Texts
Steven Wingate
Students will explore the various forms of creative writing (fiction, nonfiction and poetry) not one at a time in a survey format—as if there were decisive walls of separation between then—but as intensely related genres that share much of their creative DNA. Through close reading and work on personal texts, students will address the decisions that writers in any genre must face on voice, rhetorical position, relationship to audience, etc. Students will produce and revise portfolios of original creative work developed from prompts and research. This course fulfills the same SGR #2 requirements ENGL 201; note that the course will involve a research project. Successful completion of ENGL 101 (including by test or dual credit) is a prerequisite.
Jodilyn Andrews
This course introduces students to the craft of writing, with readings and practice in at least two genres (including fiction, poetry and drama).
Amber Jensen, M.A., M.F.A.
This course explores creative writing as a way of encountering the world, research as a component of the creative writing process, elements of craft and their rhetorical effect and drafting, workshop and revision as integral parts of writing polished literary creative work. Student writers will engage in the research practices that inform the writing of literature and in the composing strategies and writing process writers use to create literary texts. Through their reading and writing of fiction, poetry and creative nonfiction, students will learn about craft elements, find examples of those craft elements in published works and apply these elements in their own creative work, developed through weekly writing activities, small group and large group workshop and conferences with the instructor. Work will be submitted, along with a learning reflection and revision plan in each genre and will then be revised and submitted as a final portfolio at the end of the semester to demonstrate continued growth in the creation of polished literary writing.
Tuesday 6-8:50 p.m.
Danielle Harms
Techniques, materials and resources for teaching English language and literature to middle and secondary school students. Required of students in the English education option.
Thursdays 3-6 p.m.
This course introduces students to contemporary works by authors from various Indigenous nations. Students examine these works to enhance their historical understanding of Indigenous peoples, discover the variety of literary forms used by those who identify as Indigenous writers, and consider the cultural and political significance of these varieties of expression. Topics and questions to be explored include:
Possible Texts
Tuesdays 2-4:50 p.m.
Jason McEntee
Do you have an appreciation for, and enjoy watching, movies? Do you want to study movies in a genre-oriented format (such as those we typically call the Western, the screwball comedy, the science fiction or the crime/gangster, to name a few)? Do you want to explore the different critical approaches for talking and writing about movies (such as auteur, feminist, genre or reception)?
In this class, you will examine movies through viewing and defining different genres while, at the same time, studying and utilizing different styles of film criticism. You will share your discoveries in both class discussions and short writings. The final project will be a formal written piece of film criticism based on our work throughout the semester. The course satisfies requirements and electives for all English majors and minors, including both the Film Studies and Professional Writing minors. (Note: Viewing of movies outside of class required and may require rental and/or streaming service fees.)
In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence, and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.
Wednesday 3-5:50 p.m.
With the publication of Horace Walpole’s "The Castle of Otranto " in 1764, the Gothic officially came into being. Dark tales of physical violence and psychological terror, the Gothic incorporates elements such as distressed heroes and heroines pursued by tyrannical villains; gloomy estates with dark corridors, secret passageways and mysterious chambers; haunting dreams, troubling prophecies and disturbing premonitions; abduction, imprisonment and murder; and a varied assortment of corpses, apparitions and “monsters.” In this course, we will trace the development of Gothic literature—and some film—from the eighteenth-century to the present time. As we do so, we will consider how the Gothic engages philosophical beliefs about the beautiful and sublime; shapes psychological understandings of human beings’ encounters with horror, terror, the fantastic and the uncanny; and intervenes in the social and historical contexts in which it was written. We’ll consider, for example, how the Gothic undermines ideals related to domesticity and marriage through representations of domestic abuse, toxicity and gaslighting. In addition, we’ll discuss Gothic texts that center the injustices of slavery and racism. As many Gothic texts suggest, the true horrors of human existence often have less to do with inexplicable supernatural phenomena than with the realities of the world in which we live.
Flexible Scheduling
Nathan Serfling
Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations, and develop a richer sense of writing as a complex and negotiated social process.
Engl 572.s01: film criticism, engl 576.st1 fiction.
In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.
Thursdays 1-3:50 p.m.
This course will provide you with a foundation in the pedagogies and theories (and their attendant histories) of writing instruction, a foundation that will prepare you to teach your own writing courses at SDSU and elsewhere. As you will discover through our course, though, writing instruction does not come with any prescribed set of “best” practices. Rather, writing pedagogies stem from and continue to evolve because of various and largely unsettled conversations about what constitutes effective writing and effective writing instruction. Part of becoming a practicing writing instructor, then, is studying these conversations to develop a sense of what “good writing” and “effective writing instruction” might mean for you in our particular program and how you might adapt that understanding to different programs and contexts.
