romeo and juliet fate and destiny essay

Romeo and Juliet

William shakespeare, ask litcharts ai: the answer to your questions.

Though much of Romeo and Juliet is driven by the choices its main characters make and the actions they take, there is a dark undercurrent running throughout the play: the suggestion that fate, not free will, is behind the entirety of the human experience. Repeated references to fate and fortune throughout the play underscore Shakespeare’s suggestion that humans are merely pawns in a larger cosmic scheme—invisible but inescapable fates, Shakespeare argues throughout the play, steer the course of human lives, and any and all actions that attempt to subvert those fates are futile and doomed to fail.

In the world of Romeo and Juliet , fate and predetermined destinies are an accepted part of life and society. From the chorus that introduces the first two acts of the play, commenting upon the events that are about to take place, to the characters’ own preoccupation with the unseen forces that control them, Shakespeare imbues the world of the play with the heavy atmosphere of a “black fate” sitting like a storm cloud just above the entirety of the action. Throughout the play, characters acknowledge—and make “misadventured” attempts to thwart—the invisible forces guiding their lives. Yet every attempt to outsmart, outwit, or dodge fate ends terribly. By having Romeo and Juliet verbally acknowledge—privately and to one another—their fears about their doomed fates, Shakespeare showcases how badly his characters want to believe that their desires and actions stand a chance in the face of fate’s wily hand. “Alack, alack, that heaven should practice stratagems / Upon so soft a subject as myself,” Juliet laments after learning that her parents have arranged for her to marry Paris , not knowing that she is already married to Romeo. Juliet has, at this late point in the play, had to deal with the death of her cousin, the cruelty of her family, and the destruction of her previously held ideals about the nature of good and evil, friend and enemy. She has, she feels, been through enough—and is beginning to believe that fate is “practic[ing]” on her, striking her with terrible news and insurmountable problems for sport. Juliet acknowledges the role fate plays in her life—she knows she is a pawn of the “heaven[s]”—and yet her actions over the course of the rest of the play show that she longs to fly in the face of heaven’s decrees.

“O, I am fortune’s fool!” Romeo screams shortly after he kills Tybalt in a duel; “I deny you, stars !” he shouts when he learns of Juliet’s “death” in the play’s final act. In these two expressions of frustration with fate and fortune, Shakespeare uses Romeo’s anger at fate’s dominion to show that while he hates realizing he is on a predetermined path, he is nonetheless cognizant of his lack of autonomy in the face of fortune’s plans for him. When Romeo calls himself “fortune’s fool” after slaying Tybalt, he laments, perhaps, having committed the act he knew he’d have to commit all along: killing the man who killed his best friend. Now that he has committed murder, however, Romeo feels he has been a “fool” to play into fortune’s hand, and to fail resisting harder the pull of fate’s demands. When Romeo learns of Juliet’s death, he cries out that he will “deny” the stars—in other words, he doesn’t want to believe Juliet is dead, or possibly believes, deep down, that there is something he can do to reverse what the stars have ordained even if she is. As he prepares to ride from Mantua to Verona to investigate the truth of his servant Balthasar ’s news, he is admitting, full-out, that he plans to try to reverse his and Juliet’s fortunes—even as, in the same breath, he tacitly admits that he knows their fates are already written in the stars.

Shakespeare’s argument about fate is a bleak one. The insinuation that forces humans can neither comprehend nor control guide their words and actions is perhaps even more sinister in a contemporary context than it would have been in Shakespeare’s own time. Though debates concerning free will versus determinism stretch back to antiquity, faith in humans’ ability to steer their own destinies did not begin to emerge more widely throughout Western culture until well after Shakespeare’s time. Whether or not Shakespeare himself believed in the total dominion of fate and fortune, he certainly used his plays as an arena to work out his frustrations with the mechanisms of individual destiny—and to suggest that to deny or defy one’s fate is a fatal, calamitous choice. 

Fate ThemeTracker

Fate Quotes in Romeo and Juliet

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows, Doth with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.

