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The American Deaf community for several decades has been involved in sometimes complicated and often contested ways of defining what it means to be Deaf. It is our thesis that the processes of identity construction and the recent discourse of Deaf identity are not unique phenomena at all but echo the experience of other embedded cultural groups around the world, particularly those that are stressed by the assertion of hegemony over them by others. We turn to 2 particular theorists, Jose Martı ́ and W. E. B. DuBois, to help us un-derstand both the dilemmas that Deaf people face and the possible solutions that they propose. This article argues that identities are constructed not just within Deaf communities but within the social contexts in which Deaf communities are embedded. This article discusses how Deaf people’s identities are
Names are both personal and political, as they relate to identity. Woodward’s 1975 etic article first mentioned a naming convention for D/deaf and prominent scholars have debated the issue since. To evaluate current preferences, the research team used an online questionnaire to gather emic insights and opinions from the community, as well as a more etic perspective from hearing individuals for work with these issues. Data from these three self-identified groups of participants, Deaf, deaf, and hearing, were analyzed. Results found high variability among responses related to the terms, D/deaf, and whether or not certain terms should remain in the lexicon. Results are discussed and presented both to contribute and to further research in the field. It is recommended that the usage of existing term(s) be adhered to and that an individual’s preferred naming conventions be respected and utilized whenever possible.
Jane K. Fernandes , Shirley Shultz Myers
The focus and concerns establishing Deaf Studies in the 1970s have rigidified into a reactive stance toward changing historical conditions and the variety of deaf lives today. This critique analyzes the theoretical foundation of this stance: a tendency to downplay established research in the field of Deaf Studies and linguistics, the employment of outdated examples of discrimination, an uncritical acceptance of Derrida's phonocentrism, flawed uses of Saussure's linguistic theory, and reliance on the limiting metaphor of colonialism. The purpose of the critique ultimately is to point Deaf Studies in a new direction. Issues with conceptualizing an expanded Deaf Studies are the focus of a companion article (this issue), “Inclusive Deaf Studies: Barriers and Pathways" -- at http://jdsde.oxfordjournals.org/content/15/1/17.full
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Scandinavian journal of public health. Supplement
Jane K. Fernandes
American Annals of the Deaf, 158(5): pp. 428-438
dc.contributor.author | Le, Kim | en |
Piedmont-Palladino, Susan C. | en | Feuerstein, Marcia | en | dc.contributor.committeemember | Emmons, Paul F. | en |
Architecture | en | 2024-06-05T08:02:44Z | en | 2024-06-05T08:02:44Z | en | 2024-06-04 | en | For this thesis, I engage in a comprehensive study of Deaf culture by learning American Sign Language (ASL) and immersing myself within the Deaf community. My objective is to gain insights into their unique modes of interaction, daily lives, and spatial preferences. The research is motivated by the aspiration to apply this profound understanding to the design of a deaf-friendly academic building on Gallaudet University's campus. It is also motivated by the multi-sensory experience of architecture and it's impact on the users experiencing the space. Situated prominently in front of the historic Union Market, which serves as a gathering point for people from all corners of Washington, D.C., the envisioned building aims to bridge the gap between Gallaudet University's enclosed campus and the bustling city. Through an innovative design approach, it seeks to impart a new identity to the campus, fostering inclusivity and connectivity. The design process involves a meticulous analysis of the campus site across three distinct scales: city/campus, building, and user. Each scale informs different design moves of the proposed academic building through the exploration of the relationship between: the user and the building, the building and the campus, and the campus and the city. This approach ensures a holistic integration of new information, resulting in a structure that not only embraces DeafSpace principles but also addresses the broader context of the urban environment. Beyond architectural aesthetics, the proposed structure will play a pivotal role in revitalizing the neglected part of the campus. By integrating Hansel Bauman's DeafSpace principles, it will serve as an example of how architecture can be enabling rather than disabling