As we read about, discuss and research writing instruction, we will address a variety of practical and theoretical topics. The practical focus will allow us to attend to topics relevant to your immediate classroom practices: designing a curriculum and various types of assignments, delivering the course content and assessing student work, among others. Our theoretical topics will begin to reveal the underpinnings of these various practical matters, including their historical, rhetorical, social and political contexts. In other words, we will investigate the praxis—the dialogic interaction of practice and theory—of writing pedagogy. As a result, this course aims to prepare you not only as a writing teacher but also as a nascent writing studies/writing pedagogy scholar.
At the end of this course, you should be able to engage effectively in the classroom practices described above and participate in academic conversations about writing pedagogy, both orally and in writing. Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.
Thursdays 3–5:50 p.m.
Katherine Malone
This course explores the rise of the New Woman at the end of the nineteenth century. The label New Woman referred to independent women who rebelled against social conventions. Often depicted riding bicycles, smoking cigarettes and wearing masculine clothing, these early feminists challenged gender roles and sought broader opportunities for women’s employment and self-determination. We will read provocative fiction and nonfiction by New Women writers and their critics, including authors such as Sarah Grand, Mona Caird, George Egerton, Amy Levy, Ella Hepworth Dixon, Grant Allen and George Gissing. We will analyze these exciting texts through a range of critical lenses and within the historical context of imperialism, scientific and technological innovation, the growth of the periodical press and discourse about race, class and gender. In addition to writing an argumentative seminar paper, students will complete short research assignments and lead discussion.
In this course, we will explore the voices of female authors and characters in contemporary literature of war. Drawing from various literary theories, our readings and discussion will explore the contributions of these voices to the evolving literature of war through archetypal and feminist criticism. We will read a variety of short works (both theoretical and creative) and complete works such as (selections subject to change): "Eyes Right" by Tracy Crow, "Plenty of Time When We Get Home" by Kayla Williams, "You Know When the Men are Gone" by Siobhan Fallon, "Still, Come Home" by Katie Schultz and "The Fine Art of Camouflage" by Lauren Johnson.
Case documents are wheeled into federal court Monday, June 17, 2024, in Los Angeles. NFL Commissioner Roger Goodell and Dallas Cowboys owner Jerry Jones, a longtime member of the league’s broadcast committee, are expected to testify in a trial that could last up to three weeks. (AP Photo/Damian Dovarganes)
FILE - The NFL logo is seen during the NFL Super Bowl 58 football game Sunday, Feb. 11, 2024, in Las Vegas. Opening arguments are expected to begin Thursday, June 6, 2024, in federal court in a class-action lawsuit filed by “Sunday Ticket” subscribers claiming the NFL broke antitrust laws. The lawsuit was filed in 2015 and has withstood numerous challenges, including a dismissal that was overturned. (AP Photo/Adam Hunger, File)
LOS ANGELES (AP) — The NFL was exploring a world without “Sunday Ticket” in 2017, where cable channels would air Sunday afternoon out-of-market games not shown on Fox or CBS.
The league memo was shown by plaintiffs during their closing arguments on Wednesday as the jury in the class-action lawsuit filed by “Sunday Ticket” subscribers began deliberations.
After receiving instructions from U.S. District Judge Philip Gutierrez, the jury heard the plaintiffs’ closing statement in the morning. Following lunch, the NFL gave its final remarks before the plaintiffs had 20 minutes for rebuttal.
The jury met for 90 minutes before wrapping up for the day. Deliberations will continue Thursday.
In a trial that has lasted three weeks and featured testimony from NFL Commissioner Roger Goodell and Dallas Cowboys owner Jerry Jones, the April 21, 2017, memo — titled the “NFL New Frontier” — provided one of the biggest highlights.
The memo was a reimagining of Sunday afternoons where every game would be on a broadcast or cable network. Fox and CBS would have paid 25% less per game (approximately $10 million per game) while cable networks would have paid $9 million per game, which was the average doled out by DirecTV in its contract with the league.
The figures were for the rights that expired after the 2022 season. Those averages would be higher now with agreements that started last season.
The league memo showed early games on FS1, ESPN, ESPN2, TBS, TNT, NFL Network and CBS Sports Network with late games on FS1, TBS and TNT.
Bill Carmody, one of the plaintiffs’ attorneys, called the memo “one of the hottest documents in the case” during his closing arguments.
“It’s so important because this is a document that says everything that our damages model is based upon the NFL looked at and approved of, and in real life, behind the scenes,” Carmody said. “What the NFL’s talking about here ... is they’re talking about moving forward with the same network games on Fox and CBS, but, instead of a subscription, why don’t we put it on basic cable? That’s what we’re talking about. Lose the subscription price, compete, be fair, let’s see what happens.”