Romeo: I dream'd a dream to-night. Mercutio: And so did I. Romeo: Well, what was yours? Mercutio: That dreamers often lie.

Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.

My only love sprung from my only hate! Too early seen unknown, and known too late!

O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable.

Romeo: Courage, man; the hurt cannot be much. Mercutio: No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave man.

O, I am fortune's fool!

Is there no pity sitting in the clouds That sees into the bottom of my grief? O sweet my mother, cast me not away! Delay this marriage for a month, a week, Or if you do not, make the bridal bed In that dim monument where Tybalt lies.

Then I defy you, stars!

O true apothecary! Thy drugs are quick. — Thus with a kiss I die.

Yea, noise, then I'll be brief; O, happy dagger! This is thy sheath; there rest, and let me die.

The Role of Fate in 'Romeo and Juliet'

Were the star-cross'd lovers doomed from the start?

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There's no real consensus among Shakespearean scholars about the role of fate in "Romeo and Juliet." Were the "star-cross'd lovers" doomed from the start, their tragic futures determined before they even met? Or are the events of this famed play a matter of bad luck and missed chances?

Let's take a look at the role of fate and destiny in the story of the two teenagers from Verona whose feuding families couldn't keep them apart.

Examples of Fate in 'Romeo and Juliet'

The story of Romeo and Juliet asks the question, "Are our lives and destinies preordained?" While it is possible to see the play as a series of coincidences, bad luck, and bad decisions, many scholars see the story as an unfolding of events predetermined by fate. 

For example, in the opening lines of "Romeo and Juliet," Shakespeare allows the audience to hear his characters’ destiny. We learn early on what is going to happen to the title characters: “a pair of star-cross'd lovers take their life.” As a result, the idea of a preordained ending is already on the audience's mind as the story plays out.

Then, in Act One, Scene Three, Romeo is already feeling that fate is planning his doom before the Capulet's party. He wonders if he should attend the party, as "my mind misgives / Some consequence yet hanging in the stars."  

In Act Three, Scene One, when Mercutio shouts “a plague on both your houses," he's foreshadowing what's to come for the title couple. This bloody scene in which characters are killed gives us a glimpse of what's to come, marking the beginning of Romeo and Juliet’s tragic downfall.

When Mercutio dies, Romeo himself foreshadows the outcome: "This day's black fate on more days doth depend / This but begins the woe, others must end." The others upon whom fate later falls, of course, are Romeo and Juliet.

In Act Five, when he hears of Juliet's death, Romeo swears he will defy fate: "Is it even so? Then I defy you, stars!" Later, as he plans his own death in Juliet's tomb, Romeo says: "O, here / Will I set up my everlasting rest, / And shake the yoke of inauspicious stars / From this world-wearied flesh." This brave defiance of fate is especially heartbreaking because Romeo's suicide is the event that leads to Juliet's death.

The idea of fate permeates through many of the events and speeches in the play. Romeo and Juliet see omens throughout, continually reminding the audience that the outcome will not be a happy one.

Their deaths are also a catalyst for change in Verona, as the dueling families become united in their mutual grief and create a political shift in the city. Perhaps Romeo and Juliet were  fated to love —and die—for the greater good of Verona.

Were Romeo and Juliet Victims of Circumstance?

Other readers may examine the play through the lens of happenstance and coincidence, and thus conclude that Romeo and Juliet's fates were not wholly predetermined but rather a series of unfortunate and unlucky events.

For instance, Romeo and Benvolio happen to meet and talk about love on the very day of the Capulets' ball. Had they had the conversation the following day, Romeo would not have met Juliet.

In Act Five, we learn that Friar Lawrence's messenger to Romeo, who would have explained the plan of Juliet's pretend death, is detained, and Romeo doesn't get the message. If the messenger had not tried to find someone to accompany him on the trip, he would not have been held back.

Finally, Juliet wakes just moments after Romeo's suicide. Had Romeo arrived just a few moments later, all would have been well.