through discovering what accessibility means to the Deaf community, creating a vibrant hub that harmonizes with the existing environment and brings new life into the overlooked area. This research not only contributes to a deeper understanding of Deaf culture but also showcases the potential of architectural design to facilitate meaningful connections, foster inclusivity, and rejuvenate neglected spaces within educational institutions. | en | For this thesis, I explore Deaf culture by learning American Sign Language (ASL) and engaging with the Deaf community. My goal is to understand their unique ways of communicating and living, which will inform the design of a new academic building at Gallaudet University, a school for the Deaf. This research is inspired by the idea that architecture can deeply affect how people experience spaces. The proposed academic building will be located near the historic Union Market in Washington, D.C., creating a connection between the university's campus and the city. This design aims to give the campus additional space that fosters inclusivity, connectivity, and accessibility. To create this design, I carefully studied the campus from three perspectives: the city and the campus, the building itself, and the individual user. This supports an understanding of how the new building interacts with its surrounding urban environment and its users. The design will incorporate DeafSpace principles, developed by architect Hansel Bauman, which focus on the specific needs of the Deaf community. The new building is intended to make the campus more accessible and welcoming, transforming an underused part of the university into a vibrant, engaging space. This project highlights how understanding Deaf culture can lead to better architectural designs that foster inclusion and revitalization within educational environments. | en | Master of Architecture | en | ETD | en | vt_gsexam:40706 | en | https://hdl.handle.net/10919/119285 | en | en | en | Virginia Tech | en | In Copyright | en | http://rightsstatements.org/vocab/InC/1.0/ | en | Deaf gain | en | dc.subject | multi-sensory | en |
Architecture Through the Senses: Navigating a World Without Noise | en | Thesis | en | Architecture | en | Virginia Polytechnic Institute and State University | en | masters | en | Master of Architecture | en | Original bundle
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A STUDY OF DEAF CULTURE IN AN AMERICAN URBAN DEAF COMMUNITY
The dissertation focuses upon the study of the major cultural characteristics of members of a Deaf Community of a large midwestern American city. Previous studies have examined the psychological, sociological and linguistic aspects of Deaf Communities, but the cultural aspects and sociocultural institutions of Deaf Communities have been explored only rarely. The data were collected in 1979 and 1983. The primary field methodology was participant observation, supplemented with open-ended questionnaire interviews with Deaf, Hard of Hearing, Deafened and Hearing Informants. Manualists and oralists were included in the sample. This research was conducted by a "native" deaf fieldworker who shared Deaf informants' feelings and thoughts and received full cooperation in helping the public understand the cultural phenomena found within the Deaf Community. A central finding of the study shows that sociocultural characteristics of Deaf Culture are qualitatively distinctive for both Deaf and Hearing informants, without focusing on sign language or the other modes of communication utilized by members of the Deaf Community. Particular cultural characteristics identified in this study are: perceptions of cultural "space," special labels to distinguish with self and others, marriage patterns, sex roles and gender divisions, club membership as means of creating and maintaining social relations, and special technological devices as a segmentation of the Deaf Community's visual repertoire. Conclusions explore the meaning of the term "Deaf Community" with the support of theories made by anthropologists and sociologists, the identification of individuals and groups as inherent in the membership of the Deaf Community, and the findings of "Deaf Culture" as evidenced in the field site. This study will help to open the door to more ethnographic studies of different Deaf Communities in the United States, as well as in other Western and non-Western countries, to identification of comparative sociocultural features, and to creation of Deaf "cultural universals.".
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The unheard voices in mental health: A deaf experience
- Masters Thesis
- Arias, Gabriela
- Park, Hyun Sun
- Debonis, Judith
- McCarty-Caplan, David
- Social Work
- California State University, Northridge
- deaf community
- Dissertations, Academic -- CSUN -- Social Work.