Some of the out-of-market games under the NFL’s memo though would not be on basic cable. Fans and cable companies would also absorb some of the costs through higher subscription fees.
The lawsuit covers 2.4 million residential subscribers and 48,000 businesses who paid for the package of out-of-market games from the 2011 through 2022 seasons on DirecTV. It claims the league broke antitrust laws by selling its package of Sunday games at an inflated price. The subscribers also say the league restricted competition by offering “Sunday Ticket” only on a satellite provider.
“This case transcends football. This case matters,” Carmody said. “It’s about justice. It’s about telling the 32 team owners who collectively own all the big TV rights, the most popular content in the history of TV — that’s what they have. It’s about telling them that even you cannot ignore the antitrust laws. Even you cannot collude to overcharge consumers. Even you can’t hide the truth and think you’re going to get away with it.”
The league maintains it has the right to sell “Sunday Ticket” under its antitrust exemption for broadcasting. The plaintiffs say that only covers over-the-air broadcasts and not pay TV.
Beth Wilkinson, the lead attorney for the NFL, said the league has not disputed that “Sunday Ticket” is a premium product and that it has always been marketed that way.
“That was never in dispute in this case because none of this is secret. None of it is a surprise,” Wilkinson said in her closing argument. “Nobody in this broadcast world thinks there’s anything wrong with it. They failed to bring any witnesses into this courtroom that agree with them.”
Even if the jury of five men and three women rules for the plaintiffs, Gutierrez could still rule in favor of the NFL and say the plaintiffs did not prove their case.
DirecTV had “Sunday Ticket” from its inception in 1994 through 2022. The league signed a seven-year deal with Google’s YouTube TV that began with the 2023 season.
If the NFL is found liable, a jury could award $7 billion in damages, but that number could balloon to $21 billion because antitrust cases can triple damages. It would also change how the league would have to distribute its out-of-market broadcasts and could lead to renegotiated contracts with Fox and CBS. The current agreements with the league run through the 2033 season.
CBS and Fox pay a combined average of $4.3 billion per season for Sunday afternoon games while YouTube TV pays an average of $2 billion per season for the “Sunday Ticket” rights.
The lawsuit was originally filed in 2015 by the Mucky Duck sports bar in San Francisco, but was dismissed in 2017. Two years later, the 9th U.S. Circuit Court of Appeals, which has jurisdiction over California and eight other states, reinstated the case. Gutierrez ruled last year the case could proceed as a class action.
Whatever the decision ends up being, the losing side is expected to appeal to the 9th Circuit and then possibly the Supreme Court.
AP NFL: https://apnews.com/hub/nfl
sports Cowboys
The lawsuit began on june 6 and featured 10 days of testimony from economists and league executives, including roger goodell and jerry jones..
By The Associated Press
8:50 AM on Jun 26, 2024 CDT
LOS ANGELES — The jury in the class-action lawsuit filed by “Sunday Ticket” subscribers will receive instructions and hear closing arguments on Wednesday before beginning deliberations .
U.S. District Judge Philip Gutierrez will issue jury instructions and the plaintiffs will give their final statement during the morning session. Following lunch, the NFL will give its final remarks. Each side will get 1 hour, 10 minutes to make statements with the plaintiffs getting an additional 20 minutes for rebuttal.
The lawsuit began on June 6 and featured 10 days of testimony from economists and league executives, including NFL Commissioner Roger Goodell and Dallas Cowboys owner Jerry Jones .
Gutierrez turned downs plaintiffs’ motion to rule for them as matter of law on Tuesday morning. He tabled the NFL’s motion until after the verdict.
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That means even if a jury rules for the plaintiffs, Gutierrez could still rule in favor of the NFL and say the plaintiffs did not prove their case.
Gutierrez brought up that possibility last week when he said “I’m struggling with the plaintiffs’ case” while hearing motions from both sides.
The lawsuit covers 2.4 million residential subscribers and 48,000 businesses who paid for the package of out-of-market games from the 2011 through 2022 seasons on DirecTV. It claims the league broke antitrust laws by selling its package of Sunday games aired on CBS and Fox at an inflated price. The subscribers also say the league restricted competition by offering “Sunday Ticket” only on a satellite provider.
Related: Cowboys’ Jerry Jones testifies at lawsuit against NFL by ‘Sunday Ticket’ subscribers
The league maintains it has the right to sell “Sunday Ticket” under its antitrust exemption for broadcasting. The plaintiffs say that only covers over-the-air broadcasts and not pay TV.
DirecTV had “Sunday Ticket” from its inception in 1994 through 2022. The league signed a seven-year deal with Google’s YouTube TV that began with the 2023 season.