It is certainly possible to describe the events of the play as a series of unfortunate events and coincidences. That said, it is a much more rewarding reading experience to consider the role of fate in "Romeo and Juliet."

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Exemplar Essay: Fate

How does Shakespeare present the theme of fate?

Read this extract from Act 5 Scene 2 of Romeo and Juliet and then answer the question that follows. At this point in the play the Friar John has returned unsuccessfully from trying to deliver Friar Laurence’s letter to Romeo.

Going to find a bare-foot brother out

One of our order, to associate me,

Here in this city visiting the sick,

And finding him, the searchers of the town,

Suspecting that we both were in a house

Where the infectious pestilence did reign,

Seal'd up the doors, and would not let us forth;

So that my speed to Mantua there was stay'd.

FRIAR LAURENCE

Who bare my letter, then, to Romeo?

I could not send it,--here it is again,--

Nor get a messenger to bring it thee,

So fearful were they of infection.

Unhappy fortune! by my brotherhood,

The letter was not nice but full of charge

Of dear import, and the neglecting it

May do much danger. Friar John, go hence;

Get me an iron crow, and bring it straight

Unto my cell.

Starting with this extract, explore how Shakespeare presents fate as a force that controls the characters.

Write about:

• how Shakespeare presents fate in this extract.

• how Shakespeare presents fate in the play as a whole.

AO4 [4 marks]

Romeo and Juliet is about how strong emotions have tragic consequences. Through the theme of fate, Shakespeare invites his audience to question how far the characters’ tragic deaths were predetermined and how far they were decided by Romeo and Juliet’s impulsive actions. He also invites the audience to consider how far their future is decided by societal norms - not fate.

In the extract, Shakespeare implies that fate has prevented the letter from reaching Friar John. In lines 5-8, Shakespeare has Friar John state that he was unable to deliver the letter due to an ‘infectious pestilence’, which resulted in the doors of Mantua being ‘sealed’. While Shakespeare does not state explicitly that it is fate that has caused the plague to hit Mantua at the very moment that Friar John needs to deliver an important letter to Romeo, his Elizabethan audience, strong believers in the power of the stars and planets to predetermine our futures, would have seen this as more than an unhappy coincidence. It does therefore seem that fate is working against Romeo and Juliet.

In the extract, Shakespeare also suggests that Friar Laurence blames fate for this unfortunate event. In line 14, Shakespeare has Friar Laurence cry ‘unhappy fortune!’. In other words, Friar Laurence is stating that it is terribly bad luck that the letter has not reached Romeo. Shakespeare’s use of the word ‘fortune’ implies that Friar Laurence blames a higher power for this coincidence. Friar Laurence’s words could echo the Elizabethan audience’s fears that fate has already decided Romeo and Juliet are doomed. Shakespeare’s choice for the letter to be undelivered creates tension for the audience, as they begin to wonder if Romeo and Juliet are drawing ever-closer to their tragic deaths.

In the prologue, Shakespeare makes clear that Romeo and Juliet are doomed to die. The first time the audience is introduced to Romeo and Juliet, Shakespeare describes their love as ‘death-marked’, which immediately tells the audience that the lovers will die tragically. An Elizabethan audience, who believed in fate, would have believed it possible for Romeo and Juliet’s fate to be decided from birth. By introducing Romeo and Juliet to the audience in this way, perhaps Shakespeare invites the audience to closely scrutinise the actions taken by all of the characters and decide for themselves how far fate is to blame for the tragic deaths.

However, in the play as a whole, Romeo acts impulsively, which contributes to his tragic downfall. The moment he meets Juliet, Romeo forgets Rosaline, his previous love, and asks ‘did my heart love till now?’. This surprising and impulsive change of mind is a stark example of the tragic flaw that leads Romeo towards his death, and is just the first of many similar actions: Romeo marries Juliet the day after meeting her; he murders Tybalt without thinking of the consequence threatened by Prince Escalus; he rushes to Verona with poison and takes it before Juliet wakes. Shakespeare’s presentation of Romeo in this way indicates that Romeo’s depth of passion and emotion are partly to blame for the speed at which he and Juliet are catapulted towards their deaths. If Romeo had been able to think more clearly and rationally rather than rushing to action before considering the consequences, perhaps some of the tragedy could have been avoided.