- deaf individudals
- intimate partner violence
- mental health
- substance abuse
- deaf culture
- http://hdl.handle.net/10211.3/222993
- by Gabriela Arias
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Why Deaf Culture Matters in Deaf Education
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Dan Hoffman, Jean F. Andrews, Why Deaf Culture Matters in Deaf Education, The Journal of Deaf Studies and Deaf Education , Volume 21, Issue 4, October 2016, Pages 426–427, https://doi.org/10.1093/deafed/enw044
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That Deaf culture matters in deaf education is the idea that most who work closely with Deaf colleagues understand and utilize in their building of practical instructional models as well as in conceptualizing research projects. Deaf culture matters because it represents a strong support mechanism within a hearing society, which is more often not attuned to Deaf persons’ best interests. Deaf culture, with American Sign Language (ASL), and visual (and sometimes auditory) ways of experiencing the world, and its networks of people who share their experiences coping in a hearing world, may not be recognized nor tapped for resources but dismissed as irrelevant particularly in light of modern developments in genetic engineering, auditory technology, access to public education, and a decline in attendance in deaf clubs and enrollment in Deaf center schools. However, the modern day Deaf culture, similar to American hearing culture in general, is evolving and incorporating new ways of communicating, socializing, becoming educated, and working through the use of digital technologies. The Deaf culture of today may be different than the Deaf culture of yesterday, but it is still a vibrant and relevant entity ( Leigh, Andrews, & Harris, 2018 ).
Why wouldn’t parents, teachers, administrators, and policy makers not want to have this important support system available as early as when hearing loss is diagnosed? Horejas examines this very question using a multitude of theoretical frameworks related to social constructions of deafness, identity, culture, and language. He unites these theories using the macro concept of languaculture or the notion that a child’s language and culture cannot be separated because they are intertwined.
Horejas proposes that deaf children can be exposed to both worlds—Deaf and hearing—and both languages—English and ASL—through bilingualism and biculturalism in the school. Languaculture refers to the notion that language and culture are intertwined and are both needed for the Deaf child in forming his Deaf identity. For the author, the languaculture of the oral classroom and the hearing world can be broadened as it happened in his own personal life, and it can become more inclusive and be united with the languaculture of sign bilingualism.
Related to sign bilingualism or ASL-based teaching, for example, in the teaching of literacy and language, there are educational activities such as shared or guided book reading that incorporate Deaf cultural practices as potential tools. These tools include using Deaf mothers and Deaf teachers as ASL storytellers in the classroom. In addition, they can model the using eye gaze, visual, and joint attention as means to regulate the child’s attention to the teacher and to the storybook during the reading lesson. Other Deaf cultural and visual components that can be incorporated into literacy activities include rhythmic movements, exaggerated facial expressions, increased signed space, and exaggerated sign size during the shared book reading ( Leigh, Andrews, & Harris, 2018 ). After reading and signing whole stories, during vocabulary reading activities, teachers can build on the connections between signed meanings of words and the language of written texts enabling comprehension for literacy using techniques such as “chaining” ( Humphries & MacDougall, 1999 ). Even the furniture of the classroom shows how culture is embedded in teaching practices. For example, Horejas mentions that the crescent-shaped table in the ASL classroom allows children to have more face-to-face interactions which increases their socialization, collaboration, and stimulates metacognition and conceptualization. The ASL classroom is also “decorated” differently as it has culturally relevant ASL posters, the ABCs in sign language, books on the shelves with ASL vocabulary, other materials which model the two languages—English and ASL. All of these practices, according to Horejas, enhance Deaf cultural transmission and enhance the teaching of English literacy.
Similarly to Horejas’ ideas, in his work with Deaf adult readers who are balanced bilinguals but who came from different languacultures (some were orally taught and others sign taught), Hoffman (2014) found that languaculture or the intertwining of language and culture was evident in their reading comprehension strategies of college textbooks. He found his five Deaf adult participants to use the skill of translanguaging (input in one language and output in the second language) while reading a text. For example, when reading (signing) English texts aloud, they did not simply translate the text from English to ASL but used spoken English, their knowledge of Deaf culture, ASL expansions, rhetorical questions, their background knowledge, metacognitive strategies, rereading, contextual cues, in order to comprehend the print. In other words, they used their multiple languacultures in making meaning from print.