Even though “Sunday Ticket” is available to more fans since going to a streaming provider, the prices are higher than they were on DirecTV. The league has maintained throughout the trial that “Sunday Ticket” is a premium product.
Former CBS Sports Chairman Sean McManus said in a memo to the NFL and during testimony that the network had thought “the concept has always been that these packages are sold at a premium, thereby limiting distribution.”
Fox Sports Executive Vice President Larry Jones said during a 2022 deposition that it was important to the network for “Sunday Ticket” to be a premium product so that it did not impact local ratings.
“We think it’s important for it to be a premium product that’s complementary to our telecasts. And so long as it’s a premium product, the market will govern the extent of distribution,” he said.
Jones said yes if that meant the more expensive “Sunday Ticket” was, the fewer subscribers it would have.
If the NFL is found liable, a jury could award $7 billion in damages, but that number could balloon to $21 billion because antitrust cases can triple damages. It would also change how the league would have to distribute its out-of-market broadcasts and could lead to renegotiated contracts with Fox and CBS. The current agreements with the league run through the 2033 season.
CBS and Fox pay a combined average of $4.3 billion per season for Sunday afternoon games while YouTube TV pays an average of $2 billion per season for the “Sunday Ticket” rights.
The lawsuit was originally filed in 2015 by the Mucky Duck sports bar in San Francisco, but was dismissed in 2017. Two years later, the 9th U.S. Circuit Court of Appeals, which has jurisdiction over California and eight other states, reinstated the case. Gutierrez ruled last year the case could proceed as a class action.
Whatever the decision ends up being, the losing side is expected to appeal to the 9th Circuit and then possibly the Supreme Court.
Find more NFL coverage from The Dallas Morning News here.
The Associated Press
A new report found that the change in Oklahoma's middle-class income range over 10 years is slightly less than national trends — but that isn't the case with every state.
GOBankingRates , using United States Census Bureau data, reported that Oklahoma had a 36.7% increase in the middle-class income range between 2012 and 2022. In comparison, the national rate of change over the same period of time was 41.67%.
While there are several definitions for what makes an individual or a household middle-class, GOBankingRates uses the Pew Research Center's definition — "an income that is two-thirds to double the U.S. median household income."
By this definition, Oklahoma's 2022 middle-class income range was between $40,909 to $122,728 . In 2012, the same range was between $29,927 to $89,782 per year. In both years, the state's threshold and ceiling for the middle class were below national averages, meaning that Oklahoma's median income is also lower than the national median income.
Oklahoma's rate of change for its middle-class income range places it at 37th out of 50 states. Of every state in the U.S., Oregon had the greatest increase at 53.15%. On the other end of the spectrum, Alaska had the lowest rate of change at a 23.53% increase over 10 years.
However, this ranking differs from calculations of which state has the lowest and highest income thresholds to be considered middle class. By that metric, Maryland has the highest ceiling for its definition of the middle class, while Mississippi has the lowest floor.
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Wisconsin added 22 players in their class of 2024, 10 of which have already arrived on campus as early enrollees, including three-star quarterback Mabrey Mettauer. Their class of 2024 was ranked as the 23rd best in the country by 247Sports and the class of 2025 is currently ranked No. 14 by the service.
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By this definition, Michigan's 2022 middle-class income range was between $45,670 and $137,010. In 2012, the same range was between $32,314 and $96,942 per year.
Airline rating company Skytrax has released its 2024 list of the world's best business class cabins with Qatar Airways taking the top spot. A vertical stack of three evenly spaced horizontal lines
CORVALLIS, Ore. - Oregon State Athletics is excited to announce its 2024 Hall of Fame class that includes one coach and 10 student-athletes. The inductees will be Derek Anderson, Darwin Barney ...
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Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.ENGL 726.S01: The New Woman, 1880-1900s Thursdays 3-5:50 p.m.Katherine MaloneThis course explores the rise of the New Woman at the end of the nineteenth century.
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The jury began deliberations Wednesday in a class-action lawsuit filed by "Sunday Ticket" subscribers claiming the NFL broke antitrust law. ... Fox and CBS would have paid 25% less per game (approximately $10 million per game) while cable networks would have paid $9 million per game, which was the average doled out by DirecTV in its ...
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sports Cowboys. Closing arguments starting in class-action lawsuit against NFL by 'Sunday Ticket' subscribers The lawsuit began on June 6 and featured 10 days of testimony from economists and ...
A new report found that the change in Oklahoma's middle-class income range over 10 years is slightly less than national trends — but that isn't the case with every state. GOBankingRates, using United States Census Bureau data, reported that Oklahoma had a 36.7% increase in the middle-class income range between 2012 and 2022. In comparison, the national rate of change over the same period of ...
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