Also in the play as whole, Shakespeare explores how the restrictions of arranged marriage force Juliet closer to her tragic death. Unlike Romeo, whose impulsive actions are within his control as a man in the Elizabethan era, Juliet’s future is out of her hands. Before the audience meets Juliet in person, we witness a discussion about her between Lord Capulet and Paris. Although Lord Capulet is protective over Juliet, urging Paris to wait for two more years as Juliet is still a ‘stranger in the world’, he does consent to Paris wooing Juliet before asking Juliet’s views. It is clear, therefore, that Juliet has limited say in her future. The audience cannot help but wonder how the marriage between Romeo and Juliet can end happily, given that she has chosen her own suitor and has gone as far as to choose the son of her father’s arch-enemy. Later in the play, when Lord Capulet decides to speed up the marriage, Juliet is pressured to take action. Knowing that she will ‘hang, beg, starve, die in the streets’ if she refuses to marry Paris, Juliet feels she has no option but to consent, and plan an escape. Perhaps if Lord Capulet had not chosen to bring the marriage forward by two years, Juliet may have had an opportunity to be reunited with Romeo. Shakespeare could therefore be challenging traditional patriarchal attitudes to marriage, in which the daughter has limited say over her husband, because this is arguably a contributing factor in Juliet’s death.

In conclusion, it is clear that there are many references to fate within the play that indicate a higher power could be dictating Romeo and Juliet’s future but Shakespeare’s presentation of Romeo’s tragic flaw and arranged marriage certainly invite the audience to consider how far events may have played out differently if the characters had made different decisions.

In the extract, Shakespeare suggests that fate has prevented the letter from reaching Friar John. In lines 5-8, Shakespeare has Friar John state ‘Where the infectious pestilence did reign, Seal'd up the doors’. In other words, Friar John is saying that he couldn’t deliver the letter because he wasn’t allowed into Mantua dye to the plague. Although Shakespeare does not state that fate has stopped Friar John from delivering the letter, it is hinted at. His Elizabethan audience, who believed that the stars and planets could decide their futures, would have believed that fate stopped Friar John from delivering the letter. Therefore it does seem that fate is working against Romeo and Juliet.

In the extract, Shakespeare also suggests that Friar Laurence blames fate. In line 14, Shakespeare has Friar Laurence cry ‘unhappy fortune!’. In other words, Friar Laurence is stating that it is very bad luck that the letter has not reached Romeo. Shakespeare’s use of the word ‘fortune’ implies that Friar Laurence blames a higher power for this. The Elizabethan audience would have understood why Friar Laurence blames a higher power because they believed in fate. Shakespeare’s choice for the letter to be undelivered creates tension for the audience because they begin to wonder if Romeo and Juliet will soon die.

In the prologue, Shakespeare makes clear that Romeo and Juliet are doomed to die. The first time the audience is introduced to Romeo and Juliet, Shakespeare describes their love as ‘death-marked’, which immediately tells the audience that the lovers will not lead long and happy lives. An Elizabethan audience, who believed in fate, would have believed it was possible for Romeo and Juliet’s fate to be decided from birth. Shakespeare could have described Romeo and Juliet as ‘death-marked’ because he wanted his audience to think very carefully about the actions the characters take and decide if it was fate or their own choices that caused them to die.

However, in the play as a whole, Romeo acts impulsively, which contributes to his death. When Romeo sees Juliet at the Capulet ball, Shakespeare has him ask ‘did my heart love till now?’. This question is very surprising because moments earlier Romeo was claiming to be madly in love with Rosaline. This reveals that Romeo is impulsive and quickly changes his mind. We also see that Romeo is impulsive when he kills Tybalt and when he takes the poison at Juliet’s tomb. Shakespeare presents Romeo as impulsive because he wants to show how dangerous it can be when you act quickly on your feelings without thinking about the consequences. It could be argued that Romeo’s impulsive actions are the cause of his death rather than fate.