Horejas recognizes the divisions and conflicts between the languaculture of oral pedagogy and sign pedagogy. However, he calls for “collaborative inquiry” and suggests “that both camps sit at the same table and discuss ways to work together for constructive collaborative inquiry to elevate dialogues on some of the issues within the current state of deaf education” (p. 98). The Common Ground Project (2015) , a joint project between the Conference of Educational Administrators for Schools for the Deaf (CEASD), an organization supporting signing-based pedagogy schools and OPTION Schools, which is an organization of oral-based pedagogy schools, have been meeting since 2013 to do just that—to see if both organizations can identify areas for collaboration to help all infants, children, and youth whether they come from an oral-pedagogy languaculture or a sign-pedagogy languaculture.
Clearly, Horejas has raised the languaculture term as one that can be investigated by both practicing teachers and educational researchers and can help us further the case that Deaf culture matters in Deaf Education. Graduate students and researchers in deaf education, sociology, and psychology will find this book rich in theoretical detail and ideas for future research. Qualitative researchers may find the appendices on his research methods helpful. On the practice side, teachers will find this book full of classroom applications as Horejas provides ideas on how to equip the teacher with bilingual teaching knowledge and techniques, as well as how to set up the classroom stocking it with ASL and English bilingual materials, as well as how to set up the desks and chairs to establish a visual learning environment. Horejas’ classroom architecture is similar to the concept of DeafSpace promoted by Deaf architects at Gallaudet University ( Leigh, Andrews, & Harris, 2018 ). DeafSpace provides a space where children can interact, communicate, and collaborate with each other using both of the languages and not face architectural barriers. DeafSpace is a cultural tradition that recognizes basic elements of an architectural expression unique to deaf experiences. The study of DeafSpace offers valuable insight about the interrelationship between the senses, the ways Deaf persons built environments that reflect their cultural identity ( www.gallaudet.edu/american-sign-language-and-deaf-studies/deafspace-institute.html ; last retrieved June 21, 2016).
Finally, Horejas’ compelling personal story is a major plus to this academic text and will provide interest and inspiration for Deaf readers from different languacultural life scripts.
Common Ground Project (2015, March 3). CEASD and OPTIONS Schools . Retrieved June 21, 2016, from http://www.ceasd.org/child-first/common-ground-project/vision-purpose-goals
Hoffman D. L . ( 2014 ). Investigating phenomenological translanguaging among deaf adult bilinguals engaging in reading tasks ( Unpublished doctoral dissertation ). Lamar University , Beaumont, TX .
Google Scholar
Humphries T. L. , & MacDougall F . ( 1999 ). “Chaining” and other links: Making connections between American Sign Language and English in two school settings . Visual Anthropology Review , 15 , 84 – 94 .
Leigh I. W. Andrews J. F. Harris R. L. ( 2018 ). Deaf culture: Exploring deaf communities in the United States . San Diego, CA : Plural Publishing .
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Home > Honors College > Honors Theses > 787
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Honors Theses
Social interaction between deaf and hearing people.
Rebecca C. Hankins , University of Mississippi. Sally McDonnell Barksdale Honors College
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Karen Christoff
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This study examined the personal experiences of hearing people in their interactions with Deaf persons and their knowledge about Deaf culture. The research involved questioning hearing people about their perceptions and interactions with Deaf people and Deaf culture in an effort to gain insight as to how the lives of Deaf people can be improved in mainstream culture. It was predicted that a majority of hearing participants would describe a lack of knowledge about Deaf culture, discomfort interacting with a Deaf person, and an agreement that a need exists for better understanding of Deaf culture. A survey was conducted with 582 undergraduates at the University of Mississippi. Of the original six hypotheses, the results supported the predictions that a majority of hearing participants would report a lack of knowledge about Deaf culture and how to interact with a Deaf person and that hearing participants would agree that there is a need for better understanding of Deaf culture. The results indicate positive attitudes about Deaf people and further show the need for improvement of public knowledge about Deaf culture and people, which fits within the existing body of research.