Also in the play as whole, Shakespeare presents Juliet’s arranged marriage as a cause of her death. Unlike Romeo, Juliet is not able to choose who she marries. When Juliet refuses to marry Paris, Shakespeare has Lord Capulet order her to ‘hang, beg, starve, die in the streets’. Shakespeare’s use of violent language demonstrates how trapped Juliet is because, if she chooses not to marry Paris, she will be thrown out and left to die. As a result of Lord Capulet rushing the marriage, Juliet asks for Friar Laurence’s help to fake her own death. Because of her faking her own death and the letter not reaching Romeo, he thinks she is actually dead and kills himself. Maybe if Juliet hadn’t been told she was going to marry Paris straight away, she might have had time to reunite with Romeo properly, which could have stopped her death. Shakespeare could therefore be suggesting that Juliet’s arranged marriage caused her death, rather than fate. Perhaps he wanted to challenge traditional views towards marriage in the Elizabethan era.

Fate & Destiny

Fate - prologue.

From the very beginning, the prologue introduces us to a key theme in the story: fate . We are told that Romeo and Juliet are fated to fall in love ( 'star-cross’d lovers' ) but also fated to die ( 'death-mark’d love' ).

Contemporary beliefs

• It was a widespread belief that luck played a part in people’s lives.
• Fortune was often represented as a blind woman, Dame Fortune, who spun Fortune’s Wheel.
• These random movements often meant that people who were one day at the top of the wheel (having good times) could very quickly find themselves at the bottom.

'Ancient grudge'

• Shakespeare also introduces the idea of the 'ancient grudge' between the Montagues and Capulets. This suggests that Romeo and Juliet are fated victims of this old feud (argument).
• The prologue suggests that Romeo and Juliet actually have very little control over their own lives. They will have to succumb to this destiny, which was written for them before they were even born.
• This could cause the audience to feel sympathy for the protagonists (main characters) right from the start of the play.

Premonitions

Throughout the play, Shakespeare constantly reminds the audience of the part that fate plays in the story itself. Remember that the wider forces (like fate) in the world can cause tragedy as well as the characters.

• Romeo and Juliet have a number of premonition-like (feeling that something bad is going to happen) ideas that foreshadow their deaths.

Romeo's first premonition

• When Benvolio and Mercutio are persuading Romeo to attend the Capulet ball, Romeo suddenly gets the feeling that attending will lead to his death: 'My mind misgives some consequence yet hanging in the stars shall bitterly begin his fearful date' which will lead to his 'untimely death' .

Post-meeting premonition

• After the party, when Romeo and Juliet meet for the first time but do not know who the other person is, Juliet asks the Nurse to find out his name and says, 'If he be married, my grave is likely to be my wedding bed' .
• This foreshadows Juliet’s death because her marriage to Romeo leads to her suicide in the end.

Mercutio's premonition

• This could be a premonition from him because both families do suffer from the plague of hatred - both suffer lots of deaths by the end of the play.

Post-marriage premonition

• As Romeo goes down from her bedchamber, Juliet says: 'I have an ill-divining soul, methinks I see thee, now thou art so low, as one dead in the bottom of a tomb' .
• As he climbs down from her balcony, she feels as if she is seeing him dead in a tomb – this foreshadows his fate in Act 5.

1.1 Context

1.1.1 Tragedy & Setting

1.1.2 Relationships

1.1.3 Religion & Fate

1.1.4 End of Topic Test - Context

2 Plot Summary

2.1 Prologue

2.1.1 Prologue

2.2.1 Scene 1

2.2.2 Scene 1 Quotes

2.2.3 Scenes 2-4

2.2.4 Scene 5

2.2.5 End of Topic Test - Prologue & Act 1

2.3.1 Scenes 1-2

2.3.2 Scene 3

2.3.3 Scenes 4-6

2.3.4 End of Topic Test - Act 2

2.4.1 Scene 1

2.4.2 Scene 2

2.4.3 Scenes 3-5

2.4.4 End of Topic Test - Act 3

2.5.1 Scene 1

2.5.2 Scene 2-5

2.6.1 Scenes 1-2

2.6.2 Scene 3

2.6.3 Scene 3 - Quotes

2.6.4 End of Topic Test - Acts 4 & 5

3 Key Characters

3.1.1 First Impressions & Juliet's Effect

3.1.2 Character Development

3.1.3 Reactions & Key Quotes

3.2.1 First Impressions & Character Development

3.2.2 Tragic Character

3.2.3 Key Quotes

3.2.4 End of Topic Test - Romeo & Juliet

3.3 Mercutio

3.3.1 Characterisation

3.3.2 Key Quotes

3.4 The Nurse, Benvolio & Tybalt

3.4.1 The Nurse

3.4.2 Benvolio

3.4.3 Tybalt

3.5 Friar Laurence

3.5.1 Characterisation

3.5.2 Key Quotes

3.5.3 End of Topic Test- Mercutio, Nurse & Benvolio

3.5.4 End of Topic Test - Tybalt & Friar Laurence

3.6 Grade 9 - Key Characters

3.6.1 Grade 9 - Key Characters

3.6.2 Grade 9 - Key Characters: Extract Analysis

4 Key Themes & Concepts

4.1 Power & Danger of Love

4.1.1 Romeo's Loves

4.1.2 Friendship & Family

4.1.3 Violent Love

4.1.4 End of Topic Test - Love

4.2 Violence, Fate & Gender

4.2.1 Violence, Conflict & Suicide

4.2.2 Exam-Style Questions - Violence & Death

4.2.3 Fate & Destiny

4.2.4 Gender

4.2.5 End of Topic Test - Violence, Fate & Gender

4.2.6 Grade 9 - Key Themes

5 Writing Techniques

5.1 Writing Techniques

5.1.1 Language, Rhythm & Rhyme

5.1.2 Symbolism & Imagery

5.1.3 Dramatic Irony & Soliloquys

5.1.4 End of Topic Test - Writing Techniques

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Romeo and Juliet

Fate in romeo and juliet sarah fiorio.

The concept of fate functions as a central theme in Shakespeare's Romeo and Juliet. In the opening prologue of the play, the Chorus informs the audience that Romeo and Juliet are "Star ñ cross'd Lovers" (Prologue l.6). In other words, the Chorus states that Romeo and Juliet are governed by fate, a force often linked to the movements of the stars. Fate manifests itself in all the events surrounding the young lovers: the ancient and inexplicable feud between their families, the catastrophic series of mishaps which ruin Friar Lawrence's plans, and the tragic timing of Romeo's suicide and Juliet's awakening. The structure of the play itself rests upon the fate from which the two lovers cannot escape.

The play opens with a brawl which erupts between servants of the Montague and Capulet families. This initial quarrel illustrates that the "ancient Grudge" between the two families runs so deep that it extends to the servants (Prologue l. 3). Upon their first encounter, Romeo and Juliet remain ignorant to the fact that they are the children of feuding families. Actually, the lovers meet by coincidence. Romeo agrees to attend the Capulet ball because he hopes to see Rosaline, and he consistently...

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The Portrayal of Fate in “Romeo and Juliet” Essay

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Introduction

Romeo and Juliet are unquestionably the most famous pair of lovers in world literature. Since the play’s inception in the 16th century, they have fallen in love and died in each other’s arms innumerable times. Just as the actors performing the play are bound by Shakespeare’s script, the actions of the characters within it have been predetermined by the hand of fate. There are repeated references to destiny, fortune, and the futility of trying to escape or subvert them. Thus, the play Romeo and Juliet demonstrates that fate is the invisible, unavoidable force behind the entirety of the human experience.