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Hankins, Rebecca C., "Social Interaction Between Deaf and Hearing People" (2015). Honors Theses . 787. https://egrove.olemiss.edu/hon_thesis/787
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Undergraduate Honors Thesis Collection
The link between american deaf culture and dance: assessing nonverbal communication and recognizing the value of deaf dancers..
Chloe Edelstein , Butler University Follow
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Cynthia Pratt
As a dancer, it is of the utmost importance to know the history behind the origins of movement with intent. In a collegiate setting, we are immersed in the different styles and origins that have shaped the refinement and adaptations of dance into the genres that it exists today. But, I have recognized a lack of knowledge in one extraordinary facet; dance performed by those who are deaf. With this project, I have educated a group of dancers on the different aspects and struggles of being deaf within America and through the creation of a dance that mimics the rehearsal processes of deaf dancers, I have shown how those who are wrongly considered to be disabled, can still connect with audiences through the use of nonverbal communication and emotionally established movement. This piece will culminate with a live performance during the first week of March. The written portion of my thesis highlights nonverbal communication as the link between American Deaf Culture and Dance. I assess the history of its use in both areas as well as the benefits of implementing performance art within a deaf child’s education and how deaf dancers have emerged within the profession. My thesis fuses the knowledge of nonverbal communication in dance and Deaf Culture and will reveal the importance of dance as a means of bridging the gap between those who can hear and those who cannot.
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Edelstein, Chloe, "The Link Between American Deaf Culture and Dance: Assessing nonverbal communication and recognizing the value of deaf dancers." (2016). Undergraduate Honors Thesis Collection . 327. https://digitalcommons.butler.edu/ugtheses/327
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IMAGES
VIDEO
COMMENTS
Culture is the gateway to identity. In Deaf culture, identity can involve both a hearing impairment or status as a sociolinguistic minority (McIlroy & Storbeck, 2011). This dual definition is at the center of the deaf education debate and is the basis for deaf education programs. Three teaching philosophies attributed to culture and identity are:
documentations of limited Deaf communities in the United States (Groce, 1985). Since the founding of the first school for the deaf those schools have become epicenters for socialization and the development of Deaf culture. Since deafness affects people of any race, class, or orientation deafness is found anywhere, creating a diverse community.
Due to the long history of these occurrences, a cultural gap has been created between. the Deaf community and the hearing community. Pray and Jordan (2010) state that, "historically and at present, deaf and hard-of-hearing. people have faced many challenges and barriers to their efforts to achieve recognition of their.
Deaf culture and how to interact with a Deaf person and that hearing participants would ... In this thesis, the usage of "Deaf" also signifies the culture. There are currently two points of view on the condition of deafness: the medical/pathological model and the cultural model (Massachusetts Commission, 2014). ...
Deaf Identity or Assimilation into the Hearing World. One topic that came up repeatedly in the literature was the issue'of Deaf identity. A review of the literature has revealed that deaf people, as a group, vary greatly in their. levels of identification with both the Deaf community and the hearing world. "A.
Statement of Purpose This thesis aims to develop evidence-based best practice recommendations for nursing, ... talking, in Deaf culture, looking away communicates disinterest. Prolonged eye contact may be uncomfortable at first for some, but this is a norm of Deaf culture (Hemberger & Morrow, n.d.). ...
It is written in accessible language that is geared toward high school students who have an interest in sign language and Deaf culture. The textbook is divided into three sections: Part 1, Deaf Culture: Yesterday and Today; Part 2, Signed Languages and Learning; and Part 3, Deaf Lives, Technology, Arts, and Career Opportunities.
According to the results and analysis of participant's responses, the Deaf community in. the El Paso borderland region create their identities and culture through the use of sign. language. Based on this research project, it is evident that sign language plays a vital role in the. creation of culture and identities.