Firstly, the inevitability of fate is coded into the main plot of Romeo and Juliet. The Capulets and Montague have been embroiled in a blood feud with no other reason given than an “ancient grudge” (Shakespeare Prologue 3). The origins of the conflict are inexplicable but accepted as an unavoidable fact by all the characters. Similarly, humans submit to the workings of fate even if it remains inscrutable to them. Romeo and Juliet fail and die in their attempt to escape the family feud; the same tragic ending awaits any person who cannot accept their fate. Therefore, the main characters’ failure to escape the age-old vendetta between their families is reflective of the human inability to subvert destiny.

Secondly, the prologue establishes that the events of the play have been predetermined not just by the author, but supernatural forces. The main characters have sprung from “the fatal loins” of the two rival families, and nothing but their death can put an end to the conflict (Shakespeare Prologue 5). They are a “star-crossed” couple, consumed by love that is “death-marked” (Shakespeare Prologue 6, 9). Thus the atmosphere of the play is imbued with the inevitability of tragedy. The following events, from Romeo’s fight with Tybalt to the lovers’ double suicide, are not just the result of bad luck and coincidence. The prologue has dictated the action from the very beginning. Fate is playing a chess game and slowly pushing all the players into the correct positions. The prologue divests humans of their free will and presents them as ignorant pawns in a larger cosmic scheme.

Thirdly, the characters themselves are preoccupied with the rule of fate over their lives. They do not remain blind to its machinations but verbally acknowledge their fears about its callousness. Juliet laments that “heaven should practice stratagems upon so soft a subject as myself” (Shakespeare 3.5.209-210). Romeo sighs that he is made a “fortune’s fool” after Tybalt is slain (Shakespeare 3.1.127). Both Romeo and Juliet recognize their lack of autonomy and long to flout the decrees of heaven. Once Romeo learns of Juliet’s death, he declares that he wishes to “defy you, stars,” and later “shake the yoke of inauspicious stars” (Shakespeare 5.1.25, 5.3.111). Romeo and Juliet believe that they are choosing to die for their love as a final assertion of personal will. However, the prologue hints that even this decision was predestined in order to finally heal the rift between the Capulets and Montagues. The constant references to the stars and fortune display that humans are cognizant of fate’s power, but that does not save them from falling prey to it.

Fourthly, the characters do not simply fear the possibility of doom but experience direct premonitions of the tragic fate that awaits them. Romeo fears that “some consequence [is] yet hanging in the stars” upon entering the Capulet ball (Shakespeare 1.5.107). Before even discovering his family name, Juliet looks at Romeo and predicts that her “grave is like to be [her] wedding bed” (Shakespeare 1.5.134). On the balcony, she exclaims that she has an “ill-divining soul” and sees Romeo “as one dead in the bottom of a tomb” (Shakespeare 3.5.54-56). Fate in Romeo and Juliet is not just a retroactive justification of the characters’ impulses or ignorance. They predict that their end will be unhappy even before learning that they come from rival families. Therefore, fate is not a rationalization for human foolishness but an active, supernatural force that puppeteers the characters and leads them to their deaths.

In conclusion, the central tension in Romeo and Juliet is not between the lovers and their families but between free will and fate. Shakespeare demonstrates that destiny is an omnipotent force that humans can neither comprehend nor resist. The futility of subversion is coded into the play’s central plot; Romeo and Juliet’s failure to overcome the family feud is reflective of the human inability to deny destiny. The prologue establishes humans as pawns in a cosmic chess game that they cannot escape even if they acknowledge their role. The characters predict their death even before they learn each other’s names, proving that fate is not simply an excuse but an active force. The self in modern Western culture is understood as a self-contained, self-determining, independent unit. However, a story about the calamitous consequences of attempting to defy destiny still retains a strong hold over the Western imagination.

Shakespeare, William. Romeo and Juliet. Edited by G. Blakemore Evans, Cambridge University Press, 2003.

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Home — Essay Samples — Philosophy — Fate — The Concept Of Destiny In Romeo And Juliet

The Concept of Destiny in Romeo and Juliet

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Macbeth: the Complex Intersection of Ambition Morality and Fate

This essay about William Shakespeare’s “Macbeth” examines the complex themes of ambition morality and fate within the play. It describes Macbeth’s transition from a noble warrior to a tyrannical ruler driven by the prophecies of the Weird Sisters and his own unchecked ambition. Lady Macbeth’s role is also highlighted as she embodies and manipulates gender norms to fulfill her desires. The essay discusses the psychological consequences of Macbeth’s actions including his guilt and paranoia which lead to his tragic downfall. Themes of fate versus free will are explored through the characters’ reactions to the witches’ ambiguous prophecies. Additionally the play’s use of natural and supernatural elements is discussed emphasizing how personal corruption is mirrored by cosmic disorder. The essay concludes by reflecting on the moral lessons of the play and its relevance to contemporary issues of power and ethics.

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William Shakespeare’s “Macbeth” is a profound exploration of the dark side of ambition and the consequences of unethical behavior wrapped within a dramatic and thrilling narrative. This tragic play steeped in witchcraft prophecy and murder offers a timeless analysis of the human condition and the psychological effects of power and guilt.

“Macbeth” begins with the titular character in a place of honor and valor having just defeated the forces of invasion and rebellion against King Duncan of Scotland. His encounter with the three Weird Sisters on the desolate heath marks a turning point not only in the plot but in his moral landscape.

The witches prophesy that Macbeth will become king planting the seeds of ambition and desire for power. Shakespeare brilliantly illustrates how Macbeth initially a loyal and noble warrior is led astray by his aspirations and the manipulations of his wife Lady Macbeth.

Equally complicated and motivated by her own goals is Lady Macbeth. She defies the prevailing gender conventions of the era by demonstrating willpower and strength even greater than her husband’s. She is willing to give up all things feminine in order to fulfill her wants as seen by her well-known plea to the spirits to “unsex me here” and fill her with malice. This scene is significant because it emphasizes how gender roles and the dynamics of power inside a marriage are explored in the play.

The drama explores Macbeth’s psychological suffering as he ascends to the throne through regicide. The story culminates in a depressing realization as the remorse he feels for what he did causes him to experience psychosis and disturbing visions. Shakespeare skillfully discusses the social and psychological effects of unchecked ambition by using Macbeth’s spiral into madness. At the blood-stained blade hallucination and later when Banquo’s ghost appears at the supper Macbeth is forced to face the moral consequences of his actions.

The theme of fate versus free will also pervades the narrative. While the witches’ prophecies set Macbeth on the path to kingship it is his own actions—spurred by his interpretation of their words—that seal his doom. This interplay raises questions about predetermination and the extent of free will themes that resonate deeply with audiences even today. The prophecies ambiguous and cunning can be seen as self-fulfilling driven by Macbeth’s choices rather than any true destiny.

Moreover the natural and supernatural elements of the play serve to enhance its ominous atmosphere. The constant references to darkness storms and the eerie appearances of the witches connect the turmoil within Macbeth to the cosmic disorder he creates. This linkage between the moral and natural realms is a common element in Shakespearean tragedies where personal actions disrupt the broader order of the universe.

“Macbeth” is a stark reminder of the perils of excessive ambition and moral compromise. The play’s conclusion with Macbeth defeated and the rightful order restored serves as a cathartic resolution of the chaos unleashed by his actions. Yet the resolution also invites reflection on the cycle of power and its consequences suggesting that ambition unchecked by ethical considerations leads invariably to ruin.

Shakespeare’s “Macbeth” offers a thought-provoking reflection on the nature of human ambition and the intricacies of the human psyche in addition to being an entertaining play. The drama which continues to be a mainstay of English literature offers perspectives that are still applicable in the modern period. Its depiction of a tyrant’s ascent and descent is nevertheless a potent meditation on the contradictions in human nature and the never-ending struggle between good and evil.

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PapersOwl.com. (2024). Macbeth: The Complex Intersection of Ambition Morality and Fate . [Online]. Available at: https://papersowl.com/examples/macbeth-the-complex-intersection-of-ambition-morality-and-fate/ [Accessed: 10-Jul-2024]

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