For this thesis, I engage in a comprehensive study of Deaf culture by learning American Sign Language (ASL) and immersing myself within the Deaf community. My objective is to gain insights into their unique modes of interaction, daily lives, and spatial preferences. The research is motivated by the aspiration to apply this profound understanding to the design of a deaf-friendly academic ...
This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. ... related to Deaf culture, and more specifically Black Deaf culture, and discuss the critical need for Deaf research and tools that clinicians should use when working with Deaf individuals in educational environments and clinical care.
(upper case 'D'). In this thesis 'Deaf' will refer to such people, and terms such as Deaf community and Deaf culture will be used to denote this cultural classification. Throughout the thesis the lower case 'd' will used to described the children in my sample and other deaf people who do not see themselves as being part of a Deaf community.
ABSTRACT OF THESIS . DEAF OR HEARING: A HEARING IMPAIRED INDIVIDUAL'S NAVIGATION . BETWEEN TWO WORLDS . Identity construction and how an individual chooses to navigate or display their identity play an important role in how they communicate and interact with other individuals. One group in which identity construction and navigation is a difficult
This thesis examines the combination of visual arts education with deaf studies. It explores teaching art lessons about deaf culture and heritage to students of all ages. There are three lesson plans included each with a Deaf artist as the inspiration for the project and the focus of the lesson.
The dissertation focuses upon the study of the major cultural characteristics of members of a Deaf Community of a large midwestern American city. Previous studies have examined the psychological, sociological and linguistic aspects of Deaf Communities, but the cultural aspects and sociocultural institutions of Deaf Communities have been explored only rarely. The data were collected in 1979 and ...
Masters Thesis The unheard voices in mental health: A deaf experience ... Discussion: Recommendations for future studies include discussions of intersectionality within deaf culture and deaf communities. Additionally, mental health is a paramount issue affecting a multitude of individuals from diverse backgrounds, which includes the deaf ...
Deaf culture matters because it represents a strong support mechanism within a hearing society, which is more often not attuned to Deaf persons' best interests. Deaf culture, with American Sign Language (ASL), and visual (and sometimes auditory) ways of experiencing the world, and its networks of people who share their experiences coping in a ...
This study examined the personal experiences of hearing people in their interactions with Deaf persons and their knowledge about Deaf culture. The research involved questioning hearing people about their perceptions and interactions with Deaf people and Deaf culture in an effort to gain insight as to how the lives of Deaf people can be improved in mainstream culture. It was predicted that a ...
Cultural Deafness as denoted by the capital D in the term Deaf community describes a community of people who use sign language, identify with Deaf culture and history, and share in a rich social ...
Edelstein, Chloe, "The Link Between American Deaf Culture and Dance: Assessing nonverbal communication and recognizing the value of deaf dancers." (2016). Undergraduate Honors Thesis Collection. 327. As a dancer, it is of the utmost importance to know the history behind the origins of movement with intent.
Deaf. The 2008 television movie Sweet Nothing in My Ear presents the controversy over cochlear implants in a sensitive, albeit heart-wrenching, way. Whether or not Adam receives the implant, he will be a loved child and will grow into a healthy, robust adult with the potential to fulfill his dreams.
The experiences of culturally and linguistically Deaf people in prison settings are defined by pain, isolation and deprivation far beyond the 'expected' punishment inflicted by the prison sentence (Kelly Citation 2017, Citation 2018; Zidenburg 2021).This article contends that the medical and social models of disability can be used as important theoretical tools for understanding the ...
Download thesis statement on Deaf Culture in our database or order an original thesis paper that will be written by one of our staff writers and delivered according to the deadline. ... Deaf Culture. Tweet. Date Submitted: 05/17/2004 07:06:05 Category: / Literature / English Length: 6 pages (1640 words) …
Download thesis statement on Deaf Culture in our database or order an original thesis paper that will be written by one of our staff writers and delivered according to the deadline. ... Deaf Culture. Tweet. Date Submitted: 04/29/2002 02:48:51 Category: / Science & Technology Length: 6 pages (1660 words) …